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Feininger became famous for his photographs of New York. Other frequent subjects among his works were science and nature, as seen in bones, shells, plants, and minerals in the images of which he often stressed their structure. Rarely did he photograph people or make portraits.
236:, where the Bauhaus moved to in 1926.) The Feininger family moved to Dessau with the Bauhaus. In addition to continuing his architectural studies in Zerbst, Andreas developed an interest in photography and was given guidance by neighbour and Bauhaus teacher
1153:
174:(December 27, 1906 – February 18, 1999) was an American photographer and a writer on photographic technique. He was noted for his dynamic black-and-white scenes of
216:
Andreas left school at 16, in 1922, to study at the
Bauhaus; he graduated as a cabinetmaker in April 1925. Afterwards he studied architecture, initially at the
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194:(1844–1922) and the American singer Elizabeth Feininger (née Lutz), who was also of German descent. His younger brother was the painter and photographer
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247:, in 1939, Feininger immigrated to the U.S. where he established himself as a freelance photographer. In 1943 he joined the staff of
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The
Anatomy of Nature: How Function Shapes the Form and Design of Animate and Inanimate Structures throughout the Universe.
186:
Feininger was born in Paris, France, the eldest son of Julia Berg, a German Jew, and the
American painter and art educator
277:
70:
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AnatomĂa de la naturaleza: De cĂłmo la funciĂłn crea la forma en las estructuras animadas e inanimadas de entero universo.
44:
1057:
898:
110:
570:
CĂłmo hacer buenas fotografĂas: Un curso completo sobre la mecánica, la tĂ©cnica y las aplicaciones de la fotografĂa.
77:
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284:
272:, described him as "one of the great architects who helped create photography as we know it today." In 1966, the
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New York: Viking Press, 1968. London: Thames & Hudson, 1968. Harmondsworth, Middx: Penguin, 1978.
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In 1936, he gave up architecture and moved to Sweden, where he focused on photography. In advance of
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Englewood Cliffs, NJ: Prentice-Hall, 1965. London: Thames & Hudson, 1965. And later editions.
409:
296:
237:
209:, where Lyonel Feininger took up the post of Master of the Printing Workshop at the newly formed
152:
in Mount Vernon Canyon, Colorado, 1942, a photograph taken when
Feininger was an employee of the
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419:
84:
1233:
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Photographs by
Andreas Feininger from the collections at the Museum of the City of New York
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276:(ASMP) awarded Feininger its highest distinction, the Robert Leavitt Award. In 1991, the
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DĂĽsseldorf: Econ, 1960. About architecture; with an introduction by
Kasimir Edschmid.
552:
London: Thames & Hudson, 1962. Revised edition, London: Thames & Hudson, 1970.
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Feininger wrote comprehensive manuals about photography, of which the best known is
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Maids, Madonnas, and
Witches: Women in Sculpture from Prehistoric Times to Picasso.
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The Image of Woman: Women in
Sculpture from Pre-historic Times to the Present Day.
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Boston, American
Photographic Pub. Co., 1939. London: Chapman & Hall, 1939.
191:
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New York: Crown, 1956. London: Thomas
Yoseloff, 1956. New York: Dover, 1979.
429:
229:
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782:
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244:
131:
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Munich: Knaur, 1957. Zurich: Buchclub Ex Libris, 1957. German translation.
713:
Forna dagars Sverige. Copenhagen, 1941. By Feininger and Gustaf Näsström.
707:
Forna dagars Sverige. Copenhagen, 1941. By Feininger and Gustaf Näsström.
701:
Forna dagars Sverige. Copenhagen, 1941. By Feininger and Gustaf Näsström.
405:
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720:
283:
Today, Feininger's photographs are in the permanent collections of the
175:
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Farbfotolehre. Neu bearbeitete Ausgabe des berĂĽhmten Standardwerkes.
328:
Halle: Dr. Walther Heering Verlag, 1934. About portrait photography.
26:
346:
Die Harzburg-Reihe, 13. Harzburg: Dr. Walther Heering Verlag, 1936.
558:
Voir: Précis sur la technique et l'art d'exceller en photographie.
264:. In the introduction to one of Feininger's books of photographs,
408:, 1948. By Henry Swinsbury, with a contribution by Feininger. On
326:
Menschen vor der Kamera. Ein Lehrbuch moderner Bildnisfotografie.
210:
190:(1871-1956). His paternal grandparents were the German violinist
737:
Changing America: The Land as It Was and How Man Has Changed It.
488:
Milan: Garzanti, 1962. Italian translation. Also later editions.
462:
Milan: Garzanti, 1961. Italian translation. Also later editions.
1170:
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Englewood Cliffs, NJ: Prentice-Hall, 1955. And later editions.
381:
233:
225:
206:
202:
160:
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Frankfurt: BĂĽchergilde Gutenberg, 1961. German translation.
280:
awarded Feininger the Infinity Lifetime Achievement Award.
134:, may be Feininger's best-known photograph; he took it for
795:, 1961. English translation. Introduction by Henry Miller.
564:
Arte y tĂ©cnica en fotografĂa: CĂłmo perfeccionar sus fotos.
520:
Total Picture Control: A Personal Approach to Photography.
514:
Bucharest: Editura Meridiane, 1967. Romanian translation.
604:
Fotograferen van A–Z: Een nieuw handboek der fotografie.
572:
Madrid: Mediterráneo, 1968. Madrid: Mediterráneo, 1980.
1020:
London: Thames & Hudson, 1964. English translation.
865:
Munich: RĂĽtten & Loening, 1965. German translation.
388:
Les Horizons nouveaux de la photographie avec l'Exakta.
220:(State Architectural College, Weimar) and later at the
769:
Frauen und Göttinnen von der Steinzeit bis zu Picasso.
731:
The Face of New York: The City as It Was and as It Is.
178:
and for studies of the structures of natural objects.
1024:
Regards sur le monde: 30 années d'art photographique.
534:
Copenhagen: Grafisk Forlag, 1962. Danish translation.
364:
Stockholm: Hyresgästernas Förlags A.-B., 1937. About
1064:
Andreas Feininger. A Photographer's Life. 1906–1999.
1006:
Die Welt neu gesehen. Ein Querschnitt meiner Arbeit.
771:
Cologne: M. DuMont Schauberg, 1960. Text by J. Bon.
695:
Stockholm: A. Bonnier, 1936. In Swedish and English.
1012:
The World Through My Eyes: 30 Years of Photography.
833:, 1964. London: Thames & Hudson, 1964. Text by
470:New York: Prentice-Hall, 1954. And later editions.
438:New York: Prentice-Hall, 1954. And later editions.
319:
51:. Unsourced material may be challenged and removed.
460:Il libro della fotografia: Tecnica e applicazioni.
1177:Introduction to Feininger at George Eastman House
253:magazine, an association that lasted until 1962.
1220:
849:Lyonel Feininger: City at the Edge of the World.
973:In a Grain of Sand: Exploring Design by Nature.
522:New York: Crown, 1961. New York: Amphoto, 1970.
362:Hyresgästernas sparkasse- och byggnadsförening.
739:New York: Crown, 1955. Text by Patricia Dyett.
733:New York: Crown, 1954. Text by Susan E. Lyman.
540:Amsterdam: De Bussey, 1963. Dutch translation.
508:Stockholm: Bonnier, 1958. Swedish translation.
450:Stockholm: Bonnier, 1958. Swedish translation.
426:Advanced Photography, Methods and Conclusions.
1038:Amsterdam: De Bussy, 1964. Dutch translation.
863:Lyonel Feininger. Die Stadt am Ende der Welt.
781:, 1961. English translation. Introduction by
624:Amsterdam: De Bussy, 1969. Dutch translation.
528:DĂĽsseldorf: Econ, 1961. And later editions.
167:in 1942, another OWI photograph by Feininger
1203:The Andreas Feininger Photograph Collection
1032:Milan: Garzanti, 1964. Italian translation.
1026:Brussels: Meddens 1964. French translation.
1014:New York: Crown, 1963. English translation.
879:DĂĽsseldorf: Econ, 1966. German translation.
843:DĂĽsseldorf: Econ, 1964. German translation.
809:New York: Crown, 1961. English translation.
763:Barcelona: Jano, 1962. Spanish translation.
618:Englewood Cliffs, NJ: Prentice-Hall, 1969.
598:Milan: Garzanti, 1966. Italian translation.
502:DĂĽsseldorf: Econ, 1958. German translation.
482:Helsinki: Tammi, 1958. Finnish translation.
476:DĂĽsseldorf: Econ, 1961. German translation.
456:Helsinki: Tammi, 1957. Finnish translation.
374:Harzburg: Dr. Walther Heering Verlag, 1939.
358:Harzburg: Dr. Walther Heering Verlag, 1937.
352:Harzburg: Dr. Walther Heering Verlag, 1936.
340:Harzburg: Dr. Walther Heering Verlag, 1935.
334:Harzburg: Dr. Walther Heering Verlag, 1935.
819:Stone and Man: A Photographic Exploration.
815:Haarlem: Gottmer, 1962. Dutch translation.
987:Stockholm: Stockholms Stadsmuseum, 1991.
751:Delft: W. Gaade, 1956. Dutch translation.
749:Vorm en functie in de natuur: 170 foto's.
111:Learn how and when to remove this message
1289:American people of German-Jewish descent
686:
268:, the editor of the photography journal
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923:Vienna: Econ, 1968. German translation.
807:Man and Stone: A Journey into the Past.
546:Prague: Orbis, 1968. Czech translation.
500:Der SchlĂĽssel zur Fotografie von Heute.
390:Halle: Isert, 1940. French translation.
274:American Society of Media Photographers
1221:
1050:Andreas Feininger, That's Photography.
801:Andreas Feininger fotografiert Steine.
201:In 1908 the Feininger family moved to
1182:ASMP interview with Andreas Feininger
1102:
921:Wunderbare Welt der Bäume und Wälder.
813:Andreas Feininger fotografeert steen.
418:Chicago: Ziff-Davis, 1949. New York:
1060:. 320 pages, 210 photographs, texts.
49:adding citations to reliable sources
20:
1239:20th-century American photographers
1199:– Andreas Bernhard Lyonel Feininger
1173:2003, pp. 549–550 (in German).
1074:. 192 pages, 129 photographs, text.
486:Il libro della fotografia a colori.
278:International Center of Photography
13:
1274:Writers on photographic techniques
1205:at the New-York Historical Society
981:London: Thames & Hudson, 1989.
887:London: Thames & Hudson, 1966.
680:Light and Lighting in Photography.
596:La nuova tecnica della fotografia.
350:Entwickeln, Kopieren, Vergrössern.
14:
1300:
1284:American people of German descent
1143:
975:San Francisco: Sierra Club, 1986.
829:New York: Crown, 1964; New York:
630:The Complete Colour Photographer.
550:A Manual of Advanced Photography.
378:Exakta – Ein Weg zu Foto-Neuland.
228:is a city in the German state of
172:Andreas Bernhard Lyonel Feininger
1269:Life (magazine) photojournalists
901:. New York: Viking Press, 1978.
538:De hogere school der fotografie.
320:Educational books on photography
25:
16:American photographer and writer
1264:American portrait photographers
1254:Immigrants to the United States
1249:Immigrants to the German Empire
1066:Ostfildern: Hatje Cantz, 2010.
1052:Ostfildern: Hatje Cantz, 2004.
1046:1973. Text by Ralph Hattersley.
711:Frihetstid och Gustaviansk tid.
526:Die hohe Schule der Fotografie.
402:The Twin-Lens Camera Companion.
338:Selbst Entwickeln und Kopieren.
314:
285:Center for Creative Photography
36:needs additional citations for
1121:
1084:
873:New York: Viking Press, 1966.
130:, showing the photojournalist
1:
1187:Andreas Feininger Photographs
1128:Bauhaus100. Andreas Feininger
999:
532:Andreas Feiningers fotoskole.
468:Successful Color Photography.
1109:Bauhaus100. Lyonel Feininger
1091:Obituary of T. Lux Feininger
474:Das Buch der Farbfotografie.
181:
7:
1161:Allgemeines KĂĽnstlerlexikon
1137:. Retrieved 3 February 2017
1118:. Retrieved 3 February 2017
909:. New York: Rizzoli, 1991.
566:Madrid: Mediterráneo, 1968.
448:FramgĂĄngsrik fotografering.
380:Halle: Isert, 1939. On the
332:Vergrössern leicht gemacht.
222:Staatliche Bauschule Zerbst
218:Staatliche Bauschule Weimar
10:
1305:
1213:National Gallery of Canada
1018:The World Through My Eyes.
727:, text by Jacquelyn Judge.
705:Vasatid och karolinsk tid.
656:Principles of Composition.
632:Thames & Hudson, 1969.
622:Kleurenfotografie van A–Z.
606:Amsterdam: De Bussy, 1965.
584:The Complete Photographer.
494:The Creative Photographer.
301:Victoria and Albert Museum
293:Metropolitan Museum of Art
1133:February 4, 2017, at the
1114:February 4, 2017, at the
1030:Il mondo come io lo vedo.
871:Forms of Nature and Life.
416:Feininger on Photography.
396:New Paths in Photography.
356:Fotografische Gestaltung.
262:The Complete Photographer
154:Office of War Information
885:Form in Nature and Life.
723:, 1945. Introduction by
610:Basic Color Photography.
592:DĂĽsseldorf: Econ, 1965.
544:Vysoká škola fotografie.
442:Das Buch der Fotografie.
410:twin-lens reflex cameras
232:, about 20 km from
1209:Andreas Feininger fonds
1036:Met andere ogen gezien.
935:Gallery, 1969. Text by
668:The Perfect Photograph.
506:Skapande fotografering.
436:Successful Photography.
297:National Gallery of Art
1163:(Artists of the World)
1152:/Françoise Denoyelle,
877:Die Sprache der Natur.
821:New York: Dover, 1979.
755:Das Antlitz der Natur.
699:Hedenhös och medeltid.
560:Lausanne: Edita, 1961.
168:
157:
141:
1259:Photography in Sweden
687:Other pictorial books
638:Munich: Heyne, 1969.
616:The Color Photo Book.
372:Motive im Gegenlicht.
163:
147:
126:
1079:References and notes
1008:Vienna: Econ, 1963.
985:Stockholm 1933–1939.
979:Nature in Miniature.
955:Feininger's Chicago.
949:Feininger's Hamburg.
662:Darkroom Techniques.
650:Photographic Seeing.
590:Die neue Foto-Lehre.
305:George Eastman House
289:Museum of Modern Art
45:improve this article
961:Industrial America.
793:Thames & Hudson
512:Fotograful creator.
309:Rochester, New York
128:The Photojournalist
60:"Andreas Feininger"
1215:, Ottawa, Ontario.
1155:Feininger, Andreas
1096:The New York Times
1044:Andreas Feininger.
933:Marlborough-Gerson
238:László Moholy-Nagy
169:
158:
142:
1072:978-3-7757-2704-4
967:Leaves. New York.
929:Lyonel Feininger.
454:Hyvä valokuvaaja.
344:Aufnahme-Technik.
205:, and in 1919 to
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1279:French emigrants
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857:T. Lux Feininger
855:, 1965. Text by
480:Värivalokuvaaja.
266:Ralph Hattersley
196:T. Lux Feininger
188:Lyonel Feininger
165:Creede, Colorado
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43:Please help
38:verification
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1234:1999 deaths
1229:1906 births
1165:, Vol. 37,
406:Focal Press
299:, London's
148:View along
1223:Categories
1000:Monographs
993:9185238708
937:Peter Selz
931:New York:
915:0847813258
907:0670729434
851:New York:
835:Kate Simon
777:New York:
721:Ziff-Davis
693:Stockholm.
644:3453411609
578:8471561158
428:New York:
303:, and the
71:newspapers
1197:Biography
841:New York.
827:New York.
719:Chicago:
717:New York.
182:Biography
176:Manhattan
1131:Archived
1112:Archived
791:London:
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384:camera.
270:Infinity
140:in 1951.
1211:at the
943:Shells.
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969:1984.
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945:1972.
682:1976.
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612:1969.
420:Crown
156:(OWI)
150:US 40
92:JSTOR
78:books
1167:Saur
1068:ISBN
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250:Life
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