27:
871:
80:
for two years, leaving in
January 1687, and spending some time at the Cape of Good Hope, arriving in Siam in September. Coming back to France, in September 1688, he spent several months at the academy in the Manège royal, rue de Tournon. In 1692 he joined the army and participated in the invasion of
85:, discovering his musical talent while not occupied by combat. When his father died in August 1694, André Cardinal added "Destouches" to his name in memory of his father's title, Seigneur des Touches et de Guilleville. He quit the army in 1696 to pursue his musical aspirations.
288:), libretto by La Motte (3 January 1704). The work was recreated in 2007 at the Académie d'Ambronay, directed by Hervé Niquet, staged by Jacques Osinski and produced by the Centre Culturel d'Ambronay and the Théâtre de Reims.
423:
Cyril Auvity, Stéphanie d'Oustrac, Callirhoé, Cyril Auvity, Agénor, João
Fernandes, Corésus, Ingrid Perruche, La Reine, Renaud Delaigue, Le Ministre, Stéphanie Révidat, Une Princesse de Calypso, Une Bergère,
501:
Les
Chantres du Centre de musique baroque de Versailles, Ensemble Les Surprises, conducted by Louis-Noël Bestion de Camboulas. 2 CD Ambronay éditions 2019. Diapason d’or.
597:
Biography in this article draws on the material in Renee P.-M. Masson, "Andre
Cardinal Destouches surintendant de la musique du roi directeur de l'Opera 1672 - 1749"
764:
874:
655:
538:
Choeur du
Concert Spirituel, Les Ombres, conducted by Sylvain Sartre. 2 CD Château de Versailles Spectacles 038. 2021. (The Prologue was not recorded).
349:) for solo voice with symphony, text by La Motte (February 1716). The work was recreated in 2009 at the Ambronay Festival by the ensemble Les Ombres.
367:, cantata for solo voice with symphony, text by La Motte (1719). The work was recreated in 2009 at the Ambronay Festival by the ensemble Les Ombres.
192:
163:, 31 December 1721, and the aged Destouches led the musicians for his daughters' masked ball on 13 January 1744. With the beginning of the public
944:
146:
914:
757:
904:
736:
732:
545:
909:
919:
750:
954:
949:
929:
651:
934:
939:
106:. The opera was successfully repeated at the Opéra a few weeks later. The following year found him dining with
924:
117:
After a series of successful operas and the commencement of his successful collaboration with the librettist
122:
107:
828:
541:
320:
20:
223:
836:
505:
353:
435:
382:
188:
218:
544:: Emmanuelle de Negri, Isabelle Druet, Margaux Blanchard, Antonin Rondepierre, Les Chantres Du
332:
68:
Born in Paris, the son of Étienne
Cardinal, a wealthy merchant, André Cardinal was educated by
248:
198:
In 1724 he married Anne-Antoinette de
Reynold de la Ferrière. He was buried in the crypt of
899:
894:
812:
425:
414:, Suites instrumentales, Ensemble Baroque de Limoges, dir. Jean-Michel Hasler. CD Ades 1990
309:
268:
199:
184:
8:
439:
103:
95:
187:
commanded
Destouches to recreate the concert series at the Tuileries. With the death of
301:
141:, as Destouches' operas were revived at the Opéra, Destouches was able to purchase the
130:
118:
796:
242:
647:
404:, Les Eléments, Ensemble Baroque de Limoges, dir. Jean-Michel Hasler. CD Lyrinx, 1986
336:
164:
284:
855:
452:
371:
155:
102:
in 1697. Louis was impressed and said that he enjoyed his music as much as that of
82:
56:
666:
788:
464:
377:
305:
231:
212:
90:
51:
614:
460:
Ensemble Les
Surprises, conducted by L-N Bestion de Camboulas. CD Ambronay 2018
153:, conveniently close to Paris. The young Louis XV danced in Destouches' ballet
134:
888:
99:
742:
26:
313:
150:
820:
804:
418:
292:
256:
111:
73:
138:
235:
160:
46:
448:, cantate à voix seule avec symphonie, Les Ombres. CD Mirare, 2014
346:
121:, in 1713 the king appointed Destouches inspector general of the
42:
329:
69:
176:
77:
133:
would appoint him superintendent of chamber music for the
548:
Les Ombres, Sylvain Sartre 2CD 2024 Château de
Versailles
391:(ballet), libretto by Pierre-Charles Roy (26 March 1726).
682:
According to a letter of Racine noted in Masson 1959:89.
617:
for poor boys at Saint-Barthélemy, noted by Masson,
361:), libretto by Pierre-Charles Roy (4 December 1718)
45:6 April 1672 – 7 February 1749) was a French
875:Category:Compositions by André Cardinal Destouches
886:
644:Greene's biographical encyclopedia of composers
137:, and then Director of the Académie. Under the
479:La première Hespéride, une Nymphe, une Dryade,
428:, conducted by Hervé Niquet. 2 CD Glossa 2007.
772:
758:
483:Apollon (sous les traits du berger Philémon),
442:, Decca (L'Oiseau-Lyre) 475 9100 (CD). 2008.
191:in 1726, Destouches assumed control of the
765:
751:
528:L'Oracle, L'Ordonnateur des jeux funèbres,
276:), libretto by La Motte (10 November 1701)
737:International Music Score Library Project
264:), libretto by La Motte (11 October 1699)
733:Free scores by André Cardinal Destouches
25:
546:Centre de Musique Baroque de Versailles
252:), libretto by La Motte (26 March 1699)
887:
945:French theatre managers and producers
746:
613:In 1683 the elder Cardinal founded a
335:(29 November 1714), recreated at the
630:Tachard described the journey in a
167:in Paris, Destouches performed his
13:
915:18th-century French male musicians
703:He sold it in 1748 (Masson 1959):
692:Maître de la Musique de la Chambre
339:(2023) by the ensemble Les Ombres.
14:
966:
726:
905:18th-century classical composers
870:
869:
304:(27 December 1712). Recorded by
710:
572:
499:un Berger, Le Sommeil, l'Oracle
697:
685:
676:
659:
637:
624:
607:
591:
559:
395:
1:
910:18th-century French composers
646:, by David Mason Greene 1985
634:, at the Archives Nationales.
585:
19:For the German composer, see
920:Directors of the Paris Opera
63:
7:
955:17th-century male musicians
950:French male opera composers
669:, second supplement to the
604:No. 119 (July 1959):81-98).
226:(1697, in five acts 1708)
21:Franz Seraph von Destouches
16:French composer (1672–1749)
10:
971:
389:Les stratagèmes de l'amour
224:Antoine Houdar de la Motte
123:Académie Royale de Musique
76:, he went on a mission to
18:
866:
847:
780:
774:André Cardinal Destouches
578:It was published in 1725.
495:Hercule, le Grand Prêtre,
381:), in collaboration with
72:. With the Jesuit Father
35:André Cardinal Destouches
30:André Cardinal Destouches
930:French Baroque composers
552:
532:Babylonienne, Prêtresse,
473:Chantal Santon-Jeffery,
436:Academy of Ancient Music
385:, libretto by Roy (1721)
205:
189:Michel Richard Delalande
935:French ballet composers
542:Telemaque & Calypso
402:Le Carnaval et La Folie
280:Le Carnaval et la folie
171:(1725) and his cantata
129:a year; later, in 1725
125:, at a stipend of 4000
940:French opera composers
333:Simon-Joseph Pellegrin
31:
632:Second voyage au Siam
514:Emmanuelle De Negri,
497:Stéphen Collardelle,
29:
925:Composers from Paris
599:Revue de Musicologie
469:Judith van Wanroij,
426:Le Concert Spirituel
310:Le Concert Spirituel
534:Clément Debieuvre,
522:Thibault de Damas,
510:Eléonore Pancrazi,
489:Matthieu Lécroart,
440:Christopher Hogwood
359:tragédie en musique
328:), libretto by the
326:tragédie en musique
298:tragédie en musique
274:tragédie en musique
262:tragédie en musique
249:tragédie en musique
183:(also 1728); Queen
165:Concerts Spirituels
104:Jean-Baptiste Lully
49:best known for the
536:Babylonien, Génie,
477:Eugénie Lefebvre,
302:Pierre-Charles Roy
219:pastorale héroïque
119:Pierre-Charles Roy
110:in the company of
94:was performed for
88:Destouches' opera
37:(sometimes called
32:
882:
881:
671:Parnasse français
456: : excerpts
337:Ambronay Festival
185:Maria Leszczyńska
179:for large chorus
962:
873:
872:
767:
760:
753:
744:
743:
721:
714:
708:
701:
695:
689:
683:
680:
674:
663:
657:
641:
635:
628:
622:
611:
605:
595:
579:
576:
570:
565:Also written as
563:
493:Etienne Bazola,
434:, excerpts, The
234:(in German) and
970:
969:
965:
964:
963:
961:
960:
959:
885:
884:
883:
878:
862:
843:
797:Amadis de Grèce
776:
771:
729:
724:
715:
711:
702:
698:
690:
686:
681:
677:
667:Titon du Tillet
664:
660:
642:
638:
629:
625:
621:"1683", "1715".
612:
608:
596:
592:
588:
583:
582:
577:
573:
564:
560:
555:
526:David Witczak,
518:Mathias Vidal,
481:Mathias Vidal,
438:, conducted by
398:
300:), libretto by
243:Amadis de Grèce
222:), libretto by
208:
66:
24:
17:
12:
11:
5:
968:
958:
957:
952:
947:
942:
937:
932:
927:
922:
917:
912:
907:
902:
897:
880:
879:
867:
864:
863:
861:
860:
851:
849:
845:
844:
842:
841:
833:
825:
817:
809:
801:
793:
784:
782:
778:
777:
770:
769:
762:
755:
747:
741:
740:
728:
727:External links
725:
723:
722:
716:Masson 1959,
709:
696:
684:
675:
658:
636:
623:
615:charity school
606:
589:
587:
584:
581:
580:
571:
557:
556:
554:
551:
550:
549:
539:
502:
485:Thomas Dolié,
461:
449:
443:
429:
415:
405:
397:
394:
393:
392:
386:
368:
362:
350:
340:
317:
289:
285:comédie-ballet
277:
265:
253:
239:
207:
204:
193:Musique du Roi
135:Chambre du Roi
65:
62:
15:
9:
6:
4:
3:
2:
967:
956:
953:
951:
948:
946:
943:
941:
938:
936:
933:
931:
928:
926:
923:
921:
918:
916:
913:
911:
908:
906:
903:
901:
898:
896:
893:
892:
890:
877:
876:
865:
858:
857:
853:
852:
850:
846:
839:
838:
834:
831:
830:
826:
823:
822:
818:
815:
814:
810:
807:
806:
802:
799:
798:
794:
791:
790:
786:
785:
783:
779:
775:
768:
763:
761:
756:
754:
749:
748:
745:
738:
734:
731:
730:
719:
713:
706:
700:
693:
688:
679:
672:
668:
665:According to
662:
656:
653:
652:0-385-14278-1
649:
645:
640:
633:
627:
620:
616:
610:
603:
600:
594:
590:
575:
568:
562:
558:
547:
543:
540:
537:
533:
529:
525:
521:
517:
513:
509:
507:
503:
500:
496:
492:
491:Jupiter, Pan,
488:
484:
480:
476:
472:
468:
466:
462:
459:
455:
454:
450:
447:
444:
441:
437:
433:
430:
427:
422:
420:
416:
413:
409:
406:
403:
400:
399:
390:
387:
384:
380:
379:
374:
373:
369:
366:
363:
360:
356:
355:
351:
348:
344:
341:
338:
334:
331:
327:
323:
322:
318:
315:
311:
307:
303:
299:
295:
294:
290:
287:
286:
281:
278:
275:
271:
270:
266:
263:
259:
258:
254:
251:
250:
245:
244:
240:
237:
233:
229:
225:
221:
220:
215:
214:
210:
209:
203:
201:
196:
194:
190:
186:
182:
181:O dulcis Jesu
178:
174:
170:
166:
162:
158:
157:
152:
148:
144:
140:
136:
132:
128:
124:
120:
115:
113:
109:
105:
101:
97:
93:
92:
86:
84:
79:
75:
71:
61:
59:
58:
54:
53:
48:
44:
40:
36:
28:
22:
868:
854:
848:Opera-ballet
835:
827:
819:
811:
803:
795:
787:
773:
717:
712:
704:
699:
691:
687:
678:
670:
661:
643:
639:
631:
626:
618:
609:
601:
598:
593:
574:
567:Les éléments
566:
561:
535:
531:
527:
523:
519:
515:
511:
504:
498:
494:
490:
486:
482:
478:
474:
470:
463:
457:
453:Les Éléments
451:
445:
432:Les Éléments
431:
417:
411:
407:
401:
388:
378:opéra-ballet
376:
370:
364:
358:
352:
342:
325:
319:
306:Hervé Niquet
297:
291:
283:
279:
273:
267:
261:
255:
247:
241:
232:Wolfenbüttel
227:
217:
211:
197:
180:
172:
169:De Profundis
168:
154:
151:Sartrouville
142:
126:
116:
89:
87:
67:
55:
52:opéra-ballet
50:
38:
34:
33:
900:1749 deaths
895:1672 births
856:Les élémens
569:, with 't'.
530:Judith Fa,
396:Discography
372:Les élémens
175:(1728) and
156:Les élémens
147:La Vaudoire
74:Guy Tachard
57:Les élémens
39:des Touches
889:Categories
586:References
524:Zoroastre,
512:Sémiramis,
230:played at
200:Saint-Roch
837:Sémiramis
829:Télémaque
821:Callirhoé
805:Marthésie
516:Amestris,
506:Sémiramis
419:Callirhoé
412:Callirhoé
383:Delalande
354:Sémiramis
321:Télémaque
293:Callirhoé
257:Marthésie
236:The Hague
202:, Paris.
161:Tuileries
96:Louis XIV
64:Biography
131:Louis XV
47:composer
43:baptised
813:Omphale
739:(IMSLP)
735:at the
720:"1724".
707:"1748".
520:Arsane,
508: :
467: :
421: :
408:Omphale
347:cantata
269:Omphale
159:at the
143:terroir
139:Régence
108:Boileau
100:Trianon
98:at the
70:Jesuits
859:(1721)
840:(1718)
832:(1714)
824:(1712)
816:(1701)
808:(1699)
800:(1699)
792:(1697)
781:Operas
654:p.209
650:
487:Hylas,
475:Doris,
446:Sémélé
365:Sémélé
343:Oenone
314:Glossa
173:Sémélé
127:livres
112:Racine
553:Notes
471:Issé,
206:Works
177:motet
83:Namur
789:Issé
718:s.v.
705:s.v.
648:ISBN
619:s.v.
465:Issé
330:abbé
312:for
308:and
228:Issé
213:Issé
91:Issé
78:Siam
149:at
145:of
41:) (
891::
602:43
410:,
195:.
114:.
60:.
766:e
759:t
752:v
694:.
673:.
458:,
375:(
357:(
345:(
324:(
316:.
296:(
282:(
272:(
260:(
246:(
238:.
216:(
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
