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masculine nor sufficiently reticent". Most of the information about the group's activities and dynamics comes from memoirs by them or their families and friends recalled several decades later. Their name may have come from John Giles, Palmer's stockbroker cousin, who despite being no artist was an important figure in the group and perhaps the initial instigator, as Palmer's son suggested. He is recorded as very often extolling the superiority of "the ancients" in any context that occurred in conversation, though the word is also an important one for Blake. At this period "ancient" was a vaguer term than in modern
English, often used to refer to the medieval or even Renaissance, as in the English legal term "Ancient Monument".
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193:(1792—1882) was not a member of the group however he was close to most of the members. Palmer's reference to Linnell's young daughters as "little ancients" in a letter to him of September 1824 is a key piece of evidence as to the date the group was formed (Palmer later married one of them, Hannah). Linnel was seven years older than Calvert, the oldest in the group, and a strong-minded person who disagreed with many of the group's positions. In a letter to Palmer years later he wrote that "I ought to remember that I was not one of the monthly-meeting
22:
94:. Like these groups they represented an oppositional break-away from the academic art establishment, and looked back to an idealized version of the past. They pursued equality among their members as a reaction to the hierarchical structure of the conventional art world. Like Nazarenes and Barbus, they promoted the wearing of special revivalist costume, though only Palmer seems often to have worn it in practice; it seems to be shown in some portraits of Palmer by Richmond such as the bust-length miniature and chalk drawing (1829, both
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works seem to have been sold, and the group received very few commissions for works in "Ancient" style, though
Richmond's successful career as a conventional portraitist took off in the early 1830s. Nor did the people of Shoreham seem to take objection to Palmer and his visitors, though he records they were known by some locals as the
159:
The artist members submitted works for the Royal
Academy exhibitions, many of which were exhibited, but these "stimulated no critical enthusiasm and were evidently not considered sufficiently threatening to provoke outrage, as the Pre-Raphaelites were to do a generation later". None of the exhibited
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past. They never produced a manifesto, and their activities and relationships are poorly documented; Palmer's son later destroyed most of his father's papers from the period, hinting darkly that they contained sexual material showing "a mental condition ... full of danger, and neither sufficiently
171:
Both the
Nazarene Brotherhood and the Barbus were able to attempt communal living in abandoned monasteries outside Rome and Paris respectively, but these convenient possibilities on the continent in the Napoleonic period were not available in the London of the 1820s, so Palmer encouraged long-term
219:
in London, and thereafter he gradually spent more time in London. The monthly dinners to which
Linnell's letter refers were usually held there. Palmer and Richmond with their wives left together for an extended visit to Italy in 1837, which may be taken as the final end of the group, though most
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campaign of insurgency among rural labourers in 1830, which Palmer violently opposed, may have disillusioned him as to the peace and harmony of rural life. Richmond wrote in a letter to Palmer in later life "We all wanted thrashing when in a dream of sentiment we thought we were learning art".
205:
were admitted". Linnell was probably mainly responsible for introducing Palmer and the others to northern
European art of the 15th and 16th centuries, which was then relatively little-known in England. He knew Charles (Karl) Aders, a German businessman living in London who had an important
172:
stays at his house in
Shoreham or elsewhere in the village. Most members had commitments of work or family in London that meant their visits were of weeks if not days, and only William Palmer and Welby Sherman seem to have stayed longer. Blake himself made the trip at least once.
85:
They were the first
English manifestation of the formalised artistic "brotherhood", an artistic movement whose aims included elements of communal living and promotion of a general vision for society. Continental groups of this sort included the German
82:. The Ancients made little impact on the English artistic scene during the ten years or so that the group continued, but several members were later significant artists, and interest in the group has gradually increased since the late 19th-century.
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members continued as friends long afterwards. The exposure in Italy to art in the classical tradition influenced both artists to move away from
Ancient primitivism. The proximity of Shoreham to the
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under a coat with a loose untidy collar and lapels, combined with somewhat Christ-like long hair and a beard. The
Ancients were probably aware of the Nazarenes, but probably not of the Barbus.
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54:) were a group of young English artists and others who were brought together around 1824 by their attraction to archaism in art and admiration for the work of
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If there was ever any formal list of members, it has not survived, but the main figures, recruited roughly between 1824 and 1827, were:
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Vaughan, 18–19, 101–102; Paley, 103–104. Aders' collection was sold in London in 1835; he and his wife were also friends with
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in politics, but equally distrustful of the modern mercantile society booming around them, and looked back to an idealized
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74:. They met in Blake's apartment, dubbed the "House of Interpreter" and at the home of Samuel Palmer in the
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168:". Palmer added other local properties to his house there, which he rented out for the rest of his life.
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58:(1757–1827), who was a generation or two older than the group. The core members of the Ancients were
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Vaughan, 18–19 argues they must have known of the Nazarenes; though Paley, 99–100, is not so sure.
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and the Barbus in Paris, and the most successful later English example was to be the
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70:. Except for Palmer, the central members who were artists were all students at the
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324:(1808–1874), for over forty years rector of Broadoak and Boconoc, Cornwall, and
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Vaughan, 17–20, 105–106, 129; see also drawings at Yale on Wikimedia Commons
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In 1832 Palmer received a further legacy, with which he bought a cottage in
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The Four and Twenty Elders Casting their Crowns before the Divine Throne
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197:— when at the Platonic feast of reason and soul only real Greeks from
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539:(1880). "Francis Oliver Finch, In Memoriam". In Gilchrist, A (ed.).
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http://www.oxfordartonline.com/subscriber/article/grove/art/T002673
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collection of early Northern paintings, including a copy of the
1990:
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Paley, Morton D. (Winter 1989). "The Art of "The Ancients"".
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The Wood of the Self-Murderers: The Harpies and the Suicides
1946:
1611:
Themes from William Blake's The Marriage of Heaven and Hell
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The Works of William Blake: Poetic, Symbolic and Critical
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innocence and abundance that had both Christian and
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Printed as a Note in First Edition, Vol. I. p. 298.
16:Group of English artists who admired William Blake
4118:
545:. Vol. 2 (2 ed.). London: Macmillan.
1694:
636:
579:(1). University of California Press: 97–124.
1108:Jerusalem: The Emanation of the Giant Albion
318:, cousin and "constant supporter" of Palmer.
212:, which Linnell enabled the group to visit.
248:of 1827, 94 mm (3.7 in) by 140 mm (5.51 in)
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1515:Scholarship, in popular culture, and more
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20:
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1357:Europe Supported by Africa and America
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420:Oxford Art Online, Subscription only:
98:), which shows a round-necked pleated
4127:English artist groups and collectives
4048:Romanticism and the French Revolution
1682:
1513:
1315:
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624:
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1579:Serenade for Tenor, Horn and Strings
1595:Songs and Proverbs of William Blake
1460:On the Morning of Christ's Nativity
601:Samuel Palmer, Vision and Landscape
39:Portrait of William Blake drawn by
13:
1066:Visions of the Daughters of Albion
663:
284:(1809–1896), the portrait painter;
14:
4153:
650:
4101:
4100:
1629:William Blake in popular culture
1474:Illustrations of the Book of Job
121:wearing "Ancient" clothing, 1830
1708:
1343:Original Stories from Real Life
1052:The Marriage of Heaven and Hell
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1416:A Vision of the Last Judgement
603:, 2005, British Museum Press,
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411:Paley, 98–99; Vaughan, 18, 105
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387:
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332:, brother of Frederick Tatham.
125:Unlike Blake they were mostly
1:
4071:Wanderer above the Sea of Fog
1554:Blake: Prophet Against Empire
1364:The Night of Enitharmon's Joy
1176:
963:The Voice of the Ancient Bard
564:
228:
703:There is No Natural Religion
573:Huntington Library Quarterly
7:
1156:Never pain to tell thy love
10:
4158:
3988:Coleridge's theory of life
599:Vaughan, William, et al.,
92:Pre-Raphaelite Brotherhood
4080:
4043:Romanticism and economics
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2058:Manuel Antônio de Almeida
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1561:Witness Against the Beast
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432:Vaughan, 20–21, 20 quoted
402:Vaughan, 18–21, 20 quoted
375:(London: Tate, 2005), 18.
137:Christiana Payne, in the
96:National Portrait Gallery
1823:German historical school
1122:The Pickering Manuscript
359:
4132:19th-century art groups
2470:Józef Ignacy Kraszewski
1316:
970:(found only in Copy BB)
848:The Clod and the Pebble
488:Samuel Taylor Coleridge
351:'s sister, who married
140:Grove Dictionary of Art
106:Group aims and activity
4142:Romantic art movements
4053:Romanticism in science
4008:Middle Ages in history
4003:List of Romantic poets
2715:Josiah Gilbert Holland
1655:Catherine Blake (wife)
249:
186:
157:
122:
44:
32:
4023:Romantic epistemology
4013:Opium and Romanticism
2582:Stojadinović-Srpkinja
1808:Counter-Enlightenment
1634:William Blake Archive
1533:Life of William Blake
1423:Descriptive Catalogue
1130:Auguries of Innocence
1059:The French Revolution
863:The Little Girl Found
696:All Religions are One
689:An Island in the Moon
617:. London: Tate, 2005.
542:Life of William Blake
236:
182:self-portrait, 1830,
178:
145:
113:
72:Royal Academy of Arts
38:
24:
4087:Age of Enlightenment
1729:England (literature)
1430:The Great Red Dragon
1137:The Mental Traveller
858:The Little Girl Lost
770:The Little Boy Found
750:The Little Black Boy
450:Vaughan, 19, 105–106
288:Francis Oliver Finch
4038:Romantic psychology
1833:Hudson River School
1777:Sweden (literature)
1762:Russia (literature)
1452:Agony in the Garden
1445:The Ghost of a Flea
1350:The Ancient of Days
1149:Rossetti Manuscript
918:The Little Vagabond
898:My Pretty Rose Tree
868:The Chimney Sweeper
830:Songs of Experience
820:On Another's Sorrow
765:The Little Boy Lost
760:The Chimney Sweeper
50:(also known as the
2023:White Mountain art
1964:Historical fiction
1772:Spain (literature)
1384:Illustrations for
1080:The Book of Ahania
1073:The Book of Urizen
1006:America a Prophecy
948:A Little Girl Lost
928:The Human Abstract
913:The Garden of Love
740:The Ecchoing Green
727:Songs of Innocence
715:Songs of Innocence
250:
187:
123:
45:
33:
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4113:
4028:Romantic medicine
3998:List of romantics
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3436:
3088:Felix Mendelssohn
3083:Fanny Mendelssohn
2894:
2893:
2608:Rosalía de Castro
2546:Soares dos Passos
1894:Transcendentalism
1858:Nazarene movement
1818:Düsseldorf School
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1458:Illustrations of
1407:Illustrations of
1392:Illustrations of
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1013:Europe a Prophecy
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943:A Little Boy Lost
717:and of Experience
682:Poetical Sketches
613:Wilcox, Timothy.
296:(c. 1786 – 1849);
164:, an attempt at "
88:Nazarene movement
52:Shoreham Ancients
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4063:Evolution theory
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1899:Ukrainian school
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1643:(1983 monologue)
1547:Fearful Symmetry
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1045:The Book of Thel
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785:The Divine Image
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371:Timothy Wilcox,
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349:Frederick Tatham
330:Exeter Cathedral
270:Frederick Tatham
209:Ghent Altarpiece
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4033:Romantic poetry
4018:Romantic ballet
3993:German idealism
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3942:Lacoue-Labarthe
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3332:Rimsky-Korsakov
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2387:Maria Edgeworth
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2006:Romantic genius
1936:Gesamtkunstwerk
1913:
1874:Sturm und Drang
1781:
1712:
1707:
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1664:
1617:
1587:Ten Blake Songs
1566:
1525:Scholarly works
1516:
1497:
1492:Visionary Heads
1479:
1341:Engravings for
1328:
1318:
1303:
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1159:
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1113:
1087:The Book of Los
1025:
1020:The Song of Los
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585:10.2307/3817553
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353:George Richmond
337:Also associated
282:George Richmond
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180:George Richmond
115:George Richmond
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64:George Richmond
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3981:Related topics
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903:Ah! Sun-flower
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843:Earth's Answer
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68:Edward Calvert
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2801:Nikolai Gogol
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2432:P. B. Shelley
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2141:Chateaubriand
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1979:
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1971:
1970:Mal du siècle
1967:
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1425:
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1410:
1409:Paradise Lost
1405:
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1402:
1398:
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1210:
1207:
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1200:
1197:
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1134:
1131:
1127:
1126:
1124:
1120:
1110:
1109:
1105:
1103:
1102:
1098:
1096:
1095:
1094:The Four Zoas
1091:
1089:
1088:
1084:
1082:
1081:
1077:
1075:
1074:
1070:
1068:
1067:
1063:
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1056:
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1053:
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1042:
1040:
1039:
1035:
1034:
1032:
1028:
1022:
1021:
1017:
1015:
1014:
1010:
1008:
1007:
1003:
1002:
1000:
998:
991:
988:
986:
980:
969:
966:
964:
961:
959:
956:
954:
951:
949:
946:
944:
941:
939:
938:A Poison Tree
936:
934:
933:Infant Sorrow
931:
929:
926:
924:
921:
919:
916:
914:
911:
909:
906:
904:
901:
899:
896:
894:
891:
889:
886:
884:
881:
879:
878:The Sick Rose
876:
874:
871:
869:
866:
864:
861:
859:
856:
854:
853:Holy Thursday
851:
849:
846:
844:
841:
839:
836:
835:
833:
831:
827:
821:
818:
816:
813:
811:
808:
806:
803:
801:
798:
796:
793:
791:
790:Holy Thursday
788:
786:
783:
781:
780:A Cradle Song
778:
776:
775:Laughing Song
773:
771:
768:
766:
763:
761:
758:
756:
753:
751:
748:
746:
743:
741:
738:
736:
733:
732:
730:
728:
724:
721:
719:
718:
711:
705:
704:
700:
698:
697:
693:
691:
690:
686:
684:
683:
679:
678:
676:
672:
668:
661:
657:
653:
652:William Blake
646:
641:
639:
634:
632:
627:
626:
623:
616:
615:Samuel Palmer
612:
610:
609:9780714126418
606:
602:
598:
594:
590:
586:
582:
578:
574:
569:
568:
555:
548:
544:
543:
538:
532:
523:
514:
505:
496:
489:
483:
474:
465:
456:
447:
438:
429:
423:
417:
408:
399:
390:
381:
374:
373:Samuel Palmer
368:
364:
354:
350:
347:(1811–1881),
346:
343:
342:
339:
336:
335:
331:
327:
323:
322:Arthur Tatham
320:
317:
313:
312:
309:
306:
305:
301:
300:Welby Sherman
298:
295:
292:
289:
286:
283:
280:
277:
276:Samuel Palmer
274:
271:
268:
265:
262:
261:
258:
255:
254:
253:
247:
243:
242:The Ploughman
239:
235:
226:
223:
222:Captain Swing
218:
213:
211:
210:
204:
200:
196:
192:
185:
181:
177:
173:
169:
167:
163:
156:
154:
150:
144:
142:
141:
135:
132:
128:
120:
119:Samuel Palmer
116:
112:
103:
101:
97:
93:
89:
83:
81:
77:
73:
69:
65:
61:
60:Samuel Palmer
57:
56:William Blake
53:
49:
42:
37:
31:
30:Samuel Palmer
27:
26:Early Morning
23:
19:
4099:
4092:
4085:
4069:
3789:Porto-Alegre
3443:Philosophers
3327:Rachmaninoff
2776:Chavchavadze
2766:Baratashvili
2526:João de Deus
2495:Wincenty Pol
2287:Küchelbecker
2015:
1981:Noble savage
1968:
1934:
1909:Wallenrodism
1886:
1872:
1803:Coppet group
1792:
1737:(literature)
1659:
1646:
1638:
1609:
1601:
1593:
1585:
1577:
1559:
1552:
1545:
1538:
1531:
1490:
1473:
1465:
1459:
1450:
1443:
1436:
1429:
1421:
1414:
1408:
1399:
1393:
1385:
1376:
1369:
1362:
1355:
1348:
1342:
1106:
1099:
1092:
1085:
1078:
1071:
1064:
1057:
1050:
1043:
1036:
1018:
1011:
1004:
873:Nurse's Song
838:Introduction
829:
805:Nurse's Song
735:The Shepherd
726:
713:
701:
694:
687:
680:
614:
600:
576:
572:
558:Vaughan, 105
554:
546:
541:
531:
526:Vaughan, 105
522:
513:
504:
495:
482:
473:
464:
455:
446:
437:
428:
416:
407:
398:
389:
380:
372:
367:
345:Julia Tatham
294:Henry Walter
290:(1802–1862);
278:(1805–1881);
272:(1805–1878);
266:(1799–1883);
251:
241:
214:
207:
203:Lisson Grove
194:
191:John Linnell
188:
170:
161:
158:
155:overtones."
146:
138:
136:
124:
84:
51:
48:The Ancients
47:
46:
41:John Linnell
25:
18:
4137:English art
3779:Michałowski
3611:Wackenroder
3576:F. Schlegel
3571:A. Schlegel
3347:Tchaikovsky
3236:Bortkiewicz
3108:R. Schumann
3103:C. Schumann
3068:Kalkbrenner
3037:Saint-Saëns
2342:Anne Brontë
2227:Eichendorff
2212:B. v. Arnim
2207:A. v. Arnim
2017:Weltschmerz
1976:Medievalism
1925:Blue flower
1853:Nationalist
1798:Bohemianism
1710:Romanticism
1651:(1989 play)
995:continental
755:The Blossom
468:Vaughan, 18
316:stockbroker
189:The artist
166:astrologers
162:Extollagers
117:drawing of
78:village of
28:, 1825, by
4121:Categories
3654:Chassériau
3629:Aivazovsky
3337:Rubinstein
3322:Mussorgsky
3271:Wieniawski
3256:Paderewski
3098:Moszkowski
2881:Vörösmarty
2871:Shevchenko
2725:Longfellow
2649:Batyushkov
2644:Baratynsky
2613:Espronceda
2480:Mickiewicz
2475:Malczewski
2442:Wordsworth
2427:M. Shelley
2382:de Quincey
2247:Günderrode
2131:Baudelaire
2011:Wanderlust
1848:Lake Poets
1648:In Lambeth
1329:and prints
1259:Palamabron
1224:Golgonooza
1214:Enitharmon
997:prophecies
810:Infant Joy
565:References
517:Paley, 118
477:Paley, 103
459:Paley, 105
326:prebendary
229:Membership
143:, states,
4094:Modernism
3754:Kiprensky
3714:Géricault
3699:Friedrich
3689:Delacroix
3664:Constable
3644:Bonington
3634:Bierstadt
3586:Senancour
3561:Schelling
3516:Lamennais
3511:Khomyakov
3476:Coleridge
3471:Chaadayev
3378:Stanković
3373:Mokranjac
3292:Balakirev
3251:Moniuszko
3200:Donizetti
3195:Cherubini
3093:Meyerbeer
3078:Marschner
3053:Beethoven
2966:Moscheles
2900:Musicians
2886:Wergeland
2851:Orbeliani
2806:Grundtvig
2710:Hawthorne
2679:Zhukovsky
2674:Vyazemsky
2659:Lermontov
2618:Gutiérrez
2577:Radičević
2541:Herculano
2465:Krasiński
2407:Radcliffe
2377:Coleridge
2352:E. Brontë
2347:C. Brontë
2277:Jean Paul
2272:Hölderlin
2161:Lamartine
2098:Magalhães
2088:Guimarães
1996:Pantheism
1986:Nostalgia
1838:Indianism
1786:Movements
1717:Countries
1432:paintings
1394:The Grave
1327:Paintings
1178:Mythology
983:Prophetic
953:To Tirzah
908:The Lilly
893:The Tyger
888:The Angel
153:Vergilian
127:High Tory
4106:Category
3922:Dahlhaus
3907:Blanning
3874:Scholars
3844:Tropinin
3839:Tidemand
3829:Stattler
3824:Scheffer
3724:Głowacki
3694:Edelfelt
3649:Bryullov
3591:Snellman
3566:Schiller
3556:Rousseau
3536:Michelet
3481:Constant
3451:Belinsky
3424:Sibelius
3368:Konjović
3342:Scriabin
3312:Lyapunov
3246:Lipiński
3215:Spontini
3205:Paganini
3149:Goldmark
2940:Thalberg
2935:Schubert
2915:Bruckner
2876:Topelius
2866:Runeberg
2856:Prešeren
2826:Leopardi
2791:Frashëri
2781:Eminescu
2761:Andersen
2669:Tyutchev
2654:Karamzin
2628:Zorrilla
2623:Saavedra
2521:Castilho
2509:Portugal
2500:Słowacki
2402:Polidori
2332:Barbauld
2267:Hoffmann
2222:Brentano
2136:Bertrand
1957:Romantic
1793:Ancients
1767:Scotland
1660:Ancients
1603:The Lamb
1484:Sketches
745:The Lamb
149:pastoral
131:ruralist
80:Shoreham
3947:Lovejoy
3882:Abraham
3804:Richard
3794:Préault
3719:Girodet
3601:Thoreau
3546:Novalis
3531:Mazzini
3526:Maistre
3501:Hazlitt
3486:Emerson
3466:Carlyle
3456:Berchet
3399:Berwald
3394:Bennett
3363:Hristić
3317:Medtner
3297:Borodin
3287:Arensky
3210:Rossini
3185:Bellini
3164:Joachim
3137:Hungary
3118:Strauss
3046:Germany
3012:Berlioz
2981:Voříšek
2976:Smetana
2954:Czechia
2908:Austria
2841:Maturin
2836:Manzoni
2811:Heliade
2786:Foscolo
2756:Alfieri
2751:Abovian
2705:Emerson
2664:Pushkin
2603:Bécquer
2536:Garrett
2490:Potocki
2437:Southey
2397:Maturin
2367:Carlyle
2324:Britain
2297:Novalis
2252:Gutzkow
2200:Germany
2166:Mérimée
2151:Gautier
2078:Barreto
2073:Azevedo
2053:Alencar
2033:Writers
1952:Byronic
1888:Purismo
1742:Germany
1724:Denmark
1622:Related
1571:Musical
1289:Urthona
1274:Thiriel
1269:Tharmas
1264:Spectre
1204:Bromion
883:The Fly
815:A Dream
593:3817553
256:Artists
199:Hackney
184:gouache
3972:Wellek
3952:de Man
3937:Janion
3927:Ferber
3902:Berlin
3897:Beiser
3892:Barzun
3887:Abrams
3864:Wiertz
3849:Turner
3799:Révoil
3784:Palmer
3774:Martin
3769:Leutze
3744:Janmot
3704:Fuseli
3659:Church
3551:Quinet
3541:Müller
3496:Goethe
3491:Fichte
3414:Franck
3356:Serbia
3307:Glinka
3280:Russia
3266:Tausig
3261:Stolpe
3241:Chopin
3229:Poland
3190:Busoni
3154:Heller
3123:Wagner
3058:Brahms
3032:Onslow
3022:Halévy
2990:France
2971:Reicha
2961:Dvořák
2930:Mahler
2925:Hummel
2920:Czerny
2816:Isaacs
2796:Geijer
2730:Lowell
2720:Irving
2700:Cooper
2695:Bryant
2637:Russia
2572:Njegoš
2567:Kostić
2562:Jakšić
2555:Serbia
2485:Norwid
2460:Fredro
2452:Poland
2422:Seward
2312:Uhland
2302:Schwab
2292:Mörike
2282:Kleist
2237:Goethe
2232:Fouqué
2181:Nodier
2176:Nerval
2171:Musset
2123:France
2113:Varela
2108:Taunay
2093:Macedo
2041:Brazil
1991:Ossian
1918:Themes
1757:Poland
1752:Norway
1734:France
1614:(1998)
1606:(1982)
1598:(1965)
1590:(1958)
1582:(1943)
1371:Newton
1284:Urizen
1279:Tiriel
1239:Leutha
1229:Grodna
1199:Beulah
1194:Albion
1189:Ahania
1101:Milton
1038:Tiriel
923:London
800:Spring
607:
591:
307:Others
66:, and
43:(1820)
4058:Bacon
3967:Rosen
3962:Ricks
3957:Nancy
3917:Blume
3912:Bloom
3834:Stroy
3819:Saleh
3814:Runge
3764:Lampi
3749:Jones
3739:Hayez
3674:Corot
3639:Blake
3606:Tieck
3596:Staël
3521:Larra
3506:Hegel
3461:Burke
3419:Grieg
3409:Field
3404:Elgar
3387:Other
3220:Verdi
3178:Italy
3169:Liszt
3159:Hubay
3144:Erkel
3128:Weber
3113:Spohr
3073:Loewe
3063:Bruch
3027:Méhul
3017:Fauré
3007:Auber
3002:Alkan
2861:Raffi
2831:Mácha
2821:Lenau
2771:Botev
2744:Other
2596:Spain
2531:Dinis
2417:Scott
2392:Keats
2372:Clare
2362:Byron
2357:Burns
2337:Blake
2322:Great
2307:Tieck
2262:Heine
2257:Hauff
2191:Vigny
2186:Staël
2146:Dumas
2068:Assis
2063:Alves
2048:Abreu
2001:Rhine
1904:Ultra
1747:Japan
1640:Blake
1249:Luvah
1219:Fuzon
1209:Enion
1030:Other
985:books
795:Night
589:JSTOR
360:Notes
195:elite
100:smock
3932:Frye
3859:Ward
3854:Veit
3809:Rude
3759:Koch
3734:Gude
3729:Goya
3679:Dahl
3669:Cole
2997:Adam
2945:Wolf
2688:U.S.
2587:Zmaj
2217:Beer
2156:Hugo
2103:Reis
2083:Dias
1947:Hero
1882:Post
1843:Jena
1813:Dark
1438:Pity
1299:Vala
1294:Utha
1147:The
993:The
605:ISBN
201:and
76:Kent
3429:Sor
3302:Cui
2735:Poe
1868:Pre
1863:Neo
1317:Art
1254:Orc
1244:Los
1234:Har
581:doi
328:of
4123::
4084:←
587:.
577:52
575:.
244:,
240:,
62:,
4097:→
1702:e
1695:t
1688:v
1158:"
1154:"
1139:"
1135:"
1132:"
1128:"
644:e
637:t
630:v
595:.
583::
490:.
355:;
302:;
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
