768:
112:
The poet conceives us as evolving and increasingly civilized products of an earthly process. Indeed the earth itself is growing and growing old, while we sport our complex bodies and venture ever more sophisticated desires. Human experience is a kind of illusion engendered by our evolved sense
113:
organs, vulnerable to "the mother's death" and the cold death of the universe. The spirit sees this and is aggrieved, for it would harbor experience in some place that transcends nature, free from the contingencies of earth and universe.
33:. Unlike most of the poems in this collection, it was first published in 1931, so it is restricted by copyright until 2025 in America and similar jurisdictions, because of legislation like the
564:
298:
571:
116:
The poem can be read as ironic, as calling into question the pretension of 'the spirit'. This reading is supported by the naturalistic tenor of the
459:
809:
221:
180:
662:
34:
711:
592:
838:
431:
410:
627:
501:
843:
438:
697:
648:
382:
305:
417:
396:
277:
802:
676:
515:
361:
326:
190:
173:
29:
389:
340:
333:
655:
641:
613:
445:
704:
536:
228:
578:
795:
494:
480:
473:
424:
354:
347:
284:
166:
833:
270:
214:
121:
683:
263:
783:
508:
557:
543:
8:
828:
739:
550:
522:
452:
291:
242:
529:
312:
256:
732:
403:
718:
487:
319:
690:
669:
606:
368:
207:
195:
24:
779:
599:
235:
158:
822:
634:
585:
466:
375:
249:
746:
565:
Frogs Eat
Butterflies. Snakes Eat Frogs. Hogs Eat Snakes. Men Eat Hogs
620:
38:
767:
299:
Cy Est
Pourtraicte, Madame Ste Ursule, et Les Unze Mille Vierges
775:
120:
collection as a whole, and specifically by the parallel of "
37:. However, it is quoted here in full, as justified by
572:Jasmine's Beautiful Thoughts Underneath The Willow
89: And apt in versatile motion, touch and sound
61: Since by our nature we grow old, earth grows
101: And this the spirit sees and is aggrieved.
93: Of the still finer, more implacable chords.
820:
188:
69: Pricks in our spirits at the summer's end,
53: If from the earth we came, it was an earth
85: Gives comfort, so that other bodies come,
73: She sees a barer sky that does not bend.
67: Cries up for us and colder than the frost
63: The same. We parallel the mother's death.
59: Our nature is her nature. Hence it comes,
57: It breeds and that was lewder than it is.
460:The Curtains in the House of the Metaphysician
97: In which the body walks and is deceived,
95: So be it. Yet the spaciousness and light
83: And, out of tenderness or grief, the sun
65: She walks an autumn ampler than the wind
23:" is a poem from the second edition (1931) of
803:
174:
87: Twinning our phantasy and our device,
81: The body walks forth naked in the sun
71: And over the bare spaces of our skies
810:
796:
181:
167:
99: Falls from that fatal and barer sky,
55: That bore us as a part of all things
222:The Paltry Nude Starts on a Spring Voyage
91: To make the body covetous in desire
41:for the purpose of scholarly commentary.
663:Thirteen Ways of Looking at a Blackbird
35:Sonny Bono Copyright Term Extension Act
821:
712:The Revolutionists Stop for Orangeade
593:The Bird with the Coppery, Keen Claws
162:
762:
13:
432:Anecdote of the Prince of Peacocks
411:On the Manner of Addressing Clouds
14:
855:
628:Two Figures in Dense Violet Night
107:
766:
439:A High-Toned Old Christian Woman
698:The Surprises of the Superhuman
649:Hymn from a Watermelon Pavilion
418:Of Heaven Considered as a Tomb
383:Anecdote of Men by the Thousand
306:Hibiscus on the Sleeping Shores
502:Disillusionment of Ten O'Clock
397:Floral Decorations for Bananas
278:Nuances of a Theme by Williams
133:
1:
677:The Man Whose Pharynx Was Bad
516:The Virgin Carrying a Lantern
327:Homunculus et la Belle Etoile
145:
782:. You can help Knowledge by
390:The Apostrophe to Vincentine
341:From the Misery of Don Joost
334:The Comedian as the Letter C
7:
656:Peter Quince at the Clavier
642:To the One of Fictive Music
614:Colloquy with a Polish Aunt
446:The Place of the Solitaires
10:
860:
774:This article related to a
761:
705:Sea Surface Full of Clouds
537:Six Significant Landscapes
362:The Worms at Heaven's Gate
229:The Plot Against the Giant
153:Letters of Wallace Stevens
839:Poetry by Wallace Stevens
202:
27:'s first book of poetry,
495:Tea at the Palaz of Hoon
481:The Emperor of Ice-Cream
474:Depression Before Spring
425:Of the Surface of Things
355:Last Looks at the Lilacs
348:O Florida, Venereal Soil
285:Metaphors of a Magnifico
127:
844:20th-century poem stubs
271:Le Monocle de Mon Oncle
215:Invective Against Swans
155:. 1966: Alfred A. Knopf
122:Invective Against Swans
16:Poem by Wallace Stevens
684:The Death of a Soldier
579:Cortège for Rosenbloom
264:The Load Of Sugar-Cane
104:
47:
778:from the 1930s is a
558:Palace of the Babies
544:Bantam in Pine-Woods
726:Anatomy of Monotony
551:Anecdote of the Jar
523:Stars at Tallapoosa
453:The Weeping Burgher
292:Ploughing on Sunday
243:Domination of Black
45:Anatomy of Monotony
21:Anatomy of Monotony
313:Fabliau of Florida
257:The Ordinary Women
139:Stevens, H. p. 260
791:
790:
756:
755:
733:The Public Square
404:Anecdote of Canna
851:
812:
805:
798:
770:
763:
719:Lunar Paraphrase
488:The Cuban Doctor
320:Doctor of Geneva
183:
176:
169:
160:
159:
151:Stevens, Holly.
140:
137:
859:
858:
854:
853:
852:
850:
849:
848:
819:
818:
817:
816:
759:
757:
752:
670:Nomad Exquisite
607:The Wind Shifts
369:The Jack-Rabbit
208:Earthy Anecdote
198:
196:Wallace Stevens
187:
148:
143:
138:
134:
130:
110:
105:
103:
100:
98:
96:
94:
92:
90:
88:
86:
84:
82:
78:
75:
72:
70:
68:
66:
64:
62:
60:
58:
56:
54:
50:
46:
25:Wallace Stevens
17:
12:
11:
5:
857:
847:
846:
841:
836:
834:American poems
831:
815:
814:
807:
800:
792:
789:
788:
771:
754:
753:
751:
750:
743:
736:
729:
722:
715:
708:
701:
694:
687:
680:
673:
666:
659:
652:
645:
638:
631:
624:
617:
610:
603:
600:Life Is Motion
596:
589:
582:
575:
568:
561:
554:
547:
540:
533:
526:
519:
512:
509:Sunday Morning
505:
498:
491:
484:
477:
470:
463:
456:
449:
442:
435:
428:
421:
414:
407:
400:
393:
386:
379:
372:
365:
358:
351:
344:
337:
330:
323:
316:
309:
302:
295:
288:
281:
274:
267:
260:
253:
246:
239:
236:Infanta Marina
232:
225:
218:
211:
203:
200:
199:
186:
185:
178:
171:
163:
157:
156:
147:
144:
142:
141:
131:
129:
126:
109:
108:Interpretation
106:
79:
76:
51:
48:
44:
43:
15:
9:
6:
4:
3:
2:
856:
845:
842:
840:
837:
835:
832:
830:
827:
826:
824:
813:
808:
806:
801:
799:
794:
793:
787:
785:
781:
777:
772:
769:
765:
764:
760:
748:
744:
741:
737:
734:
730:
727:
723:
720:
716:
713:
709:
706:
702:
699:
695:
692:
688:
685:
681:
678:
674:
671:
667:
664:
660:
657:
653:
650:
646:
643:
639:
636:
632:
629:
625:
622:
618:
615:
611:
608:
604:
601:
597:
594:
590:
587:
583:
580:
576:
573:
569:
566:
562:
559:
555:
552:
548:
545:
541:
538:
534:
531:
527:
524:
520:
517:
513:
510:
506:
503:
499:
496:
492:
489:
485:
482:
478:
475:
471:
468:
467:Banal Sojourn
464:
461:
457:
454:
450:
447:
443:
440:
436:
433:
429:
426:
422:
419:
415:
412:
408:
405:
401:
398:
394:
391:
387:
384:
380:
377:
376:Valley Candle
373:
370:
366:
363:
359:
356:
352:
349:
345:
342:
338:
335:
331:
328:
324:
321:
317:
314:
310:
307:
303:
300:
296:
293:
289:
286:
282:
279:
275:
272:
268:
265:
261:
258:
254:
251:
247:
244:
240:
237:
233:
230:
226:
223:
219:
216:
212:
209:
205:
204:
201:
197:
193:
192:
184:
179:
177:
172:
170:
165:
164:
161:
154:
150:
149:
136:
132:
125:
123:
119:
114:
102:
74:
42:
40:
36:
32:
31:
26:
22:
784:expanding it
773:
758:
740:Indian River
725:
250:The Snow Man
189:
152:
135:
117:
115:
111:
80:
52:
28:
20:
18:
530:Explanation
829:1931 poems
823:Categories
146:References
191:Harmonium
118:Harmonium
30:Harmonium
691:Negation
621:Gubbinal
39:fair use
635:Theory
586:Tattoo
128:Notes
780:stub
776:poem
124:".
747:Tea
194:by
825::
77:II
811:e
804:t
797:v
786:.
749:"
745:"
742:"
738:"
735:"
731:"
728:"
724:"
721:"
717:"
714:"
710:"
707:"
703:"
700:"
696:"
693:"
689:"
686:"
682:"
679:"
675:"
672:"
668:"
665:"
661:"
658:"
654:"
651:"
647:"
644:"
640:"
637:"
633:"
630:"
626:"
623:"
619:"
616:"
612:"
609:"
605:"
602:"
598:"
595:"
591:"
588:"
584:"
581:"
577:"
574:"
570:"
567:"
563:"
560:"
556:"
553:"
549:"
546:"
542:"
539:"
535:"
532:"
528:"
525:"
521:"
518:"
514:"
511:"
507:"
504:"
500:"
497:"
493:"
490:"
486:"
483:"
479:"
476:"
472:"
469:"
465:"
462:"
458:"
455:"
451:"
448:"
444:"
441:"
437:"
434:"
430:"
427:"
423:"
420:"
416:"
413:"
409:"
406:"
402:"
399:"
395:"
392:"
388:"
385:"
381:"
378:"
374:"
371:"
367:"
364:"
360:"
357:"
353:"
350:"
346:"
343:"
339:"
336:"
332:"
329:"
325:"
322:"
318:"
315:"
311:"
308:"
304:"
301:"
297:"
294:"
290:"
287:"
283:"
280:"
276:"
273:"
269:"
266:"
262:"
259:"
255:"
252:"
248:"
245:"
241:"
238:"
234:"
231:"
227:"
224:"
220:"
217:"
213:"
210:"
206:"
182:e
175:t
168:v
49:I
19:"
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.