108:", is what commentators have in mind when they speak of his sensualism. Magnifico may be one of those men crossing the bridge, shifting from viewing himself and the world from various external perspectives to the first-person viewpoint ("Of what was it I was thinking"?). What explicitly will not declare itself is subjective experience, and yet it declares itself through the action of the poem. The meanings that enable objective description of the world do not declare themselves, and yet the poem ends with them in a reduction that is an usurpation of the subjective.
99:
It explores the difference between detached reportage in its various foci: twenty men, a single bridge, a village; twenty villages; or one man, one bridge, one village, on one hand and immediate lived experience – the boots, the boards, the first white wall of the village rising through the first
115:
ability to see different perspectives of an object simultaneously: "One must assimilate the multiplicity here", he writes about the various bridge crossings, "just as the viewer of
Duchamp's painting must assimilate the fragmentation and multiplicity of the nude descending the staircase".
576:
310:
583:
471:
233:
192:
674:
723:
604:
790:
443:
422:
639:
513:
100:
fruit trees on the other. Stevens' preference for immediate lived experience addressed in his scornful treatment of
450:
709:
660:
394:
317:
429:
408:
289:
105:
32:(1923). It was first published in 1918, so it is in the public domain. The poem experiments with perspective.
688:
527:
373:
338:
202:
185:
28:
401:
352:
345:
667:
653:
625:
457:
716:
548:
240:
590:
506:
492:
485:
436:
366:
359:
178:
785:
282:
226:
101:
695:
275:
520:
569:
555:
8:
780:
751:
737:
562:
534:
464:
303:
254:
541:
324:
268:
744:
415:
730:
499:
331:
702:
681:
618:
380:
219:
207:
23:
611:
247:
170:
774:
646:
597:
478:
387:
261:
120:
758:
577:
Frogs Eat
Butterflies. Snakes Eat Frogs. Hogs Eat Snakes. Men Eat Hogs
632:
124:
311:
Cy Est
Pourtraicte, Madame Ste Ursule, et Les Unze Mille Vierges
111:
Buttel cites the poem to support his claim that
Stevens has the
112:
584:Jasmine's Beautiful Thoughts Underneath The Willow
772:
200:
472:The Curtains in the House of the Metaphysician
186:
193:
179:
127:" for related experiments in perspective.
234:The Paltry Nude Starts on a Spring Voyage
165:Wallace Stevens: The Making of Harmonium.
53:Crossing a single bridge into a village.
675:Thirteen Ways of Looking at a Blackbird
90:The first white wall of the village ...
47:Are twenty men crossing twenty bridges,
773:
724:The Revolutionists Stop for Orangeade
605:The Bird with the Coppery, Keen Claws
174:
81:The first white wall of the village
13:
444:Anecdote of the Prince of Peacocks
423:On the Manner of Addressing Clouds
14:
802:
640:Two Figures in Dense Violet Night
167:1967: Princeton University Press.
451:A High-Toned Old Christian Woman
58:That will not declare itself ...
710:The Surprises of the Superhuman
661:Hymn from a Watermelon Pavilion
430:Of Heaven Considered as a Tomb
395:Anecdote of Men by the Thousand
318:Hibiscus on the Sleeping Shores
514:Disillusionment of Ten O'Clock
409:Floral Decorations for Bananas
290:Nuances of a Theme by Williams
145:
136:
106:Nuances of a Theme by Williams
85:Of what was it I was thinking?
1:
689:The Man Whose Pharynx Was Bad
528:The Virgin Carrying a Lantern
339:Homunculus et la Belle Etoile
157:
74:Yet is certain as meaning ...
61:Twenty men crossing a bridge,
43:Twenty men crossing a bridge,
402:The Apostrophe to Vincentine
353:From the Misery of Don Joost
346:The Comedian as the Letter C
79:On the boards of the bridge.
72:That will not declare itself
67:Twenty men crossing a bridge
7:
668:Peter Quince at the Clavier
654:To the One of Fictive Music
626:Colloquy with a Polish Aunt
458:The Place of the Solitaires
10:
807:
717:Sea Surface Full of Clouds
549:Six Significant Landscapes
374:The Worms at Heaven's Gate
241:The Plot Against the Giant
83:Rises through fruit-trees.
77:The boots of the men clump
20:"Metaphors of a Magnifico"
791:Poetry by Wallace Stevens
214:
26:'s first book of poetry,
507:Tea at the Palaz of Hoon
493:The Emperor of Ice-Cream
486:Depression Before Spring
437:Of the Surface of Things
367:Last Looks at the Lilacs
360:O Florida, Venereal Soil
297:Metaphors of a Magnifico
130:
36:Metaphors of a Magnifico
283:Le Monocle de Mon Oncle
227:Invective Against Swans
102:William Carlos Williams
87:So the meaning escapes.
16:Poem by Wallace Stevens
696:The Death of a Soldier
591:Cortège for Rosenbloom
276:The Load Of Sugar-Cane
96:
49:Into twenty villages,
38:
570:Palace of the Babies
556:Bantam in Pine-Woods
119:See also his poems "
738:Anatomy of Monotony
563:Anecdote of the Jar
535:Stars at Tallapoosa
465:The Weeping Burgher
304:Ploughing on Sunday
255:Domination of Black
92:The fruit-trees ...
325:Fabliau of Florida
269:The Ordinary Women
768:
767:
745:The Public Square
416:Anecdote of Canna
151:Buttel, pp. 164-5
798:
731:Lunar Paraphrase
500:The Cuban Doctor
332:Doctor of Geneva
195:
188:
181:
172:
171:
152:
149:
143:
140:
56:This is old song
806:
805:
801:
800:
799:
797:
796:
795:
771:
770:
769:
764:
682:Nomad Exquisite
619:The Wind Shifts
381:The Jack-Rabbit
220:Earthy Anecdote
210:
208:Wallace Stevens
199:
160:
155:
150:
146:
141:
137:
133:
97:
95:
93:
91:
89:
88:
86:
84:
82:
80:
78:
76:
75:
73:
71:
70:
69:Into a village.
68:
66:
64:
63:Into a village,
62:
60:
59:
57:
55:
54:
52:
50:
48:
46:
45:Into a village,
44:
42:
37:
24:Wallace Stevens
22:is a poem from
17:
12:
11:
5:
804:
794:
793:
788:
786:American poems
783:
766:
765:
763:
762:
755:
748:
741:
734:
727:
720:
713:
706:
699:
692:
685:
678:
671:
664:
657:
650:
643:
636:
629:
622:
615:
612:Life Is Motion
608:
601:
594:
587:
580:
573:
566:
559:
552:
545:
538:
531:
524:
521:Sunday Morning
517:
510:
503:
496:
489:
482:
475:
468:
461:
454:
447:
440:
433:
426:
419:
412:
405:
398:
391:
384:
377:
370:
363:
356:
349:
342:
335:
328:
321:
314:
307:
300:
293:
286:
279:
272:
265:
258:
251:
248:Infanta Marina
244:
237:
230:
223:
215:
212:
211:
198:
197:
190:
183:
175:
169:
168:
159:
156:
154:
153:
144:
142:Buttel, p. 164
134:
132:
129:
39:
35:
34:
15:
9:
6:
4:
3:
2:
803:
792:
789:
787:
784:
782:
779:
778:
776:
760:
756:
753:
749:
746:
742:
739:
735:
732:
728:
725:
721:
718:
714:
711:
707:
704:
700:
697:
693:
690:
686:
683:
679:
676:
672:
669:
665:
662:
658:
655:
651:
648:
644:
641:
637:
634:
630:
627:
623:
620:
616:
613:
609:
606:
602:
599:
595:
592:
588:
585:
581:
578:
574:
571:
567:
564:
560:
557:
553:
550:
546:
543:
539:
536:
532:
529:
525:
522:
518:
515:
511:
508:
504:
501:
497:
494:
490:
487:
483:
480:
479:Banal Sojourn
476:
473:
469:
466:
462:
459:
455:
452:
448:
445:
441:
438:
434:
431:
427:
424:
420:
417:
413:
410:
406:
403:
399:
396:
392:
389:
388:Valley Candle
385:
382:
378:
375:
371:
368:
364:
361:
357:
354:
350:
347:
343:
340:
336:
333:
329:
326:
322:
319:
315:
312:
308:
305:
301:
298:
294:
291:
287:
284:
280:
277:
273:
270:
266:
263:
259:
256:
252:
249:
245:
242:
238:
235:
231:
228:
224:
221:
217:
216:
213:
209:
205:
204:
196:
191:
189:
184:
182:
177:
176:
173:
166:
162:
161:
148:
139:
135:
128:
126:
122:
117:
114:
109:
107:
103:
94:
33:
31:
30:
25:
21:
752:Indian River
296:
262:The Snow Man
201:
164:
147:
138:
121:The Snow Man
118:
110:
98:
40:
27:
19:
18:
542:Explanation
163:Buttel, H.
781:1918 poems
775:Categories
158:References
51:Or one man
203:Harmonium
29:Harmonium
703:Negation
633:Gubbinal
125:Gubbinal
113:Cubists'
123:" and "
647:Theory
598:Tattoo
41:
131:Notes
104:in "
759:Tea
206:by
65:Are
777::
761:"
757:"
754:"
750:"
747:"
743:"
740:"
736:"
733:"
729:"
726:"
722:"
719:"
715:"
712:"
708:"
705:"
701:"
698:"
694:"
691:"
687:"
684:"
680:"
677:"
673:"
670:"
666:"
663:"
659:"
656:"
652:"
649:"
645:"
642:"
638:"
635:"
631:"
628:"
624:"
621:"
617:"
614:"
610:"
607:"
603:"
600:"
596:"
593:"
589:"
586:"
582:"
579:"
575:"
572:"
568:"
565:"
561:"
558:"
554:"
551:"
547:"
544:"
540:"
537:"
533:"
530:"
526:"
523:"
519:"
516:"
512:"
509:"
505:"
502:"
498:"
495:"
491:"
488:"
484:"
481:"
477:"
474:"
470:"
467:"
463:"
460:"
456:"
453:"
449:"
446:"
442:"
439:"
435:"
432:"
428:"
425:"
421:"
418:"
414:"
411:"
407:"
404:"
400:"
397:"
393:"
390:"
386:"
383:"
379:"
376:"
372:"
369:"
365:"
362:"
358:"
355:"
351:"
348:"
344:"
341:"
337:"
334:"
330:"
327:"
323:"
320:"
316:"
313:"
309:"
306:"
302:"
299:"
295:"
292:"
288:"
285:"
281:"
278:"
274:"
271:"
267:"
264:"
260:"
257:"
253:"
250:"
246:"
243:"
239:"
236:"
232:"
229:"
225:"
222:"
218:"
194:e
187:t
180:v
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.