71:. After MacMillan's death, DNA tests showed that Anderson was unrelated to the Russian imperial family, but at the time the ballet was created many, including MacMillan, were inclined to accept that she might be the lost Grand Duchess. Anderson was confined for a time to a mental institution in Berlin in 1920. The 1967 ballet depicts her there, painfully attempting to recover her memory. The first two acts of the 1971 version show Anastasia's life (or Anderson's mental image of it) in her privileged surroundings before the
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designed costumes and scenery for both productions. After MacMillan's death the ballet was revived, with minor changes, under the supervision of his widow
Deborah MacMillan in May 1996. New costumes and scenery were designed by
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48:(1953) and untitled electronic music by Fritz Winckel and Rüdiger Rüfer. The three-act version also used
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75:. MacMillan chose Tchaikovsky's music for these acts, to provide a dramatic contrast with the
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415:"Royal Opera House is streaming free ballet and opera online during coronavirus outbreak"
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the COVID-19 coronavirus pandemic and it's impacts on the performing arts
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390:"MacMillan, K.: Anastasia [Ballet] (Royal Ballet, 2016) (NTSC)"
37:; the original one-act version became the final act of the 1971 work.
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on 25 June 1967. The title role of
Anastasia/Anderson was danced by
515:
Cultural depictions of Grand
Duchess Anastasia Nikolaevna of Russia
379:, Royal Opera House Collections Online, retrieved 10 October 2014
312:, Royal Opera House Collections Online, retrieved 10 October 2014
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The first performance of the single-act version was given at the
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Royal Opera House
Collections Online, retrieved 10 October 2014
113:. In that, and later revivals, the title role was performed by
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33:. In 1971 MacMillan expanded the work to three acts for the
29:. The first version in one act was premiered in 1967 by the
278:, the Royal Opera House released the recording online.
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179:Royal Opera House, Covent Garden, 22 July 1971:
92:. The three-act version was premiered by the
81:and the edgy Martinů score in the third act.
363:Craine, Debra. "Triumph for the ballerina",
69:Grand Duchess Anastasia Nikolaevna of Russia
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342:Barry Kay Archive - ballet design index
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435:
340:"Anastasia 1967 and 1971 productions"
500:Ballets created for The Royal Ballet
288:List of historical ballet characters
149:Deutsche Oper, Berlin, 25 June 1967
63:The ballet is based on the story of
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14:
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175:Original cast (three-act version)
377:" Anastasia (three acts) (1996)"
352:" Anastasia (three acts) (1971)"
145:Original cast (one-act version)
505:Ballets based on actual events
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465:Ballets by Kenneth MacMillan
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440:. London: Faber and Faber.
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67:, who purported to be the
495:Ballets set in the 1920s
490:Ballets set in the 1910s
310:"Anastasia (three acts)"
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330:Parry, pp. 327 and 389
40:The 1967 version uses
485:Ballets set in Russia
480:Ballets set in Berlin
475:1971 ballet premieres
470:1967 ballet premieres
436:Parry, Jann (2010) .
86:Deutsche Oper, Berlin
510:Biographical ballets
31:Deutsche Oper Ballet
367:, 6 May 1996, p. 10
189:Svetlana Beriosova
131:Lauren Cuthbertson
73:Russian Revolution
447:978-0-571-24303-7
438:Different Drummer
194:Antoinette Sibley
104:on 22 July 1971.
98:Royal Opera House
27:Kenneth MacMillan
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184:Lynn Seymour
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154:Lynn Seymour
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135:Laura Morera
94:Royal Ballet
90:Lynn Seymour
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35:Royal Ballet
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250:Videography
209:Gerd Larsen
159:Rudolf Holz
111:Bob Crowley
50:Tchaikovsky
25:created by
459:Categories
430:References
419:Classic FM
234:David Wall
365:The Times
106:Barry Kay
18:Anastasia
282:See also
399:15 June
96:at the
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137:, and
23:ballet
394:Naxos
294:Notes
21:is a
442:ISBN
401:2020
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