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1054:, painting, drawing, and sculpture. The Cass Sculpture Foundation wrote about Jones' work that "on a flat canvas, painted forms appear sculptural and his three-dimensional works are painterly. He uses colour to describe form, at times with graphic precision, or conversely with an energy and freedom of gesture which is close to direct expression. Similar developments are evident in his printmaking." The Tate has described his output in lithography as "prolific," writing that it "proved an appropriate medium for his graphic flair." Artists and pop fashion designers such as
589:, was among his first works to incorporate elements of sculpture. Each print is made of two-halves, the bottom being a realistic pair of women's legs in tights, while the upper halves are drawn in a 1940s fetishist graphic style representing "the secret face of British male desire in the gloomy post-war years." About his further experimentation with sculpture, Jones has stated that "I spent so much time giving my figures that grabbable quality, I thought, why don't I make them in three dimensions?"
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617:"When I looked at what other avant-garde artists were doing with the figure there was always a kind of prop, something that let the viewer off the hook, that told them 'this is a work of art'. I wanted to make a figure that was devoid of those props. There was an idea I'd seen in an adult comic strip where a person was used as a table, and that set off a whole host of resonances."
511:. In New York City, Jones recollects learning to "present what you were saying as clearly as possible," and he developed an interest in making his images tangible. For the year Jones remained in the city, he "discovered a rich fund of imagery in sexually motivated popular illustration of the 1940s and 1950s." According to Jones, about his art of the time:
1100:'s swimming pools." In a review on Jones' career, Richard Dorment wrote in November 2014 that "you could argue that Jones's work isn't really about women; it's about men and how they look at and think about women. Men use various strategies to neutralise or control desire. One is to fetishise the female body... another is for the man to appropriate it."
1000:. In 2008, he was given a dedicated watercolour room at the Royal Academy of Arts. A large scale, 5-piece sculpture was completed and commissioned at Chatsworth in Derbyshire in 2008, as well as two suspended pieces have been installed at Allen & Overy headquarters in Spitalfields. In April 2013, his work was included in a major exhibition at the
485:: that the essence of painting lay in the flatness of the canvas, in hard edges, in the painting as object. Jones wanted to create a new kind of art that conformed to those principles... but which retained the human figure. He found the imagery that would allow him to do that in the seedy bookshops of
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The severe reaction from the art world, feminists, and the mainstream press after the sculptures' debut would limit Jones' exhibition career in
England over the next several decades. When asked about their effect on his career, Jones was quoted stating "it's collateral damage. I wanted to offend the
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many years later, "horrified at the new developments brewing among their younger students, the college's academic old guard decided to make an example of someone. They chose Jones." Dismayed, Jones signed up for a teacher training course and returned to his studies at
Hornsey College of Art in 1960,
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Jones' paintings provide a little counterbalance to the implied misogyny of his sculptures. In these colourfully kitsch scenes he paints about power-play with cross-dressing inferences, of the dominate female, the submissive male, of the animalistic rituals of mating and the delicate interplay of
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a response to the artifice of cultivated landscape... Jones sought to make a sculpture which used that artifice to distort scale and distance and to manipulate our perception of space. Jones's interest derived from eighteenth-century landscape architects, who did this when introducing decorative
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wrote in 2014 that Jones' "subjects have included musicians, dancers and London buses, but in the popular perception his name is irrevocably linked to his peerlessly kinky fetish women, whether in two or three dimensions, with their machined surfaces and blank expressions – images that are as
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with fetishist and sado-masochist overtones." The first three sculptures were each sculpted from Jones' drawings, with Jones overseeing professional sculptor as he produced the figures in clay. The three female figures were then cast in plaster by a company that specialised in producing shop
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turn to Jones's paintings, and you see that he explores the theme of men transformed into women again and again. A man dancing with a woman becomes inextricably fused into her body; another trades trousers and brogues for stockings and heels, as he walks from one edge of the canvas to the
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Fetishism and the transgressive world produced images that I liked because they were dangerous. They were about personal obsessions. They stood outside the accepted canons of artistic expression and they suggested new ways of depicting the figure that weren't dressed up for public
961:. In recent years, Jones has increasingly become known for his large steel sculptures, many of which are abstract in nature and feature intertwining figures. A number of them were displayed in an outdoor exhibit in May 2015 at the Art in the Park event held by
715:. According to art historian and curator, Marco Livingstone, writing in 2004: "More than three decades later, these works still carry a powerful emotive charge, ensnaring every viewer's psychology and sexual outlook regardless of age, gender or experience."
246:. That's just not me; constitutionally I couldn't abandon the figure. But I had to find a new way of doing it. Abstract Expressionism had swept everything away. You couldn't go back to representing the figure through some moribund visual language."
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in 1958, and according to Jones, "for me it was outside any known frame of reference. The scale, the ambition, the freedom. I felt like suing my teachers for not telling me what was happening in the world." He afterwards travelled to see the
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in 1977. Now at the Tate, the work was painted while he was a guest lecturer at the
University of California, Los Angeles in 1977, and later that summer he was a visiting director of studies in drawing and painting in
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Dorment further opines that "the paintings... show men and women in sexual situations, but they are joyous and liberated and self-indulgent in a way that the lugubrious mannequins aren't." Wrote Catrin Davies for
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sculpture (as well as over fifty other works) remains at the Tate, which was acquired in 2014. In
November 2014, a retrospective on Jones opened at the Royal Academy of Arts, running until January 2015 in London.
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Also, with the figure at top of the structure Jones uses "colour to introduce the notion of movement in the figure, with the alternate arms of yellow and green in diagonally opposing positions."
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gained international attention when exhibited in 1970. The works were met with strong protests for perceived misogyny, which succeeded in making Jones a "cultural hot potato".
448:, depicting "fused male/female couples as metaphors of the creative act," draws from both Freud and Nietzsche. In 1963, Jones was awarded the Prix des Jeunes Artistes at the
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canons of accepted worth in art. I found the perfect image to do that, and it's an accident of history that these works coincided with the arrival of militant feminism."
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available to a large public by industrially producing three-dimensional "multiples," with several artists' work included on each. Jones was a guest lecturer at the
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965:. His work is also included in a number of public and private art collections; three of his paintings are in the collection of the Centro de Arte Moderna of the
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in 1964, for two years they spent much of their time travelling together throughout the United States. Jones' style continued to develop, and his 1966 painting
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touring retrospective, Germany: Kunsthalle Tübingen; UNESCO World
Heritage Site, Völklinger Hütte, Saarbrüken Region; State Art Collection, Chemnitz)
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touring retrospective, Germany: Kunsthalle Tübingen; UNESCO World
Heritage Site, Völklinger Hütte, Saarbrüken Region; State Art Collection, Chemnitz)
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all owned a piece at one stage, with one of the sets selling at auction in 2012 for £2.6 million. The sculptures have also been referenced in
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would later jokingly call "the only
Pirelli Calendar that nobody bothered to look at twice". In 1973, Jones spent time as a guest lecturer at the
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were among the first to be included in the company's "multiples." Until it dissolved a few years later, the company's philosophy was to make
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to be a guest professor from 1982 to 1983. By that time, he had largely returned to "a playful stylisation in figure sculptures," including
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238:.... I've never wanted to show the struggle involved in the making of the work, and to make it part of the painting the way it is with
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412:. Among his works, Jones entered several paintings of London buses on shaped canvases, which were afterwards put on display at the
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gallery Arthur Tooth & Sons. One of the gallery's directors then introduced Jones to the work of
American pop artists such as
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as her obsessed lover, the film was refused a certificate in the United
Kingdom because of its graphic depictions of
536:"made explicit previously subdued eroticism, adopting a precise linear style as a means of emphasizing tactility."
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in London, where he would remain until 1963. Around this time, Jones was influenced by the works of writers such as
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best known for his paintings, sculptures, and lithography. He was awarded the Prix des Jeunes
Artistes at the 1963
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in Liverpool held a large retrospective exhibition on his work in 1979, and the exhibit later travelled to the
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Jones continued his artistic activity into the 2000s, and among other projects he incorporated leatherwork by
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By the mid 1970s, he was again focusing on canvas and painting, and among his notable works at this time were
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on 1 September 1937. The son of a Welsh factory worker, he was raised in the west London district of
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in London, where he would graduate in 1959. At the time the teaching method at Hornsey was based on
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in 1984, a life-size dancing couple made from steel plate. In 1986, his work was included in the
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1231:(sculpture from 1984; owned jointly by Liverpool, Walker A.G., and Merseyside Development Corp.)
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Despite his expulsion from the Royal College, in January 1961 Jones' work was included in the
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from the 1930s. While a student at Hornsey, Jones travelled to Paris and the French region of
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exhibition was described in the press as "the exhibition that launched British pop art,"
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at the Venus Over Manhattan Gallery in New York in 2013. An example of Jones' 1969
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in London, and had a dedicated room of watercolours, drawing and paintings at the
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which was completed in 1969, marked the start of a series of "life-size images of
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2512:"See Allen Jones' Steel Sculptures in a Garden Atmosphere at Baur Au Lac Hotel"
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in Germany from 1968 to 1970, and in 1969 was also a visiting professor at the
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759:, Hong Kong, showing HK Quarry Bay, Tong Chong Street, Allen Jones' sculpture
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in the late 1960s, Jones began working in sculpture. His fibreglass sculpture
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234:"For my generation anyone who wanted to cut the mustard had to reckon with
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2720:"Allen Jones, Royal Academy, review: 'dangerous, perverse and brilliant'"
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1805:, Volklinger Hutte, Saarbrücken; State Art Collection, Chemnitz, Germany
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2550:"The Gunter Sachs appeal – life and legacy of the playboy art collector"
645:. Each of the original three figures was produced in an edition of six.
1939:"Allen Jones: 'The thing about eroticism is that it forces a response'"
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Among other projects at the time, Jones "worked on a three-dimensional
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1149:(oil on canvas, 1962; Feigen Gallery New York. Chicago, Los Angeles)
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in 1978, they were attacked with stink bombs. Eight years later, on
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were commissioned to collaborate on the annual and often salacious
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2628:"Russian gallerist sparks race row over 'overtly degrading' chair"
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Intrigued by the "toughness" of American pop art, Jones moved to
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were featured in documentaries by Belgian director Jean Antoine,
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699:. Almost a decade later, when they were put on display at the
2241:(in Italian). Brescia: Centro Studi Cavelliniani. p. 27.
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movement of the late 1960s, Jones is known for his work with
881:, and that year he was elected as a Royal Academician by the
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In 1967, Jones' work along with the works of artists such as
201:. His works reside in a number of collections; including the
1181:(oil on canvas, 1966; Marzotto European Touring Show 1966/7)
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sculpture was part of a collection exhibited under the name
2777:"Allen Jones RA Exhibition (13 November – 25 January 2015)"
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In 2007, he was awarded an honorary Doctorate of Arts from
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with obvious erotic components." When Jones' close friend
1890:"University of Warwick Art Collection – View by Location"
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James Corcoran Gallery in Los Angeles, California (1977)
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magazine suggested the sculptures was inspired by latent
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People educated at Ealing County Grammar School for Boys
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Jones first group of erotic fibreglass sculptures, of a
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in London. Continuing to travel, he was invited by the
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have cited Jones as an influence on their own styles.
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Solo exhibition of watercolours, paintings, drawings
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Sculpture by Jones at Georgsplatz Hanover in Germany.
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was damaged by paint stripper while exhibited at the
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2279:"Allen Jones: The day I turned down Stanley Kubrick"
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Marino alla Scala Art Center, Fondazione Trussardi,
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London (1971), included designs for stage, film, TV
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Dancers by Allen Jones, Hay's Galleria in March 2011
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in 1960, at the end of his first year. Explained by
905:. From 1990 to 1999, he served as a trustee at the
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2484:"'Fetishism and fashion? It's a perfect match...'"
2256:. New York, NY: Malborough Graphics. p. 111.
1187:(painting from 1966 to 1967; Cologne, Mus. Ludwig)
547:were included in an exhibition for the wedding of
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1103:Dorment further explains himself by writing that
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2208:Allmer, Patricia; eds, Hilde Van Gelder (2007).
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2120:"Allen Jones: 'I think of myself as a feminist'"
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291:, and was particularly influenced by the art of
2538:, Cam.gulbenkian.pt. Retrieved 2 February 2014.
2185:Billy Apple: British and American Works 1960–69
1842:in London (13 November 2014 – 25 January 2015)
1546:Galerie Parice Trigano in Paris, France (1985)
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2187:. London: The Mayor Gallery. pp. 11–21.
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2814:Profile on Royal Academy of Arts Collections
2434:"Allen Jones R.A. Official CV". Allen Jones.
2210:Collective Inventions: Surrealism in Belgium
1175:(painting from 1963; Liverpool, Walker A.G.)
779:in 1973, resulting in a unique edition that
628:While living in the London neighbourhood of
474:Travel in United States and abroad (1964–69)
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2339:Pop Art UK : British Pop Art 1956–1972
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380:helped expose England to the art of Jones,
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2660:"Richard Nicoll: 'Why I love Allen Jones'"
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1490:Retrospective of drawings and watercolours
1131:Jones lives and works in London, England.
1122:coupling represented in the form of dance.
909:, and in 2000 became an Emeritus Trustee.
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1659:Thomas Gibson Fine Art in London (1997)
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933:Recent exhibitions and holdings (2000s)
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1247:(large steel sculpture; on display at
1143:(oil on canvas, 1962; British Council)
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873:exhibition, alongside artists such as
579:Hochschule für bildende Künste Hamburg
551:'s daughter. The following year, when
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257:Jones was born in the English city of
183:Hochschule für bildende Künste Hamburg
2718:Dorment, Richard (10 November 2014).
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2365:(3 June 1979). "While there's Hope".
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2237:Cavellini, Guglielmo Achille (1989).
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980:. He has had solo exhibitions at the
785:University of California, Los Angeles
361:Early teaching and exhibits (1961–63)
267:Ealing County Grammar School for Boys
166:(born 1 September 1937) is a British
2893:Berlin University of the Arts alumni
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2387:British Board of Film Classification
2341:. Milan: Silvana. pp. 160–161.
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969:in Lisbon, and he has pieces in the
174:. He is a Senior Academician at the
2804:19 artworks by or after Allen Jones
2689:Davies, Catrin (20 November 2014).
2482:Fury, Alexander (26 October 2014).
2254:The Pop Image: Prints and Multiples
1215:(Sculpture, 1969; Shown in 2012–13
1205:(sculpture, 1969; shown in 2012–13
988:Gallery. His works featured in the
90:Sculptor, painter, artist, educator
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2277:Gayford, Martin (8 October 2007).
2118:Wroe, Nicholas (31 October 2014).
1225:(painting from 1977; London, Tate)
1073:imagery into his works, including
941:Sculpture by Jones, designed with
251:— Allen Jones in a 2014 interview
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2626:Fairs, Marcus (21 January 2014).
2080:Sladen, Mark (June–August 1995).
1163:Perfect Match / Partenaire idéale
1117:in November 2014 about the show,
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557:exhibition series was created in
507:in 1964 and took a studio at the
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1771:Gallerie Patrice Trigano, Paris
1720:Royal Academy Summer Exhibition
1267:Selected credits by Allen Jones
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835:Banff Center School of Fine Arts
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374:Royal Society of British Artists
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195:Banff Center School of Fine Arts
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1199:(sculpture, 1969; Tate, London)
352:graduating the following year.
2843:Alumni of Middlesex University
2577:"Allen Jones: Artist Overview"
2047:"Allen Jones Artist biography"
1989:. phinnweb.org. Archived from
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1528:in London (1979), then to the
1514:Walker Art Gallery, Liverpool
1453:in Edinburgh, Scotland (1975)
1366:Institute of Contemporary Arts
701:Institute of Contemporary Arts
27:British pop artist (born 1937)
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2090:. No. 23. Archived from
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1776:"Figures Waiting" sculptures
1653:Solo watercolours exhibition
1498:Institute of Contemporary Art
1042:Artistic style and influences
978:Southampton Solent University
889:was the first art gallery in
859:Berlin University of the Arts
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199:Berlin University of the Arts
2888:British contemporary artists
2510:Will, Rachel (19 May 2015).
1740:Alan Crisea Gallery, London
1532:in Liverpool, Germany, etc.
1262:Exhibitions and publications
1046:Associated with the British
339:, but was expelled from the
319:As one of the first British
265:, and in his youth attended
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2337:Guadagnini, Walter (2004).
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1592:Frank Pages Art Gallery in
771:, and air brush specialist
583:University of South Florida
549:Guglielmo Achille Cavellini
187:University of South Florida
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2548:Brown, Mark (7 May 2012).
2183:Barton, Christina (2010).
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2158:Cass Sculpture Foundation
1871:Art of the United Kingdom
1832:Allen Jones Retrospective
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1239:Cass Sculpture Foundation
994:National Portrait Gallery
914:Cass Sculpture Foundation
912:He has works held by the
748:and teaching (1973–1980s)
705:International Women's Day
655:
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610:Hatstand, Table and Chair
308:in the French commune of
220:Hatstand, Table and Chair
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2863:British modern sculptors
2252:Judith, Goldman (1994).
1578:in New York City (1988)
1557:Galerie Kaj Forsblom in
1519:Retrospective 1959–1978
1002:National Museum of Wales
458:and pop artists such as
227:Early life and education
191:University of California
181:Jones has taught at the
150:Prix des Jeunes Artistes
2214:Leuven University Press
1987:"Allen Jones Biography"
1418:in Tokyo, Japan (1974)
1309:Galerie Der Spiegel in
1193:(lithography set, 1968)
803:professional dominatrix
2853:British male sculptors
2848:British erotic artists
1576:Charles Cowles Gallery
1447:Solo museum exhibition
1412:Solo museum exhibition
1344:Galerie Rudolf Zwirner
1153:Figure Falling / Chute
1124:
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982:Wetterling Teo Gallery
954:
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761:City Shadow I Security
662:TateShots: Allen Jones
528:came to New York on a
518:
430:Croydon College of Art
284:Pedagogical Sketchbook
275:Hornsey College of Art
236:Abstract Expressionism
217:. His best known work
130:Abstract expressionism
81:Hornsey College of Art
18:Allen Jones (sculptor)
2781:Royal Academy of Arts
2606:National Museum Wales
2536:Search the Collection
1511:Retrospective exhibit
1119:
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984:in Stockholm and the
967:Gulbenkian Foundation
952:
940:
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295:. He also attended a
176:Royal Academy of Arts
2757:on 24 September 2015
2658:(14 November 2014).
2045:Livingstone, Marco.
1993:on 24 September 2015
1801:Kunsthalle Tubigen;
1785:in Shropshire (200)
1779:Sculpture exhibition
1629:Barbican Art Gallery
1610:Galerie Mourmans in
1399:Marlborough Fine Art
1165:(1966–1967; held at
1025:. A parody of Jones
767:Jones, photographer
378:Young Contemporaries
372:exhibit. The annual
368:Young contemporaries
341:Royal College of Art
314:Royal College of Art
71:Royal College of Art
2878:British pop artists
2725:The Daily Telegraph
2284:The Daily Telegraph
2212:. Leuven, Belgium:
2164:on 24 February 2016
2094:on 21 February 2014
1944:The Daily Telegraph
1937:(7 November 2014).
1451:Fruitmarket Gallery
1268:
1223:Santa Monica Shores
1141:Interesting Journey
826:Santa Monica Shores
763:, pictured in 2009.
530:Harkness Fellowship
434:Friedrich Nietzsche
306:Musie Fernand Léger
301:Whitechapel Gallery
211:Warwick Arts Centre
197:in Canada, and the
2883:Royal Academicians
2873:People from Ealing
2602:"Pop and Abstract"
2368:The Crystal Bucket
1819:Galerie Hilger in
1691:Academy, Helsinki
1530:Walker Art Gallery
1526:Serpentine Gallery
1494:Solo retrospective
1266:
1031:Allen Jones Remake
955:
947:
885:. Opened in 1987,
855:Serpentine Gallery
851:Walker Art Gallery
822:
765:
738:A Clockwork Orange
697:castration anxiety
638:women as furniture
554:the xartcollection
1846:
1845:
1712:, Germany (2000)
1631:in London (1995)
1614:, Belgium (1993)
1596:, Germany (1992)
1561:, Finland (1985)
1500:in London (1978)
1401:in London (1972)
1362:Sculpture exhibit
1350:, Germany (1967)
1313:, Germany (1967)
1056:Alexander McQueen
990:Pop Art Portraits
845:manufacturer, at
833:, Canada, at the
671:
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483:Clement Greenberg
402:Patrick Caulfield
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2691:"Allen Jones RA"
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1813:Solo exhibition
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1622:Solo exhibition
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1438:Barbet Schroeder
1409:Solo exhibition
1392:Solo exhibition
1337:Solo exhibition
1303:Solo exhibition
1289:Solo exhibition
1281:Release details
1269:
1265:
1075:rubber fetishism
899:Richard Hamilton
887:Birch and Conran
807:Gérard Depardieu
789:Barbet Schroeder
777:Pirelli calendar
660:
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571:Richard Hamilton
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895:Sir Peter Blake
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2414:Allen Jones
2383:"Maitresse"
1594:Baden-Baden
1381:Publication
1326:Publication
1090:Peter Blake
1084:Mark Hudson
1052:lithography
1019:Peter Blake
963:Lake Zurich
805:Ariane and
799:Bulle Ogier
797:. Starring
781:Clive James
769:Brian Duffy
522:illusionism
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345:Mark Hudson
325:R. B. Kitaj
321:pop artists
271:lithography
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159:Allen Jones
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2832:Categories
2637:3 February
2611:15 October
2495:26 October
2322:3 February
2290:3 February
2098:3 February
1877:References
1863:Art portal
1433:Set design
1179:First Step
879:Tony Cragg
725:Elton John
643:mannequins
587:Life Class
398:Joe Tilson
356:Art career
244:de Kooning
168:pop artist
101:Life Class
48:1937-09-01
2561:26 August
2392:26 August
2131:26 August
1706:Kunsthaus
1428:Maîtresse
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1229:The Tango
1008:, titled
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863:The Tango
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746:Maîtresse
692:Spare Rib
505:Manhattan
442:Carl Jung
279:Paul Klee
117:The Tango
67:Education
61:, England
2586:7 August
2051:The Tate
1849:See also
1559:Helsinki
1377:Projects
1255:Interval
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1191:Shoe Box
1108:other...
1014:Abstract
839:hoarding
675:Hatstand
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289:Provence
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1997:25 June
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1836:Exhibit
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1322:Figures
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1098:Hockney
1094:Beatles
1048:Pop art
1011:Pop and
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2450:1998"
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1079:BDSM
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