735:
33:
220:
625:
1465:
1339:
979:
553:. The poet had for many years been a warm supporter of the stage. Some of his prologues and epilogues were written for the London theatres. In 1736 he set about the erection of a new theatre, "at vast expense", in Carrubber's Close, Edinburgh; but the opposition was too strong, and the new house was closed in 1737. In 1755 he retired from his combined house and shop, between Halkerstons Wynd and Carrubbers Close on the
367:. In the volume of poems published in 1721 Ramsay had shown his bent to this genre, especially in "Patie and Roger", which supplies two of the dramatis personae to his greater work. The success of the drama was remarkable. It passed through several editions, and was performed at the theatre in Edinburgh; its title is still known in every corner of Scotland, even if it be no longer read. In 1726 he published anonymously
363:, Ramsay had another purpose, to reawaken an interest in the older national literature. Nearly all the pieces were taken from the Bannatyne manuscript, though they are by no means verbatim copies. They included his version of "Christ's Kirk" and a remarkable pastiche by the editor entitled "The Vision". While engaged on these two series, he produced, in 1725, his dramatic pastoral
32:
690:
is a protest against "imported trimming" and "foreign embroidery in our writings" and a plea for a return to simple
Scottish tradition. He had no scholarly interest in the past, and he never hesitated to transform the texts when he could give contemporary "point" to a poem; but his instinct was good,
532:
appeared in London in 1731 and in Dublin in 1733. With a touch of vanity he expressed the fear lest "the coolness of fancy that attends advanced years should make me risk the reputation I had acquired". He was already on terms of intimacy with the leading men of letters in
Scotland and England. He
324:, describing its fortunes as shifting sands. The success of these ventures prompted him to collect his poems in 1720 and publish a volume in 1721. The volume was issued by subscription, and brought in the sum of four hundred guineas. Four years later he removed to another shop, in the neighbouring
670:
premises. He joined the bookselling trade in 1720, and in 1722 relocated to the east side of the
Luckenbooths, next to McEuen and facing the Market Cross. He also owned a shop directly opposite McEuen, on the south side of the Cross. McEuen was the first to advertise copies of Ramsay's
648:
tradition. It has the "mixed" faults which make the greater poem of his Scots successor, Thomson, a "transitional" document, but these give it an historical, if not an individual, interest. His chief place is, however, as an editor. He is the connecting-link between the greater
576:
His eldest daughter
Christian Ramsay, lived on New Street off the Canongate. She was an amiable person and also wrote poetry. She never married but lived with many cats. Despite being run over by a hackney coach at the age of 73, which broke her leg, she lived to be 88.
272:
Ramsay's first efforts in verse-making were inspired by the meetings of the Easy Club (founded in 1712) of which he was an original member, and in 1715, he became the Club
Laureate. In the society of the members he assumed the name of
351:
is "A Collection of Choice Songs Scots and
English", containing some of Ramsay's own, some by his friends, several well-known ballads and songs, and some Caroline verse. Its title was suggested by the programme of
665:
since the latter's arrival in
Edinburgh in 1720 as the thirteen-year-old apprentice of Ramsay's friend James McEuen. From 1713 Ramsay ran a wigmaker's and printseller's shop in Niddrie's Wynd, close to McEuen's
289:), and partly to give point to his boast that he was a "poet sprung from a Douglas loin". The choice of the two names has some significance, when we consider his later literary life as the associate of the
261:-maker in Edinburgh and received his indentures back by 1709. He married Christian Ross in 1712; a few years after he had established himself as a wig-maker (not as a barber, as has been often said) in the
304:, which he published in broadsheets, and then (or a year earlier) he turned bookseller in the premises where he had hitherto plied his craft of wig-making. In 1716 he had published a rough transcript of "
768:
named after him. The hotel hosted a festival in his and his son's honour in 2016 on the 330th anniversary of the poet's birth. Further festivals have been held there on Ramsay's birthday from 2017.
726:. Since 2015, a Collected Works of Allan Ramsay (general editor Murray Pittock) has been in preparation from Edinburgh University Press: the first volume, the Gentle Shepherd, is expected in 2022.
356:: as Addison had sought for his speculations the hour set apart "for tea and bread and butter", so Ramsay laid claim to that place for his songs "e'en while the tea's fill'd reeking round".
1501:
528:
Another volume of his poems appeared in 1728. Ramsay wrote little afterwards, though he published a few shorter poems, and new editions of his earlier work. A complete edition of his
339:
Between the publication of the collected edition of his poems and his settling down in the
Luckenbooths, he had published a few shorter poems and had issued the first instalments of
549:. Gay probably visited him in Edinburgh, and Pope praised his pastoral, compliments that were undoubtedly responsible for some of Ramsay's unhappy poetic ventures beyond his Scots
691:
and he did much to stimulate an ignorant public to fresh enjoyment. In this respect, too, he anticipates the reaction in
England which followed securely on the publication of
155:
He began writing poetry as a member of the Easy Club and in 1715 became Club
Laureate. Ramsay published verses and turned bookseller in 1718, selling poetry collections like
1881:
557:, to the house on the slope of the Castle Rock, still known as Ramsay Lodge. This house was called by his friends "the goose-pie" because of its octagonal shape.
43:(1682–1731) Ramsay's friend, Sir John Clerk of Penicuik, owned Aikman's portrait of Ramsay, in imitation of whose verse he had written on the back of the canvas:
994:
1104:
1388:
910:
1221:
1331:
1475:
1486:
711:
in 1877 (2 vols., Paisley; Alex. Gardner). These volumes are uniform in size and binding, though issued by different publishers. A selection of the
312:, with some additions of his own. In 1718 he republished the piece with more supplementary verses. In the following year he printed a collection of
1866:
1498:
1352:
1031:
1481:
1003:
904:
1861:
632:
Ramsay's importance in literary history is twofold. As a pastoral writer ("in some respects the best in the world", according to
715:
appeared in 1887 (1 vol. 16mo, London; Walter Scott). This volume includes a biographical sketch written by J. Logie Robertson.
1911:
1891:
1856:
1529:
1871:
927:
1896:
1163:"The manuscripts, Letter from Allan Ramsay to Andrew Millar, 20 May, 1735. Andrew Millar Project. University of Edinburgh"
1906:
1775:
1649:
1795:
1377:
1371:
534:
137:
1704:
734:
1327:
782:
The Ramsay Obelisk at Ravensneuk on the Penicuik Estate was built in 1759 by Ramsay's friend, Sir James Clerk.
1901:
1886:
1876:
722:, which is set in Carlops and nearby Newhall Estate. Bradshaws Handbook incorrectly states the location as
290:
1348:
1357:
564:, Edinburgh. The grave itself is unmarked but a monument was erected to his memory on the south wall of
1709:
1694:
1628:
1522:
305:
185:
sees Allan as a major contributor to the early naturalistic literary reaction of the 18th century. His
126:. Ramsay's influence extended to England, foreshadowing the reaction that followed the publication of
1916:
1494:
1187:
1162:
772:
742:
In 1846 Ramsay was depicted as one of sixteen Scottish poets and writers on the lower section of the
640:, by its directness of impression and its appreciation of country life, anticipates the attitude of
1689:
1292:
372:
265:, and soon found himself in comfortable circumstances. They had six children. His eldest child was
40:
1267:
1745:
1633:
1447:
219:
1435:
1039:
1740:
1669:
1370:
754:
667:
633:
120:
1851:
1654:
1603:
1515:
683:
581:
266:
176:
984:
One or more of the preceding sentences incorporates text from a publication now in the
636:), he contributed, at an early stage, to the naturalistic reaction of the 18th century. His
1846:
1841:
1785:
1760:
1147:
990:
353:
309:
890:
Allan Ramsay's Fables & Tales: A New Collected Edition from his manuscripts and prints
332:
and extended his business as a bookseller. Ramsay is considered to have created the first
133:
8:
1805:
1770:
1562:
1552:
864:
836:
693:
561:
369:
Poems in English and Latin, on the Archers and Royal Company of Archers, by several Hands
333:
329:
187:
164:
128:
1679:
1567:
613:
609:
1674:
1572:
1460:
1431:
923:
538:
321:
160:
141:
361:
The Ever Green: being a Collection of Scots Poems wrote by the Ingenious before 1600
1780:
1765:
1730:
1623:
1469:
1422:
1393:
1074:
915:
654:
301:
262:
204:
1405:
944:
1699:
1598:
1577:
1123:
1101:
The History of the Royal Company of Archers: The Queen's Body-guard for Scotland.
821:
811:
795:
686:, and directly inspired the genius of his greater successors. The preface to his
624:
565:
253:
Allan Ramsay and his elder brother Robert probably attended the parish school at
1456:
1021:(Palgrave Studies in the History of Finance), 1st ed. Palgrave Macmillan, p. 93.
1820:
1755:
1750:
1684:
1664:
1659:
1608:
1397:
919:
747:
743:
546:
294:
224:
149:
1835:
1618:
1613:
1343:
998:
985:
662:
645:
239:
196:
1810:
1735:
658:
325:
254:
208:
1451:
818:
The Tea-Table Miscellany. A Collection of Choice Songs, Scots and English.
175:
and is considered as a pastoral writer and editor who revived interest in
113:(15 October 1686 – 7 January 1758) was a Scottish poet (or
1593:
641:
597:
235:
192:
191:, showed an appreciation of country life and anticipates the attitude of
71:
1007:. Vol. 22 (11th ed.). Cambridge University Press. p. 878.
1815:
1478:
at the University of North Texas Music Library's Virtual Rare Book Room
1366:
554:
550:
286:
258:
247:
182:
1017:
Paul, Helen, Di Liberto, Nicholas and Coffman, D'Maris (eds.) (2023)
758:
585:
281:, the latter partly in memory of his maternal grandfather Douglas of
231:
123:
67:
199:
tradition. He is viewed as the connecting-link between the greater "
1342: This article incorporates text from a publication now in the
1246:
776:
589:
542:
145:
102:
1338:
1019:
The Bubble Act: new perspectives from passage to repeal and beyond
1557:
765:
676:
282:
203:" of the 15th and 16th centuries and later Scottish writers like
163:. In 1720, he collected and published his poems, establishing a
1507:
723:
605:
593:
1538:
738:
Monument to Allan Ramsay on the south side of Greyfriars Kirk
650:
200:
115:
600:, and at the St. Martin's Lane Academy; leaving in 1736 for
119:), playwright, publisher, librarian and impresario of early
1419:
Campbell, Donald (1975), review of Alexander Manson (ed.),
601:
243:
718:
There are many popular reprints of his most popular work,
336:
in Britain when he rented books from his shop in 1726.
753:
Ramsay's statue was erected in 1850 at the corner of
703:
was reprinted in 1871 (2 vols., Glasgow; John Crum);
1474:More information, including full text, on Ramsay's
1386:Pittock, Murray G. H. "Ramsay, Allan (1684–1758)".
300:By 1718 he had made some reputation as a writer of
903:
771:A bust of Ramsay is in the Hall of Heroes of the
1882:18th-century Scottish dramatists and playwrights
1833:
1381:. Vol. 47. London: Smith, Elder & Co.
707:in 1875 (2 vols., Glasgow; Robert Forrester);
246:-mines and his wife, Alice Bower, a native of
136:in Scotland and England. He corresponded with
1523:
1064:, University of Chicago Press, Chicago, 1957.
1392:(online ed.). Oxford University Press.
1138:Cassell's Old and New Edinburgh vol III p.18
914:(online ed.). Oxford University Press.
375:. He wrote the words to the Archer's March,
1318:Allan Ramsay: A Study of his Life and Works
661:. Ramsay also knew the Scottish bookseller
1530:
1516:
31:
132:. He was on close terms with the leading
1452:Eighteenth-Century Poetry Archive (ECPA)
1114:Grants Old and New Edinburgh vol.2 p.238
972:
970:
968:
966:
964:
962:
960:
958:
956:
954:
733:
623:
608:, where he worked for three years under
218:
1482:The Gentle Shepherd (Full text - 16 MB)
1389:Oxford Dictionary of National Biography
1361:. London and New York: Frederick Warne.
911:Oxford Dictionary of National Biography
901:
592:. From the age of twenty he studied in
1834:
653:" of the 15th and 16th centuries, and
1511:
1222:"The Collected Works of Allan Ramsay"
989:
951:
902:Pittock, Murray G. H. (27 May 2010).
257:. In 1701 Allan was apprenticed to a
1867:People of the Scottish Enlightenment
1347:
1211:Brandshaws Handbook, 1863: Midcalder
588:, was a prominent Scottish portrait-
513:To all who like their brave forbears
378:
238:, to John Ramsay, superintendent of
1796:Makar or National Poet for Scotland
1490:, article in The Burns Encyclopedia
1385:
1365:
13:
1413:
443:Sweet fragrance, life, and growing
214:
48:by Aikman's hand is Ramsay's snout
14:
1928:
1441:
1372:"Ramsay, Allan (1686-1758)"
509:To our president and counsellors,
497:Fill up the glass and round wi't,
493:Fill up the glass and round wi't,
489:Sound, sound the music, sound it,
384:Sound, sound the music, sound it,
46:Here painted on this canvas clout
1537:
1378:Dictionary of National Biography
1337:
1075:"Chronology of Scottish History"
977:
505:To our great chief and officers,
478:Which tends to bring in slavery,
423:When all the year looks smiling,
293:poets and as a collector of old
223:Allan Ramsay as depicted on the
1285:
1260:
1239:
1214:
1205:
1180:
1155:
1141:
1132:
1117:
1108:
865:"Allan Ramsay, 1684-1758. Poet"
785:
682:Ramsay revived the interest in
427:When all the year looks smiling
388:Let hills and dales rebound it,
1862:Burials at Greyfriars Kirkyard
1466:Works by or about Allan Ramsay
1328:Oliphant, Anderson and Ferrier
1093:
1079:A Timeline of Scottish History
1067:
1054:
1024:
1011:
895:
882:
857:
644:, the school which broke with
628:Allan Ramsay Statue, Edinburgh
392:Let hills and dales rebound it
1:
1912:Scottish folk-song collectors
1892:18th-century Scottish writers
1857:People from South Lanarkshire
1310:
1872:Scottish publishers (people)
1406:UK public library membership
1268:"Allan Ramsay Festival 2016"
1036:National Library of Scotland
945:UK public library membership
764:There is a hotel located in
761:in the centre of Edinburgh.
729:
419:Now, now our care beguiling,
7:
1897:18th-century Scottish poets
1719:18th century – 20th century
1192:www.millar-project.ed.ac.uk
1167:www.millar-project.ed.ac.uk
1032:"Scottish Book Trade Index"
869:National Galleries Scotland
810:Edinburgh 1724, 128 pages (
535:William Hamilton of Bangour
474:Despising all base knavery,
466:That in just thought agree,
408:And throws off all diseases
138:William Hamilton of Bangour
10:
1933:
1907:Scottish opera librettists
1710:John Stewart of Baldynneis
1695:Robert Sempill the younger
1629:John Stewart of Baldynneis
1421:Poems by Allan Ramsay and
1148:Poetry Foundation article
1103:W. Blackwood, 1875, p.280
892:, Volume I: Fables, pp. XI
596:under the Swedish painter
482:Souls worthy to live free.
470:Appear in ancient bravery,
454:Tis now the archers royal,
447:To flowers and every tree.
439:With morning dew bestowing
404:The mind to joy it raises,
400:Used as a Game it pleases,
306:Christ's Kirk on the Green
1794:
1718:
1642:
1586:
1545:
1488:Ramsay, Allan (1686–1758)
1062:The English Common Reader
844:The Poems of Allan Ramsay
820:18th ed., Glasgow, 1782 (
808:The Tea-Table Miscellany.
773:National Wallace Monument
709:The Poems of Allan Ramsay
571:
568:in the mid-19th century.
462:An hearty band and loyal,
458:An hearty band and loyal,
435:The sun in glory glowing,
320:in 1720, a satire on the
230:Allan Ramsay was born at
98:
90:
78:
54:
30:
23:
16:Scottish poet (1686–1758)
1358:The Nuttall Encyclopædia
1353:The Nuttall Encyclopædia
1272:www.allanramsayhotel.com
1247:"The Allan Ramsay Hotel"
1150:Robert Burns (1759–1796)
1099:Sir Paul James Balfour,
850:
701:The Tea-Table Miscellany
373:Royal Company of Archers
349:The Tea-Table Miscellany
341:The Tea-Table Miscellany
269:, the portrait painter.
169:The Tea-Table Miscellany
37:Portrait painted in 1722
1746:Alicia Ann Spottiswoode
1502:University of Edinburgh
1430:1, Winter 1975, p. 57,
1188:"The manuscripts, Ibid"
1126:Traditions of Edinburgh
1004:Encyclopædia Britannica
619:
431:With healthful harmony.
167:in 1726. Ramsay edited
1741:Robert Louis Stevenson
1643:c. 1560 – 17th century
1398:10.1093/ref:odnb/23072
920:10.1093/ref:odnb/23072
755:Princes Street Gardens
739:
634:James Henry Leigh Hunt
629:
227:
1655:Alexander Montgomerie
1495:Andrew Millar Project
1457:Works by Allan Ramsay
1332:"Famous Scots Series"
1226:University of Glasgow
991:Smith, George Gregory
737:
684:vernacular literature
627:
501:Health and Prosperity
396:In praise of Archery.
222:
177:vernacular literature
1902:Scots-language poets
1761:Sydney Goodsir Smith
1060:Altick, Richard D.,
1042:on 14 September 2007
888:Greaves, R. (2011),
802:Wealth and the Woody
328:, where he opened a
318:Wealth and the Woody
310:Bannatyne Manuscript
157:Wealth and the Woody
1887:Scottish librarians
1877:Theatre in Scotland
1771:George Campbell Hay
1293:"Ramsay's Monument"
1128:1825, pages 105-108
837:The Gentle Shepherd
720:The Gentle Shepherd
562:Greyfriars Kirkyard
517:Delight in Archery.
365:The Gentle Shepherd
334:circulating library
330:circulating library
188:The Gentle Shepherd
165:circulating library
1680:Elizabeth Melville
1322:Oliphant Smeaton,
1124:Chambers, Robert.
1081:. Rampant Scotland
740:
630:
614:Francesco Fernandi
610:Francesco Solimena
533:corresponded with
228:
159:, a satire on the
1829:
1828:
1675:Christian Lindsay
1587:c. 1460 – c. 1560
1573:Andrew of Wyntoun
1546:c. 1370 – c. 1460
1461:Project Gutenberg
1404:(Subscription or
943:(Subscription or
929:978-0-19-861412-8
794:Edinburgh, 1720 (
539:William Somervile
525:
524:
322:South Sea Company
275:Isaac Bickerstaff
161:South Sea Company
142:William Somervile
108:
107:
1924:
1917:Occasional poets
1781:Hamish Henderson
1731:Robert Fergusson
1705:William Drummond
1624:Richard Maitland
1532:
1525:
1518:
1509:
1508:
1470:Internet Archive
1423:Robert Fergusson
1409:
1401:
1382:
1374:
1362:
1341:
1304:
1303:
1301:
1299:
1289:
1283:
1282:
1280:
1278:
1264:
1258:
1257:
1255:
1253:
1243:
1237:
1236:
1234:
1232:
1218:
1212:
1209:
1203:
1202:
1200:
1198:
1184:
1178:
1177:
1175:
1173:
1159:
1153:
1145:
1139:
1136:
1130:
1121:
1115:
1112:
1106:
1097:
1091:
1090:
1088:
1086:
1071:
1065:
1058:
1052:
1051:
1049:
1047:
1038:. Archived from
1028:
1022:
1015:
1009:
1008:
983:
981:
980:
974:
949:
948:
940:
938:
936:
907:
899:
893:
886:
880:
879:
877:
875:
861:
846:, reprinted 1877
694:Percy's Reliques
655:Robert Fergusson
580:His eldest son,
560:He is buried at
379:
302:occasional verse
205:Robert Fergusson
129:Percy's Reliques
85:
64:
62:
35:
21:
20:
1932:
1931:
1927:
1926:
1925:
1923:
1922:
1921:
1832:
1831:
1830:
1825:
1798:
1790:
1776:Alexander Scott
1714:
1700:Francis Sempill
1650:Alexander Scott
1638:
1634:William Stewart
1599:Robert Henryson
1582:
1578:Richard Holland
1568:Sir Gilbert Hay
1541:
1536:
1476:Gentle Shepherd
1444:
1416:
1414:Further reading
1403:
1351:, ed. (1907). "
1330:, 1896, in the
1313:
1308:
1307:
1297:
1295:
1291:
1290:
1286:
1276:
1274:
1266:
1265:
1261:
1251:
1249:
1245:
1244:
1240:
1230:
1228:
1220:
1219:
1215:
1210:
1206:
1196:
1194:
1186:
1185:
1181:
1171:
1169:
1161:
1160:
1156:
1146:
1142:
1137:
1133:
1122:
1118:
1113:
1109:
1098:
1094:
1084:
1082:
1073:
1072:
1068:
1059:
1055:
1045:
1043:
1030:
1029:
1025:
1016:
1012:
978:
976:
975:
952:
942:
934:
932:
930:
905:"Ramsay, Allan"
900:
896:
887:
883:
873:
871:
863:
862:
858:
853:
788:
732:
638:Gentle Shepherd
622:
612:and Imperiali (
574:
566:Greyfriars Kirk
526:
519:
515:
511:
507:
503:
499:
495:
491:
480:
476:
472:
468:
464:
460:
456:
445:
441:
437:
433:
429:
425:
421:
412:Of lazy luxury.
410:
406:
402:
398:
394:
390:
386:
316:. He published
277:, and later of
217:
215:Life and career
83:
66:
65:15 October 1684
60:
58:
50:
47:
44:
38:
26:
17:
12:
11:
5:
1930:
1920:
1919:
1914:
1909:
1904:
1899:
1894:
1889:
1884:
1879:
1874:
1869:
1864:
1859:
1854:
1849:
1844:
1827:
1826:
1824:
1823:
1821:Kathleen Jamie
1818:
1813:
1808:
1802:
1800:
1792:
1791:
1789:
1788:
1783:
1778:
1773:
1768:
1763:
1758:
1756:Robert Garioch
1753:
1751:William Soutar
1748:
1743:
1738:
1733:
1728:
1722:
1720:
1716:
1715:
1713:
1712:
1707:
1702:
1697:
1692:
1690:Robert Sempill
1687:
1685:Alexander Hume
1682:
1677:
1672:
1670:William Fowler
1667:
1665:Castalian Band
1662:
1657:
1652:
1646:
1644:
1640:
1639:
1637:
1636:
1631:
1626:
1621:
1616:
1611:
1609:William Dunbar
1606:
1604:Walter Kennedy
1601:
1596:
1590:
1588:
1584:
1583:
1581:
1580:
1575:
1570:
1565:
1560:
1555:
1549:
1547:
1543:
1542:
1535:
1534:
1527:
1520:
1512:
1506:
1505:
1492:
1484:
1479:
1472:
1463:
1454:
1443:
1442:External links
1440:
1439:
1438:
1415:
1412:
1411:
1410:
1383:
1369:, ed. (1896).
1363:
1335:
1320:
1316:Burns Martin,
1312:
1309:
1306:
1305:
1284:
1259:
1238:
1213:
1204:
1179:
1154:
1140:
1131:
1116:
1107:
1092:
1066:
1053:
1023:
1010:
999:Chisholm, Hugh
950:
928:
894:
881:
855:
854:
852:
849:
848:
847:
841:
833:
830:The Ever Green
827:
826:
825:
805:
799:
787:
784:
750:in Edinburgh.
748:Princes Street
744:Scott Monument
731:
728:
705:The Ever Green
621:
618:
573:
570:
547:Alexander Pope
523:
522:
485:
450:
415:
377:
345:The Ever Green
343:(1723–37) and
225:Scott Monument
216:
213:
173:The Ever Green
150:Alexander Pope
134:men of letters
106:
105:
100:
96:
95:
92:
88:
87:
86:(aged 71)
82:7 January 1758
80:
76:
75:
56:
52:
51:
41:William Aikman
36:
28:
27:
24:
15:
9:
6:
4:
3:
2:
1929:
1918:
1915:
1913:
1910:
1908:
1905:
1903:
1900:
1898:
1895:
1893:
1890:
1888:
1885:
1883:
1880:
1878:
1875:
1873:
1870:
1868:
1865:
1863:
1860:
1858:
1855:
1853:
1850:
1848:
1845:
1843:
1840:
1839:
1837:
1822:
1819:
1817:
1814:
1812:
1809:
1807:
1804:
1803:
1801:
1797:
1793:
1787:
1786:William Neill
1784:
1782:
1779:
1777:
1774:
1772:
1769:
1767:
1764:
1762:
1759:
1757:
1754:
1752:
1749:
1747:
1744:
1742:
1739:
1737:
1734:
1732:
1729:
1727:
1724:
1723:
1721:
1717:
1711:
1708:
1706:
1703:
1701:
1698:
1696:
1693:
1691:
1688:
1686:
1683:
1681:
1678:
1676:
1673:
1671:
1668:
1666:
1663:
1661:
1658:
1656:
1653:
1651:
1648:
1647:
1645:
1641:
1635:
1632:
1630:
1627:
1625:
1622:
1620:
1619:David Lyndsay
1617:
1615:
1614:Gavin Douglas
1612:
1610:
1607:
1605:
1602:
1600:
1597:
1595:
1592:
1591:
1589:
1585:
1579:
1576:
1574:
1571:
1569:
1566:
1564:
1561:
1559:
1556:
1554:
1551:
1550:
1548:
1544:
1540:
1533:
1528:
1526:
1521:
1519:
1514:
1513:
1510:
1503:
1499:
1496:
1493:
1491:
1489:
1485:
1483:
1480:
1477:
1473:
1471:
1467:
1464:
1462:
1458:
1455:
1453:
1449:
1446:
1445:
1437:
1433:
1429:
1425:
1424:
1418:
1417:
1407:
1399:
1395:
1391:
1390:
1384:
1380:
1379:
1373:
1368:
1364:
1360:
1359:
1354:
1350:
1345:
1344:public domain
1340:
1336:
1333:
1329:
1326:, Edinburgh:
1325:
1321:
1319:
1315:
1314:
1294:
1288:
1273:
1269:
1263:
1248:
1242:
1227:
1223:
1217:
1208:
1193:
1189:
1183:
1168:
1164:
1158:
1152:
1151:
1144:
1135:
1129:
1127:
1120:
1111:
1105:
1102:
1096:
1080:
1076:
1070:
1063:
1057:
1041:
1037:
1033:
1027:
1020:
1014:
1006:
1005:
1000:
996:
995:Ramsay, Allan
992:
987:
986:public domain
973:
971:
969:
967:
965:
963:
961:
959:
957:
955:
946:
931:
925:
921:
917:
913:
912:
906:
898:
891:
885:
870:
866:
860:
856:
845:
842:
839:
838:
834:
831:
828:
823:
819:
816:
815:
813:
809:
806:
803:
800:
797:
793:
790:
789:
783:
780:
778:
774:
769:
767:
762:
760:
756:
751:
749:
745:
736:
727:
725:
721:
716:
714:
710:
706:
702:
698:
696:
695:
689:
685:
680:
678:
674:
669:
664:
663:Andrew Millar
660:
656:
652:
647:
646:neo-classical
643:
639:
635:
626:
617:
615:
611:
607:
603:
599:
595:
591:
587:
583:
578:
569:
567:
563:
558:
556:
552:
548:
544:
540:
536:
531:
521:
518:
514:
510:
506:
502:
498:
494:
490:
486:
484:
483:
479:
475:
471:
467:
463:
459:
455:
451:
449:
448:
444:
440:
436:
432:
428:
424:
420:
416:
414:
413:
409:
405:
401:
397:
393:
389:
385:
381:
380:
376:
374:
370:
366:
362:
357:
355:
354:The Spectator
350:
346:
342:
337:
335:
331:
327:
323:
319:
315:
311:
307:
303:
298:
296:
295:Lowland Scots
292:
288:
284:
280:
279:Gawin Douglas
276:
270:
268:
264:
260:
256:
251:
249:
245:
241:
240:Lord Hopetoun
237:
233:
226:
221:
212:
210:
206:
202:
198:
197:neo-classical
194:
190:
189:
184:
180:
178:
174:
170:
166:
162:
158:
153:
151:
147:
143:
139:
135:
131:
130:
125:
122:
121:Enlightenment
118:
117:
112:
104:
101:
97:
93:
89:
81:
77:
73:
69:
57:
53:
49:
42:
34:
29:
22:
19:
1852:Scots Makars
1811:Liz Lochhead
1806:Edwin Morgan
1736:Robert Burns
1726:Allan Ramsay
1725:
1553:John Barbour
1539:Scots makars
1487:
1448:Allan Ramsay
1427:
1420:
1387:
1376:
1356:
1324:Allan Ramsay
1323:
1317:
1296:. Retrieved
1287:
1275:. Retrieved
1271:
1262:
1250:. Retrieved
1241:
1229:. Retrieved
1225:
1216:
1207:
1195:. Retrieved
1191:
1182:
1170:. Retrieved
1166:
1157:
1149:
1143:
1134:
1125:
1119:
1110:
1100:
1095:
1083:. Retrieved
1078:
1069:
1061:
1056:
1044:. Retrieved
1040:the original
1035:
1026:
1018:
1013:
1002:
933:. Retrieved
909:
897:
889:
884:
872:. Retrieved
868:
859:
843:
835:
829:
817:
807:
801:
791:
786:Bibliography
781:
770:
763:
752:
741:
719:
717:
712:
708:
704:
700:
699:
692:
687:
681:
672:
659:Robert Burns
637:
631:
584:was born in
582:Allan Ramsay
579:
575:
559:
529:
527:
516:
512:
508:
504:
500:
496:
492:
488:
487:
481:
477:
473:
469:
465:
461:
457:
453:
452:
446:
442:
438:
434:
430:
426:
422:
418:
417:
411:
407:
403:
399:
395:
391:
387:
383:
382:
368:
364:
360:
358:
348:
344:
340:
338:
326:Luckenbooths
317:
313:
299:
278:
274:
271:
267:Allan Ramsay
255:Crawfordjohn
252:
229:
209:Robert Burns
186:
181:
172:
168:
156:
154:
127:
114:
111:Allan Ramsay
110:
109:
84:(1758-01-07)
45:
25:Allan Ramsay
18:
1847:1758 deaths
1842:1686 births
1799:(from 2004)
1594:Blind Harry
1367:Lee, Sidney
1349:Wood, James
1231:26 February
1046:26 February
935:26 February
874:26 February
675:(1723), in
668:High Street
642:Romanticism
598:Hans Hysing
314:Scots Songs
308:" from the
263:High Street
236:Lanarkshire
193:Romanticism
99:Nationality
72:Lanarkshire
1836:Categories
1816:Jackie Kay
1408:required.)
1311:References
1277:15 October
1252:15 October
947:required.)
688:Ever Green
555:Royal Mile
551:vernacular
291:Queen Anne
287:Perthshire
248:Derbyshire
183:Leigh Hunt
91:Occupation
74:, Scotland
61:1684-10-15
1766:Tom Scott
1436:0307-2029
1085:15 August
993:(1911). "
759:The Mound
730:Memorials
586:Edinburgh
232:Leadhills
124:Edinburgh
68:Leadhills
1660:James VI
1428:Calgacus
777:Stirling
543:John Gay
371:for the
347:(1724).
297:poetry.
146:John Gay
103:Scottish
1563:James I
1558:Huchoun
1468:at the
1450:at the
1346::
1001:(ed.).
988::
766:Carlops
677:Glasgow
590:painter
283:Muthill
195:with a
1434:
1402:
1298:18 May
1197:2 June
1172:2 June
997:". In
982:
941:
926:
840:(1725)
832:, 1724
822:Google
812:Google
804:, 1720
796:Google
792:Poems.
724:Currie
651:Makars
606:Naples
594:London
572:Family
520:
201:Makars
1426:, in
851:Notes
713:Poems
673:Poems
530:Poems
116:makar
1432:ISSN
1300:2020
1279:2018
1254:2018
1233:2022
1199:2016
1174:2016
1087:2014
1048:2022
937:2022
924:ISBN
876:2022
757:and
657:and
620:Work
604:and
602:Rome
545:and
244:lead
207:and
171:and
148:and
94:poet
79:Died
55:Born
1459:at
1394:doi
1355:".
916:doi
775:in
746:on
616:).
359:In
259:wig
242:'s
39:by
1838::
1500:.
1497:.
1375:.
1270:.
1224:.
1190:.
1165:.
1077:.
1034:.
953:^
922:.
908:.
867:.
814:)
779:.
697:.
679:.
541:,
537:,
250:.
234:,
211:.
179:.
152:.
144:,
140:,
70:,
1531:e
1524:t
1517:v
1504:.
1400:.
1396::
1334:.
1302:.
1281:.
1256:.
1235:.
1201:.
1176:.
1089:.
1050:.
939:.
918::
878:.
824:)
798:)
649:"
285:(
63:)
59:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.