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458:, Edinburgh; her father never forgave her for marrying an artist. Ramsay already had to maintain a daughter from his previous marriage and his two surviving sisters, but told Sir Alexander that he could provide Margaret with an annual income of £100. He said it would increase 'as my affairs increase, and I thank God, they are in a way of increasing' and that his only motive for the marriage was 'my love for your Daughter, who, I am sensible, is entitled to much more than ever I shall have to bestow upon her'. Three children survived from their long and happy marriage, Amelia (1755–1813), Charlotte (1758–1818?), and John (1768–1845).
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One of Ramsay's most famous paintings is entitled simply "Portrait of an
African" and has attracted extensive attention across recent decades, both as a representation of an individual African in 18th century Britain, but also for the difficulty of identifying the sitter. A documentary featuring this
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He gave up painting in about 1770 to concentrate on literary pursuits. His health was shattered by an accidental dislocation of the right arm and his second wife's death in 1782. With unflinching pertinacity, he struggled until he had completed a likeness of the king upon which he was engaged at the
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Among his most satisfactory productions are some of his earlier ones, such as the full-length of the Duke of Argyll, and the numerous bust-portraits of
Scottish gentlemen and their ladies which he executed before settling in London. They are full of both grace and individuality; the features show
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time, and then started for his beloved Italy. He left a series of 50 royal portraits to be completed by his assistant
Reinagle. For several years he lingered in the south, his constitution finally broken. He died at
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In 1755, Ramsay made a considerable contribution to the Greco-Roman controversy, which was mainly discussed in Paris and Rome, when he anonymously published his
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excellent draughtsmanship; and the flesh-painting is firm and sound in method, though frequently tending a little to hardness and opacity. His full-length of
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is remarkable for the skill and delicacy with which the white satin drapery is managed; while the portrait of his brown-eyed second wife
Margaret, in the
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His pleasant manners and varied culture, not less than his artistic skill, contributed to render him popular. His only serious competitor was
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involved more literary and antiquarian research than art. After their return, Ramsay in 1761 was appointed to succeed
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ancestor. Valdes suggests that copies of these paintings were sent to the colonies to be used by abolitionists as a
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On his return in 1738 to the
British Isles, he first settled in Edinburgh, attracting attention by his head of
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Other historians question whether the 13th-century ancestor, referred to in various places as a 'Moor' and
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In 2016 a portrait of
Richard Mead (King George II's physician) by Allan Ramsay was discovered by
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Ramsay and his new wife spent 1754 to 1757 together in Italy, going to Rome, Florence, Naples and
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One or more of the preceding sentences incorporates text from a publication now in the
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The
International Cyclopædia: A Compendium of Human Knowledge. Revised with Large Additions
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and the Board of
Trustees, Edinburgh also show this French elegance and soft colours.
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Ramsay has paintings in the collection of a few
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painting explores the many meanings of this enigmatic images has been produced by
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Letters on the
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features" which the queen supposedly inherited via descent from a 13th-century
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1040:. Vol. 22 (11th ed.). Cambridge University Press. pp. 878–879.
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Nigel Warburton on the significance of two portraits of Hume and Rousseau
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in which he named Greece as the superior source of artistic excellence.
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to repair the torn canvas and remove layers of discoloured varnishes.
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in February 2014, Ramsay was shown to be the artist who painted the
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Smart, A.; Ramsay, A.; Scottish National Portrait Gallery (1992).
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According to Mario de Valdes y Cocom in 2009 on an edition of PBS
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banknotes. He later moved to London, where he was employed by the
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In 1739, he married his first wife, Anne Bayne, the daughter of
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1270:"The blurred racial lines of famous families – Queen Charlotte"
1120:(in Turkish). Scottish National Portrait Gallery. p. 133.
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Allan Ramsay: Painter, essayist, and Man of the Enlightenment
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in 1745, completed on the verge of his invasion of England.
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website) as part of the British BBC4 television programme
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Stuart Jeffries, "Was this Britain's first black queen?"
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Pech, H.T.; Peabody, S.H.; Richardson, C.F. (1900).
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1245:. Oxford: Oxford University Press. p. 17.
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367:. In Rome he enrolled as a day student at the
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752:Portrait of his second wife, Margaret Lindsay
653:The examples and perspective in this article
636:Abolitionism and paintings of Queen Charlotte
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895:Sir William Douglas, 4th Baronet of Kelhead
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686:Learn how and when to remove this message
321:Learn how and when to remove this message
148:, and at the St. Martin's Lane Academy);
30:For other people with the same name, see
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1337:Scotland and the Origins of Modern Art
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1221:In Plain Sight: Portrait of an African
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448:David Murray, 5th Viscount of Stormont
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812:George Coventry, 6th Earl of Coventry
469:' portraits. This and other trips to
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522:Coronation Portrait of George III
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958:Observations on the Riot Act
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917:Allan Ramsay in old age by
605:Britain's Lost Masterpieces
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1395:- Research on Allan Ramsay
1335:Macmillan, Duncan (2023),
1153:The Life of Samuel Johnson
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1117:Allan Ramsay, 1713–1784
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1208:. TheCourier.co.uk.
932:A Dialogue on Taste
740:Self-portrait, 1756
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396:Duke of Bridgewater
344:The Gentle Shepherd
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