Alien Nation (film)

90: 907:, approached the film with a unique documentary-style technique. Commenting on the initial photography lighting tests, Greenberg remarked, "The first ones were a disaster. They didn't look good at all. I didn't know how to photograph these aliens. It was the first time I had to deal with this kind of thing. But I have an eye and I learned from these tests." At the Biltmore Hotel, a peculiar situation arose where the ceilings were simply too tall for standard lighting equipment. An ingenious idea was devised by the crew to have six to eight weather balloons sent up and have artificial light bounce off of them to create the proper lighting mood. Greenberg remarked, "I wanted a very rich look from that place, gold and very warm. In the story it is very late after a big party. I wasn't going for any special effect, just nice light from lamps on the tables. The problem was, the hotel management wouldn't let us hang anything from the ceiling. In pre-production they had told us we could hang lights, but I didn't believe them. The ceilings there are very high and very beautiful." 89: 742:

into the area. This group would have established their own community. They have their own language, their own signs." The film crew installed fictional alien language signs along Western Avenue and Santa Monica Boulevard. Colored drawings were made of all stores on both sides of the street for two full blocks. Painted and electrical signs were designed for each building. Graffiti was also carefully planned out. The film crew did their own painting and even took a big blank concrete wall and inserted alien graffiti for a scene involving an early physical confrontation between the main characters. Essentially, the alphabet of the alien citizens had to be designed as an integral part of their environment. He commented how the crew "came up with individual alphabets and then combined them into certain words like, say, 'enter' and 'open', so that we could repeat them,

881:. He took their training course, joined them on patrol, and spent time with them at the firing range. Commenting on the character development of Francisco, he said "It's one of the better jobs that people from his race have acquired. He feels very proud of the fact that he's able to be a cop." In 2013, when asked about his role in the film, Caan initially replied, "Why would you bring up that?" before stating, "Yeah, well, I don't know. I don't have too many ... I mean, I loved Mandy Patinkin. Mandy was a riot. But ... I don't know. It was a lot of silly stuff, creatively. And we had this English director who I wasn't really that fond of. I mean, nice guy, but ... it was just one of those things where, you know, you don't quit, you get through it. It certainly wasn't one of ... I wouldn't write it down as one of my favorite movies. But it was pretty popular." 624:, John Rosengrant, Tom Woodruff, and Shannon Shea. Producer Gale Anne Hurd commented on creating the foundation for the makeup setting saying, "The primary problem was how to sell an alien race that was humanoid without making it look like people in rubber suits—and how to make it affordable. We knew there was going to be a lot of makeup application time and removal time—that was a given." Artist Gillis recalled his involvement in the project saying, "We were involved in everything from designing and sculpting the aliens to supervising a crew of about thirty people. We sculpted the main characters, supervised the molding and production of their appliances and oversaw the sculpting of the secondary and background characters." During the design phase, the producers supported the subtlety of the makeup and trying to make the aliens look as human as possible. 658:

Harcourt. In trying to emphasize the uniqueness of the characters, Mahan commented, "We wanted the audience to be able to recognize the actors immediately. They were all so good, it would have been a shame to cover them up completely." Other effects coordinators like Gillis remarked, "The actor who played Trent Porter, for example–Brian Thompson–was a really rugged guy, so he came off looking like a really tough character. On the other hand, Kevyn Major Howard–who played Harcourt's murderous henchman–had very delicate, boyish kind of features, so we used that quality to create a creepy juxtaposition." While effects coordinators were struggling to finish the final design and full-scale production of the alien prosthetics, Hurd chose makeup artist

1443:, gave the film two stars in a mostly negative review, saying the film lacked a science fiction theme and was more akin to a police murder revenge flick, musing "they've just taken the standard cop-buddy-drug lord routine and changed some of the makeup. The Newcomers have no surprises." Regarding the fictional alien culture, he expressed disappointment saying "a feeble attempt is made to invest the Newcomers with interest, by having them get drunk on sour milk instead of booze, and depriving them of any sense of humor." However, on a slightly complimentary note, Ebert mentioned "the makeup took trouble, the photography looks good, the cast and technical credits are top-drawer." But overall, he summed it up by declaring " 549:. The agency representing the storyline asked the production staff to view it as quickly as possible due to it also being submitted to other film studios. Both Hurd and her director of development Ellen Collett had the same initial response, seeing the script as a real page-turner. According to Hurd, what really interested her about the film's story was the whole approach to the immigrant setting and the extrapolation of that to a science fiction setting. The genre of science fiction, in regards to representing aliens, tends to usually be in the form of one or two beings as shown on network series like 1647: 711:

filled the holes with Bromo Seltzer, then laid the gelatin appliances over the whole thing and colored them so you could not see the holes below. Once the stuntman, the camera and everyone else was in position, we took a large syringe filled with hot water and injected it into each of the Bromo Seltzer pockets as the camera started rolling. As the Bromo Seltzer started to fizzle, the hot water began eating its way through the gelatin skin and his face appeared to bubble and melt." In the end, Mahan remarked, "We figured that going from something like the alien queen in

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be a visual sign of the drug's influence. The Newcomers Hubley, Porter, and Strader were involved in the planning phases of the operation, but were later murdered due to Harcourt's desire to exclude them from any future profits. When Sykes and Francisco locate the drug lab, Francisco displays a sudden fury at the thought of Jabroka being re-introduced to his people and destroys the lab. Francisco explains that it must be destroyed, and the mere existence of the drug must never be revealed, as it would risk the tenuous existence of every Newcomer on Earth.

1333:. The film's revenue dropped by 49% in its second week of release, earning $ 4,252,252. In the month of November during its final weekend showing in theaters, the film came out in 10th place grossing $ 1,306,849. The film went on to top out domestically at $ 25,216,243 in total ticket sales through a 5-week theatrical run. Internationally, the film took in an additional $ 6,938,804 in box office business for a combined total of $ 32,155,047. For 1988 as a whole, the film would cumulatively rank at a box office performance position of 41. 923:

sometimes had to block all the streets with black paper." The aliens were not too different from humans, and an incorrect lighting or camera angle could give away seams in the makeup. In attempting to identify the aliens with a unique look, Greenberg chose a deep blue color for filming. He said, "We ended up with very deep, strong blue – a sort of moonlight blue. We tried to do all the scenes in the movie that appear to be their places heavily favored by this deep blue color. The Encounters Club was one of those places." Greenberg used

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dragging somebody into the ocean. I wanted to have a very hard, but very natural, and strong look. So, I used the car headlights. It was nice because everything behind the villains fell into darkness. It had a surrealistic look." Greenberg also remarked how he had a close working relationship with DeLuxe lab in getting the correct color for the extensive night shooting in the film by bluntly saying, "In a movie like this I wanted the blacks to be very black, so I worked closely with DeLuxe lab

1513:." However, Maslin was quick to admit the film "settles down, with remarkable ease, into the routine of a two-cop buddy film, extraterrestrials and all. Matthew and Sam (whom Matthew refuses to address that way, renaming him George) go through all the familiar stages of forging a friendship between partners: cool antipathy, exchanges of insults, growing mutual respect on the job and, finally, an all-night drinking binge to solidify their buddyhood." On a negative front, author Jay Carr of 628:

little too extreme so we went with smooth heads instead." Coming close to a final design for the headpiece makeup, Woodruff explained how the masks had "heavier brows and a heavier skin texture that looked more leathery, and there were more pronounced lumps on the backs of their heads. After we went into production on these masks, Graham Baker decided that he wanted the aliens to look even more subtle, so we streamlined the design once we started doing the principal characters."

785:. For certain scenes within that shot, the production crew built their own custom water tank 44 feet in length and 22 feet in width. Two submerged 75 horsepower motors churned to create artificial waves, while separate raised wind machines worked to create the effect of a helicopter hovering over water. Other practical filming locations included Nichols Canyon Beach, the Los Angeles Police Academy and the York Street police station for interiors. A bar called 3141: 3860: 939:. I can control the contrast with light, but I have to live with the grain." Making use of multiple cameras, Greenberg noted, "Photographically, of course, one camera is best. But as a movie maker, and because I want the film to be a success, I realize that the photography is not the most important thing. The whole movie is most important. So in pre-production, I was the one pushing the director to always shoot with two or three cameras." 3872: 3848: 776:. Set decorator Jim Duffy, who was involved with the exotic dance scene at the club, used unique Austrian drapes to create a see-through design for actress Bevis who portrayed the character of Cassandra to perform around with. Smaller set areas for Cassandra's dressing room, a couple of offices, and a big conference room where Harcourt's drug deal was taking place were built on stages at the film studio. A 27: 726: 706:

extreme, it also had to appear realistic within the limits of the alien anatomy Winston's crew had designed. We wanted to avoid the amorphous 'blob-of-blood' look you see in so many of these slasher and monster pictures. We wanted to be able to see Harcourt's bone structure rather than just the glob hanging off of it." For the visual appearance he added, "Of course, we did use

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beverage plant was used as a disguise for a petroleum factory. Unused portions of the facility containing steel tanks were used as an interesting gloomy background. A methane lab was recreated with translucent tubes running through them, as though drugs were in the process of being refined. Certain visual smoke effects were also created to copy the look of an oil refinery.

746:..." while also mentioning how they "brought in a language expert to give us something the actors could be comfortable with." The Hawthorns, a well known family of sign painters, created most of the alien signs. Collis even mused how at one point, store owners liked, and wouldn't want to take down, the alien graffiti used during filming on their properties. 1546:, calling it "worthy, predictable, and dull." A summation of the negativity was, "Played hard and fast, the film might just have worked, but the decision to soft-pedal the violence merely emphasizes the obviousness of the liberal point-scoring (parallels with Vietnamese or Nicaraguan refugees are so facile as to be crass)." Critic 417:

direct contact with salt water, which is hazardous to Newcomer physiology. Francisco commandeers a police helicopter and rescues Sykes even though his arm suffers damage. When the pilot asks what was in the water with Sykes, Sykes responds that it was "just another Slag" - a pejorative term for Newcomers - protecting the secret.

392:. Detective Matthew Sykes' partner is killed in a shootout while trying to stop a Newcomer robbery ending in the store owner's murder. Sykes' superior, Captain Warner, informs his squad that they will work with the newly promoted Newcomer detective Sam Francisco. Sykes volunteers to team up with Francisco to investigate the 413:

overdose of Jabroka that causes him to collapse, seemingly dead. The remaining Jabroka is destroyed, but Francisco reacts in shock when Sykes reports he overdosed; he explains that an overdose would cause a Newcomer to mutate in a larger, more dangerous form, and that humanity must never know Newcomers are capable of this.

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couldn't be solved. It would have helped a lot." In reference to the cartoon character, the producers would leave in the name "George" as a substitute. Patinkin added, "Everything in the script is Jetson, everything on the makeup is labeled Jetson, we always refer to him as Jetson. Not even George, but

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The film premiered in cinemas on October 7, 1988. At its widest distribution in the U.S., the film was screened at 1,436 theaters grossing $ 8,421,429, averaging $ 5,889 in revenue per theater in its opening weekend. During that first weekend in release, the film opened in first place beating out the

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format composed by Sobel was never officially released, but a limited edition of the original score initially composed by Goldsmith featuring 18 tracks, was released in 2005. The score was entirely synthesized and limited to 3,000 copies. The melody featured throughout the film recorded by Goldsmith,

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plant. The alien villain Harcourt, is introduced at the hotel in the elite Crystal Room. The lobby section of the hotel with its very high ceilings and extensive complement of gold motif, was used in an interview scene between the characters of Harcourt, Kipling and the detectives. Alternatively, the

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explained how the film integrates a minority group (the aliens) into the film, saying "The idea was to bring in this alien group, assimilate them into our society, and get them a locale that would be a part of Los Angeles, ... It would look almost as if a group of Koreans or Vietnamese that had moved

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Ultimately, Sykes and Francisco track down Harcourt, who is negotiating a timetable for the release of Jabroka. The detectives engage in a car chase with Harcourt and Kipling, ending in a head-on collision that leaves both parties injured. Harcourt escapes on foot; when cornered by Sykes, he takes an

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While at a crime lab, Francisco detects an abnormality on the body of one of the Newcomer criminals who was killed in the robbery. This leads Sykes and Francisco to a nightclub to question Newcomer Joshua Strader, but Strader is murdered by a criminal ring led by Newcomer businessman William Harcourt

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of Newcomer Warren Hubley, hoping to also be able to investigate his partner's death, something he is officially barred from doing. The two do not work well: Sykes refuses to call him "Sam Francisco" and opts to call him "George" instead, and Francisco predicts Sykes will have difficulties due to his

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in 1987, but his name however, was not credited in the final cut of the film. One conceit of the script was that immigrations officials ran out of names for the 300,000 aliens, and began to name them after familiar appellations of the past. Actor Mandy Patinkin's original name for his character was

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to make it wet and nasty-looking, but the basic understructure was rooted in anatomy." For Harcourt's facial disintegration, the coordinators came up with a foam rubber base makeup superimposed with a layer of gelatin appliances. Elek explained, the crew "dug out chunks from the foam rubber pieces,

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Sykes and Francisco pursue Harcourt after he escapes from the coroner's vehicle, catching up with him near a fishing pier, and Sykes fights him hand-to-hand on the open sea, eventually knocking him into the water; however, Sykes is pulled into the water as well. Harcourt's body disintegrates due to

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Harcourt is in the advanced stages of launching a scheme to exploit the Newcomers by mass-producing Jabroka, a drug which was used to pacify Newcomers when they were slaves but has no beneficial effect on humans. The abnormality noticed by Francisco on the body of the Newcomer criminal turns out to

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Lighting challenges were abound for Greenberg as most of the film took place at night. One of the simplest techniques for lighting employed by Greenberg was using a car's headlights to dramatically produce a scene of terror. Greenberg explained, "We had a scene on Zuma Beach where the bad guys are

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A preliminary design sketch for the aliens as described by Mahan, was that "the males were going to have spines on top of their heads–kind of like a rooster's comb–and when they got angry, these spines would raise up. That would've required a mechanical headpiece, and Graham Baker thought it was a

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The filmmakers further squandered the contribution of the most illustrious member of the entire production when Jerry Goldsmith's original score was unfathomably replaced with an entirely unmemorable work by Curt Sobel, a fine music editor whose only previous composing credit was on the 1984 Matt

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be used." He went on to say, "I thought it made a tremendous difference to the piece that the guy's name was George Jetson because it gave a cartoon feeling, an innocence that was important to the movie's whole idea. It's a great loss to the piece that we couldn't recover, a great misfortune that

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Mike Spatola was head of the painting crew for the mask design. Hairless by design, the coordinators felt the masks should have spotted marks where hair would be present on humans. Each alien headpiece had to be custom painted with a spotting pattern to match every backup secondary piece used for

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followed on October 10, 1995, with a story revolving around a slaveship medical experiment involving a child who appears to be part human and part Newcomer. A side plot also involves the character of Sikes and a female Tenctonese exploring a relationship. Harry and Renee Longstreet were credited

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On character interactions, Greenberg noted how there was "a lot of dialogue between Jimmy and Mandy in the car. We used a lot of car mounts. I would light the alien so that he looked good, but if he passed into a shadow while going down the street you could see all the seams in his make-up. So I

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For the final dramatic scene involving Harcourt's demise, the rigged effects were handled in two stages. The first stage involved a dissolving head and body, while the second stage incorporated a flesh-less arm thrusting out of seawater. Rosengrant noted, "While the dissolving makeup had to look

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are relegated to a second-class status. Like other minorities, they live in their own neighborhoods, frequent their own clubs, and develop their own underground. Following the murder of a policeman, a human must partner up with an alien to solve the murder. Their uneasy alliance creates a social

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While investigating, the men find themselves becoming friendlier to each other. Francisco informs Sykes of a part of the Newcomer body to strike for maximum pain, which Sykes uses later; after discovering Newcomers get intoxicated on spoiled milk, they get drunk together, and Francisco confesses

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acknowledged the similarities between other police thriller movies, but still found the film to be a "Genuinely entertaining version of that old reliable; a cop buddy picture with two very different detectives." He explained, "Now this is an example of how you can put a nice twist on a familiar

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found originality in the extraterrestrial–injected plot, saying, "Solid performances by leads James Caan and his humanoid buddy-cop partner Mandy Patinkin move this production beyond special effects, clever alien makeup and car chases" while also adding the film was a "compelling human–humanoid

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twenty years earlier. As explained by Gillis, "We had what we referred to as 'A-B-C-D' makeups, ... The 'A' makeups were those custom designed for the principal actors, while the 'B' makeups were mix-and-match where we would recombine pieces from other actors to create a new character. Our 'D'

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was aired on November 12, 1996, and revolved around a story from which the detectives try to save their city from an alien threat originating from a waste disposal facility. Racism was a key theme encountered by the character of Francisco. The fifth and final sequel appeared on July 29, 1997.

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on set, required four hours; a task which Patinkin described as being "a pain in the ass." Masks were manufactured in a production line to meet the enormous demand for the film. Mahan mused, "We would pull the pieces out of the oven, fix them up, paint them and have them ready for pickup that

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the aliens should be a totally different color than the humans, with a lot of yellows, blues and grays. To me, that scheme was too monstrous–in fact, we ended up using it on the Harcourt monster at the climax." Another creative aspect of the makeup was the gradation between the principal and

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After the generic alien concept was finalized, each of the effects coordinators worked with a specific actor. Mahan chose to work with Mandy Patinkin, as well as Francisco's son. Rosengrant worked with Leslie Bevis who played Cassandra. Woodruff worked on Terence Stamp who played the part of

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Sykes and Francisco, now friends, attend Sykes's daughter's wedding together. Sykes has accepted Francisco as his partner and asks him to forgive Sykes for all the stupid things he will do and say in the years to come. Francisco reassures Sykes that he will - "After all...you're only human."

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story, and it will work if it's been fully written. Caan and Patinkin have special characters to play." Compelled by the acting, he felt "The buddy combination here worked for me." He ultimately gave the film a "Thumbs Up" review. Not nearly as impressed with the film was author NF of

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We wanted the aliens to be more like a different ethnic race than like lizard people, ... We didn't want our audiences thinking, 'Gee, look how different these aliens are.' Rather, after about five minutes we wanted the audience to accept them as different from us, but not

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as science fiction, but it's neither morally instructive nor prophetic. It proves a lumbering marriage of action and sci-fi that alienates both audiences. It's too dull for one and too dumb for the other." Kempley did find the first half hour to be suspenseful, though:

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but more of an action film. He admitted, "We did build a spaceship, but it's a simple thing that you see on a TV monitor describing the landing of the aliens several years ago, before they became assimilated into our society. It gives us a background but not a lot of

877:. So in our minds, he's George Jetson. So as far as I'm concerned, anybody who sees the movie, they're watching George Jetson no matter what the hell they call him." To understand his role of being a police officer, Patinkin spent two weeks hanging out with the 327:

genres with a science fiction theme, centering on the relationship between a veteran police investigator (Caan) and an extraterrestrial (Patinkin), the first Newcomer detective. The duo probe a criminal underworld while attempting to solve a homicide.

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The movie is simply a failure of imagination. Nobody looked at the screenplay and observed that it didn't try hard enough, that it had no surprises, that it didn't attempt to delight its audiences with twists and turns on the phoned-in plotline.

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was released in the United States on October 7, 1988, and grossed over $ 32 million worldwide, becoming a moderate financial success. The film was met with mixed critical reviews before its theatrical release, although it has since gained a

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feels like a movie made by people who have seen a lot of movies, but don't think the audience has." In agreement with Ebert over the originality of the buddy cop genre with the aliens inserted in as just a new rendition, Rita Kempley of

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wouldn't allow the name to be used. Expressing his disappointment, Patinkin said, "I assumed that the name of the character I agreed to play was George Jetson. And I was pretty pissed off that there was a screw-up and that the name

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was released on January 2, 1996, and dealt with a mysterious cult that uses mind-altering alien artifacts to lure Newcomer followers into a doomsday scenario. The film's plot was a tie-in to one of the television episodes titled:

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at his home in Israel to work on the production. Caught by surprise, Greenberg recalled, "I was vacationing on the Dead Sea in a kibbutz (it was 125 degrees) and I got a call from Gale. That was the last thing to expect there."

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bus stop set stood in as the taco burrito stand for the amusing scene between Francisco and Sykes relating to raw fast food. Some of the stunt scenes involving an action sequence later in the film was shot at a harbor in

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mistrust, dealing with issues such as prejudice and racism. By the end of the saga, the two completely different humanoids have combined their talents and overcome their social barriers to complete their task.

1664:, was released with a plot surrounding a distinct Newcomer arriving on Earth attempting to lure the aliens back into a life of slavery. The film was written on a screenplay conceived by Andrew Schneider and 1550:

referred to the film as "a great concept that doesn't quite pay off." But in a hint of commendation, he remarked how the film contains "many clever touches and terrific performances by Caan and Patinkin."

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by figuratively mentioning, "as a cameraman, you can create a lot more at night. Sometimes you have to feel your way. You also have true control at night. If a light is on it is because you turned it on."

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of changing expression. The 'C' masks, however, were made of foam latex and could be glued down to get some expression from the characters in the middleground." Application of the Newcomer makeup known as

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The following year after the film's release, the extraterrestrial plot concept was used as the basis for a television series of the same name. The show attempted to move away from the original film's "

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stock. Commenting on film grain he said, "I figured out from tests that it is better for me to use Fuji. Once film is blown up to 70mm the grain will stand out more and Fuji has smaller grain than

674:. Elek insisted that the alien coloration be much more closer to human skin tones rather than the originally chosen yellowish pigment. Elek recalled his disagreement with Winston as Stan felt, "... 1606:" premise, and delve more into the aliens' distinct culture and characteristics. Premiering on September 18, 1989, the series aired 22 episodes and ran for a single season, ending on May 7, 1990. 2288: 632:

individual characters. Each of the actors who played aliens also had their hands painted in a spot pattern, as an original plan of supplying them with appliances for hand pieces was discarded.

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A flowing design more like hand writing than lettering, that looks almost like a heartbeat graph. Occasionally, we'd underline it as though it came from sort of electronic machine, like an

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twenty years earlier. Working with co-producer Richard Kobritz, Hurd secured funding from Fox Studios and began casting an experienced makeup team for the creation of the alien society.

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in downtown Los Angeles was used for a scene involving the rough alien played by Brian Thompson. The interior of Sykes's house was filmed at a home near the studio, while a location in

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well paced, brawny and intense, looks like it was made by another director. But the rest is the cinematic equivalent of overcooked asparagus." However, the more enthusiastic staff of

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in the United States on March 27, 2001, and includes a narrative and interview filled Featurette, a Behind the Scenes clip featuring director Graham Baker, a TV Spots special, the

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will write and direct the film. However, the film was later put on hold. On January 25, 2021, it was announced that Nichols would remake the film as a ten-part television series.

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Following the demise of the television series in 1990, plans were devised to continue the popularity of the concept surrounding the race of the Newcomers through a string of

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report. It turned out to be such a simple thing once we got it going, but we had to go through a process of 'what is this going to look like?' before we got what we wanted.

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among others, contributed songs which appear in the film. At the end of the film the theme song "Indestructable" for the characters of Sykes and Francisco was featured by

3992: 3259: 4012: 2184:. The thought process behind such a move is mind-numbing. Ironically, Goldsmith's score was used in the film's trailer and the effect is noticeably energizing. 3252: 2061: 1946: 2459: 1020:, but later rejected in favor of music composed by Curt Sobel. Goldsmith's score was however used for the film's theatrical trailer. Musical artists 3640: 405:

about not understanding the high ideals humans set without being able to attain them, and advises Sykes to reconnect with his estranged daughter.

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Actor Eric Pierpoint who portrayed the film role character of newcomer George Francisco in the subsequent television series and TV films.

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release for the film. The film was released on blu-ray in Australia in April 2016 and in Europe (Region B locked) in March 2017.

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The aliens were not too different from humans, and an incorrect lighting or camera angle could give away seams in the makeup.

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stood in for a church in the final wedding scene. Some of the more elaborate sets used extensively in the film, were the

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reported that 53% of 32 sampled critics gave the film a positive review, with an average score of 5.4 out of 10. At

3977: 3957: 3791: 2571: 2497: 565: 161: 2437: 737:. Within a five-month shooting schedule, three weeks were spent shooting at studio locations. Production designer 3902: 2505: 878: 49: 2896: 823:, with science fiction elements integrated in the plot. During production, the film had a working title called, 3997: 3711: 3127: 3120: 1695: 1688: 557: 2058: 1943: 4002: 639: 620:. Winston was not directly involved in the pre-production, but left the task to his top artists–Alec Gillis, 389: 1352:

in 1989. One currently available VHS version of the film was originally released on September 10, 1996. The

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for Best Science Fiction Film of 1988, and received two Saturn nominations for Best Supporting Actor for

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afternoon to be taken to the set. The pieces were barely cold when Zoltan and his crew applied them."

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Certain fictional locations in the film such as the Encounters Club, was filmed at Club Hollywood on

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different that no one is buying the storyline. We wanted the aliens to be characters–not creatures.

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media franchise. The film depicts the assimilation of the "Newcomers", an alien race settling in

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may contain an excessive amount of intricate detail that may interest only a particular audience

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commented on James Caan's performance, viewing him as "Looking like a Paul Newman gone wrong,

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Another positive review centering on the science fiction elements of the film was relayed by

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Numerous interior and exterior locations used to suit the needs of the story were filmed in

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wearing applied headpiece makeup in 1994; similar in scope to the ones utilized in the film.

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One out of twenty to twenty-five stories received each week by 20th Century Fox in 1988,

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to these straight prosthetic makeups would be simple, but it was really a lot of work."

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In 1988, a spaceship bearing 300,000 enslaved aliens known as "Newcomers" lands in the

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Although several makeup effects companies were considered, 20th Century Fox chose

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James Caan on The Godfather, John Wayne, and all the roles he's done as favors

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to supervise the overall application. Elek had previously worked on the film

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any relevant information, and removing excessive detail that may be against

3864: 3590: 3351: 3052: 1788: 1740: 1665: 1572: 1560: 1496: 1398: 1364: 1066: 1045: 1005: 846:..." Collis noted that the film was even "reminiscent of the work I did in 617: 455: 397:

last name sounding like "sai k'ss" – "shit head" in the Newcomer language.

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The film was a co-production between American Entertainment Partners and

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writers for the storyline. The franchise saw two more sequels in 1996.

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Cinematographer Adam Greenberg, whose previous film credits included

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masks–the ones furthest from camera–were overhead slip latex masks

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newcomer George Francisco. Supporting acting roles were played by

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was somewhat of a throwback to other similar genre films such as

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D'Angelo, Carr (November 1988). The Streets of Sam Francisco.

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Tenctonese typography resembling a rhythmic heartbeat pattern.

2074:. pp. 49–56. Hollywood, California. Retrieved March 17, 2010. 1959:. pp. 44–48. Hollywood, California. Retrieved March 17, 2010. 1918:. pp. 4–17. Riverside, California. Retrieved March 14, 2010. 1055:. After being rejected for both that film project and later 924: 1993:. pp. 29–32. New York, New York. Retrieved March 21, 2010. 309:. Its initial popularity inaugurated the beginning of the 3933:

Fictional portrayals of the Los Angeles Police Department

1531:, it hasn't got the juice or the level of sensory jolt a 1345: 752: 2897:"Disney Puts the Brakes on Fox's 'Alien Nation' Remake" 1397:. Currently, there is no exact set date on a future US 817:. The film took some of its concept from the TV series 2676:

Alien Nation (1989), Show Description, Cast & Crew

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writing. On September 9, 2016, Deadline reported that

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Reeves-Stevens, Judith and Garfield (March 1, 1993).

863:. However, three days before the start of shooting, 2937:"Alien Nation Reboot Show In Development At Disney" 1065:. The sound effects in the film were supervised by 3185: 2084: 2082: 2080: 1016:The score for the film was originally composed by 2496:Siskel, Gene and Ebert, Roger (October 7, 1988). 837:. Jack Collis emphasized that the film was not a 3884: 2077: 1783:On March 25, 2015, Fox announced a remake with 1509:has the best science-fiction idea this side of 1414:The film received mixed reviews from critics. 4013:English-language science fiction action films 3260: 3171: 3036: 1430:was given a score of 45 based on 10 reviews. 3993:Films with screenplays by Rockne S. O'Bannon 3641:Star Wars: Episode III – Revenge of the Sith 1897: 1895: 1893: 1891: 1889: 1836: 1887: 1885: 1883: 1881: 1879: 1877: 1875: 1873: 1871: 1869: 356:. The motion picture spawned a short-lived 3276:Saturn Award for Best Science Fiction Film 3267: 3253: 3178: 3164: 3043: 3029: 1747:, published a novel series, including the 1610:played the lead role of Matt Sikes, while 683:sought to avoid the same mistakes made in 88: 2151: 2149: 720: 68:Learn how and when to remove this message 2384: 2382: 1938: 1936: 1934: 1932: 1930: 1928: 1926: 1924: 1866: 1645: 1614:was chosen to play the character of the 1579:and Best Film for Graham Baker from the 1080:Alien Nation: Music Inspired by the Film 1073:by David MacMillan and Charles Wilborn. 1069:. The mixing of the sound elements were 963:Alien Nation: Music Inspired by the Film 724: 634: 2881:Fleming, Mike Jr. (September 9, 2016). 2880: 2728: 2726: 2724: 2460:Review/Film; When Aliens Meet Angelenos 955: 831:and a 1960s science fiction TV series, 3885: 3494:Star Trek VI: The Undiscovered Country 2212:Weekend Box Office October 14–16, 1988 2146: 2053: 2051: 2049: 2047: 2045: 2043: 2041: 2039: 2037: 2035: 2033: 2031: 2029: 2027: 2025: 2023: 2021: 2019: 1944:Alien Nation – Buddy Film with a Twist 1854:from the original on November 21, 2009 1285: 1274: 1263: 1252: 1241: 1230: 1219: 1208: 1197: 1059:, the score was used in the 1990 film 1049:was originally composed for the movie 827:, which essentially was an amalgam of 564:Later, Hurd contacted cinematographer 3918:American science fiction action films 3631:Eternal Sunshine of the Spotless Mind 3248: 3159: 3024: 2379: 2228:Weekend Box Office November 4–6, 1988 2196:Weekend Box Office October 7–10, 1988 2017: 2015: 2013: 2011: 2009: 2007: 2005: 2003: 2001: 1999: 1983: 1981: 1979: 1977: 1975: 1973: 1971: 1969: 1967: 1965: 1921: 1367:and Fox Flix theatrical trailers for 1296: 1186: 1175: 1164: 1153: 1142: 1131: 1120: 1109: 1098: 528: 347:, which distributed it theatrically. 2721: 2633:Alien Nation (1989), Series Overview 2089:Alien Nation (1988) Cast and Credits 1725:printed several comics adaptations. 1686:that premiered on January 29, 1990. 1409: 1359:edition of the film was released on 20: 3943:Films adapted into television shows 3853:Speculative fiction/Science fiction 2865: 1583:International Fantasy Film Awards. 488:Michael David Simms as Human Dealer 13: 3898:1980s science fiction action films 2765:Alien Nation – Other Related Works 2710:Alien Nation (1989): Body and Soul 2592:The Long List of Hugo Awards, 1989 2547:Maltin, Leonard (August 5, 2008). 2436:Variety Staff, (January 1, 1988). 1996: 1962: 1749:Judith and Garfield Reeves-Stevens 1505:. She praised the theme, saying, " 401:and his henchman Rudyard Kipling. 14: 4029: 2959: 2823:Longyear, Barry (March 1, 1994). 2692:Alien Nation (1989): Dark Horizon 2549:Leonard Maltin's 2009 Movie Guide 2479:These Aliens Are All Too Ordinary 2458:Maslin, Janet (October 7, 1988). 2415:Kempley, Rita (October 7, 1988). 2244:Alien Nation Domestic Total Gross 2157:"Alien Nation by Jerry Goldsmith" 2057:Turner, George (September 1988). 1586: 1535:supplies." Other critics such as 884: 509:as Captain Robert B. "Bob" Warner 3973:Films produced by Gale Anne Hurd 3870: 3858: 3846: 3792:Star Wars: The Rise of Skywalker 3140: 3139: 3050: 2844:Longyear, Barry (July 1, 1994). 2802:Jeter, K.W. (December 1, 1993). 2658:Alien Nation (1989), Cast + Crew 1426:out of 100 to critics' reviews, 384:. By 1991, they have settled in 25: 3983:American police detective films 2929: 2903: 2889: 2874: 2859: 2838: 2817: 2796: 2775: 2757: 2703: 2685: 2669: 2651: 2626: 2608: 2585: 2562: 2541: 2512: 2490: 2471: 2452: 2430: 2409: 2361: 2343: 2318: 2300: 2282: 2277:'Alien Nation' VHSCollector.com 2269: 2253: 2237: 2221: 2205: 2189: 879:New York City Police Department 572:Though mostly an action movie, 200:American Entertainment Partners 3948:Films directed by Graham Baker 3712:Rise of the Planet of the Apes 2114: 2111:. Retrieved February 16, 2014. 2098: 1822: 1696:Alien Nation: The Udara Legacy 1689:Alien Nation: The Enemy Within 1485:—Roger Ebert, writing for the 1086: 679:background masks. The crew of 1: 2866:Kit, Borys (March 25, 2015). 2477:Carr, Jay (October 7, 1988). 2376:. Retrieved December 4, 2014. 1815: 1336: 1315: 523: 390:Los Angeles Police Department 388:and some of them have joined 297:. The ensemble cast features 4018:English-language crime films 3923:1980s English-language films 3762:Rogue One: A Star Wars Story 3752:Star Wars: The Force Awakens 3601:A.I. Artificial Intelligence 3200:Omen III: The Final Conflict 2615:Fantasporto Official website 1942:Lee, Nora (September 1988). 1901:Magid, Ron (November 1988). 1785:Art Marcum and Matt Holloway 1591: 1567:as well as Best Make-Up for 1554: 1404: 50:Knowledge's inclusion policy 7: 2772:. Retrieved March 22, 2010. 2718:. Retrieved March 14, 2010. 2700:. Retrieved March 14, 2010. 2682:. Retrieved March 14, 2010. 2666:. Retrieved March 14, 2010. 2648:. Retrieved March 14, 2010. 2538:. Retrieved March 10, 2010. 2509:. Retrieved March 10, 2010. 2468:. Retrieved March 10, 2010. 2449:. Retrieved March 10, 2010. 2427:. Retrieved March 10, 2010. 2315:. Retrieved March 18, 2014. 2095:. Retrieved March 10, 2010. 1794: 1735:Alien Nation (novel series) 1671:Alien Nation: Body and Soul 1641: 1527:is no smarter than, say, a 537:'s original screenplay for 440:as Sam Francisco ("George") 287:science fiction action film 10: 4034: 4008:1988 science fiction films 3484:Terminator 2: Judgment Day 3393:E.T. the Extra-Terrestrial 2623:. Retrieved March 9, 2010. 2605:. Retrieved March 9, 2010. 2582:. Retrieved March 9, 2010. 2487:. Retrieved April 2, 2010. 2350:Alien Nation Movie Reviews 2266:. Retrieved March 9, 2010. 2250:. Retrieved March 9, 2010. 2234:. Retrieved March 9, 2010. 2218:. Retrieved March 9, 2010. 2202:. Retrieved March 9, 2010. 1732: 1714: 1661:Alien Nation: Dark Horizon 1595: 1310: 1044:. The audio soundtrack in 491:Ed Krieger as Alien Dealer 3988:Films adapted into comics 3968:Films shot in Los Angeles 3803: 3692: 3581: 3464: 3363: 3282: 3194: 3137: 3091: 3060: 2870:. The Hollywood Reporter. 2574:February 7, 2008, at the 2358:. Retrieved July 5, 2022. 2297:Retrieved March 18, 2014. 2059:Designing an Alien Nation 1778: 1710: 1093: 1090: 1085: 1004: 988: 980: 967: 962: 795:Millennium Biltmore Hotel 594: 368:, as well as a number of 270: 262: 254: 246: 236: 222:October 7, 1988 213: 205: 187: 177: 167: 157: 131: 119: 109: 99: 94:Theatrical release poster 87: 82: 3963:Films set in Los Angeles 3928:Fictional-language films 3913:American buddy cop films 3823:Avatar: The Way of Water 2124:. Movies & TV Dept. 2122:"Curt Sobel Filmography" 2071:American Cinematographer 1956:American Cinematographer 1728: 1684:Generation to Generation 1678:Alien Nation: Millennium 1598:Alien Nation (TV series) 1460:In the Heat of the Night 1212:"772 – I Shall Remember" 829:In the Heat of the Night 820:In the Heat of the Night 16:1988 film by Graham Bake 3978:American neo-noir films 3958:Films set in the future 3373:The Empire Strikes Back 2308:Alien Nation (1988) DVD 2290:Alien Nation VHS Format 1908:March 25, 2010, at the 1721:Between 1990 and 1992, 813:was originally called, 735:Los Angeles, California 424: 375: 3903:20th Century Fox films 2738:(Full Screen Edition)" 2597:June 30, 2017, at the 2130:. 2012. Archived from 2064:July 16, 2011, at the 1949:July 16, 2011, at the 1651: 1634:, Lyndon Chubbuck and 1482: 914: 805:As scripted by writer 757: 730: 721:Set design and filming 654: 608: 485:Tony Simotes as Wiltey 3998:1980s buddy cop films 2638:July 7, 2009, at the 2528:June 6, 2011, at the 2326:"Alien Nation (1988)" 2260:1988 Domestic Grosses 1903:A Planetful of Aliens 1717:Alien Nation (comics) 1649: 1477: 910: 749: 728: 638: 599: 362:five television films 4003:1980s American films 2518:NF, (October 1988). 2368:Alien Nation Reviews 2169:on November 23, 2005 1745:Simon & Schuster 956:Music and soundtrack 892:Three Men and a Baby 618:Stan Winston Studios 452:as (Rudyard) Kipling 3292:Slaughterhouse-Five 2424:The Washington Post 2134:on November 2, 2012 1569:John M. Elliott Jr. 1451:The Washington Post 1234:"A Game Of Chicken" 1201:"Tow Truck Getaway" 1082: 774:Hollywood Boulevard 541:was submitted as a 446:as William Harcourt 285:is a 1988 American 3938:Films about racism 3908:Alien Nation films 3423:Back to the Future 3403:Return of the Jedi 3186:Films directed by 2994:TCM Movie Database 2943:. January 26, 2021 2917:. January 25, 2021 2783:The Day of Descent 2569:Past Award Winners 2465:The New York Times 2313:Barnes & Noble 2127:The New York Times 1830:"AFI|Catalog" 1652: 1620:Michele Scarabelli 1502:The New York Times 1422:, which assigns a 1365:Theatrical Trailer 1124:"Are You Alright?" 1078: 931:lenses along with 807:Rockne S. O'Bannon 731: 685:Planet of the Apes 668:and the character 655: 651:Michele Scarabelli 578:Planet of the Apes 558:Planet of the Apes 535:Rockne S. O'Bannon 529:Origins and themes 518:Don Hood as Moffet 450:Kevyn Major Howard 291:Rockne S. O'Bannon 114:Rockne S. O'Bannon 3953:Films set in 1991 3834: 3833: 3772:Blade Runner 2049 3242: 3241: 3153: 3152: 2854:978-0-671-79514-6 2833:978-0-671-73602-6 2812:978-0-671-73601-9 2791:978-0-671-73599-9 2557:978-0-451-22468-2 2551:. Signet. p. 22. 2395:Chicago Sun-Times 1765:Barry B. Longyear 1559:The film won the 1488:Chicago Sun-Times 1440:Chicago Sun Times 1410:Critical response 1306: 1305: 1014: 1013: 643:television series 480:Roger Aaron Brown 476:as Joshua Strader 358:television series 332:explores murder, 278: 277: 78: 77: 70: 4025: 3875: 3874: 3873: 3863: 3862: 3851: 3850: 3849: 3842: 3827: 3817: 3796: 3786: 3782:Ready Player One 3776: 3766: 3756: 3746: 3736: 3726: 3716: 3706: 3685: 3675: 3665: 3655: 3645: 3635: 3625: 3621:X2: X-Men United 3615: 3605: 3595: 3574: 3564: 3548: 3538: 3534:Independence Day 3528: 3518: 3508: 3498: 3488: 3478: 3457: 3447: 3437: 3427: 3417: 3407: 3397: 3387: 3377: 3356: 3346: 3336: 3326: 3316: 3306: 3296: 3269: 3262: 3255: 3246: 3245: 3180: 3173: 3166: 3157: 3156: 3143: 3142: 3128:The Udara Legacy 3121:The Enemy Within 3092:Television films 3045: 3038: 3031: 3022: 3021: 2953: 2952: 2950: 2948: 2933: 2927: 2926: 2924: 2922: 2907: 2901: 2900: 2899:. June 28, 2019. 2893: 2887: 2886: 2878: 2872: 2871: 2863: 2857: 2848:. Pocket Books. 2842: 2836: 2827:. Pocket Books. 2821: 2815: 2806:. Pocket Books. 2800: 2794: 2785:. Pocket Books. 2779: 2773: 2761: 2755: 2754: 2752: 2750: 2730: 2719: 2707: 2701: 2689: 2683: 2673: 2667: 2655: 2649: 2630: 2624: 2612: 2606: 2589: 2583: 2566: 2560: 2545: 2539: 2516: 2510: 2494: 2488: 2484:The Boston Globe 2475: 2469: 2456: 2450: 2434: 2428: 2413: 2407: 2406: 2404: 2402: 2386: 2377: 2365: 2359: 2347: 2341: 2340: 2338: 2336: 2322: 2316: 2304: 2298: 2286: 2280: 2273: 2267: 2257: 2251: 2241: 2235: 2225: 2219: 2209: 2203: 2193: 2187: 2186: 2182:The Flamingo Kid 2176: 2174: 2165:. Archived from 2162:Varèse Sarabande 2153: 2144: 2143: 2141: 2139: 2118: 2112: 2102: 2096: 2086: 2075: 2055: 1994: 1985: 1960: 1940: 1919: 1899: 1864: 1863: 1861: 1859: 1840: 1834: 1833: 1826: 1743:, a division of 1656:television films 1543:TimeOut Magazine 1522: 1516:The Boston Globe 1491: 1466: 1424:weighted average 1388:Independence Day 1344:was released on 1299: 1179:"Are You There?" 1088: 1083: 1077: 1062:The Russia House 1010:Varèse Sarabande 1000: 999: 995: 960: 959: 946: 918: 845: 834:The Outer Limits 768: 766: 760:—Jack Collis on 745: 677: 612: 434:as Matthew Sykes 345:20th Century Fox 293:and directed by 229: 227: 209:20th Century Fox 197:20th Century Fox 92: 80: 79: 73: 66: 62: 59: 53: 29: 28: 21: 4033: 4032: 4028: 4027: 4026: 4024: 4023: 4022: 3883: 3882: 3881: 3871: 3869: 3857: 3847: 3845: 3837: 3835: 3830: 3820: 3810: 3799: 3789: 3779: 3769: 3759: 3749: 3739: 3729: 3719: 3709: 3699: 3688: 3678: 3668: 3658: 3651:Children of Men 3648: 3638: 3628: 3618: 3611:Minority Report 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Movies 2090: 2085: 2083: 2081: 2073: 2072: 2067: 2063: 2060: 2054: 2052: 2050: 2048: 2046: 2044: 2042: 2040: 2038: 2036: 2034: 2032: 2030: 2028: 2026: 2024: 2022: 2020: 2018: 2016: 2014: 2012: 2010: 2008: 2006: 2004: 2002: 2000: 1992: 1991: 1984: 1982: 1980: 1978: 1976: 1974: 1972: 1970: 1968: 1966: 1958: 1957: 1952: 1948: 1945: 1939: 1937: 1935: 1933: 1931: 1929: 1927: 1925: 1917: 1916: 1911: 1907: 1904: 1898: 1896: 1894: 1892: 1890: 1888: 1886: 1884: 1882: 1880: 1878: 1876: 1874: 1872: 1870: 1853: 1849: 1845: 1839: 1831: 1825: 1821: 1811: 1810: 1806: 1804: 1803: 1799: 1798: 1792: 1790: 1786: 1776: 1774: 1770: 1766: 1763:, along with 1762: 1761:Body and Soul 1758: 1754: 1750: 1746: 1742: 1736: 1726: 1724: 1723:Malibu Comics 1718: 1708: 1706: 1702: 1698: 1697: 1691: 1690: 1685: 1680: 1679: 1673: 1672: 1667: 1663: 1662: 1657: 1648: 1639: 1637: 1633: 1629: 1625: 1621: 1617: 1613: 1609: 1605: 1599: 1584: 1582: 1578: 1574: 1570: 1566: 1562: 1552: 1549: 1545: 1544: 1538: 1534: 1533:Lethal Weapon 1530: 1529:Lethal Weapon 1526: 1518: 1517: 1512: 1508: 1504: 1503: 1498: 1492: 1490: 1489: 1481: 1475: 1472: 1471: 1461: 1457: 1453: 1452: 1446: 1442: 1441: 1436: 1431: 1429: 1425: 1421: 1417: 1402: 1400: 1396: 1395: 1390: 1389: 1384: 1383: 1378: 1377: 1372: 1371: 1366: 1362: 1358: 1355: 1354:Region 1 Code 1351: 1350:CBS/Fox Video 1347: 1343: 1334: 1332: 1331: 1326: 1325: 1301: 1298:Total length: 1295: 1291: 1289:"The Wedding" 1288: 1284: 1280: 1277: 1273: 1269: 1267:"A Nice View" 1266: 1262: 1258: 1256:"Got a Match" 1255: 1251: 1247: 1244: 1240: 1236: 1233: 1229: 1225: 1222: 1218: 1214: 1211: 1207: 1203: 1200: 1196: 1192: 1189: 1185: 1181: 1178: 1174: 1170: 1168:"Alien Dance" 1167: 1163: 1159: 1157:"Jerry's Jam" 1156: 1152: 1148: 1145: 1141: 1137: 1134: 1130: 1126: 1123: 1119: 1115: 1112: 1108: 1104: 1101: 1097: 1084: 1081: 1074: 1072: 1068: 1064: 1063: 1058: 1054: 1053: 1047: 1043: 1042:The Four Tops 1039: 1035: 1031: 1027: 1023: 1019: 1009: 1007: 1003: 991: 987: 983: 979: 975: 970: 966: 961: 953: 950: 940: 938: 934: 930: 926: 919: 913: 908: 906: 905: 900: 899: 894: 893: 882: 880: 876: 871: 866: 865:Hanna-Barbera 862: 861: 860:George Jetson 855: 854:James Cameron 851: 850: 840: 836: 835: 830: 826: 822: 821: 816: 812: 808: 803: 800: 796: 792: 788: 784: 779: 775: 769: 763: 756: 754: 747: 740: 736: 727: 718: 716: 715: 709: 703: 700: 699:"potatoheads" 696: 691: 686: 682: 673: 672: 667: 666: 661: 652: 648: 644: 642: 637: 633: 629: 625: 623: 619: 613: 607: 605: 592: 589: 585: 584: 579: 575: 570: 567: 562: 560: 559: 554: 553: 548: 544: 540: 536: 517: 514: 511: 508: 505: 502: 499: 496: 493: 490: 487: 484: 481: 478: 475: 472: 469: 466: 463: 460: 457: 454: 451: 448: 445: 444:Terence Stamp 442: 439: 436: 433: 430: 429: 422: 418: 414: 410: 406: 402: 398: 395: 391: 387: 383: 382:Mojave Desert 373: 371: 367: 363: 359: 355: 350: 346: 341: 339: 335: 331: 326: 322: 318: 314: 313: 308: 307:Terence Stamp 304: 300: 296: 292: 288: 284: 283: 273: 269: 265: 261: 257: 253: 250:United States 249: 245: 241: 235: 221: 220: 218: 212: 208: 204: 198: 194: 186: 183: 180: 176: 173: 170: 166: 163: 160: 156: 150: 149:Terence Stamp 147: 145: 142: 140: 137: 136: 134: 130: 125: 122: 118: 115: 112: 108: 105: 102: 98: 91: 86: 81: 72: 69: 61: 51: 47: 43: 37: 34:This article 32: 23: 22: 19: 3821: 3811: 3790: 3780: 3770: 3760: 3750: 3742:Interstellar 3740: 3730: 3722:The Avengers 3720: 3710: 3700: 3679: 3669: 3659: 3649: 3639: 3629: 3619: 3609: 3599: 3589: 3568: 3558: 3552: 3544:Men in Black 3542: 3532: 3522: 3512: 3502: 3492: 3482: 3474:Total Recall 3472: 3453:Alien Nation 3452: 3451: 3441: 3431: 3421: 3411: 3401: 3391: 3381: 3371: 3350: 3340: 3330: 3320: 3310: 3300: 3290: 3230: 3224:Born to Ride 3222: 3216:Alien Nation 3215: 3214: 3206: 3198: 3188:Graham Baker 3144: 3126: 3119: 3112: 3105: 3100:Dark Horizon 3098: 3072: 3053:Alien Nation 3051: 3011:Alien Nation 3010: 3000:Alien Nation 2999: 2989:Alien Nation 2988: 2978:Alien Nation 2977: 2967:Alien Nation 2966: 2945:. Retrieved 2940: 2931: 2919:. Retrieved 2914: 2905: 2891: 2876: 2861: 2846:Slag Like Me 2845: 2840: 2824: 2819: 2803: 2798: 2782: 2777: 2764: 2759: 2747:. Retrieved 2741: 2736:Alien Nation 2735: 2713: 2705: 2695: 2687: 2671: 2661: 2653: 2643: 2628: 2618: 2610: 2587: 2564: 2548: 2543: 2533: 2523:Movie review 2521:Alien Nation 2520: 2514: 2504: 2499:Alien Nation 2498: 2492: 2482: 2473: 2463: 2454: 2444: 2439:Alien Nation 2438: 2432: 2422: 2418:Alien Nation 2417: 2411: 2399:. Retrieved 2393: 2371: 2363: 2353: 2345: 2333:. Retrieved 2329: 2320: 2307: 2302: 2289: 2284: 2276: 2271: 2255: 2239: 2223: 2207: 2191: 2181: 2180:Dillon film 2178: 2171:. Retrieved 2167:the original 2160: 2136:. Retrieved 2132:the original 2125: 2116: 2108: 2100: 2069: 1988: 1954: 1913: 1856:. Retrieved 1838: 1824: 1808: 1800: 1789:Jeff Nichols 1782: 1773:Slag Like Me 1772: 1768: 1760: 1752: 1741:Pocket Books 1738: 1720: 1700: 1694: 1687: 1683: 1676: 1669: 1666:Diane Frolov 1659: 1653: 1601: 1573:Stan Winston 1561:Saturn Award 1558: 1541: 1532: 1528: 1525:Alien Nation 1524: 1514: 1510: 1507:Alien Nation 1506: 1500: 1497:Janet Maslin 1494: 1486: 1483: 1478: 1468: 1459: 1458:wants to be 1456:Alien Nation 1455: 1449: 1445:Alien Nation 1444: 1438: 1432: 1428:Alien Nation 1427: 1413: 1399:Blu-ray Disc 1392: 1386: 1380: 1374: 1368: 1342:Alien Nation 1341: 1340: 1328: 1322: 1319: 1079: 1071:orchestrated 1067:Mark Mangini 1060: 1057:Alien Nation 1056: 1050: 1046:Compact Disc 1015: 949:Alien Nation 948: 941: 927:cameras and 921: 915: 911: 902: 896: 890: 888: 874: 869: 858: 847: 839:"space epic" 838: 832: 828: 824: 818: 815:Future Tense 814: 811:Alien Nation 810: 804: 791:Beverly Glen 786: 771: 762:Alien Nation 761: 758: 750: 732: 712: 704: 698: 694: 689: 684: 681:Alien Nation 680: 671:Max Headroom 669: 663: 656: 641:Alien Nation 640: 630: 626: 615: 609: 603: 600: 587: 586:. The alien 581: 577: 574:Alien Nation 573: 571: 563: 556: 550: 545:to producer 539:Alien Nation 538: 532: 464:as Fedorchuk 458:as Cassandra 456:Leslie Bevis 419: 415: 411: 407: 403: 399: 379: 349:Alien Nation 348: 342: 330:Alien Nation 329: 312:Alien Nation 310: 295:Graham Baker 282:Alien Nation 281: 280: 279: 266:$ 16 million 238:Running time 215:Release date 104:Graham Baker 83:Alien Nation 64: 55: 42:spinning off 35: 18: 3661:Cloverfield 3383:Superman II 3322:Logan's Run 2947:February 3, 2921:February 3, 2885:. Deadline. 2620:Fantasporto 2603:Hugo Awards 2441:Film Review 2335:January 13, 1858:December 7, 1757:Peter David 1632:Stan Lathan 1608:Gary Graham 1581:Fantasporto 1577:Hugo Awards 1537:Gene Siskel 1435:Roger Ebert 1324:The Accused 1278:"Just Ugly" 1223:"Tell Them" 1190:"The Beach" 1052:Wall Street 1038:David Bowie 1034:Mick Jagger 767:s language. 739:Jack Collis 660:Zoltan Elek 622:Shane Mahan 543:spec–script 513:Keone Young 462:Peter Jason 386:Los Angeles 366:comic books 364:, a set of 317:Los Angeles 289:written by 120:Produced by 100:Directed by 3893:1988 films 3887:Categories 3570:The Matrix 3554:Armageddon 3524:12 Monkeys 3312:Rollerball 3114:Millennium 2941:ScreenRant 2825:The Change 2373:Metacritic 2295:Amazon.com 1816:References 1802:District 9 1769:The Change 1616:Tenctonese 1420:Metacritic 1382:Enemy Mine 1357:widescreen 1337:Home media 1316:Box office 1245:"Overdose" 1146:"The Vial" 1113:"Out Back" 969:Film score 857:set to be 825:Outer Heat 524:Production 497:as Alterez 495:Tony Perez 474:Jeff Kober 432:James Caan 299:James Caan 271:Box office 242:91 minutes 226:1988-10-07 189:Production 182:Curt Sobel 172:Kent Beyda 139:James Caan 110:Written by 46:relocating 3826:(2022/23) 3816:(2021/22) 3795:(2019/20) 3785:(2018/19) 3702:Inception 3560:Dark City 3477:(1989/90) 3332:Star Wars 3315:(1974/75) 3068:TV series 2749:March 14, 2680:Yahoo! TV 2401:March 10, 2173:March 23, 2109:A.V. Club 1739:In 1993, 1604:Buddy Cop 1592:TV series 1555:Accolades 1405:Reception 1370:The Abyss 1330:Punchline 904:Near Dark 783:San Pedro 690:incapable 588:Newcomers 552:Star Trek 515:as Winter 191:companies 168:Edited by 3671:Iron Man 3514:Stargate 3342:Superman 3146:Category 2983:AllMovie 2743:Best Buy 2697:TV Guide 2663:Film.com 2636:Archived 2595:Archived 2572:Archived 2526:Archived 2138:March 9, 2062:Archived 1947:Archived 1906:Archived 1852:Archived 1795:See also 1642:TV films 1628:Sean Six 1474:drama." 981:Released 971: by 925:Arriflex 898:La Bamba 870:couldn't 778:Van Nuys 470:as Quint 394:homicide 321:neo-noir 255:Language 178:Music by 132:Starring 58:May 2020 3839:Portals 3732:Gravity 3443:RoboCop 3232:Beowulf 3208:Impulse 2992:at the 2645:MSN.com 2446:Variety 1990:Starlog 1915:Cinefex 1470:Variety 1454:said, " 1437:of the 1321:films, 1311:Release 842:detail, 797:and an 787:Monty's 695:"spuds" 645:actors 258:English 247:Country 224: ( 3775:(2017) 3765:(2016) 3755:(2015) 3745:(2014) 3735:(2013) 3725:(2012) 3715:(2011) 3705:(2010) 3684:(2009) 3681:Avatar 3674:(2008) 3664:(2007) 3654:(2006) 3644:(2005) 3634:(2004) 3624:(2003) 3614:(2002) 3604:(2001) 3594:(2000) 3573:(1999) 3563:(1998) 3547:(1997) 3537:(1996) 3527:(1995) 3517:(1994) 3507:(1993) 3497:(1992) 3487:(1991) 3456:(1988) 3446:(1987) 3436:(1986) 3433:Aliens 3426:(1985) 3416:(1984) 3406:(1983) 3396:(1982) 3386:(1981) 3376:(1980) 3355:(1979) 3345:(1978) 3335:(1977) 3325:(1976) 3305:(1973) 3295:(1972) 3235:(1999) 3227:(1991) 3219:(1988) 3211:(1984) 3203:(1981) 3083:Comics 3078:Novels 2852: 2831: 2810: 2789: 2555: 2501:Review 1809:Bright 1779:Remake 1711:Comics 1521: 1465: 1394:Zardoz 1376:Aliens 1094:Length 989:Length 945: 875:Jetson 849:Cocoon 844: 744: 714:Aliens 676: 595:Makeup 370:novels 305:, and 263:Budget 3865:1980s 3804:2020s 3693:2010s 3591:X-Men 3582:2000s 3465:1990s 3364:1980s 3352:Alien 3283:1970s 3061:Media 2915:/Film 1729:Books 1302:46:43 1091:Title 1006:Label 937:Kodak 929:Zeiss 765:' 3877:Film 3813:Nope 3073:Film 2972:IMDb 2949:2021 2923:2021 2850:ISBN 2829:ISBN 2808:ISBN 2787:ISBN 2751:2010 2553:ISBN 2403:2010 2337:2020 2175:2010 2140:2010 1860:2009 1771:and 1701:Buck 1626:and 1571:and 1463:"... 1391:and 1327:and 1292:4:43 1281:1:57 1270:2:34 1259:2:53 1248:2:26 1237:2:26 1226:1:29 1215:4:08 1204:1:51 1193:3:40 1182:2:01 1171:1:57 1160:1:51 1149:2:12 1138:2:53 1127:1:50 1116:2:00 1105:3:47 1036:and 984:2005 933:Fuji 901:and 665:Mask 649:and 580:and 425:Cast 376:Plot 336:and 323:and 3014:at 3003:at 2981:at 2970:at 1767:'s 1759:'s 1499:of 1361:DVD 1348:by 1346:VHS 1286:18. 1275:17. 1264:16. 1253:15. 1242:14. 1231:13. 1220:12. 1209:11. 1198:10. 1087:No. 753:IBM 697:or 44:or 3889:: 2939:. 2913:. 2768:. 2740:. 2723:^ 2712:. 2694:. 2678:. 2660:. 2642:. 2617:. 2601:. 2578:. 2532:. 2503:. 2481:. 2462:. 2443:. 2421:. 2392:. 2381:^ 2370:. 2352:. 2328:. 2311:. 2293:. 2262:. 2246:. 2230:. 2214:. 2198:. 2177:. 2159:. 2148:^ 2107:. 2091:. 2079:^ 2068:. 1998:^ 1964:^ 1953:. 1923:^ 1912:. 1868:^ 1850:. 1846:. 1775:. 1755:, 1751:' 1707:. 1668:. 1622:, 1385:, 1379:, 1373:, 1187:9. 1176:8. 1165:7. 1154:6. 1143:5. 1132:4. 1121:3. 1110:2. 1099:1. 1032:, 1028:, 1024:, 998:43 994:46 895:, 809:, 604:so 360:, 340:. 301:, 3841:: 3557:/ 3268:e 3261:t 3254:v 3179:e 3172:t 3165:v 3044:e 3037:t 3030:v 2951:. 2925:. 2856:. 2835:. 2814:. 2793:. 2753:. 2734:" 2559:. 2405:. 2339:. 2142:. 1862:. 1832:. 996:: 228:) 71:) 65:( 60:) 56:( 52:. 38:.

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