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concert series, and wanting to express the frustrations of second-generation Asian immigrants during a period of ethnic tension and race riots in
Britain, the members of the band turned to music to achieve politically what they had not been able to via protest rallies, and to draw on their Pakistani
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Aside from the rowdy archive footage of bands like The Clash, British reggae band
Matumbi and oiks Sham 69, the biggest musical thrill might be the revelation that there was an Asian punk band called Alien Kulture. Comprising three men of Pakistani heritage and a white guitarist, they released one
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As of 2010, Huw Jones was working in the non-profit sector in Leeds, Pervez
Bilgrami was running a recruitment agency with his wife, and Azhar Rana was a partner in a firm of chartered accountants. As of 2016, Ausaf Abbas was working as an investment banker, having initially worked as an economist
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as well as other Asians who felt they were disgracing their community. Abbas has stated that Rock
Against Racism established conditions for a more assertive and self-confident mood amongst British Asians. The band eventually recorded one single, "Culture Crossover" b/w "Asian Youth", which was
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They hailed from south London and wanted to form a band in response to the racist violence aimed at South Asians at the time. They wrote songs that "broadly originated from their experiences and observations about being a
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Alien
Kulture named after a provocative statement by then British Prime Minister Margaret Thatcher, who stated that 'people are really rather afraid that this country might be rather swamped by people with a different
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Seeking to express themselves as youth caught between two cultures, they wrote songs about racism and issues within the Asian community, such as arranged marriage, leading to attacks both from neo-Nazis supporting the
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band active from 1979 through 1981, founded by Ausaf Abbas, Azhar Rana, Pervez
Bilgrami, and self-described "token white" Huw Jones. Formed in
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Muslim backgrounds to promote an Asian presence in popular culture. They took their name as a response to then newly elected Prime
Minister
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O'Connell, Joe (10 November 2020). ""Caught in a
Culture Crossover!" Rock Against Racism and Alien Kulture".
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in protest of racial profiling by police because Ausaf and Azhar were due to sit their finals exams at the
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Walls Come
Tumbling Down: The Music and Politics of Rock Against Racism, 2 Tone and Red Wedge
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released by Rock
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single, Culture Crossover, on Rock Against Racism's short-lived record label.
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that same day, and disbanded soon after, having played only 30 shows.
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Punk Rock is My Religion: Straight Edge Punk and 'Religious' Identity
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Never Again: Rock Against Racism and the Anti-Nazi League 1976–1982
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422:"Never mind the bus pass: punks look back at their wildest days"
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Crisis Music: The Cultural Politics of Rock Against Racism
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331:. Manchester: Manchester University Press. p. 84.
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More Real Life Rock: The Wilderness Years, 2014–2021
166:. State University of New York Press. p. 257.
92:Duncombe, Stephen; Tremblay, Maxwell, eds. (2011).
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95:White Riot: Punk Rock and the Politics of Race
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389:"Whatever happened to that Asian punk band?"
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199:"Alien Kulture – R.A.R. Records – 1980"
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452:. Yale University Press. p. 87.
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314:10.1093/oxfordhb/9780190859565.013.20
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387:Manzoor, Sarfraz (10 January 2010).
268:. Taylor & Francis. p. 25.
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352:SMYTH, DAVID (18 September 2020).
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233:Renton, David (7 December 2018).
302:The Oxford Handbook of Punk Rock
98:. Verso Books. pp. 231 ff.
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420:Tassell, Nige (7 May 2016).
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217:"Band profile on Art Asia"
62:London School of Economics
262:Stewart, Francis (2017).
537:British punk rock groups
306:Oxford University Press
542:Political music groups
203:Killyourpetpuppy.co.uk
327:Goodyer, Ian (2009).
446:Marcus, G. (2022).
205:. 25 December 2009.
126:Rachel, D. (2016).
36:Rock Against Racism
160:Clegg, M. (2022).
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275:978-1-351-72556-9
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