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completely and could find no way of getting back to the original piece – so, as if inspired from above, he dropped his violin and leapt upon the stupified, half irritated, half amused Weber, embraced him in front of everyone and shouted with a loud voice, as if choked with tears, "Ah grand maître! que j'aime, que j'admire!"
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At a wave from
Boucher, Weber stopped; and he and the astounded public suddenly heard tremolandos, pizzicatos and other coarser tricks... then a whole firework display.... Finally, after highly extravagant modulations, arpeggios and other pieces of tightrope walking, the good fellow lost his balance
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in 1819; he wrote: "His face bore a remarkable likeness to
Napoleon Bonaparte's, and he had evidently carefully studied the banished emperor's way of bearing himself, lifting his hat, taking 'snuff,' etc..... He played a
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From about 1820 he travelled through Europe. His talent as a violinist was acknowledged, but he was regarded as a musical charlatan. The violinist and composer
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with whom he played chamber music. He married CĂ©leste
Gallyot, a harpist and pianist to the king. After his return to Paris he became successful.
36:(11 April 1778 – 29 December 1861) was a French violinist who performed throughout Europe; he was noted for having a resemblance to Napoleon.
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Boucher encouraged the idea that he was exiled from France because his likeness to
Napoleon might arouse sympathies for the former emperor.
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Boucher was born in Paris. He had an interest in music at an early age; he was a pupil of
Navoigille l'Aîné, and aged eight he played at
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112:, in which Boucher was a performer, playing Weber's Variations on a Norwegian Air, to which he added his own
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98:, but he added so many ornaments of bad taste, that it was impossible to derive any pleasure from it."
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In 1808 Charles IV of Spain was forced to abdicate, and he was kept prisoner at
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276:(2nd edition 1976, Cambridge University Press); it includes a quotation from
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180:(1900) the dates are 10 April 1770 – 30 December 1861. In
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data.bnf.fr. Retrieved 17 March 2018. In Paul Nettl's
257:. Peter Sheppard Skærved. Retrieved 26 January 2018.
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240:Dictionnaire de la conversation et de la lecture
182:Dictionnaire de la conversation et de la lecture
136:In 1844 he returned to France and settled in
278:Carl Maria von Weber: The Life of an Artist
176:the dates are 1778–1861. In George Grove's
293:. Philosophical Library, New York, 1956.
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55:, where he was solo violinist to King
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289:Paul Nettl. "Bouché, Alexandre" in
280:by Max Maria Weber, vol. 2, p. 327.
216:A Dictionary of Music and Musicians
184:the date of birth is 11 April 1770.
178:A Dictionary of Music and Musicians
59:. During his time in Madrid he met
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133:34 in the Kinsky–Halm Catalogue).
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339:French male classical violinists
329:19th-century French violinists
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255:Boucher and the Marseillaise
150:List of classical violinists
140:. He died in Paris in 1861.
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334:19th-century male musicians
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206:"Boucher, Alexandre"
125:In April 1822 he visited
237:Boucher, Alexandre-Jean
108:conducted a concert in
291:Beethoven Encyclopedia
174:Beethoven Encyclopedia
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78:Performances in Europe
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221:Macmillan and Company
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104:In 1821 the composer
51:. In 1787 he went to
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324:Musicians from Paris
274:Carl Maria von Weber
203:David, Paul (1900).
127:Ludwig van Beethoven
106:Carl Maria von Weber
297:at the B.N. France.
57:Charles IV of Spain
23:Alexandre Boucher,
48:Concert Spirituels
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170:Alexandre Boucher
34:Alexandre Boucher
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319:1861 deaths
314:1778 births
168:Dates from
86:met him in
84:Louis Spohr
68:Fontainbleu
28: 1850
308:Categories
295:Manuscript
219:. London:
156:References
40:Early life
270:Page 254
144:See also
88:Brussels
72:Napoleon
213:(ed.).
138:Orléans
114:cadenza
96:quartet
110:Berlin
53:Madrid
209:. In
93:Haydn
46:les
131:WoO
70:by
310::
262:^
247:^
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189:^
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25:c.
223:.
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