449:, whose festival is on the following day. Its message is that she will forgive evil-doers who turn to the paths of righteousness, and the three conspirators, still clutching their daggers, are overwhelmed with emotion and, kneeling, join in the hymn. Leonore enters, and Bassi confesses. She and Stradella forgive him and his henchmen, and the opera ends with Stradella's arrival on a hillside in front of a picture of the Madonna, where the pilgrims rejoice in the power of his music and of divine grace.
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Stradella and
Leonore, joined by the bandits, sing of the beauties of Italy. The happy couple join a group of pilgrims. Bassi arrives and discovers that his instructions have not been carried out, but, when he offers the bandits more money, they agree again to murder Stradella. Bassi joins them.
416:
Stradella and his music students hymn the city of Venice. They then serenade
Leonore, Stradella's beloved. She is held against her will in the house of her guardian, Bassi, who is planning to marry her on the following day, and, when she appears on her balcony, Stradella proposes that they elope.
430:
Leonore rejoices at her impending marriage to
Stradella. The couple leave for the ceremony. The bandits Malvolio and Barbarino appear separately, and discover that each has been engaged by Bassi to assassinate Stradella. Claiming to be pilgrims, they introduce themselves to the happy couple, and
258:
in 2001 as part of the festival's 50th anniversary season. The
Wexford production, directed by Thomas de Mallet Burgess and designed by Julian McGowan, set the opera in Flotow's time rather than Stradella's.
250:
as
Leonore, the work had nearly been forgotten. It received six performances at the Met that season, but then returned to relative obscurity, never achieving the more enduring popularity of
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Stradella welcomes them to the celebrations. He sings of the compassion that lurks in the hearts of even the lowest members of society, and the bandits, moved, abandon their mission.
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A noisy carnival procession enables them to slip away together, while Bassi's attempts to pursue them are impeded by the masked revellers.
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in
Hamburg on 30 December 1844. The work proved to be very popular in Germany and in Austria where its successful debut at the
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on 2 February 1837. Flotow then revised and expanded the work to a full three-act opera which had a successful premiere at the
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As they advance to do the deed, Stradella rehearses, with the pilgrims, a hymn in praise of the
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148:, it is loosely based on the colourful life of the 17th-century Italian composer and singer
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Pupils of
Stradella, masks, villagers, pilgrims, distinguished citizens, patricians
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152:. It was first performed in its full version on 30 December 1844 at the
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in 1845 led to a commission from the theatre to compose another opera,
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568:. Vol. 1. Oxford: Oxford University Press. p. 81.
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767:Opera world premieres at the Hamburg State Opera
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203:in several opera houses in Italy, including the
254:. The most notable 21st century revival was at
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589:, Wexford Festival Opera programme book, 2001
543:"Wexford Opera: From dark corners, many gems"
426:Outside Stradella's country house near Rome
231:(in Italian) in 1863, and in London at the
199:was performed in an Italian translation by
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37:
607:International Music Score Library Project
650:
527:, 5 February 1910 (accessed 21 May 2010)
440:In and around Stradella's country house.
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545:, March 2002 (accessed 21 May 2010)
482:. L'Almanacco di Gherardo Casaglia
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552:
14:
783:
593:
565:The New Grove Dictionary of Opera
459:
285:Roles, voice types, premiere cast
242:premiere on 4 February 1910 with
195:, which premiered there in 1847.
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701:
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612:Synopsis and scoring information
299:Premiere cast, 30 December 1844
211:in Milan. It was also heard in
752:Operas by Friedrich von Flotow
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508:
489:
1:
452:
177:which opened in Paris at the
309:a composer and music-teacher
238:By the time it received its
223:(in a French translation by
219:in 1858, in Brussels at the
121:) in three acts composed by
7:
772:Operas based on real people
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227:) in 1859, in Paris at the
221:Théâtre Royal de la Monnaie
10:
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470:Casaglia, Gherardo (2005).
89:30 December 1844
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144:and the countryside near
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505:, (accessed 21 May 2010)
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420:
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129:by "Wilhelm Friedrich" (
209:Teatro della Canobbiana
179:Théâtre du Palais-Royal
131:Friedrich Wilhelm Riese
53:Friedrich Wilhelm Riese
398:Time: The 17th century
280:
256:Wexford Opera Festival
187:Theater am Kärntnertor
538:American Record Guide
270:
174:comédie en vaudeville
115:is a romantic opera (
680:Alessandro Stradella
654:Friedrich von Flotow
601:Alessandro Stradella
497:Alessandro Stradella
474:Alessandro Stradella
305:Alessandro Stradella
277:Alessandro Stradella
273:Hamburg Stadttheater
229:Théâtre des Italiens
197:Alessandro Stradella
165:Alessandro Stradella
150:Alessandro Stradella
123:Friedrich von Flotow
112:Alessandro Stradella
79:Alessandro Stradella
43:The composer in 1847
30:Friedrich von Flotow
19:Alessandro Stradella
616:Boosey & Hawkes
287:
205:Teatro Carlo Felice
160:Performance history
524:The New York Times
503:Metropolitan Opera
408:In and around the
324:a wealthy Venetian
283:
281:
240:Metropolitan Opera
167:began its life as
757:Romantische Opern
712:
711:
587:A rake's progress
575:978-0-19-522186-2
499:, 4 February 1910
480:30 December 1844"
387:
386:
279:premiered in 1844
246:as Stradella and
233:Royal Opera House
207:in Genoa and the
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605:: Scores at the
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410:Piazza San Marco
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118:Romantische Oper
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25:Romantische Oper
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553:Further reading
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665:List of operas
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594:External links
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562:, ed. (1992).
560:Sadie, Stanley
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395:Place: Italy
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217:Teatr Wielki
196:
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183:Stadttheater
172:
171:, a one-act
168:
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156:in Hamburg.
154:Stadttheater
125:to a German
116:
111:
110:
109:
100:Stadttheater
762:1844 operas
447:Virgin Mary
366:Barbarino,
134: [
56: [
741:Categories
515:"Flotow's
453:References
352:Malvolio,
295:Voice type
248:Alma Gluck
244:Leo Slezak
140:). Set in
93:1844-12-30
49:Librettist
519:is Heard"
517:Stradella
337:Leonore,
235:in 1864.
169:Stradella
102:, Hamburg
706:Category
603:(Flotow)
412:, Venice
390:Synopsis
373:baritone
368:a bandit
354:a bandit
339:his ward
127:libretto
85:Premiere
77:Life of
74:Based on
66:Language
344:soprano
322:Bassi,
215:at the
91: (
747:Operas
717:Portal
691:(1847)
688:Martha
683:(1844)
672:Operas
572:
478:
275:where
252:Martha
213:Warsaw
192:Martha
142:Venice
69:German
731:Opera
435:Act 3
421:Act 2
403:Act 1
358:bass
314:tenor
291:Role
263:Roles
138:]
60:]
570:ISBN
329:bass
271:The
146:Rome
614:at
27:by
743::
585:,
541:,
521:,
501:,
461:^
307:,
136:de
58:de
719::
644:e
637:t
630:v
578:.
486:.
476:,
472:"
95:)
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