303:, Sonali Mujumdar writes that the novel "has its primordial roots in that tumultuous time, but the larger canvas is about exile, adopted cultures, about families and people that have crossed continents to make new lives, colliding awkwardly with each other in their chosen lands," and "Kumarasamy rips open wounds, lays them bare, washes and wipes, and secures her creations; disjointed pieces of trauma and treasures, that come together to piece an irregular whole. Here the mortals too have feet of clay in a world full of poetic injustice."
413:, Malavika Praseed writes, "this is a book that commands a greater focus and closer attention than I anticipated as a reader. And while individual passages shimmer and terrify, the book as a whole leaves dangling threads that go beyond the unanswered questions of thought-provoking narrative. We never truly comprehend our protagonist, just as our protagonist rarely seems to comprehend the world around her."
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is certainly an extraordinary achievement, even an epochal one. Perhaps never before in history could such a work have been created, a humanly conceived book-as-machine, properly intimidating in its refusal to explain itself, and feigning to satisfy a profound human desire, by making the stuff of our
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writes, "While the book is moving and the writing elegant and clear, the collection begins to feel almost like a writing exercise, moving from third-person to first-person and back; when it finally comes to the rarely used second person , the effect isn't nearly as surprising as it might otherwise
330:
states, "Kumarasamy’s prose is gorgeous and assured, capable of rendering both major tragedy (war, the dissolution of a marriage, the loss of a child) and minor tragedy (a botched effort at matchmaking, a pitying
Christmas invitation) with care and precision. Though the stories can sometimes blend
206:
Magazine, "Hearing about her literary journey confirmed to me that success for women writers is not a finite thing. Kumarasamy, like those who came before and those who will come after, is engaged in the radical act of speaking poetic truths to people who are unaccustomed to listening to them."
322:, "More than 800,000 people were displaced, with many fleeing the country as refugees to India, the United Kingdom, and the United States," and "Kumarasamy explores what it means to be made to feel like a foreigner in one’s own country, a theme made all the more affecting by recent events."
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that the book "alternates between the near-future, second-person perspective of Aya, a 26-year-old A.I. trainer in Queens, and passages from a manuscript she is translating from Tamil into
English", and "Kumarasamy’s quirky language and wit are dazzling." In a review for the
351:, "Notwithstanding its allusive opacity and predictable prose, Kumarasamy's debut moves in the right direction, provoking serious questions about the writing of human rights and the ways in which literature bears the burden of representing unsolvable political problems."
374:
review states, "Kumarasamy's dazzling if sometimes unwieldy debut novel follows a young woman as she tries to unpack the past amid an unforgiving near future", and "Kumarasamy's gorgeous prose and quiet meditations on memory will enthrall readers." In the
397:, Ilana Masad writes that the book, "is under 300 pages, and there is certainly a lot going on, but it all feels beautifully balanced — chapters threaded together nimbly, the translated manuscript and the protagonist’s life echoing each other."
406:
as "a brazenly complex, labyrinthinely structured, deeply philosophical, thematically ambitious novel, and although it may not be the breeziest read, it is also a masterpiece that more than confirms the promise of "Half Gods."" In the
312:, "The book doubles as a chilling history lesson for readers unfamiliar with the bloody conflict between Sri Lanka’s Tamils, a northern minority, and its Sinhalese majority," and "More than a hundred thousand people were slain in the
297:, meaning “I’ll go and return." These are parting words especially suited to the refugee: ever running away, ever looking back. Kumarasamy poignantly illustrates this tension in her debut story collection". In a review for the
147:
that
Kumarasamy "grew up among migrants and refugees who had packed their belongings and sorrows when they were cleaved from their homelands, and embodied within themselves a subcontinent of unarticulated experiences."
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381:, Elinam Agbo describes the novel as "a lyrical, speculative novel set in a near future where violence is as unrelenting a reality as it is in our present moment."
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141:, in a largely South Asian community. She had no pets and no direct access to wildlife as a child, but initially wanted to be a zoologist. Bhavye Doye writes for
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217:, stating, "I think that gave me a more nuanced take on brownness. Instead of seeing it in the margins, I was able to view it from a place of centrality."
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have been. It might be that
Kumarasamy's control on the stories is too tight. One wonders what might happen if she were to loosen her grip."
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together, the writing is strong throughout, resulting in a wonderful, auspicious debut." Aditya
Sudarshan writes in a review for
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1051:"Akil Kumarasamy's "Half Gods": A Début Collection Explores Strife, Trauma, and "a Lifetime Loving Strangers""
293:, Tania James writes, "As Akil Kumarasamy pointed out in a 2017 interview, the Tamil equivalent of goodbye is
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is an
American author and an assistant professor in the Masters of Fine Arts Program in Creative Writing at
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589:"'Putting brownness against a brown background compelled me to dig deeper': Writer Akil Kumarasamy"
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In fall 2020, Kumarasamy became an assistant professor in the MFA program in creative writing at
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171:-Newark. Her past teaching experience includes the Helen Zell Writers' Program at the
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191:. She was awarded the Annual Bard Fiction Prize for her collection of short stories
615:"Debutante novelist Akil Kumarasamy chronicles the horrors of war and displacement"
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Kumarasamy discussed the impact of her childhood experience on her writing with
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1278:"Review: Wrapped inside a dystopian novel, an epic of 'radical compassion'"
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in 2010 and completed her
Masters of Fine Arts in creative writing at the
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1451:
Pushing
Against the Self in Fiction: A Conversation with Akil Kumarasamy
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272:, "Four terrific fiction debuts by Asian-American women not to miss" by
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333:
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252:
213:
1334:"The Haunting Undercurrent of Grief in "Meet Us by the Roaring Sea""
1077:"A Foreigner in One's Own Country: On Akil Kumarasamy's 'Half Gods'"
256:, one of "6 Summer Books That Explore the Immigrant Experience" by
946:"Four terrific fiction debuts by Asian-American women not to miss"
999:"Debut Stories Trace the Aftershocks of the Sri Lankan Civil War"
280:
268:, as well as featured on the "Lest We Forget: A Reading List" by
972:"Short Story Collections That Should Be on Your Must-Read List"
400:
Jonathan
Russell Clark describes the novel in a review for the
202:
After an interview with
Kumarasamy, Zena Agha writes for the
184:
1168:"Melancholic Mythologies: "Half Gods" and the "Mahabharata""
250:
was named in the "Best of 2018: Short story collections" by
195:, which includes an appointment as a writer in residence at
758:"Hope and Destruction: A Conversation with Akil Kumarasamy"
316:, between 1983 and 2009." Michael Patrick Brady writes for
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1306:"Review: 'Meet Us by the Roaring Sea,' by Akil Kumarasamy"
732:"Annual Bard Fiction Prize Is Awarded to Akil Kumarasamy"
706:
Rutgers University School of Arts & Sciences-Newark
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and the 2021–2022 Annual Bard Fiction Prize. Her novel
868:"6 Summer Books That Explore the Immigrant Experience"
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199:for a semester during the 2021–2022 academic year.
1386:"PEN America Names 2019 Literary Awards Finalists"
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667:"Akil Kumarasamy: 'Borders are a colonial dream'"
639:Zaman, Amal; Brown, Danielle (October 11, 2016).
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702:"SASN Welcomes New Faculty for Fall 2020 (Pt 3)"
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578:
1414:"The 2023 Ursula K. Le Guin Prize for Fiction"
1361:"The 2023 Ursula K. Le Guin Prize for Fiction"
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342:little lives into something rich and dense."
189:Schomburg Center for Research in Black Culture
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1304:Clark, Jonathan Russell (August 19, 2022).
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1221:"KR's 2022 Summer Reading Recommendations"
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1133:"'Half Gods' review: The book as machine"
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1075:Brady, Michael Patrick (July 20, 2018).
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1248:Chadburn, Melissa (September 7, 2022).
1131:Sudarshan, Aditya (December 22, 2018).
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970:Sullivan, Corinne (December 10, 2020).
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842:"Best of 2018: Short story collections"
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587:Bahuguna, Urvashi (November 25, 2018).
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1250:"Longing for Things Just Out of Reach"
1025:"Review: Half Gods by Akil Kumarasamy"
1023:Mujumdar, Sonali (November 30, 2018).
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1332:Praseed, Malavika (August 22, 2022).
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549:2021–2022 Annual Bard Fiction Prize (
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1418:The Ursula K. Le Guin Literary Trust
1365:The Ursula K. Le Guin Literary Trust
893:"9 New Books We Recommend This Week"
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700:Lerner, Lawrence (October 1, 2020).
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612:
521:
1166:Nadiminti, Kalyan (June 16, 2018).
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433:Kumarasamy, Akil (April 21, 2015).
169:Rutgers School of Arts and Sciences
115:Rutgers School of Arts and Sciences
88:2021–2022 Annual Bard Fiction Prize
13:
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782:Praseed, Malavika (May 24, 2022).
665:Dore, Bhavya (November 15, 2018).
641:"10 Questions for Akil Kumarasamy"
542:for Debut Short Story Collection (
14:
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784:"10 Books I Love by AAPI Writers"
613:Saha, Shrestha (April 12, 2018).
476:Kumarasamy, Akil (July 5, 2018).
419:is on the shortlist for the 2023
1276:Masad, Ilana (August 24, 2022).
919:"Lest We Forget: A Reading List"
463:Kumarasamy, Akil (August 2017).
446:Kumarasamy, Akil (Summer 2017).
345:Kalyan Nadiminti writes for the
204:Asian American Writers' Workshop
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866:Mohamed, Alana (May 31, 2018).
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756:Agha, Zena (October 24, 2018).
529:The Story Prize Spotlight Award
478:"The Office of Missing Persons"
123:The Story Prize Spotlight Award
85:The Story Prize Spotlight Award
1049:Waldman, Katy (June 7, 2018).
175:. Her fellowships include the
1:
1503:University of Michigan alumni
1483:21st-century American writers
997:James, Tania (July 5, 2018).
568:
510:. Farrar, Straus and Giroux.
129:was released in August 2022.
18:American author and professor
814:"Meet Us by the Roaring Sea"
435:"At the Birthplace of Sound"
384:Melissa Chadburn writes for
262:, and an Editor's Choice by
240:
224:, she wrote a novel, titled
7:
1478:21st-century American women
1456:Los Angeles Review of Books
1172:Los Angeles Review of Books
348:Los Angeles Review of Books
34:Author, assistant professor
10:
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562:Meet Us by the Roaring Sea
540:PEN/Robert W Bingham Prize
508:Meet Us by the Roaring Sea
417:Meet Us by the Roaring Sea
363:Meet Us by the Roaring Sea
226:Meet Us by the Roaring Sea
127:Meet Us by the Roaring Sea
74:Meet Us By The Roaring Sea
506:Kumarasamy, Akil (2022).
494:Farrar, Straus and Giroux
488:Kumarasamy, Akil (2018).
230:Farrar, Straus and Giroux
177:University of East Anglia
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1508:American fiction writers
645:The Massachusetts Review
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306:Katy Waldman writes for
228:, that was published by
139:Dismal Swamp, New Jersey
133:Early life and education
1498:Writers from New Jersey
1339:Chicago Review of Books
789:Chicago Review of Books
558:Ursula K. Le Guin Prize
421:Ursula K. Le Guin Prize
410:Chicago Review of Books
1493:Barnard College alumni
1488:American women writers
538:2019 finalist for the
452:American Short Fiction
173:University of Michigan
157:University of Michigan
137:Kumarasamy grew up in
47:University of Michigan
181:Fine Arts Work Center
314:Sri Lankan civil war
619:The Telegraph India
179:, the Provincetown
151:She graduated from
1513:American educators
1394:. January 24, 2019
1003:The New York Times
925:. December 4, 2018
897:The New York Times
387:The New York Times
290:The New York Times
265:The New York Times
236:Critical reception
1391:Publishers Weekly
1283:Los Angeles Times
1109:Publishers Weekly
872:The Village Voice
819:Publishers Weekly
522:Honors and awards
516:978-0-374-17770-6
469:Harper's Magazine
394:Los Angeles Times
371:Publishers Weekly
327:Publishers Weekly
259:The Village Voice
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58:Years active
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1201:. April 16, 2018
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899:. July 12, 2018
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61:2010s – present
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43:Barnard College
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1229:. May 31, 2022
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1198:Kirkus Reviews
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