25:
246:
and Bruno
Serralogue. For Cramerotti, Aesthetic Journalism implies the critical use of documentary techniques and journalistic methods where the medium itself undergoes questioning. He posits that aesthetics, understood as a "process in which we open up our sensibility to the diversity of the forms
250:
Although "the process leading up to aesthetic journalism can be considered from both perspectives as art being absorbed by the generalist media, or as journalism becoming a (common) art form", Cramerotti's text speculates on the mutual convergence of art and media into a new cross discipline of
129:
247:
of nature (and manmade environment)" can open up the mechanisms of art and media to expose the limitations of photojournalism, documentation and the ethics of representation. In doing so, Aesthetic
Journalism renders productive readings of reality, information, fact, fiction and objectivity.
221:
Cramerotti identifies this "investigative approach" in contemporary art and photography as the use of fieldwork, reportage, interviews, document analysis, graphic mapping and information distribution. He cites a number of artists who employ these strategies:
218:. Recognising the "blurring of margins between artistic and information practices" as a main feature in contemporary culture, Cramerotti sets out the Who, What, Where, When and How, and Why of Aesthetic Journalism.
255:
215:
145:
46:
39:
340:
89:
61:
201:
68:
360:
75:
375:
108:
314:
57:
370:
365:
380:
82:
35:
341:
The
Geopolitical Turn: Art and the Contest of Globalisation talk at Nottingham Contemporary, UK
346:
Talk on
Aesthetic Journalism with Alfredo Cramerotti, Autograph ABP London, April 13th 2010.
8:
196:
155:
254:
The concepts outlined in the book have been a key tool in the development of the
239:
354:
231:
227:
235:
263:
223:
243:
315:"Networked_Performance — "Aesthetic Journalism" by Alfredo Cramerotti"
128:
259:
24:
331:
345:
286:, Chicago: Intellect, The University of Chicago Press. p.37.
122:
Aesthetic
Journalism: How to Inform Without Informing
284:
Aesthetic
Journalism: How to Inform Without Informing
211:
Aesthetic
Journalism: How to Inform Without Informing
352:
214:is a book by Italian writer, curator and artist
266:taking place in the region of Murcia, Spain.
262:, the European Biennial of Contemporary Art:
258:curatorial approach for the 8th edition of
127:
109:Learn how and when to remove this message
353:
304:Cramerotti, Aesthetic Journalism, p.32
295:Cramerotti, Aesthetic Journalism, p.21
45:Please improve this article by adding
18:
13:
14:
392:
325:
230:, Lukas Einsele, Laura Horelli,
23:
16:2009 book by Alfredo Cramerotti
307:
298:
289:
276:
1:
269:
47:secondary or tertiary sources
7:
361:Books about the visual arts
282:Cramerotti, Alfredo. 2009.
10:
397:
256:Chamber of Public Secrets'
195:
187:
179:
169:
161:
151:
141:
126:
376:Italian contemporary art
251:Aesthetic Journalism.
58:"Aesthetic Journalism"
34:relies excessively on
334:Aesthetic Journalism
134:Aesthetic Journalism
123:
242:, The Atlas Group/
216:Alfredo Cramerotti
146:Alfredo Cramerotti
121:
371:Art history books
207:
206:
202:978-1-84150-268-7
119:
118:
111:
93:
388:
366:Aesthetics books
319:
318:
311:
305:
302:
296:
293:
287:
280:
171:Publication date
131:
124:
120:
114:
107:
103:
100:
94:
92:
51:
27:
19:
396:
395:
391:
390:
389:
387:
386:
385:
381:Critical theory
351:
350:
336:by Fay Nicolson
328:
323:
322:
313:
312:
308:
303:
299:
294:
290:
281:
277:
272:
180:Media type
172:
137:
115:
104:
98:
95:
52:
50:
44:
40:primary sources
28:
17:
12:
11:
5:
394:
384:
383:
378:
373:
368:
363:
349:
348:
343:
338:
327:
326:External links
324:
321:
320:
306:
297:
288:
274:
273:
271:
268:
205:
204:
199:
193:
192:
189:
185:
184:
181:
177:
176:
175:September 2009
173:
170:
167:
166:
163:
159:
158:
153:
149:
148:
143:
139:
138:
132:
117:
116:
31:
29:
22:
15:
9:
6:
4:
3:
2:
393:
382:
379:
377:
374:
372:
369:
367:
364:
362:
359:
358:
356:
347:
344:
342:
339:
337:
335:
330:
329:
316:
310:
301:
292:
285:
279:
275:
267:
265:
261:
257:
252:
248:
245:
241:
237:
233:
232:Renzo Martens
229:
228:Martha Rosler
225:
219:
217:
213:
212:
203:
200:
198:
194:
190:
186:
182:
178:
174:
168:
164:
160:
157:
154:
150:
147:
144:
140:
135:
130:
125:
113:
110:
102:
91:
88:
84:
81:
77:
74:
70:
67:
63:
60: –
59:
55:
54:Find sources:
48:
42:
41:
37:
32:This article
30:
26:
21:
20:
333:
309:
300:
291:
283:
278:
253:
249:
236:Alfredo Jaar
220:
210:
209:
208:
133:
105:
99:October 2017
96:
86:
79:
72:
65:
53:
33:
264:Manifesta 8
240:Renée Green
224:Hans Haacke
355:Categories
270:References
244:Walid Raad
136:Cover Page
69:newspapers
36:references
260:Manifesta
165:Intellect
162:Publisher
152:Language
332:ABC of
156:English
83:scholar
191:112 pp
142:Author
85:
78:
71:
64:
56:
188:Pages
183:Print
90:JSTOR
76:books
197:ISBN
62:news
38:to
357::
238:,
234:,
226:,
49:.
317:.
112:)
106:(
101:)
97:(
87:·
80:·
73:·
66:·
43:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
