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Ward, A., Rohrhuber, J., Olofsson, F., McLean, A., Griffiths, D., Collins, N., and
Alexander, A. (2004). Live Algorithm Programming and a Temporary Organisation for its Promotion. In Goriunova, O. and Shulgin, A., editors, read_me – Software Art and
78:, off-the-shelf generative software that takes control over the artwork produced with it. Auto-Illustrator has earned prestigious digital arts awards including an honorary mention at the 2001
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55:. His theoretical approach to generative and software art guides his practice, including contributing to the early principles of the
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Ward, A., Levin, G., Lia, and Meta. 4x4 Generative Design (with Auto-Illustrator, Java, DBN, Lingo): Life/Oblivion. Apress.
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Cox, G., McLean, A., and Ward, A. (2000). The
Aesthetics of Generative Code. In International Conference on Generative Art.
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Shulgin, A. (2003). Listen to the tools, interview with Alex McLean and Adrian Ward. In read_me 2.3 reader. NIFCA.
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software products released through his company
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Hot-Wiring Your
Creative Process: Strategies for print and new media designers
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Interaction Design: A Design Perspective on Information Technology
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Sommerer, Christa; Mignonneau, Laurent; King, Dorothée (3 March 2017).
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Engineering Nature: Art & Consciousness in the Post-biological Era
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Leopoldseder, Hannes; Schöpf, Christine (4 September 2001).
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This article about an artist from the United
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338:(in German). Springer Science & Business Media.
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Issues in
Curating Contemporary Art and Performance
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Interface
Cultures: Artistic Aspects of Interaction
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74:for his well-known Auto-Illustrator parody of
22:Adrian ward at Changing Grammars, Hamburg 2004
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37:and musician. He is known for his
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201:Software Studies: A Lexicon
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62:Adrian co-won the 2001
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66:software art award in
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168:. transcript Verlag.
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365:. Intellect Books.
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
