772:
27:
1695:
Released in 2003. In contrast to
Jenkins's past Adiemus compositions, several of the tracks in this album are arrangements or variations on existing classical works. Additionally, the lyrics for some tracks are borrowed from religious texts or even the title of the piece rather than the invented
1181:. European releases depict an insect hive in various shades of reds and yellows within an abstracted mechanical clock. A special edition release in Europe shows a winged figure ascending into the sky. Other releases use dolphins which are characteristic of Adiemus albums in some markets.
1343:
The final track "Tango" is an edited version of the track "African Tango" and is only available on some releases. A Japanese special edition release includes a second disc featuring "Beyond the
Century (Makare Maka)" 4:54, "Elegia" 4:05 from some releases of
232:
meaning "let us approach" (or "let us submit a cause to a referee"), or, is sometimes regarded as the future tense of the same verb, meaning "we shall approach" or "we shall take possession". The title also resembles two forms of the Latin verb
474:
7 singers, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 6 horns, 3 trumpets, 4 trombones, tuba, timpani, 8 percussionists: bass drum, bongos, cowbell, shekere, chocalho, cymbals, claves, congas, cabasa,
1169:
As is common with
Adiemus albums, the cover art of releases in certain regions may be different. The cover of the United States release features a silhouetted persons reminiscent of the cover art for
487:, surdo, tom-tom, tabla, tamborim, tambourine, triangle, udo, wood block, xylophone, recorder, strings (featuring on album are also the electro-acoustic percussion and gemshorn)
1456:. In addition to rich string orchestrations and vocals borrowing from world musical styles common to Adiemus, Jenkins adds the accompaniment of ethnic instruments such as the
865:
TV commercial and "Chorale VI (Sol–Fa) Cantus Song of Aeolus", in a Toyota Prius PHV TV commercial. "Adiemus" was also the eighth feature track of the original 1997
727:). "Free time" is also prominent, in this as well as the majority of new age projects. The percussion section, when used prominently, gives the pieces an upbeat,
217:. The 'words' were written phonetically by Jenkins to match the orchestral parts, with the intention being to have the voices act purely as another instrument.
984:
by including instrumentation and techniques from
Eastern Europe, Arabia, and Asia. Compared to the earlier work, the orchestra is also expanded to include
1677:
As is often the case with albums in the
Adiemus project, releases in different regions may have different cover art. The cover Japanese release of
2162:
1166:
feature two bonus tracks, "Cantilena" and "Elegia", which are early musical sketches composed by
Jenkins in preparation for this album.
573:
orchestra consisted of a string section augmented by various ethnic percussion instruments, with occasional further additions such as
1948:
Common to albums in the
Adiemus project, releases in different regions may have different cover art, such as the Japanese release of
2264:
837:
was a commercial success, topping classical album charts. Though none of its successors has achieved the same critical acclaim,
2052:
91:
2025:
256:
TV commercial. The piece gained significant popularity as a result, and
Jenkins then decided to expand it into a full work.
63:
2144:
1681:
Has gold text and designs, including a dolphin, over a green background whereas other releases have white text over a
70:
2424:
891:
819:
793:
110:
44:
2190:
801:
213:
The vocal parts are not written in an actual language, despite some of the lyrics bearing a passing similarity to
2429:
77:
797:
48:
2004:
1588:
1129:
1099:
614:
322:
274:
2434:
2414:
1612:
880:
505:
59:
2088:
1721:
1352:
1171:
976:
929:
833:
484:
180:
2239:
871:
album. It was used at the beginning and end of James
Brandon's magic show "Imagine" which played at the
531:
performed the vocal parts on the first four albums. Stockley was described by
Jenkins as central to the
1738:
1452:
862:
1608:
704:
2093:
1138:
782:
684:
245:("let us hear"), although Jenkins has said he was unaware of any connections to real Latin words.
2419:
2358:
2214:
1861:
1824:
1655:. The theme from "The Dagda" was borrowed from "Lacus Pereverantiae" from Jenkins's earlier work
1359:
As is common with Adiemus albums, the cover art of releases in certain regions may be different.
786:
265:
37:
1148:
318:
2294:
2115:
2083:
1775:
1637:
1151:
846:
278:
1770:
566:
recordings of the singers (in some cases up to 40 times) and varying the speed of the tape.
84:
1763:
1490:
1211:
563:
382:
1755:"Dona Nobis Pacem Part II" (lyrics from Agnus Dei of the Ordinary of the Mass) – 6:00
1504:
8:
2167:
2163:"Composer Sir Karl Jenkins: 'Adiemus, my biggest hit, was written for an airline advert'"
1820:
910:
594:
2333:
2057:
1799:
885:
708:
536:
2309:
2282:
1759:
1544:
574:
310:
2026:"Composer Karl Jenkins is inspired by Latin beats as he revives his Adiemus project"
2191:"'Adiemus was a rush job' – Sir Karl Jenkins reflects on his musical success at 80"
2062:
1830:
1514:
997:
989:
602:
590:
446:
326:
130:
2148:
1870:
1807:
1728:
1700:
features the broadest range in musical styles and instrumentation of the series.
1665:. "The Eternal Knot" went on to become the theme for "Benedictus" from Jenkins's
1661:. The theme for "Isle of the Mystic Lake" is that of "Palus Nebularum" also from
1657:
1572:
1294:
1269:
1219:
1113:
872:
854:
634:
528:
253:
197:
2141:
1789:
1749:
1603:
1457:
1311:
1214:
vocals used in the previous Adiemus recordings, Jenkins introduces the Finnish
1200:
936:
850:
842:
716:
525:
509:
175:
1356:, and an edited version of "Corrente" 4:23 from the first disc of this album.
889:
documentary film and featured in the titles of the 1996 BBC children's series
2408:
1915:
1888:
Karl Jenkins – Piano, arranger, conductor, producer, concept, song notes
1885:
Jody Barratt Jenkins – Percussion, piano, programming, producer, editing
1670:
1599:
1297:
1204:
1177:
739:
700:
582:
163:
1651:
The theme from "Salm O 'Dewi Sant'" is derived from "Psalm 27" of Jenkins's
1713:
1666:
1623:
1563:
1497:
1480:
1325:
1287:
1191:
Released in 1998, this album is a tribute to the interrelationship between
1104:
906:
743:
696:
586:
458:
410:
350:
282:
171:
167:
1682:
1581:
1122:
750:
is an explicitly Celtic-themed album that formed the sound-track for the
712:
688:
639:
560:
544:
362:
875:
in the late 1990s and continues to be used as the soundtrack behind the
1731:
1567:
1199:
throughout history. As such, most tracks are composed in a traditional
1108:
902:
867:
665:
617:
was used; Jenkins later formed his own Adiemus Orchestra to perform on
480:
450:
426:
418:
1252:
845:
and maintained a place in mainstream consciousness through its use in
2386:
1745:
1618:
1521:
1304:
985:
497:
406:
398:
306:
302:
298:
207:
2395:
1696:
phonetic language used exclusively in the preceding Adiemus albums.
771:
479:, dholak, güiro, 5 low drums, low chekere, marimba, rainmaker, rek,
26:
1531:
1423:
1235:
1133:
897:
692:
476:
462:
434:
430:
394:
370:
354:
719:, such as 2/4, 3/4 and 4/4, with a slow 3/2 and 6/8, 9/8 and 5/8 (
386:
2399:
2390:
2120:
1594:
1001:
993:
552:
414:
402:
378:
366:
358:
342:
200:
1741:, second movement) – 6:01 (with Terry Barber, countertenor)
1389:
Karl Jenkins – Composer, conductor, producer, orchestration
1633:
1576:
1461:
1280:
1273:
1262:
1245:
1142:
1117:
901:
episode "Beauty and the Beast". "Tintinnabulum" was sampled in
857:
commercial (for which the project began) and "Cantilena", from
454:
390:
314:
294:
290:
203:
1383:
Helen Hodkinson – executive producer, associate producer
1380:
Nick Harris & The Soundbarriers – Assistant engineer
1242:
1196:
1192:
728:
711:
and with greater freedom of movement between loosely related
578:
438:
422:
338:
286:
225:
214:
1858:
Helen Connolly – Executive producer, associate producer
1627:
1446:
history and mythology, and served as the soundtrack to the
1443:
1318:
974:
Released in 1996, and building on the style established in
501:
442:
374:
346:
151:
145:
139:
2265:"Arizona's Kartchner Caverns is oddity of geologic action"
1785:"Bendigedig" – 5:20 (with Terry Barber, countertenor)
1162:
Several releases, including the United States release, of
1447:
751:
133:
601:, and continued to add more diverse instruments such as
589:, contributed to the first album as well. Jenkins added
559:). Extra vocals and the chorus effects were created by
1073:"Chorale VI (Sol–Fa)" / "Cantus – 'Song of Aeolus
1000:
alternating between longer 'cantus' pieces and brief '
196:
album is a collection of song-length pieces featuring
883:
in Arizona. "Adiemus" was used in the trailer to the
621:
recordings, returning to the London Philharmonic for
453:, recorder, strings (featuring on album are also the
154:
1806:) – 5:30 (with Terry Barber, countertenor, and
1335:
136:
1943:
1643:
879:pillar show at the end of the Rotunda cave tour in
148:
142:
51:. Unsourced material may be challenged and removed.
1849:Terrance L. Barber Jr. – Countertenor (Vocal)
2263:Group, Eric Noland | Bay Area News (2006-10-15).
1879:Nigel Hitchcock – Saxophone, wind controller
259:
2406:
2215:"Adiemus – Songs of Sanctuary | Warner Classics"
2049:Also meaning "to bring all together in rhythm."
1827:") – 4:31 (with Terry Barber, countertenor)
1225:
1795:"Berceuse pour un Enfant Solitaire" – 6:11
1467:
1435:
1007:
184:, recorded in 1994 and released the next year.
1816:"Mi Contra Fa, Diabolus in Musica" – 5:55
1703:
1346:
1184:
921:
2050:
1442:Released in 2001, this album was inspired by
1362:
967:
1551:
1090:
980:, Jenkins broadens his musical approach to
800:. Unsourced material may be challenged and
555:Adiemus Singers (who would later appear on
1837:
1486:"Palace of the Crystal Bridge" – 3:42
695:up to a point—his harmony is derived from
820:Learn how and when to remove this message
111:Learn how and when to remove this message
1798:"Aria" (arrangement of "Cantilena" from
1769:"Schwanda the Bagpiper" (arrangement of
1727:"The Protector" (lyrics translated from
1175:in that region as well as the cover for
1906:Pieter Schoeman – Orchestra leader
1833:: "Boogie Woogie Llanoogie" – 3:29
1744:"Dona Nobis Pacem Part I" (lyrics from
1431:Michael Webster – Design assistant
1398:Matt Marshall – Executive producer
1157:
2407:
2307:
1813:"Mysterious are Your Ways" – 3:30
1688:
1404:Duncan Riddell – Orchestra leader
1080:"Chorale VII (A Ma Ka Ma)" – 1:18
1053:"Chorale IV (Alame Oo Ya)" – 2:59
1033:"Chorale II (Roosh Ka Ma)" – 1:50
992:. The overall form of this album is a
539:; however, she was not re-engaged for
187:
2262:
2160:
2023:
1876:Mervi Hiltunen – Vocals, soloist
1584: – Additional vocals in choruses
1540:"Isle of the Mystic Lake" – 3:16
1125: – Additional vocals in Choruses
895:. That same year, it was used in the
543:. Additional vocals were provided by
1537:"Hermit of the Sea Rock" – 1:45
1401:Russell Mills – Artwork, design
1083:Bonus Track: "Cantilena" – 3:24
1043:"Chorale III (Vocalise)" – 2:20
798:adding citations to reliable sources
765:
551:, which saw the introduction of the
49:adding citations to reliable sources
20:
1909:Hanna-Riikka Siitonen – Vocals
1063:"Chorale V (Arama Ivi)" – 1:21
1046:"Cantus – 'Song of the Odyssey
1036:"Cantus – 'Song of the Trinity
13:
2113:
1386:Jody Jenkins – Electric drums
1066:"Cantus – 'Song of Invocation
1056:"Cantus – 'Song of the Plains
1026:"Cantus – 'Song of the Spirit
1023:"Chorale I (Za Ma Ba)" – 1:50
585:, with whom Jenkins had played in
178:on the first album of the series,
14:
2446:
2380:
1955:
1882:Gavin Horsley – Bass (vocal)
1374:David Buckland – Photography
1086:Bonus Track: "Elegia" – 4:06
892:Testament: The Bible in Animation
715:areas. He avoids the most common
691:. Jenkins follows conventions of
1963:The Journey: The Best of Adiemus
1944:Singles and alternative versions
1510:"Salm O 'Dewi Sant'" – 4:23
770:
674:
129:
25:
2351:
2326:
2301:
2256:
2116:"An Aural History of "Adiemus""
1936:Kenny Wheeler – Flugelhorn
1527:"Children of Dannu" – 3:32
1422:Pamela Thorby – Recorder,
36:needs additional citations for
2232:
2207:
2183:
2154:
2135:
2107:
2076:
2043:
2017:
1933:Paul Vozdic – Cover photo
1891:Anna-Mari Kähärä – Vocals
1855:Paul Clarvis – Percussion
1685:on a bluish-green background.
1410:Sheila Rock – Photography
260:Instrumentation and performers
252:was originally composed for a
16:Series of new-age music albums
1:
2359:"Solar Stone* – Seven Cities"
2308:London, Amanda (2021-05-19).
2010:
2005:List of ambient music artists
1927:Pamela Thorby – Recorder
1894:London Philharmonic Orchestra
1867:Martin Giles – Mastering
1846:Pirjo Aittomäki – Vocals
1428:Riikka Väyrynen – Vocals
1416:Miriam Stockley – Vocals
1395:London Philharmonic Orchestra
1377:Martin Giles – Mastering
1100:London Philharmonic Orchestra
1016:"Cantus – 'Song of Tears
738:is generally identified with
615:London Philharmonic Orchestra
535:project due to her range and
504:, strings (on album also the
401:, duhulla, tom-tom, cymbals,
2024:Price, Karen (6 July 2013).
1930:Riikka Timonen – Vocals
1912:Mia Simanainen – Vocals
1679:Adieums IV: The Eternal Knot
1437:Adiemus IV: The Eternal Knot
1413:Mia Simanainen – Vocals
1215:
1147:Jody Barratt-Jenkins –
881:Kartchner Caverns State Park
703:, decorated with functional
250:Adiemus – Songs of Sanctuary
7:
2240:"Karl Jenkins: Commercials"
1998:
1975:Adiemus New Best & Live
1903:Säde Rissanen – Vocals
1819:"Vocalise" (arrangement of
1782:"Exit Schwanda" – 1:18
1722:Violin Concerto (Beethoven)
1593:Caryl Ebenezer – High
1407:Säde Rissanen – Vocals
1392:Dick Lewzey – Engineer
1353:Adiemus: Songs of Sanctuary
1186:Adiemus III: Dances of Time
1172:Adiemus: Songs of Sanctuary
977:Adiemus: Songs of Sanctuary
930:Adiemus: Songs of Sanctuary
923:Adiemus: Songs of Sanctuary
863:Cheltenham & Gloucester
849:, in particular the track "
761:
459:electro-acoustic percussion
181:Adiemus: Songs of Sanctuary
10:
2451:
2161:Lewis, Roz (17 May 2020).
1939:Guy Wiffen – Engineer
1900:Merja Rajala – Vocals
1788:"Schubert's Dance" (after
1739:Symphony No. 7 (Beethoven)
1258:"Dawn Dancing" – 3:14
945:"Cantus Inaequalis" – 3:13
927:
628:
174:. It is also the title of
1897:Steve Price – Mixing
1852:Mary Carewe – Vocals
1547:Was a Wizard" – 2:57
1476:"Cú Chullain" – 6:15
1347:Adiemus II: Cantata Mundi
1321:to the Dance" – 3:52
1218:to perform the chorus to
969:Adiemus II: Cantata Mundi
948:"Cantus Insolitus" – 5:35
916:
2425:Caroline Records artists
2094:University of Notre Dame
2089:William Whitaker's Words
1921:Nina Tapio – Vocals
1419:Nina Tapio – Vocals
1371:Adiemus – Performer
1139:Christopher Warren-Green
954:"Cantus Iteratus" – 6:36
679:The musical language of
521:for voices and orchestra
2314:Song Meanings and Facts
1918: – Vocals, soloist
1748:of the Ordinary of the
1737:"Allegrettango" (after
951:"In Caelum Fero" – 7:45
942:"Tintinnabulum" – 10:57
2430:Virgin Records artists
2219:www.warnerclassics.com
2147:July 14, 2010, at the
2142:"The Story of Adiemus"
2061:. published online by
1924:Martin Taylor – Guitar
1644:Alternate versions of
1632:Jody K Jenkins –
1336:Alternate versions of
1310:"Ein Wiener Walzer (A
605:on later albums. From
241:("we shall hear") and
2334:"Baywatch Soundtrack"
1981:The Essential Adiemus
1804:Bachianas Brasileiras
1587:Pamela Thorby –
1534:'s Curse" – 4:30
1507:'s Drone" – 3:58
1128:Pamela Thorby –
659:Hanna-Riikka Siitonen
248:The titular piece on
224:itself resembles the
60:"Adiemus" albums
1617:David Farmer –
1158:Alternative versions
794:improve this section
45:improve this article
2435:Choral compositions
2415:Karl Jenkins albums
2244:www.digitaldesk.org
2051:Lewis & Short.
1950:Adieums V: Vocalise
1821:Sergei Rachmaninoff
1776:Švanda the Bagpiper
1698:Adiemus V: Vocalise
1690:Adiemus V: Vocalise
1491:The Wooing of Étaín
1350:, "Hymn" 2:38 from
1331:"Tango" – 5:51
1210:In addition to the
957:"Amaté Adea" – 5:12
577:, a recorder and a
188:Concept and origins
2293:has generic name (
2058:A Latin Dictionary
1800:Heitor Villa-Lobos
1771:Jaromír Weinberger
1704:Track listing for
1468:Track listing for
1226:Track listing for
1008:Track listing for
886:Invisible Children
834:Songs of Sanctuary
725:Songs of Sanctuary
607:Songs of Sanctuary
571:Songs of Sanctuary
270:Songs of Sanctuary
2151:, karljenkins.com
1993:Symphonic Adiemus
1864: – Harmonica
1758:"Akruzam" (after
1734:text) – 4:11
1716:
1560:Adiemus Orchestra
1448:S4C International
1251:"La La La Koora (
1241:"Un Bolero Azul (
830:
829:
822:
721:Cantus Inaequalis
683:draws heavily on
447:suspended cymbals
176:the opening track
121:
120:
113:
95:
2442:
2374:
2373:
2371:
2369:
2355:
2349:
2348:
2346:
2344:
2330:
2324:
2323:
2321:
2320:
2310:"Adiemus (Song)"
2305:
2299:
2298:
2292:
2288:
2286:
2278:
2276:
2275:
2260:
2254:
2253:
2251:
2250:
2236:
2230:
2229:
2227:
2226:
2211:
2205:
2204:
2202:
2201:
2187:
2181:
2180:
2178:
2176:
2158:
2152:
2139:
2133:
2132:
2130:
2128:
2111:
2105:
2104:
2102:
2100:
2080:
2074:
2073:
2071:
2069:
2063:Tufts University
2047:
2041:
2040:
2038:
2036:
2021:
1711:
1149:Electro-acoustic
1076:
1069:
1059:
1049:
1039:
1029:
1019:
825:
818:
814:
811:
805:
774:
766:
748:The Eternal Knot
650:Anna-Mari Kähärä
619:The Eternal Knot
492:The Eternal Knot
421:, rek, udu pot,
161:
160:
157:
156:
153:
150:
147:
144:
141:
138:
135:
116:
109:
105:
102:
96:
94:
53:
29:
21:
2450:
2449:
2445:
2444:
2443:
2441:
2440:
2439:
2405:
2404:
2383:
2378:
2377:
2367:
2365:
2357:
2356:
2352:
2342:
2340:
2332:
2331:
2327:
2318:
2316:
2306:
2302:
2290:
2289:
2280:
2279:
2273:
2271:
2261:
2257:
2248:
2246:
2238:
2237:
2233:
2224:
2222:
2213:
2212:
2208:
2199:
2197:
2189:
2188:
2184:
2174:
2172:
2159:
2155:
2149:Wayback Machine
2140:
2136:
2126:
2124:
2114:Barone, Brian.
2112:
2108:
2098:
2096:
2082:
2081:
2077:
2067:
2065:
2048:
2044:
2034:
2032:
2022:
2018:
2013:
2001:
1987:Adiemus Colores
1958:
1946:
1871:Richard Harwood
1843:
1808:Richard Harwood
1764:Frédéric Chopin
1720:"Rondo" (after
1709:
1693:
1663:Imagined Oceans
1658:Imagined Oceans
1649:
1613:Acoustic guitar
1573:Miriam Stockley
1557:
1473:
1440:
1368:
1341:
1261:"Kaya Kakooya (
1231:
1220:Miriam Stockley
1216:Adiemus Singers
1189:
1160:
1114:Miriam Stockley
1096:
1074:
1067:
1057:
1047:
1037:
1027:
1017:
1013:
972:
960:"Kayama" – 8:06
932:
926:
919:
873:Luxor Las Vegas
855:Delta Air Lines
826:
815:
809:
806:
791:
775:
764:
717:time signatures
677:
644:Pirjo Aittomäki
635:Miriam Stockley
631:
603:acoustic guitar
529:Miriam Stockley
506:acoustic guitar
349:(1 doubling on
341:(1 doubling on
262:
254:Delta Air Lines
190:
162:is a series of
132:
128:
117:
106:
100:
97:
54:
52:
42:
30:
17:
12:
11:
5:
2448:
2438:
2437:
2432:
2427:
2422:
2420:New-age albums
2417:
2403:
2402:
2393:
2382:
2381:External links
2379:
2376:
2375:
2350:
2325:
2300:
2269:East Bay Times
2255:
2231:
2206:
2182:
2153:
2134:
2106:
2075:
2042:
2015:
2014:
2012:
2009:
2008:
2007:
2000:
1997:
1996:
1995:
1989:
1983:
1977:
1971:
1965:
1957:
1956:Special albums
1954:
1945:
1942:
1941:
1940:
1937:
1934:
1931:
1928:
1925:
1922:
1919:
1913:
1910:
1907:
1904:
1901:
1898:
1895:
1892:
1889:
1886:
1883:
1880:
1877:
1874:
1868:
1865:
1859:
1856:
1853:
1850:
1847:
1842:
1838:Personnel for
1836:
1835:
1834:
1828:
1817:
1814:
1811:
1796:
1793:
1790:Franz Schubert
1786:
1783:
1780:
1767:
1756:
1753:
1742:
1735:
1725:
1712:All tracks by
1708:
1702:
1692:
1687:
1648:
1642:
1641:
1640:
1630:
1621:
1615:
1606:
1604:Uilleann pipes
1597:
1591:
1585:
1579:
1570:
1561:
1556:
1552:Personnel for
1550:
1549:
1548:
1541:
1538:
1535:
1528:
1525:
1518:
1511:
1508:
1501:
1494:
1487:
1484:
1477:
1472:
1466:
1458:Uilleann pipes
1439:
1434:
1433:
1432:
1429:
1426:
1420:
1417:
1414:
1411:
1408:
1405:
1402:
1399:
1396:
1393:
1390:
1387:
1384:
1381:
1378:
1375:
1372:
1367:
1363:Personnel for
1361:
1340:
1334:
1333:
1332:
1329:
1328:)" – 4:15
1322:
1315:
1314:)" – 4:59
1312:Viennese Waltz
1308:
1307:)" – 4:36
1301:
1291:
1284:
1277:
1266:
1265:)" – 4:34
1259:
1256:
1255:)" – 3:20
1249:
1248:)" – 8:35
1239:
1238:)" – 5:04
1230:
1224:
1201:style of dance
1188:
1183:
1159:
1156:
1155:
1154:
1145:
1136:
1126:
1120:
1111:
1102:
1095:
1091:Personnel for
1089:
1088:
1087:
1084:
1081:
1078:
1071:
1064:
1061:
1060:" – 11:26
1054:
1051:
1044:
1041:
1034:
1031:
1024:
1021:
1012:
1006:
971:
966:
965:
964:
961:
958:
955:
952:
949:
946:
943:
940:
928:Main article:
925:
920:
918:
915:
847:TV commercials
843:cult following
828:
827:
778:
776:
769:
763:
760:
731:-like rhythm.
676:
673:
672:
671:
670:Riikka Timonen
668:
663:
662:Mia Simanainen
660:
657:
654:
651:
648:
647:Mervi Hiltunen
645:
642:
637:
630:
627:
611:Dances of Time
549:Dances of Time
526:Session singer
523:
522:
519:
513:
510:Uilleann pipes
500:, percussion,
494:
488:
472:
470:Dances of Time
466:
399:Egyptian tabla
335:
329:
311:bass bell in C
272:
261:
258:
189:
186:
119:
118:
33:
31:
24:
15:
9:
6:
4:
3:
2:
2447:
2436:
2433:
2431:
2428:
2426:
2423:
2421:
2418:
2416:
2413:
2412:
2410:
2401:
2397:
2394:
2392:
2388:
2385:
2384:
2364:
2360:
2354:
2339:
2335:
2329:
2315:
2311:
2304:
2296:
2284:
2270:
2266:
2259:
2245:
2241:
2235:
2220:
2216:
2210:
2196:
2192:
2186:
2170:
2169:
2168:The Telegraph
2164:
2157:
2150:
2146:
2143:
2138:
2123:
2122:
2117:
2110:
2095:
2091:
2090:
2085:
2079:
2064:
2060:
2059:
2054:
2046:
2031:
2027:
2020:
2016:
2006:
2003:
2002:
1994:
1990:
1988:
1984:
1982:
1978:
1976:
1972:
1970:
1966:
1964:
1960:
1959:
1953:
1951:
1938:
1935:
1932:
1929:
1926:
1923:
1920:
1917:
1916:Belinda Sykes
1914:
1911:
1908:
1905:
1902:
1899:
1896:
1893:
1890:
1887:
1884:
1881:
1878:
1875:
1873: – Cello
1872:
1869:
1866:
1863:
1860:
1857:
1854:
1851:
1848:
1845:
1844:
1841:
1832:
1829:
1826:
1822:
1818:
1815:
1812:
1809:
1805:
1801:
1797:
1794:
1792:) – 3:20
1791:
1787:
1784:
1781:
1779:) – 1:49
1778:
1777:
1772:
1768:
1766:) – 4:29
1765:
1761:
1757:
1754:
1752:) – 2:26
1751:
1747:
1743:
1740:
1736:
1733:
1730:
1726:
1724:) – 4:09
1723:
1719:
1718:
1717:
1715:
1707:
1701:
1699:
1691:
1686:
1684:
1680:
1675:
1673:
1672:
1671:The Armed Man
1668:
1664:
1660:
1659:
1654:
1647:
1639:
1635:
1631:
1629:
1625:
1622:
1620:
1616:
1614:
1610:
1609:Martin Taylor
1607:
1605:
1601:
1600:Davy Spillane
1598:
1596:
1592:
1590:
1586:
1583:
1580:
1578:
1574:
1571:
1569:
1565:
1562:
1559:
1558:
1555:
1546:
1542:
1539:
1536:
1533:
1529:
1526:
1524:" – 7:56
1523:
1519:
1517:" – 4:19
1516:
1515:Connla's Well
1512:
1509:
1506:
1502:
1500:" – 6:05
1499:
1496:"King of the
1495:
1493:" – 5:25
1492:
1488:
1485:
1483:" – 4:04
1482:
1478:
1475:
1474:
1471:
1465:
1463:
1459:
1455:
1454:
1449:
1445:
1438:
1430:
1427:
1425:
1421:
1418:
1415:
1412:
1409:
1406:
1403:
1400:
1397:
1394:
1391:
1388:
1385:
1382:
1379:
1376:
1373:
1370:
1369:
1366:
1360:
1357:
1355:
1354:
1349:
1348:
1339:
1330:
1327:
1323:
1320:
1316:
1313:
1309:
1306:
1302:
1300:" – 8:05
1299:
1296:
1292:
1290:" – 4:30
1289:
1285:
1283:" – 1:24
1282:
1278:
1276:" – 7:25
1275:
1271:
1267:
1264:
1260:
1257:
1254:
1250:
1247:
1244:
1240:
1237:
1233:
1232:
1229:
1223:
1221:
1217:
1213:
1208:
1206:
1202:
1198:
1194:
1187:
1182:
1180:
1179:
1178:Diamond Music
1174:
1173:
1167:
1165:
1164:Cantata Mundi
1153:
1150:
1146:
1144:
1141: – Solo
1140:
1137:
1135:
1131:
1127:
1124:
1121:
1119:
1115:
1112:
1110:
1106:
1103:
1101:
1098:
1097:
1094:
1085:
1082:
1079:
1077:" – 5:46
1072:
1070:" – 8:45
1065:
1062:
1055:
1052:
1050:" – 7:25
1045:
1042:
1040:" – 6:11
1035:
1032:
1030:" – 6:09
1025:
1022:
1020:" – 9:01
1015:
1014:
1011:
1005:
1003:
999:
995:
991:
987:
983:
982:Cantata Mundi
979:
978:
970:
963:"Hymn" – 2:38
962:
959:
956:
953:
950:
947:
944:
941:
938:
934:
933:
931:
924:
914:
912:
908:
904:
900:
899:
894:
893:
888:
887:
882:
878:
874:
870:
869:
864:
860:
859:Cantata Mundi
856:
852:
848:
844:
840:
836:
835:
824:
821:
813:
810:December 2013
803:
799:
795:
789:
788:
784:
779:This section
777:
773:
768:
767:
759:
757:
753:
749:
745:
741:
737:
734:The sound of
732:
730:
726:
722:
718:
714:
710:
706:
702:
701:African music
698:
694:
690:
686:
682:
675:Musical style
669:
667:
664:
661:
658:
656:Säde Rissanen
655:
652:
649:
646:
643:
641:
638:
636:
633:
632:
626:
624:
620:
616:
612:
608:
604:
600:
599:Cantata Mundi
596:
592:
588:
584:
583:Mike Ratledge
580:
576:
572:
567:
565:
562:
558:
554:
550:
546:
542:
538:
534:
530:
527:
520:
518:
514:
511:
507:
503:
499:
495:
493:
489:
486:
482:
478:
473:
471:
467:
464:
460:
456:
452:
448:
444:
441:, bass drum,
440:
436:
432:
428:
424:
420:
416:
412:
408:
404:
400:
396:
392:
388:
384:
380:
376:
372:
368:
364:
360:
356:
352:
348:
344:
340:
336:
334:
333:Cantata Mundi
330:
328:
324:
320:
316:
312:
308:
304:
300:
296:
292:
288:
284:
280:
276:
273:
271:
267:
264:
263:
257:
255:
251:
246:
244:
240:
237:("to hear"):
236:
231:
227:
223:
218:
216:
211:
209:
205:
202:
199:
195:
185:
183:
182:
177:
173:
169:
165:
164:new-age music
159:
127:
126:
115:
112:
104:
93:
90:
86:
83:
79:
76:
72:
69:
65:
62: –
61:
57:
56:Find sources:
50:
46:
40:
39:
34:This article
32:
28:
23:
22:
19:
2366:. Retrieved
2362:
2353:
2341:. Retrieved
2337:
2328:
2317:. Retrieved
2313:
2303:
2272:. Retrieved
2268:
2258:
2247:. Retrieved
2243:
2234:
2223:. Retrieved
2221:. 2017-09-28
2218:
2209:
2198:. Retrieved
2194:
2185:
2173:. Retrieved
2166:
2156:
2137:
2125:. Retrieved
2119:
2109:
2097:. Retrieved
2087:
2078:
2066:. Retrieved
2056:
2045:
2033:. Retrieved
2029:
2019:
1992:
1986:
1980:
1974:
1969:Adiemus Live
1968:
1962:
1949:
1947:
1862:Mark Feltham
1839:
1803:
1774:
1714:Karl Jenkins
1710:
1705:
1697:
1694:
1689:
1678:
1676:
1669:
1662:
1656:
1652:
1650:
1645:
1624:Catrin Finch
1564:Karl Jenkins
1553:
1498:Sacred Grove
1481:Eternal Knot
1469:
1451:
1450:documentary
1441:
1436:
1364:
1358:
1351:
1345:
1342:
1337:
1326:Square dance
1324:"Dos a Dos (
1303:"Zarabanda (
1227:
1212:multitracked
1209:
1203:, including
1190:
1185:
1176:
1170:
1168:
1163:
1161:
1105:Karl Jenkins
1092:
1009:
996:of fourteen
981:
975:
973:
968:
922:
911:Seven Cities
907:Ibiza trance
896:
890:
884:
876:
866:
858:
838:
832:
831:
816:
807:
792:Please help
780:
755:
754:documentary
747:
744:Celtic music
735:
733:
724:
720:
680:
678:
653:Merja Rajala
622:
618:
610:
606:
598:
587:Soft Machine
570:
568:
564:multitracked
556:
548:
540:
532:
524:
516:
515:Scoring for
491:
490:Scoring for
469:
468:Scoring for
415:bass marimba
411:glockenspiel
393:, triangle,
351:English horn
332:
331:Scoring for
269:
249:
247:
242:
238:
234:
229:
221:
219:
212:
210:background.
193:
191:
179:
172:Karl Jenkins
124:
123:
122:
107:
101:January 2011
98:
88:
81:
74:
67:
55:
43:Please help
38:verification
35:
18:
2291:|last=
2175:16 February
2127:16 February
2035:16 February
2030:WalesOnline
1683:Celtic knot
1636:effect and
1582:Mary Carewe
1365:Adiemus III
1338:Adiemus III
1234:"Corrente (
1228:Adiemus III
1123:Mary Carewe
841:acquired a
709:suspensions
705:dissonances
689:world music
640:Mary Carewe
561:overdubbing
547:on all but
545:Mary Carewe
206:against an
2409:Categories
2319:2024-05-12
2274:2024-05-12
2249:2024-05-12
2225:2024-05-12
2200:2024-05-12
2195:Classic FM
2099:11 January
2068:11 January
2011:References
1646:Adiemus IV
1638:percussion
1554:Adiemus IV
1470:Adiemus IV
1288:Rain Dance
1152:percussion
1093:Adiemus II
1010:Adiemus II
903:Solarstone
877:Kubla Khan
868:Pure Moods
666:Nina Tapio
537:intonation
496:recorder,
481:snare drum
451:tambourine
381:, claves,
319:wood block
279:percussion
198:harmonised
166:albums by
71:newspapers
2084:"adiemus"
1840:Adiemus V
1746:Agnus Dei
1706:Adiemus V
1653:Dewi Sant
1619:Accordion
1568:Conductor
1522:The Dagda
1453:The Celts
1305:Sarabande
1222:'s lead.
1130:Recorders
1109:Conductor
998:movements
986:woodwinds
781:does not
756:The Celts
685:classical
498:accordion
477:castanets
407:xylophone
371:trombones
355:clarinets
307:mark tree
303:bass drum
299:floor tom
220:The word
208:orchestra
170:composer
2338:Tunefind
2283:cite web
2171:. London
2145:Archived
1999:See also
1825:Vocalise
1810:, cello)
1760:mazurkas
1626: –
1611: –
1602: –
1589:Recorder
1575: –
1566: –
1532:Ceridwen
1424:gemshorn
1236:Courante
1134:gemshorn
1116: –
1107: –
1002:chorales
939:" – 4:01
909:anthem "
905:'s 1999
898:Baywatch
762:Audience
707:such as
693:tonality
623:Vocalise
595:woodwind
557:Vocalise
541:Vocalise
517:Vocalise
463:gemshorn
435:timbales
431:pandeiro
395:chenchen
367:trumpets
359:bassoons
323:triangle
283:tom-toms
275:recorder
243:audiamus
239:audiemus
2400:Last.fm
2396:Adiemus
2391:MySpace
2387:Adiemus
2363:Discogs
2121:The Awl
1991:2017 –
1985:2013 –
1979:2003 –
1973:2002 –
1967:2002 –
1961:2000 –
1595:soprano
1503:"Saint
1295:African
1270:Intrada
1253:Ländler
994:cantata
937:Adiemus
861:, in a
853:" in a
851:Adiemus
839:Adiemus
802:removed
787:sources
740:new-age
736:Adiemus
681:Adiemus
629:Singers
553:Finnish
533:Adiemus
403:shekere
391:cabasas
383:cowbell
379:timpani
343:piccolo
327:strings
291:cymbals
266:Scoring
230:adeamus
222:adiemus
194:Adiemus
125:Adiemus
85:scholar
2368:12 May
2343:12 May
2053:"adeo"
1831:encore
1729:Hebrew
1634:Carnyx
1577:Vocals
1505:Declan
1462:Carnyx
1444:Celtic
1281:Minuet
1272:&
1246:Bolero
1143:violin
1118:Vocals
917:Albums
729:tribal
697:gospel
613:, the
485:shaker
455:violin
443:tamtam
427:sticks
423:tablas
419:bongos
339:flutes
315:cabasa
295:claves
287:congas
235:audire
204:melody
87:
80:
73:
66:
58:
1732:Grail
1479:"The
1298:Tango
1274:Pavan
1263:Rumba
1205:meter
1197:dance
1193:music
990:brass
723:from
591:brass
579:quena
575:bells
439:surdo
387:güiro
363:horns
353:), 2
347:oboes
345:), 2
228:word
226:Latin
215:Latin
201:vocal
192:Each
168:Welsh
92:JSTOR
78:books
2370:2024
2345:2024
2295:help
2177:2021
2129:2021
2101:2016
2070:2016
2037:2021
1823:'s "
1750:Mass
1667:mass
1628:Harp
1545:Math
1460:and
1319:Hymn
1243:Blue
1195:and
1132:and
988:and
785:any
783:cite
699:and
687:and
597:for
593:and
569:The
502:harp
461:and
389:, 2
375:tuba
369:, 4
365:, 3
361:, 6
357:, 2
281:, 4
277:, 8
268:for
64:news
2398:on
2389:on
1802:'s
1773:'s
1762:by
1004:'.
913:".
796:by
752:S4C
742:or
713:key
609:to
47:by
2411::
2361:.
2336:.
2312:.
2287::
2285:}}
2281:{{
2267:.
2242:.
2217:.
2193:.
2165:.
2118:.
2092:.
2086:.
2055:.
2028:.
1952:.
1674:.
1464:.
1207:.
758:.
746:;
625:.
581:.
508:,
483:,
457:,
449:,
445:,
437:,
433:,
429:,
425:,
417:,
413:,
409:,
405:,
397:,
385:,
377:,
373:,
337:2
325:,
321:,
317:,
313:,
309:,
305:,
301:,
297:,
293:,
289:,
285:,
146:eɪ
2372:.
2347:.
2322:.
2297:)
2277:.
2252:.
2228:.
2203:.
2179:.
2131:.
2103:.
2072:.
2039:.
1543:"
1530:"
1520:"
1513:"
1489:"
1317:"
1293:"
1286:"
1279:"
1268:"
1075:'
1068:'
1058:'
1048:'
1038:'
1028:'
1018:'
935:"
823:)
817:(
812:)
808:(
804:.
790:.
512:)
465:)
158:/
155:s
152:ə
149:m
143:ˈ
140:i
137:d
134:æ
131:/
114:)
108:(
103:)
99:(
89:·
82:·
75:·
68:·
41:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
