507:. In the original Anthropometries, Klein directs nude female models who he referred to as “living paintbrushes,” to press their pigment-covered bodies onto large canvases in front of an audience. In Wagenknecht's series, the body is always absent, utilizing Yves Klein's namesake blue and painted using a robotic device as a brush. The robot navigates around the artist's nude body as she reclines on a canvas. The result is a void in the shape of a woman, painted by a robot learning the algorithm it intuited of her body. It should be noted there is no public documentation of her performance or process on display, the artist female form is only acknowledged in the negative space of the paintings.
457:. In 2015 Deep Lab was in residence at NEW INC in 2015. In 2018 the collaborative was commissioned and in residence for the York Biennial where they developed the site-specific 10.5-hour large-scale video work "Can You Die If You Don’t Exist?", which was conceived by Deep Lab as part of the residency. In the performance, they read every name and non-name of the women, children, and men who died attempting to claim asylum in Europe since the early 1990s, which at the time of the installation was 34,361 refugees.\
522:, a robotic vacuum cleaner, to disperse a mixture of cosmetic pigments, pharmaceuticals, perfumes, and skincare products across canvas using algorithms. The resulting works are intended to push roles of the materials, presenting an abstract aesthetic. The artist aims to reclaim visibility by utilizing devices typically employed for sanitation and surveillance, offering a reinterpretation of beauty and a contemporary portrait of the modern woman.
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works, Wagenknecht continues this non-illustrative dialogue by reclaiming tools used for conformity or control, offering a 'study of contemporary portraiture'. The path of the Roomba, occasionally indicated by a circular form or geometric angle generates a homogenized painter's palette that exudes a
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project launched in 2014. Exhibit tied in many various locations amongst them the exhibition "alien matter". It consists of five custom printed circuit boards, connected by
Ethernet patch cables, each board is made of 80/20 aluminum and sized at, 35.5 in Ă— 23.5 in Ă— 1.75 in
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re-uses CCTV equipment and arranges 14 cameras into a 'baroque' chandelier. It is placed as such in an entrance portal of museums or major collection houses. Asymmetric Love is a chandelier composed of CCTV cameras rather than candles or light bulbs. Number 2 from the series was the highest-selling
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project launched in 2014, this sculpture is made of the same material and looks like two dragons circling each other in the sky, they size at 31 in Ă— 87 in Ă— 35 in (790 mm Ă— 2,210 mm Ă— 890 mm). Lastly
Kilohydra is also an installation piece that is
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Wagenknecht use of substances that are typically used to alter appearances, including technology, cosmetics, and certain medications. The artwork "Perfect Storm" (2021) accumulates materials such as cosmetic dyes, sedatives, antidepressants, vodka, and perfume. A Roomba which the artist partially
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to examine contemporary culture through an understanding of alternative market economies and creative research, using anonymity as a proxy. The group's works are accessible via a hidden services site on the deep web. The collaborative is made up primarily of women working within privacy,
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interjects the motion of the robotic devices that distributes Xanax and lipstick in an 'ironic attempt at cleanliness'. By stripping these materials into a medium for application onto canvas, Wagenknecht aims to achieve them as raw color and texture, challenging their perception of use.
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In this series, the representation of female figure is again absent, emphasizing
Wagenknecht's exploration of visibility. During the artist's solo exhibition titled "Alone Together" held in New York City, the female form was illustrated through negative space. Through the subsequent
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The WifiTagger runs on OpenWrt firmware and a TP-Link WR741ND router which likens Wi-Fi SSIDs to digital graffiti. It allows you to create four open 32-digit SSIDs which when selected directs the user to the interface to add new tags. It was developed for
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project launched in 2014, which is made up of the same circuits as xxxx.xxx, these boards intercept and log data from their surrounding, sized at 5 in Ă— 23.75 in Ă— 20 in (127 mm Ă— 603 mm Ă— 508 mm).
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is a project created by asking online Sexcam performers to replicate iconic works of art. This piece was an experimental homage to both fine art and the lowbrow internet phenomenon of cams. The piece was developed for
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to fill the need of makers, artists, and scientists who wanted a safe, cheap, and highly capable machine. It started its alpha stage in March 2011 and beta stage in June 2011 after successful funding on
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Wagenknecht is cited as developing the process of drone painting in 2007 as a mechanical method of painting in order to surrender the human gesture to the machine. Pieces in the series include
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Her and her projects have been supported by numerous residencies and fellowships. She held
Eyebeam fellowships in 2007 – 2008 and in 2013 as Eyebeam and
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held residencies at
Hyperwerk Institute for Postindustrial Design in Basel, Switzerland and Carnegie Mellon University's STUDIO for Creative Inquiry.
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367:. Current worldwide Lasersaur builds can be viewed on their google map page. Lasersaur systems have also been built by many universities such as
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revolves around the examination of visibility through culturally defined "feminine" gestures. The paintings use reconfigured
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Data and
Dragons: XXXX.XXX (2014), Data and Dragons: Cloud Farming (2014), Data and Dragons: Kilohydra (2014).
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in 2006 and its continued research and development into 2008 as TouchKit was supported by a fellowship at
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in 2013, which focuses on alternative market economies and creative research, using anonymity as a proxy.
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was designed with the intention to redefine visual computing and depart from the mouse pointer paradigm.
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1065:"The New Atlas of Digital Art. Are humans still necessary? Da giovedì 22 a sabato 24 a Porta Venezia"
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in New York City, she performed drone painting live for the first time publicly in over 500 people.
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Data and
Dragons 1-3 is a project that consists of three installation pieces, those being
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surveillance, code, big data research, art and critical culture. Founding members include
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was founded by
Wagenknecht in 2014 with the support of The Studio for Creative Inquiry at
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movement's celebrated action painting to an algorithm executed by an electronic device.
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142:(born April 15, 1981) is an American artist and researcher living in New York City and
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819:"Together in electric dreams: how the art world embraced modern technology first"
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software and hardware. She frequently works in collectives, which have included
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1120:"BOMB Magazine | Digital Interface: Addie Wagenknecht's Alone Together"
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Carnegie Mellon
University STUDIO for Creative Inquiry Resident 2012
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Carnegie Mellon
University STUDIO for Creative Inquiry Resident 2019
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Research Fellow at the University of Applied Arts Vienna 2013/2014
1156:"The New Atlas of Digital Art | Are humans still Necessary?"
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Hyperwerk Institute for Postindustrial Design Resident 2011/2012
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and TouchKit, as well Lasersaur an open-source laser cutter.
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renegotiates the 1960 Anthropometries performance series of
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system using Diffused Illumination with software written in
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610:, The Economist Newspaper Limited (published May 1, 2008)
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1084:"Surveillance Art Takes Action in a Post-Snowden World"
429:, for their first digital art auction in October 2013.
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XXXX.XXX is an installation piece that is part of the
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Artist-In-Residence MuseumsQuartier Vienna 2013/2014
174:. She has received fellowships and residencies from
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1138:"Addie Wagenknecht Wants Us to Be Alone, Together"
1029:"Addie Wagenknecht Wants Us to Be Alone, Together"
581:Eyebeam Art and Technology Center Fellow 2007/2008
578:World Technology Summit 2009 IT Hardware Finalist
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676:"Build Your Own Multitouch Table with the Cubit"
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307:was originally developed as a thesis project at
1228:"The World Technology Summit & Awards 2009"
535:frenzied and eerily human effect, reducing the
339:(2008–). In 2015 as part of a residency at the
202:in 1981. She received a Bachelor of Science in
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256:Wagenknecht was a member of the now-disbanded
222:in 2007. During her time at NYU, she founded
409:in 2013 in collaboration with Pablo Garcia.
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425:Auction House in New York City, curated by
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499:while utilizing the actual French sourced
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1102:"A Milano "The New Atlas of Digital Art""
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1271:Step Design Magazine "Hot Designer 100"
548:MEET Milan AI Fellow and Keynote, 2023
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335:(2014); and the series umbrella series
329:Foundational Mathematics as Concept Art
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629:"Addie Wagenknecht | Arts · at · CERN"
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313:Interactive Telecommunications Program
220:Interactive Telecommunications Program
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182:, The Studio for Creative Inquiry at
1261:Addie Wagenknecht's personal website
1047:"Addie Wagenknecht "Alone Together""
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333:Everything and Nothing was Beautiful
260:aka F.A.T. lab. Wagenknecht founded
78:MPS Interactive Telecommunications,
1351:21st-century American women artists
109:Lasersaur, Wifitagger, Webcam Venus
13:
1202:"Interview with Addie Wagenknecht"
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852:. October 15, 2013. Archived from
503:pigment with reconfigured robotic
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817:Poole, Steven (January 8, 2016).
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1082:Mufson, Beckett (May 27, 2016).
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631:. May 18, 2021. Archived from
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241:'s first Open(art) Fellow and
198:Addie Wagenknecht was born in
1:
1336:Artists from Portland, Oregon
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566:Mozilla Open(art) Fellow 2013
875:Studioforcreativeinquiry.org
725:Greene, Kate (May 1, 2008),
481:Data & Dragons Level 1-3
476:Data & Dragons Level 1-3
471:Data & Dragons Level 1-3
193:
7:
1341:University of Oregon alumni
1331:Open-source hardware people
750:"The Art of Drone Painting"
602:Economist, The (May 2008),
461:Data and Dragons 1-3 (2014)
407:Free Art and Technology Lab
390:Free Art and Technology Lab
258:Free Art and Technology Lab
16:American artist (born 1981)
10:
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584:Wasserman Fellow, NYU 2007
442:Carnegie Mellon University
377:Carnegie Mellon University
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184:Carnegie Mellon University
214:in 2001, and an MPS from
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1321:American digital artists
768:"Deep Lab Residency NYC"
702:"Art Meets the Open Web"
575:CultureLabUK Fellow 2011
501:International Klein Blue
323:Black Hawk Paint (2008–)
1316:American modern artists
731:, MIT Technology Review
373:University of Newcastle
990:Placesiveneverbeen.com
543:Awards and fellowships
537:Abstract Expressionist
488:Alone Together (2017–)
413:Asymmetric Love (2013)
283:The first open-source
1206:We Make Money Not Art
347:Lasersaur (2009–2019)
249:in 2011. During 2012
1208:. September 27, 2013
856:on October 30, 2018.
754:Dronecenter.bard.edu
433:Deep Lab (2013–2020)
351:The Lasersaur is an
291:was developed under
212:University of Oregon
1069:Gazzettadimilano.it
756:. December 6, 2014.
658:"Addie Wagenknecht"
396:Webcam Venus (2013)
369:New York University
309:New York University
305:CUBIT (multi-touch)
301:CUBIT (multi-touch)
228:Stefan Hechenberger
216:New York University
129:.placesiveneverbeen
80:New York University
1174:"Artist Biography"
986:"Data and dragons"
793:"Lasersaur Manual"
117:Digital Utopianism
70:American, Austrian
383:WifiTagger (2012)
140:Addie Wagenknecht
137:
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44:Addie Wagenknecht
25:Addie Wagenknecht
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295:as their first
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850:Phillips.com
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637:. Retrieved
633:the original
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402:Webcam Venus
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358:designed by
356:laser cutter
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273:CUBIT (2007)
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105:Notable work
18:
1306:1981 births
963:October 22,
900:Deeplab,net
830:January 10,
680:Gizmodo.com
551:CERN, 2022
365:Kickstarter
353:open source
297:open source
285:Multi-touch
247:Culture Lab
160:open source
148:pop culture
98:digital art
94:open source
67:Nationality
1300:Categories
1291:Wifitagger
925:Newinc.org
921:"Deep Lab"
896:"About Us"
871:"Deep Lab"
777:August 23,
772:Newinc.org
589:References
497:Yves Klein
360:NORTD labs
341:New Museum
331:, (2015);
293:NORTD labs
251:NORTD labs
243:NORTD labs
224:NORTD labs
204:Multimedia
168:F.A.T. lab
164:Nortd Labs
51:1981-04-15
1286:Lasersaur
1266:NORTD Lab
662:Arts.cern
392:in 2012.
299:project.
194:Biography
156:new media
75:Education
1242:March 5,
1212:March 5,
1088:Vice.com
935:March 5,
905:March 5,
880:March 5,
802:March 9,
711:July 12,
438:Deep Lab
423:Phillips
262:Deep Lab
172:Deep Lab
114:Movement
1232:Wtn.net
505:Roombas
421:lot at
239:Mozilla
180:Mozilla
176:Eyebeam
122:Website
49: (
735:May 3,
686:May 4,
614:May 3,
532:Beauty
520:Roomba
516:Beauty
453:, and
375:, and
170:, and
61:, U.S.
1177:(PDF)
279:CUBIT
232:CUBIT
226:with
210:from
1244:2016
1214:2016
997:2022
965:2020
937:2016
907:2016
882:2016
832:2016
804:2021
779:2020
737:2008
713:2012
688:2008
641:2024
616:2008
206:and
188:CERN
186:and
158:and
131:.com
40:Born
400:In
311:'s
218:'s
127:www
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