508:, writing, "Steely technical skill often contradicts the tender feelings and humility invoked throughout Adam Kirsch's first poetry collection. In 'A Love Letter,' he asserts, 'all my powers, poetic, analytical,/Cannot do justice to the theme,' but it's actually the stilted rhymes ('glosses/colossus'; 'momentous /portentous') and the familiarity of images like 'love waxes and wanes,/But, like the hide-and-go-seek of the moon,/It is only hiding, never really gone' that prevent Kirsch from sustaining his meditations on romantic love, city life and religion." But
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narcissism, self-pity, and sentimentality; that a poem succeeds, no matter how brutal or amoral it may be, as long as it retains the integrity of its artifice; that a poem fails when the poet abandons the imaginative work of completing it in order to solicit the reader's sympathy or reproach. What Kirsch doesn't convince us of is his cold-blooded bottom line, which is that if art is to be great, it often must take precedence over life, regardless of the costs.
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550:, Starnino wrote that Kirsch is "an incomparable context builder, with a near-perfect nose for comparisons. . . is excellent at placing poets in their historical moment, aided by an ability to evoke the way the climate of a period manner can suddenly be made to pivot into the private weather of a poem." Starnino also had mostly positive things to say regarding
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Mr. Kirsch ... does a wonderfully nimble job of conveying each poet's individual achievement and the evolution of his or her style, as apprenticeship gave way to maturity, as new techniques and language were invented to accommodate new ideas and material. Writing in a manner that is at once erudite
570:. Starnino's only criticism of the poems was that he believed that Kirsch's wording could sometimes seem antiquarian and that his strictness with regard to form could be limiting. Starnino also implied that Kirsch's commitment to strict formalism would guarantee his work a very limited audience.
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There's both sense and power in Kirsch's arguments. He skillfully distinguishes the poems that use life as material for poetry from those that use poetry in order to justify or condemn the poet's real-life behavior. He convinces us that the former are art while the latter are exhibitions of
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and accessible, Mr. Kirsch proves equally adept at dispensing the sort of close readings of individual poems championed by the New
Critics and at explicating correspondences between a poet's life and art in a fashion that would have been anathema to the high modernists.
546:(a book of literary criticism). In his review, Starnino focused on Kirsch's status as a poet-critic and how the role of poet-critics in America's literary culture had changed since the heyday of poet-critics in the first half of the 20th century. Regarding
591:, Hammer took issue with Kirsch's aesthetic literary arguments which he viewed as "narrow and formulaic." He also took issue with Kirsch's criticisms of free-verse poets like
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gave the book a positive review, stating that the book contained no "bad" poems and that "regardless of subject and tone, these are, because of their forms, poems of wit."
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The
Wounded Surgeon: Confession and Transformation in Six American Poets: Robert Lowell, Elizabeth Bishop, John Berryman, Randall Jarrell, Delmore Schwartz, Sylvia Plath
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was far more negative. He characterized the book as having "a flawed thesis, a few valuable readings of poems and a mess of missed opportunities." But in a review in
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For a while, Kirsch made his living as a freelance writer, and he has regularly written freelance articles for many different publications including
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Over the course of his career, he has written reviews and feature articles on a diverse array of poets and novelists, including
162:: "Eliot showed me the possibility of finding in poetry a source of complex intellectual and moral interest." He graduated from
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Kakutani, Michiko. "Poets
Escaping the Shadows of Greats Who Preceded Them," NY Times Book Review. June 28, 2005.
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Lehman, David. "'The
Wounded Surgeon': Tradition and Individual Talents," NY Times Book Review. May 29, 2005.
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surprises." Hammer also criticized the poems for being too "cautious and rueful" and without passion.
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is an expert, emotionally astute study of the complicated Jewish-English statesman and novelist, and
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which he called "an advance on the 'silent, parcelled, and controlled' poems of the award-winning
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Kirsch was born in Los
Angeles in 1976. He is the son of lawyer, author, and biblical scholar
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criterion for lasting criticism: the conversion of mere opinion into universal knowledge. In
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Technology Is Taking Over
English Departments: The False Promise of the Digital Humanities
8:
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FIRST THINGS: On the Square » Blog
Archive » RJN: 2.24.06 Adam Kirsch is books…
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with a B.A. in
English in 1997 and began his career as assistant literary editor for
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and opined that Kirsch was only skilled at criticizing those formalist poets, like
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titled "Is It Time To Retire the Term 'Genocide'?" in 2023 in response to the
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Tucker, Ken. "The Ties That Bind." NY Times Book Review. December 22, 2002.
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587:, but unlike Starnino's review, Hammer's was extremely negative. First, in
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praised the
Trilling book as well as Kirsch's previous nonfiction works:
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wrote a review of two of Kirsch's books published around the same time:
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The
Wounded Surgeon: Confession and Transformation in Six American Poets
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The Dönme: Jewish Converts, Muslim Revolutionaries, and Secular Turks
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praised the book, calling it "eloquent and very astute." She added:
215:, called Kirsch "a literary critic of some distinction." Writing in
1359:"Adam Kirsch's Why Trilling Matters Reminds Us of Power of Reading"
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in 2002. His poems have also appeared in many magazines, including
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Kirsch also generated controversy when writing an article for the
830:"Letter Heads: The art of correspondence from Keats to Burroughs"
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wrote a highly critical review of Kirsch's first book of poetry,
799:"Beware of Pity: Hannah Arendt and the power of the impersonal"
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558:." Startino also noted that the style and form of the poems in
1139:"Interview with Adam Kirsch—New York Intellectuals Revisited"
242:. He also currently holds the position of senior editor for
1173:"Adam Kirsch and the Role of the Poet-Critic: An Interview"
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The People and The Books: 18 Classics of Jewish Literature
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The Global Novel: Writing the World in the 21st Century
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Starnino, Carmine. "The Plight of the Poet-Critic."
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Rocket and Lightship: Essays on Literature and Ideas
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and the author of the weekly column "The Reader" on
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874:"Faith Healing: A poet confronts illness and God"
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225:." Currently, Kirsch is a contributing editor to
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894:"Full Fathom Five: Derek Walcott's seascapes"
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973:Is It Time to Retire the Term 'Genocide'?
310:Kirsch has published two books of poems,
1113:"CAS Seminar Faculty » Adam Kirsch"
630:In a review of Kirsch's nonfiction book
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1343:Hammer, Langdon. "Theory and Practice.
405:as his favorite contemporary poets and
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1421:Kirsch author page and article archive
562:was heavily influenced by the work of
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1317:. American Library Association. 2005.
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1064:from the original on 17 February 2010
1029:. A new translation by Paul Schmidt.
618:lines, which unroll smoothly without
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853:The Vertigo Years: Europe, 1900-1914
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1218:"Critical thinking #1: Adam Kirsch"
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775:, 2014 (W. W. Norton & Company)
751:, 2008 (W. W. Norton & Company)
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801:. The Critics. A Critic at Large.
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138:. He is on the seminar faculty of
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579:, Langdon Hammer also reviewed
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936:(46): 68–72. February 1, 2016.
904:(47): 75–79. February 3, 2014.
809:(44): 62–68. January 12, 2009.
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453:The New York Times Book Review
332:The New Criterion Poetry Prize
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1430:Slate Archive for Adam Kirsch
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956:"Culture as counterculture".
884:(12): 80, 81–83. May 6, 2013.
732:. Chicago: Ivan R. Dee. 2002.
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1397:What Disraeli Can Teach Us
1178:Contemporary Poetry Review
1027:The Plays of Anton Chekhov
920:(7): 77–81. April 6, 2015.
678:Israel-Palestine Conflict.
460:, Danielle Chapman wrote:
370:Contemporary Poetry Review
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1090:Stanford University Press
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928:. The Critics. Books.
912:. The Critics. Books.
896:. The Critics. Books.
876:. The Critics. Books.
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767:Why Trilling Matters
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755:Invasions: New Poems
704:adding missing items
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632:Why Trilling Matters
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207:Richard John Neuhaus
1475:American male poets
674:Wall Street Journal
654:The Wounded Surgeon
435:The Wounded Surgeon
140:Columbia University
116:Columbia University
81:Academic background
979:. December 8, 2023
702:; you can help by
658:The Modern Element
589:The Modern Element
585:The Modern Element
556:The Thousand Wells
548:The Modern Element
544:The Modern Element
523:The Modern Element
506:The Thousand Wells
495:The Thousand Wells
478:The New York Times
403:Jacqueline Osherow
328:The Thousand Wells
312:The Thousand Wells
299:, America and the
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130:(born 1976) is an
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1414:of "Violence" by
1401:Benjamin Disraeli
1347:. August 29, 2008
1248:Prosaic Judgments
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