328:, Achille's refuge after a quarrel with Agamemnon. Patrocle asks Achille if Hector's bravery in past battles has made him jealous. Achille responds that only the losses sustained by the Greeks give him pleasure: Agamemnon, king of the Greeks, is the focus of his rage. In a rousing aria ("Je cours asseurer ma memoire"), Patrocle declares that he will defeat Hector. Achille, though concerned for his friend's safety, agrees, saying, "if your heart is strong, so too will be your arms." After Patrocle exits, Achille, left alone, entreats the gods to protect his friend in a moving soliloquy. Diomede approaches and announces that without Achille's help, the Greeks will not overcome the Trojans. Achille insists that he is happy here, out of contact with the quarrelsome Greeks. Diomede chastises the hero, suggesting that his bravery is shallow and that he loves vain pleasure. Venus and the Graces, descending from the heavens, remind Achille of the pleasure he experienced with them when he was not in battle. The act concludes as Arcas rushes in to announce that Patrocle is dead. Achille swears vengeance on Hector in an impassioned aria ("Manes de ce Guerrier, dont je pleure le sort").
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enters and also questions
Achille's allegiance. Achille reminds him that it is for Patrocle, not the Greeks, that he engaged the Trojans. Agamemnon, realizing that Achille has fallen in love with the enemy princess, introduces the great hero to Briseis, a Greek princess whom he hopes will win Achille back to the side of the Greeks. Briseis confides to Achille the story of her capture and the loss of all she loved. Achille, as gallantly as possible, explains that he cannot love her. Furious, Briseis calls on the goddess Juno to avenge her broken heart. Juno accepts and promises that before the day is over, Briseis will see the result of her request. The act concludes with a chorus of shepherds offering thanks for the peace established by the "generous conqueror."
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surrender himself to love. He charges the lovers to swear an oath of tender and devoted love. Briseis is beside herself with anger when she witnesses the marriage of
Achille and Polixene. She demands to know why Juno has not exacted revenge. The chorus of Greeks warn Achille to flee a certain death. He is struck down and Arcas rushes to his side, blaming the Trojan Paris for the treasonous act. Briseis allies herself with Polixene and swears that she will lead the forces to avenge Achille's death. Polixene sends everyone away, and, in "C'en est fait," a grief-stricken soliloquy, declares that she is unable to live without her husband. The opera ends with her suicide.
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war and ignored the Muses and their feasts. The other Muses agree and add: "he does not approve of anything we do; we are not worthy in his eyes." Mercure interrupts and insists that they put aside worry and concentrate on the charming spectacle to be performed before them. The scene is transformed, "as though its former glory had been restored." The Muses agree to pay careful attention to the forthcoming play and to try especially hard to enjoy it despite their misgivings. Jupiter descends and urges their particular contemplation of the Greek hero, Achille. The Muses agree and await the tale of the invincible
Achille and his famous battles.
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189:. Typically, Lully would begin his operas with a lively prologue, but this work has a somber prologue in which the Muses lament the king's desire for military expansion. Another difference is the tragic and somber ending of this opera in Act V. Lully usually ended his operas with a rousing ensemble number but this opera closes with the suicide of the heroine. The end of Act IV, the wedding scene, does contain a vibrant ensemble number at its close which would be more in keeping with a typical finale of one of Lully's operas.
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victorious
Achille. Arcas assures the Trojan prisoners that Achille is not without compassion--hope should replace their fears. King Priam of Troy, his daughter Polixene and his daughter-in-law Andromaque conspire to soften Achille's heart. Each appeals to Achille with stories of their losses suffered in the war with Greece. But it is the beautiful Polixene who breaks Achille's heart with her moving aria, "Vous le sçavez, Dieux que j'atteste!" The great warrior pledges eternal peace with the Greeks.
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The
Prologue is set in "A place once designed for spectacle, now only a shell of its former self." Mercure, messenger of the Gods, questions the Muses to find out why their spirits are downcast. Melpomene replies that the king (i.e. Louis XIV), in his desire for conquest, has plunged the country into
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Act V takes place in Apollo's temple. As the Act opens, Achille asks his new bride why she turns away from him when he approaches. She replies, "the more I see you, the more I am troubled." Priam enters before the troops of Greeks and
Trojans and commands that everyone, for the sake of peace, should
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The Act III curtain rises on
Achille's camp. Achille confesses his love for Polixene to Arcas, who reminds the hero that his original intent was to avenge their dead friend Patrocle. Achille counters that it is only Hector who deserves his wrath; the rest of the Trojans are not to blame. Agamemnon
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Act II takes place in a Greek camp on the eve of battle with the
Trojans. Diomede is certain that, with Achille's help, the Greeks under Agamemnon will be victorious. Agamemnon remains uncertain and, seeing the advancing Achille, decides to move back. A chorus of soldiers sing the praises of the
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Priam's Palace provides the setting for Act IV. Polixene, alone and confused, questions the wisdom of marrying
Achille, so recently the enemy of her people. She resigns herself to the inevitable, however, and awaits the ceremony. Andromaque, recognizing Polixene's despair, tries to comfort the
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bride-to-be, swearing "I will make my fidelity as famous as his glory." Priam enters and calls for his subjects to begin the wedding celebrations. Choirs of
Trojans sing the praises of the beautiful princess and the heroic conqueror.
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To date, this opera has not yet been recorded, although individual selections have been recorded by various artists.
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who finished the work, eight months after Lully's death on 22 March 1687. Acts 1 and 4 of the ballet was created by
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425:"Achille et Polixene 1st edition, 1687 — University of North Texas Libraries"
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The libretto for this opera differs from those of Lully's earlier works with
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364:(Macmillan, 1986): article on Lully by Graham Sadler
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16:Opera by Jean-Baptiste Lully and Pascal Collasse
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1912:Trojan Horse
1900:
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1887:and Homer's
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1608:(1762 Sarti)
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1229:Achaemenides
1188:Anna Perenna
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433:. Retrieved
429:the original
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392:(in Italian)
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338:
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330:
323:
319:
219:haute-contre
184:
140:
122:
117:
116:
115:
82:
2014:1687 operas
1837:Aposiopesis
1640:Manuscripts
1629:Les Troyens
1509:(1729 poem)
1506:The Dunciad
1491: 1593
1478:(1160 poem)
1425:The Avenger
1417:Film and TV
1359:Neoptolemus
1176:Phoenicians
724:Louis Lully
689:Other works
564:Bellérophon
203:Voice type
171:Paris Opera
31:Unfinished
1973:Categories
1468: 828
1452:Literature
997:Antiphates
992:Andromache
877:Characters
572:Proserpine
435:2008-06-04
348:Recordings
263:Andromaque
177:in Paris.
99:1687-11-07
60:Librettist
2034:Agamemnon
1773:(1660–65)
1354:Mezentius
1289:Cydonians
1259:Aventinus
1254:Automedon
1249:Androgeus
1162:Thymoetes
1152:Sergestus
1117:Palinurus
1102:Mnestheus
1077:Hippocoon
1047:Deiphobus
1027:Corynaeus
1017:Cassandra
941:Tiberinus
796:Intermède
748:Louis XIV
399:Footnotes
231:Agamemnon
81:Virgil's
1729:Quos ego
1684:Ad astra
1436:(1971–2)
1344:Messapus
1309:Halaesus
1294:Diomedes
1274:Catillus
1203:Mattan I
1167:Ucalegon
1127:Panthous
1122:Pandarus
1082:Ilioneus
1062:Euryalus
1057:Entellus
1037:Dardanus
1002:Ascanius
987:Anchises
896:Crinisus
821:Category
633:Collasse
304:soprano
289:soprano
285:Polixène
241:Jean Dun
128:Polyxena
124:Achilles
91:Premiere
78:Based on
70:Language
1925:Portals
1893:Odyssey
1873:Eneados
1861:Related
1757:(25 BC)
1676:Phrases
1522:Lavinia
1441:Eneyida
1404:Venulus
1349:Metabus
1334:Lavinia
1324:Latinus
1319:Juturna
1279:Clytius
1269:Camilla
1224:Acestes
1183:Acerbas
1147:Ripheus
1137:Polites
1112:Ornytus
1097:Misenus
1087:Laocoön
1072:Helenus
1022:Clonius
967:Aeneads
962:Achates
955:Trojans
931:Mercury
921:Jupiter
884:Deities
871:(19 BC)
772:Related
753:Molière
588:Phaëton
524:Alceste
356:Sources
326:Tenedos
300:Briséis
268:soprano
214:Achille
173:at the
131:) is a
108:, Paris
97: (
1999:Operas
1901:Aeneid
1885:Aeneid
1797:(1834)
1789:(1815)
1781:(1689)
1765:(1619)
1541:Didone
1514:Eneida
1498:Amelia
1444:(1991)
1433:Eneide
1428:(1962)
1389:Turnus
1379:Salius
1374:Rutuli
1364:Pallas
1329:Lausus
1314:Iarbas
1299:Erulus
1217:Others
1157:Theano
1052:Elymus
1032:Creusa
1007:Caieta
982:Aletes
977:Aeolus
972:Aeneas
936:Saturn
906:Hecate
891:Alecto
868:Aeneid
863:Virgil
729:Alcide
714:People
679:Psyché
623:(1686)
615:(1686)
612:Armide
607:(1685)
604:Roland
599:(1684)
596:Amadis
591:(1683)
583:(1682)
580:Persée
575:(1680)
567:(1679)
559:(1678)
556:Psyché
551:(1677)
543:(1676)
535:(1675)
532:Thésée
527:(1674)
519:(1673)
508:Operas
386:
149:. The
142:Aeneid
137:Virgil
84:Aeneid
73:French
2039:Priam
1963:Music
1951:Opera
1889:Iliad
1830:Study
1805:Music
1613:Didon
1565:Didon
1533:Opera
1493:play)
1399:Umbro
1394:Ufens
1384:Sinon
1369:Picus
1339:Macar
1284:Cydon
1264:Butes
1244:Amata
1234:Actor
1193:Belus
1142:Priam
1132:Paris
1107:Nisus
1092:Mimas
1012:Capys
946:Venus
911:Hymen
901:Cupid
720:Sons
252:bass
248:Priam
200:Cast
193:Roles
151:opera
33:opera
1891:and
1198:Dido
1067:Gyas
926:Mars
916:Juno
548:Isis
540:Atys
316:Plot
236:bass
126:and
1746:Art
865:'s
275:or
139:'s
35:by
1975::
1488:c.
1465:c.
279:?
1927::
1815:"
1811:"
1486:(
1463:(
855:e
848:t
841:v
635:)
484:e
477:t
470:v
438:.
394:.
384:,
380:"
121:(
101:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
