Knowledge

Accademia di San Luca

Source 📝

252: 38: 359: 290:. Like many academies it was traditional to submit a self-portrait – the collection serving as a record of the institution's illustrious membership. In 1633, Urban VIII gave it the right to tax all artists as well as art-dealers, and monopolize all public commissions. These latter measures raised strong opposition and apparently were poorly enforced. 389:
The Library of the National Academy of San Luca houses the Academic Library and the Sarti Roman Municipal Library, which together hold over 50,000 volumes regarding ipainting, sculpture and architecture. Scholarships are periodically announced for research activities in academic archives or abroad.
386:, located in the Piazza dell'Accademia di San Luca, has accumulated a unique collection of paintings and sculptures, including about 500 portraits, as well as an outstanding collection of drawings. The Academy also hosts exhibitions of the works of various artists. 381:
is its modern descendant. From the very beginning, the statutes of the Academy directed that each candidate-academician was to donate a work of his art in perpetual memory and, later, a portrait. Thus the Academy, in its current premises in the 16th-century
301:, the accademia began to admit architects, who enjoyed the same status as painters and sculptors. The Academy offered courses in painting, sculpture and architecture. Competitions open to artists and architects of all nationalities under 25 years old, the 211:
From the late sixteenth century until it moved to its present location at the Palazzo Carpegna, it was based in an urban block by the Roman Forum and although these buildings no longer survive, the Academy church of
977: 282:
granted the Academy the right to pardon a condemned man on the feast of St. Luke. As early as 1607, members were encouraged to increase their donations to the library. In the 1620s,
1336: 1645: 236:, which met in the demolished church of S.Luca all'Esquilino, near the Basilica of S. Mary Major, and whose statutes and privileges were renewed 17 December 1478 by 612: 1406: 839: 1013: 809: 1055: 1001: 983: 917: 875: 91: 1025: 899: 929: 791: 636: 205: 1429: 887: 1564: 1594: 286:
extended its rights to decide who was considered an artist in Rome, and in 1627 it came under the patronage of his nephew, Cardinal
1399: 1288: 336:
for further details of this debate) about the number of figures in a painting. Disdain was expressed by many academicians for the
1665: 1215: 1675: 1392: 1539: 1415: 1302:
Roworth, Wendy Wassyng (1 January 1981). "A Date for Salvator Rosa's Satire on Painting and the Bamboccianti in Rome".
17: 1106: 845: 1534: 1619: 1589: 1275: 1640: 287: 579: 1670: 1579: 1569: 1449: 1184:"National Academy of San Luca Library", Turismo Roma, Major Events, Sport, Tourism and Fashion Department 1183: 654: 370:, the academy's historic headquarters on Via Bonella was demolished and in 1934 the institution moved to 773: 1650: 1604: 1549: 1459: 1337:"Rome, Accademia di San Luca celebrates Guido Strazza: an exhibition for the artist's 100th birthday", 785: 1231: 1680: 1660: 1514: 1479: 1469: 1454: 1031: 743: 1236:
The History of the Accademia di San Luca: Documents from the Archivio di Stato di Roma, c. 1590–1635
1207: 1199: 305:, were held annually until 1721, when they became triennial. In 1763 these were supplemented by the 1655: 1609: 1499: 1489: 1464: 1439: 827: 1599: 1509: 833: 767: 600: 321: 313: 251: 1614: 1529: 1474: 1444: 863: 707: 689: 233: 1128: 1524: 1519: 1484: 1156: 1574: 1559: 1554: 1504: 1494: 1384: 1238:. The Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC 618: 525: 513: 465: 272: 213: 8: 1584: 1434: 1075: 1043: 905: 851: 642: 201: 346:
gave famous lectures on painting in the Academy. In the early 18th century, the painter
332:
Artistic issues debated within the Academy included the Cortona-Sacchi controversy (see
241: 1319: 995: 989: 959: 893: 761: 585: 555: 519: 441: 367: 660: 1211: 1102: 1079: 591: 573: 567: 507: 495: 294: 264: 217: 1311: 1037: 947: 935: 911: 881: 815: 803: 543: 429: 404: 371: 343: 260: 197: 185: 672: 263:, who was both one of the leading artists in Rome and superintendent of works for 1019: 923: 857: 797: 731: 719: 677: 630: 624: 561: 471: 453: 435: 1071: 1063: 1049: 965: 779: 701: 695: 683: 531: 483: 477: 459: 347: 317: 237: 1634: 1267: 971: 941: 869: 821: 755: 749: 725: 666: 648: 501: 489: 447: 408: 333: 268: 106: 93: 1256: 1007: 350:
was inducted, and then expelled for criticizing the academy as an insider.
337: 37: 1352: 953: 737: 606: 549: 537: 320:
in order to have the art students in one location. This later became the
181: 1323: 713: 283: 327: 267:, the Pope granted the Academy official recognition in 1577. In 1588 1315: 358: 193: 46: 1070:. The Academy can also boast modern members, including sculptors 173: 1379: 279: 309:, and thereafter the two competitions alternated biennially. 143: 1414: 1099:
Teaching Art: Academies and Schools from Vasari to Albers
1232:"ASR, TNC, uff. 15, 1627, pt. 2, vol. 112, fols. 323r-v" 1204:
Patrons and Painters: Art and Society in Baroque Italy
1289:"Liceo artistico statale "Via di Ripetta": la storia" 1257:" Accademia di San Luca", The Royal Collection Trust 275:, which was rededicated as Santi Luca e Martina. 240:. Among the founding members was the famous painter 1101:. Cambridge; New York: Cambridge University Press. 328:
The Cortona-Sacchi Debate and other artistic issues
1646:Educational institutions established in the 1570s 424:of the academy over the first 200 years include: 1632: 1169:Pietro da Cortona and Roman Baroque Architecture 1430:Academy of Sciences of the Institute of Bologna 200:and Pietro Olivieri. The Academy was named for 196:were ratified in 1607. Other founders included 1565:Accademia Nazionale delle Scienze detta dei XL 1400: 1066:was a member but declined the offer of being 176:of artists in Rome. The establishment of the 43:St. Luke Displaying a Painting of the Virgin 271:gave the institution the ancient church of 216:, does. Designed by the Baroque architect, 1407: 1393: 36: 1595:Ateneo Veneto di Scienze, Lettere ed Arti 1193: 1191: 1179: 1177: 1152: 1150: 293:At some after 1634, during the time when 178:Accademia de i Pittori e Scultori di Roma 968:, 1811 (permanent principe 1814 to 1822) 357: 250: 1301: 1197: 220:, its main façade overlooks the Forum. 14: 1633: 1188: 1174: 1147: 1123: 1121: 1119: 1117: 1115: 27:Italian association of artists in Rome 1388: 312:In 1845, the Academy expanded to the 1171:, 2008, Yale University Press, p. 53 1157:"Accademia di S.Luca", Roma Segreta 1112: 1091: 24: 1540:Accademia di Agricoltura di Torino 1272:Scots in Italy in the 18th Century 1224: 1206:. Yale University Press. pp.  228:The Academy's predecessor was the 25: 1692: 1373: 978:Alessandro Massimiliano Laboureur 393: 377:The Academy is still active; the 1535:Accademia delle Arti del Disegno 1380:Accademia Nazionale di San Luca 1345: 1330: 1295: 1281: 379:Accademia Nazionale di San Luca 353: 134:Accademia Nazionale di San Luca 1590:Associazione Agraria Subalpina 1419:and learned societies in Italy 1276:National Galleries of Scotland 1261: 1250: 1161: 13: 1: 1620:Società Entomologica Italiana 1357:accademiasanluca.ittorricelli 1085: 894:Francisco Preciado de la Vega 1666:1577 establishments in Italy 651:, 1664–1665, 1699, 1706–1713 580:Giovanni Francesco Romanelli 420:Prominent artists to become 7: 1580:Academia Secretorum Naturae 1450:Accademia degli Incamminati 655:Giovanni Francesco Grimaldi 597:Niccolò Menghini, 1645–1647 415: 366:Due to the construction of 10: 1697: 1676:Learned societies of Italy 1605:Italian Mathematical Union 1550:Accademia di Santa Cecilia 1460:Accademia degli Infiammati 1198:Haskell, Francis (1993) . 786:Giuseppe Bartolomeo Chiari 607:Luigi Gentile da Bruxelles 398: 259:Through the initiative of 232:, a guild of painters and 223: 1515:Accademia dei Risvegliati 1480:Accademia degli Svogliati 1470:Accademia degli Intronati 1455:Accademia degli Incogniti 1425: 744:Giovanni Battista Contini 169: 152: 138: 130: 122: 85: 77: 69: 61: 53: 35: 1610:Italian Physical Society 1500:Accademia dei Georgofili 1490:Accademia degli Umoristi 1465:Accademia degli Inquieti 1440:Accademia degli Apatisti 1129:"Origini dell'Accademia" 774:Charles-François Poerson 1600:Dante Alighieri Society 1510:Accademia dei Ricovrati 1097:Carl Goldstein (1996). 834:Giovanni Battista Maini 768:Giovan Battista Boncori 601:Giovanni Battista Soria 322:Liceo Artistico Ripetta 1615:Royal Academy of Italy 1570:Accademia Neoplatonica 1530:Accademia della Crusca 1475:Accademia degli Oziosi 1445:Accademia degli Arcadi 896:, 1764–1766, 1777–1778 864:Giovanni Paolo Pannini 708:Giovan Battista Gaulli 690:Giovanni Maria Morandi 363: 256: 81:Association of artists 1545:Accademia di San Luca 1525:Accademia del Disegno 1520:Accademia del Cimento 1485:Accademia degli Umidi 828:Jean-François de Troy 361: 255:Santi Luca e Martina 254: 230:Compagnia di San Luca 184:in 1577, and in 1593 170:Academy of Saint Luke 166:Accademia di San Luca 158:Compagnia di San Luca 107:41.90167°N 12.48361°E 31:Accademia di San Luca 1641:Art schools in Italy 1575:Accademia Pontaniana 1560:Accademia Galileiana 1555:Accademia Fiorentina 1505:Accademia dei Lincei 1495:Accademia dei Gelati 619:Bernardino Gagliardi 526:Antiveduto Gramatica 514:Gian Lorenzo Bernini 214:Santi Luca e Martina 1585:Accademia Veneziana 1435:Accademia Cosentina 1353:"Angelo Torricelli" 1133:accademiasanluca.it 1076:Piccirilli Brothers 1044:Virginio Vespignani 906:Anton Raphael Mengs 852:Filippo della Valle 643:Pier Francesco Mola 613:Pietro Martire Neri 303:Concorsi Clementini 288:Francesco Barberini 202:Luke the Evangelist 103: /  32: 1671:Painters from Rome 1339:Finestre sull'Arte 1278:, Edinburgh, p. 28 1167:Jorg Martin Merz, 996:Bertel Thorvaldsen 990:Vincenzo Camuccini 960:Vincenzo Camuccini 950:, 1796, 1800, 1801 840:Tommaso de Marchis 762:Ludovico Gimignani 692:, 1671, 1680, 1685 627:, 1657 (resigned) 586:Alessandro Algardi 556:Giovanni Lanfranco 520:Agostino Ciampelli 468:, 1600, 1616, 1629 442:Giovanni De Vecchi 364: 257: 112:41.90167; 12.48361 30: 18:Academy of St Luke 1651:Education in Rome 1628: 1627: 1217:978-0-300-02540-8 1080:Angelo Torricelli 1046:, 1870, 1876–1877 902:, 1767, 1779–1780 854:, 1752, 1760–1761 846:Francesco Mancini 810:Girolamo Teodoldi 752:, 1686 (resigned) 663:, 1667 (declined) 592:Girolamo Rainaldi 574:Alessandro Turchi 568:Pietro da Cortona 508:Giovanni Baglione 504:, 1614–1615, 1627 496:Cherubino Alberti 466:Cavalier d'Arpino 307:Concorsi Balestra 295:Pietro da Cortona 265:Pope Gregory XIII 218:Pietro da Cortona 192:or director; the 188:became its first 162: 161: 16:(Redirected from 1688: 1681:Rome R. II Trevi 1661:Renaissance Rome 1409: 1402: 1395: 1386: 1385: 1368: 1367: 1365: 1364: 1349: 1343: 1334: 1328: 1327: 1304:The Art Bulletin 1299: 1293: 1292: 1285: 1279: 1265: 1259: 1254: 1248: 1247: 1245: 1243: 1228: 1222: 1221: 1195: 1186: 1181: 1172: 1165: 1159: 1154: 1145: 1144: 1142: 1140: 1125: 1110: 1095: 1078:, and architect 1056:Stefano Galletti 1038:Filippo Agricola 1002:Giulio Camporese 984:Girolamo Scaccia 948:Vincenzo Pacetti 936:Antonio Asprucci 918:Ferdinando Raggi 912:Carlo Marchionni 882:Placido Costanzi 876:Clemente Orlandi 816:Agostino Masucci 804:Sebastiano Conca 544:Baldassare Croce 430:Federico Zuccari 405:Pietro Angeletti 384:Palazzo Carpegna 372:Palazzo Carpegna 344:Giovanni Bellori 314:Palazzo Camerale 261:Girolamo Muziano 244:, as he was the 242:Melozzo da Forlì 198:Girolamo Muziano 186:Federico Zuccari 180:was approved by 172:) is an Italian 171: 148: 145: 144:accademiasanluca 126:Federico Zuccari 118: 117: 115: 114: 113: 108: 104: 101: 100: 99: 96: 40: 33: 29: 21: 1696: 1695: 1691: 1690: 1689: 1687: 1686: 1685: 1656:Culture in Rome 1631: 1630: 1629: 1624: 1421: 1413: 1376: 1371: 1362: 1360: 1351: 1350: 1346: 1341:, June 21, 2023 1335: 1331: 1316:10.2307/3050166 1300: 1296: 1287: 1286: 1282: 1266: 1262: 1255: 1251: 1241: 1239: 1230: 1229: 1225: 1218: 1196: 1189: 1182: 1175: 1166: 1162: 1155: 1148: 1138: 1136: 1127: 1126: 1113: 1096: 1092: 1088: 1061: 1026:Clemente Folchi 1020:Tommaso Minardi 924:Anton von Maron 900:Andrea Bergondi 858:Ferdinando Fuga 798:Camillo Rusconi 732:Mattia de Rossi 720:Charles Le Brun 678:Giacinto Brandi 661:Melchiorre Cafà 631:Raffaello Vanni 625:Nicolas Poussin 562:Francesco Mochi 472:Girolamo Massei 454:Durante Alberti 436:Tommaso Laureti 418: 407:, painter in a 401: 396: 368:Via dell'Impero 356: 330: 226: 155: 154:Formerly called 142: 111: 109: 105: 102: 97: 94: 92: 90: 89: 49: 28: 23: 22: 15: 12: 11: 5: 1694: 1684: 1683: 1678: 1673: 1668: 1663: 1658: 1653: 1648: 1643: 1626: 1625: 1623: 1622: 1617: 1612: 1607: 1602: 1597: 1592: 1587: 1582: 1577: 1572: 1567: 1562: 1557: 1552: 1547: 1542: 1537: 1532: 1527: 1522: 1517: 1512: 1507: 1502: 1497: 1492: 1487: 1482: 1477: 1472: 1467: 1462: 1457: 1452: 1447: 1442: 1437: 1432: 1426: 1423: 1422: 1412: 1411: 1404: 1397: 1389: 1383: 1382: 1375: 1374:External links 1372: 1370: 1369: 1344: 1329: 1310:(4): 611–617. 1294: 1280: 1268:Skinner, Basil 1260: 1249: 1223: 1216: 1187: 1173: 1160: 1146: 1111: 1089: 1087: 1084: 1072:Ernesto Biondi 1064:Claude Lorrain 1060: 1059: 1053: 1050:Nicola Consoni 1047: 1041: 1035: 1029: 1023: 1017: 1014:Antonio D'Este 1011: 1005: 999: 993: 987: 981: 975: 969: 966:Antonio Canova 963: 957: 951: 945: 939: 933: 930:Agostino Penna 927: 921: 915: 909: 903: 897: 891: 885: 879: 873: 867: 861: 855: 849: 843: 837: 831: 825: 819: 813: 807: 801: 795: 792:Antonio Valeri 789: 783: 780:Benedetto Luti 777: 771: 765: 759: 753: 747: 741: 735: 729: 723: 717: 711: 705: 702:Carlo Rainaldi 699: 696:Charles Errard 693: 687: 684:Domenico Guidi 681: 675: 670: 664: 658: 652: 646: 640: 637:Gaspare Morone 634: 628: 622: 616: 610: 604: 598: 595: 589: 583: 577: 571: 565: 559: 553: 547: 541: 535: 532:Virginia Vezzi 529: 523: 517: 511: 505: 499: 493: 487: 484:Paolo Guidotti 481: 478:Pietro Bernini 475: 469: 463: 460:Flaminio Vacca 457: 451: 445: 439: 433: 426: 417: 414: 413: 412: 400: 397: 395: 394:Notable people 392: 355: 352: 348:Marco Benefial 329: 326: 318:Via di Ripetta 278:In 1605, Pope 246:pictor papalis 238:Pope Sixtus IV 225: 222: 160: 159: 156: 153: 150: 149: 140: 136: 135: 132: 128: 127: 124: 120: 119: 87: 83: 82: 79: 75: 74: 71: 67: 66: 63: 59: 58: 55: 51: 50: 41: 26: 9: 6: 4: 3: 2: 1693: 1682: 1679: 1677: 1674: 1672: 1669: 1667: 1664: 1662: 1659: 1657: 1654: 1652: 1649: 1647: 1644: 1642: 1639: 1638: 1636: 1621: 1618: 1616: 1613: 1611: 1608: 1606: 1603: 1601: 1598: 1596: 1593: 1591: 1588: 1586: 1583: 1581: 1578: 1576: 1573: 1571: 1568: 1566: 1563: 1561: 1558: 1556: 1553: 1551: 1548: 1546: 1543: 1541: 1538: 1536: 1533: 1531: 1528: 1526: 1523: 1521: 1518: 1516: 1513: 1511: 1508: 1506: 1503: 1501: 1498: 1496: 1493: 1491: 1488: 1486: 1483: 1481: 1478: 1476: 1473: 1471: 1468: 1466: 1463: 1461: 1458: 1456: 1453: 1451: 1448: 1446: 1443: 1441: 1438: 1436: 1433: 1431: 1428: 1427: 1424: 1420: 1418: 1410: 1405: 1403: 1398: 1396: 1391: 1390: 1387: 1381: 1378: 1377: 1358: 1354: 1348: 1342: 1340: 1333: 1325: 1321: 1317: 1313: 1309: 1305: 1298: 1290: 1284: 1277: 1273: 1269: 1264: 1258: 1253: 1237: 1233: 1227: 1219: 1213: 1209: 1205: 1201: 1194: 1192: 1185: 1180: 1178: 1170: 1164: 1158: 1153: 1151: 1134: 1130: 1124: 1122: 1120: 1118: 1116: 1108: 1107:0-521-55988-X 1104: 1100: 1094: 1090: 1083: 1081: 1077: 1073: 1069: 1065: 1057: 1054: 1051: 1048: 1045: 1042: 1039: 1036: 1033: 1032:Luigi Poletti 1030: 1027: 1024: 1021: 1018: 1015: 1012: 1009: 1006: 1003: 1000: 997: 994: 991: 988: 985: 982: 979: 976: 973: 972:Gaspare Landi 970: 967: 964: 961: 958: 955: 952: 949: 946: 943: 942:Tommaso Conca 940: 937: 934: 931: 928: 925: 922: 919: 916: 913: 910: 907: 904: 901: 898: 895: 892: 889: 888:Mauro Fontana 886: 883: 880: 877: 874: 871: 870:Pietro Bracci 868: 865: 862: 859: 856: 853: 850: 847: 844: 841: 838: 835: 832: 829: 826: 823: 822:Gaetano Lapis 820: 817: 814: 811: 808: 805: 802: 799: 796: 793: 790: 787: 784: 781: 778: 775: 772: 769: 766: 763: 760: 757: 756:Carlo Fontana 754: 751: 750:Filippo Lauri 748: 745: 742: 739: 736: 733: 730: 727: 726:Lazzaro Baldi 724: 721: 718: 715: 712: 709: 706: 703: 700: 697: 694: 691: 688: 685: 682: 679: 676: 674: 673:Pietro del Pò 671: 668: 667:Orfeo Boselli 665: 662: 659: 656: 653: 650: 649:Carlo Maratta 647: 644: 641: 638: 635: 632: 629: 626: 623: 620: 617: 614: 611: 608: 605: 602: 599: 596: 593: 590: 587: 584: 581: 578: 575: 572: 569: 566: 563: 560: 557: 554: 551: 548: 545: 542: 539: 536: 533: 530: 527: 524: 521: 518: 515: 512: 509: 506: 503: 502:Ottavio Leoni 500: 497: 494: 491: 490:Gaspare Celio 488: 485: 482: 479: 476: 473: 470: 467: 464: 461: 458: 455: 452: 449: 448:Cesare Nebbia 446: 443: 440: 437: 434: 431: 428: 427: 425: 423: 410: 406: 403: 402: 391: 387: 385: 380: 375: 373: 369: 360: 351: 349: 345: 341: 339: 335: 334:Andrea Sacchi 325: 323: 319: 315: 310: 308: 304: 300: 296: 291: 289: 285: 281: 276: 274: 270: 269:Pope Sixtus V 266: 262: 253: 249: 247: 243: 239: 235: 231: 221: 219: 215: 209: 208:of painters. 207: 203: 199: 195: 191: 187: 183: 179: 175: 167: 157: 151: 147: 141: 137: 133: 129: 125: 121: 116: 88: 84: 80: 76: 72: 68: 64: 60: 56: 52: 48: 44: 39: 34: 19: 1544: 1416: 1361:. Retrieved 1359:(in Italian) 1356: 1347: 1338: 1332: 1307: 1303: 1297: 1283: 1271: 1263: 1252: 1240:. Retrieved 1235: 1226: 1203: 1168: 1163: 1137:. Retrieved 1135:(in Italian) 1132: 1098: 1093: 1067: 1062: 1058:, 1899, 1900 1052:, 1878, 1883 1028:, 1841–1843 1008:Andrea Pozzi 836:, 1746, 1747 812:, 1734, 1742 806:, 1729, 1739 800:, 1727, 1728 776:, 1714, 1718 758:, 1686, 1694 746:, 1683, 1719 734:, 1681, 1693 698:, 1672, 1678 686:, 1670, 1675 645:, 1662, 1663 576:, 1637, 1638 558:, 1631, 1632 516:, 1621, 1630 486:, 1607, 1620 480:, 1605, 1606 421: 419: 409:Neoclassical 388: 383: 378: 376: 365: 362:Acc.San Luca 354:Recent times 342: 338:Bamboccianti 331: 311: 306: 302: 298: 292: 277: 258: 245: 234:miniaturists 229: 227: 210: 206:patron saint 189: 177: 165: 163: 42: 1242:14 February 1200:"Chapter 8" 1040:, 1854–1855 1034:, 1849–1853 1010:, 1830–1831 998:, 1827–1828 980:, 1820–1822 974:, 1817–1820 962:, 1806–1810 954:Andrea Vici 932:, 1787–1789 908:, 1771–1772 860:, 1753–1754 848:, 1750–1751 818:, 1736–1738 788:, 1723–1725 738:Luigi Garzi 722:, 1676–1677 633:, 1658–1660 621:, 1655–1658 609:, 1651–1653 603:, 1648–1650 594:, 1641–1643 570:, 1634–1636 550:Domenichino 540:, 1624–1627 538:Simon Vouet 510:, 1617–1619 498:, 1611–1613 182:papal brief 110: / 86:Coordinates 54:Named after 1635:Categories 1363:2024-05-24 1139:18 January 1086:References 714:Carlo Cesi 680:1669, 1684 284:Urban VIII 273:S. Martina 168:(English: 131:Secessions 70:Founded at 1417:Accademie 98:12°29′1″E 95:41°54′6″N 62:Formation 1270:(1966), 1068:Principe 422:Principe 416:Principi 299:principe 194:statutes 190:principe 57:St. Luke 47:Guercino 1324:3050166 1004:, 1829 399:Faculty 316:on the 224:History 174:academy 139:Website 1322:  1214:  1105:  1022:, 1837 1016:, 1832 992:, 1826 986:, 1823 956:, 1802 944:, 1793 938:, 1790 926:, 1784 920:, 1781 914:, 1773 890:, 1762 884:, 1758 878:, 1757 872:, 1756 866:, 1755 842:, 1748 830:, 1744 824:, 1741 794:, 1726 782:, 1720 770:, 1698 740:, 1682 728:, 1679 716:, 1675 710:, 1674 704:, 1673 669:, 1667 639:, 1661 615:, 1654 588:, 1640 582:, 1639 564:, 1633 552:, 1629 546:, 1628 534:, 1624 528:, 1624 522:, 1623 492:, 1609 474:, 1603 462:, 1599 456:, 1598 450:, 1597 444:, 1596 438:, 1595 432:, 1593 280:Paul V 204:, the 123:Leader 1320:JSTOR 1208:17–18 411:style 1244:2022 1212:ISBN 1141:2023 1103:ISBN 764:1688 657:1666 297:was 164:The 78:Type 73:Rome 65:1577 1312:doi 324:. 146:.eu 45:by 1637:: 1355:. 1318:. 1308:63 1306:. 1274:, 1234:. 1210:. 1202:. 1190:^ 1176:^ 1149:^ 1131:. 1114:^ 1082:. 1074:, 374:. 340:. 248:. 1408:e 1401:t 1394:v 1366:. 1326:. 1314:: 1291:. 1246:. 1220:. 1143:. 1109:. 20:)

Index

Academy of St Luke

Guercino
41°54′6″N 12°29′1″E / 41.90167°N 12.48361°E / 41.90167; 12.48361
accademiasanluca.eu
academy
papal brief
Federico Zuccari
statutes
Girolamo Muziano
Luke the Evangelist
patron saint
Santi Luca e Martina
Pietro da Cortona
miniaturists
Pope Sixtus IV
Melozzo da Forlì

Girolamo Muziano
Pope Gregory XIII
Pope Sixtus V
S. Martina
Paul V
Urban VIII
Francesco Barberini
Pietro da Cortona
Palazzo Camerale
Via di Ripetta
Liceo Artistico Ripetta
Andrea Sacchi

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.