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it being taken apart and being served up separately." Barratt: "We were both doing quite surreal stuff, eh..." Fielding: "It was quite weird wasn't it, alot weirder than the show in a way..." Barratt: "...but we sort of, when we first met we kind of liked each others comedy but we didn't know that it would work, we didn't know whether it was gonna cancel each other out and make...." Fielding: "Yeah, too weird to make sort of, straight..." Barratt: "...might just become geography or something else or... this sort of thing, but it worked for some reason..." With
Fielding adding "We had quite a good chemistry straight away."
227:" character in the scene can react with dull surprise, disdain, boredom, or detached interest, thus heightening comic tension. Characters' intentions are set up in a series of scenes significantly different from what the audience might ordinarily encounter in daily life. The unique social situations, expressed thoughts, actions, and comic lines are used to spark laughter, emotion, or surprise as to how the events occurred or unfolded, in ways sometimes favorable to other unexpectedly introduced characters.
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Mary K. Rodgers and Diana Pien analysed the subject in an essay titled "Elephants and
Marshmallows" (subtitled "A Theoretical Synthesis of Incongruity-Resolution and Arousal Theories of humour"), and wrote that "jokes are nonsensical when they fail to completely resolve incongruities," and cited one
772:
Ross: "And did you perform as solo acts ever did you do like stand up..." Barratt: "yeah, yeah, that's how we sort of met really on the circuit, doing stand up, yeah." Ross: "But, but was it similar to the Boosh stuff, 'cos the Boosh stuff it seems to be so much of a partnerships I can't imagine
558:
sit in cups of hot chocolate." Oring defined humour as not the resolution of incongruity, but "the perception of appropriate incongruity," that all jokes contain a certain amount of incongruity, and that absurd jokes require the additional component of an "absurd image," with an incongruity of the
316:
After a time they saw some land at a distance; and when they came to it, they found it was an island made of water quite surrounded by earth. Besides that, it was bordered by evanescent isthmuses with a great Gulf-stream running about all over it, so that it was perfectly beautiful, and contained
46:
adding "It was quite weird wasn't it, alot weirder than the show in a way...", with
Barratt continuing "...but we sort of, when we first met we kind of liked each others comedy but we didn't know that it would work, we didn't know whether it was gonna cancel each other out...", with Fielding
218:
Surreal humour is concerned with building up expectations and then knocking them down; even seemingly masterful characters with the highest standards and expectations are subverted by the unexpected, which the scene emphasizes for the viewer's amusement. Either the
215:. The humour in surreal comedy arises from a subversion of audience expectations, emphasizing the ridiculousness and unlikeliness of a situation, so that amusement is founded on an unpredictability that is separate from a logical analysis of the situation.
359:
began to argue for an art that was random, jarring and illogical. The goals of these movements were in some sense serious, and they were committed to undermining the solemnity and self-satisfaction of the contemporary artistic
870:
911:
People like SJ Perelman and EB Whiteâpeople who could do certain amazing things in prose. Perelman was the first true
American surrealistâranking with the best in the world surrealist movement.
238:: disturbing or sinister subjects like death, disease, or warfare are treated with amusement and bitterness, creating the appearance of an intention to shock and offend.
203:, a cultural movement developed in the 20th century by French and Belgian artists, who depicted unnerving and illogical scenes while developing techniques to allow the
268:
being used for humorous effect. Under such premises, people can identify precursors and early examples of surreal humour at least since the 19th century, such as in
377:(1917), an inverted urinal signed "R. Mutt". This became one of the most famous and influential pieces of art in history, and one of the earliest examples of the
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movement. It is also a joke, relying on the inversion of the item's function as expressed by its title as well as its incongruous presence in an art exhibition.
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Surrealist humor has become increasingly popular in both children- and adult-oriented western animation, most notably in shows such as
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Surreal humour in theater is usually about the insensitivity, paradox, absurdity, and cruelty of the modern world. Absurd and
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can be stretched to absurd lengths by logically following the consequences of unlikely, reversed or exaggerated premises.
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312:(1871) is filled with contradictory statements and odd images intended to provoke amusement, such as the following:
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547:: "Why did the elephant sit on the marshmallow?" "Because he didn't want to fall into the cup of hot chocolate."
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to express itself. The movement itself was foreshadowed by
English writers in the 19th century, most notably
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440:(1966â2012). The Firesigns wrote sophisticated comic radio plays, many of which were recorded on
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2013:
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461:. It is a prominent feature in the television and cinematic work of the British comedy troupe
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has commented that "We were both doing quite surreal stuff, eh...", with second co-creator
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responding "Yeah, too weird to make sort of, straight...". One of the characters is
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860:"Duchamp's Fountain: The practical joke that launched an artistic revolution"
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Surrealist humour appeared on
British radio from 1951 to 1960 by the cast of
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first began to be used to describe a type of aesthetic of the early 1920s.
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is often described as being surreal, as well as being escapist. Co-creator
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412:(1904â1979) has been identified as the first surrealist humour writer.
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Surreal humour is also found frequently in avant-garde theatre such as
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Form of humour predicated on deliberate violations of causal reasoning
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The
History of Futurism: The Precursors, Protagonists, and Legacies
193:
51:, a Gorilla, who communicates freely with all the other characters.
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Surrealist humour is predominantly approached in cinema where the
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Wilmut, Roger; Jimmy
Grafton (1976). "The Birth of the Goons".
748:
285:
173:
1088:"'Neo-Dadaism': Absurdist Humor and the Millennial Generation"
832:
Buelens, Geert; Hendrix, Harald; Jansen, Monica, eds. (2012).
629:"Noel Fielding debunks rumours of Mighty Boosh tour and movie"
310:
The Story of the Four Little
Children Who Went Round the World
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1958:
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220:
550:"The joke is incompletely resolved in their opinion," noted
364:. As a result, much of their art was intentionally amusing.
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Edward Lear, Aged 73 and a Half, and His Cat Foss, Aged 16
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180:, thus producing events and behaviors that are obviously
184:. Portrayals of surreal humour tend to involve bizarre
192:, irrational or absurd situations, and expressions of
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939:(a) pp.4, 5, 61; (b)p.183, (d) pp.180, 181, (e)p.203
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and are basically surreal in approach. For example,
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951:The Goon Show Companion: A History and Goonography
858:
620:
591:
1059:Figures of Desire: An Analysis of Surrealist Film
2972:
1105:Chapman, Antony J.; Foot, Hugh C., eds. (1977).
433:. The Goons' work influenced the American radio
1148:. University Press of Kentucky. pp. 21â22.
978:"FIREZINE #4: Under the Influence of the Goons"
696:
694:
455:is a principal exponent of this, especially in
300:as mallets, etc.) for humorous effect. Many of
1171:. Urbana, Ill.: University of Illinois Press.
970:
818:Nonsense Songs, Stories, Botany, and Alphabets
660:
284:, both of which use the illogical and absurd (
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138:
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339:(1917), an inverted urinal signed "R. Mutt".
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783:
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652:: CS1 maint: numeric names: authors list (
2940:London International Surrealist Exhibition
2112:
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1216:
1202:
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603:"Interview A new view of the Mighty Boosh"
145:
131:
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2935:Exposition Internationale du Surréalisme
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534:, is also influenced by surreal humour.
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304:'s children's stories and poems contain
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794:. Macmillan Education UK. p. 177.
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176:predicated on deliberate violations of
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322:Relationship with dadaism and futurism
241:
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1162:
1143:
1131:
1119:
1085:
1027:
1005:Spike Milligan: His Part In Our Lives
405:Rosencrantz and Guildenstern Are Dead
857:Gayford, Martin (16 February 2008).
731:"Getting Surreal with Noel Fielding"
465:(1969â2015). Other examples include
260:Surreal humour is the effect of the
762:. Absolute Jokes. 24 September 2019
729:Gallagher, Sophie (22 April 2015).
343:In the early 20th century, several
24:
984:from the original on June 27, 2006
980:. Firezine.net. Winter 1997â1998.
927:. London: Hodder & Stoughton.
788:Stockwell, Peter (November 2016).
601:Raphael, Amy (14 September 2013).
317:only a single tree, 503 feet high.
25:
2997:
2889:The Surrealist Group in Stockholm
1109:. Pergamon Press. pp. 37â40.
756:"The History of The Mighty Boosh"
667:van Tricht, Isla (5 March 2012).
627:Trueman, Matt4 (8 January 2014).
2073:
2064:
2063:
814:
701:Raphael, Amy (21 October 2007).
543:of the many permutations of the
275:Alice's Adventures in Wonderland
1137:
1125:
1113:
1098:
1079:
1050:
1021:
942:
885:
873:from the original on 2022-01-12
850:
2119:
1156:
1063:University of California Press
825:
808:
669:"New Wave Comedy: Post-funny?"
13:
1:
2834:Bureau of Surrealist Research
579:
234:often deals with elements of
584:
7:
895:(1982). "An interview with
562:
537:
199:Surreal humour grew out of
34:The style of humour in the
10:
3002:
1223:
791:The Language of Surrealism
2960:Paranoiac-critical method
2897:
2806:
2503:
2127:
2059:
1924:
1832:
1738:
1603:
1521:
1485:
1478:
1469:
1372:
1341:
1332:
1231:
1146:Jokes and Their Relations
1107:It's A Funny Thing, Humor
385:Etymology and development
347:movements, including the
281:Through the Looking-Glass
2844:Chicago Surrealist Group
2829:British Surrealist Group
1057:Williams, Linda (1992).
1030:Film as a Subversive Art
1003:Ventham, Maxine (2002).
953:. London: Robson Books.
408:. In the United States,
1513:Theatre of ancient Rome
1163:Oring, Elliott (2003).
1144:Oring, Elliott (1992).
923:McCann, Graham (2006).
458:The Exterminating Angel
449:suspension of disbelief
2955:Abstract expressionism
2824:Birmingham Surrealists
2513:Maxime Moses Alexandre
2490:Radojica ĆœivanoviÄ Noe
2155:Jacques-André Boiffard
509:Aqua Teen Hunger Force
340:
319:
257:
114:Birmingham Surrealists
52:
2925:Surrealist techniques
2910:Surrealist automatism
2854:Fighting Cock Society
2593:Roger Gilbert-Lecomte
2578:Vratislav Effenberger
2518:Guillaume Apollinaire
1720:Theatre of the Absurd
1086:Hoins, Megan (2016).
703:"Boys from the Boosh"
574:Theatre of the Absurd
503:SpongeBob SquarePants
329:
314:
249:
33:
2905:Surrealist Manifesto
2859:The Firesign Theatre
2643:Comte de Lautréamont
1695:Shakespearean comedy
1493:Ancient Greek comedy
1028:Vogel, Amos (2005).
438:the Firesign Theatre
109:Surrealist Manifesto
2793:Marianne Van Hirtum
2768:Simon Watson Taylor
2230:Christian Dotremont
866:The Daily Telegraph
836:. Lexington Books.
513:and more recently,
296:matches using live
253:'s 1885 lithograph
242:Literary precursors
58:Part of a series on
2270:Alberto Giacometti
2260:Gordon Onslow Ford
2195:Leonora Carrington
1683:Comédie larmoyante
1678:Sentimental comedy
1673:Restoration comedy
1636:Commedia dell'arte
1508:Corral de comedias
1007:. London: Robson.
341:
258:
53:
2968:
2967:
2945:Women surrealists
2915:Surrealist cinema
2763:Philippe Soupault
2395:BenjamĂn Palencia
2087:
2086:
1865:Musical comedians
1828:
1827:
1626:Comedy of manners
1621:Comedy of humours
1611:Boulevard theatre
1599:
1598:
1503:Comédie-Italienne
1498:Comédie-Française
1465:
1464:
843:978-0-7391-7387-9
526:culture, such as
399:Waiting for Godot
232:surrealist cinema
155:
154:
119:Women Surrealists
16:(Redirected from
2993:
2920:Surrealist music
2839:Chicago Imagists
2819:Les Automatistes
2758:Louis Scutenaire
2698:VĂtÄzslav Nezval
2538:Georges Bataille
2455:Dorothea Tanning
2440:JindĆich Ć tyrskĂœ
2415:Aminollah Rezaei
2310:Jacqueline Lamba
2300:Gerome Kamrowski
2245:Curt Echtermeyer
2200:Ithell Colquhoun
2114:
2107:
2100:
2091:
2090:
2077:
2067:
2066:
2014:Self-referential
1631:Comedy of menace
1483:
1482:
1476:
1475:
1339:
1338:
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1211:
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1129:
1123:
1122:, pp. 20â21
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897:Donald Barthelme
893:McCaffery, Larry
889:
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675:. Archived from
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641:
639:
624:
618:
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598:
205:unconscious mind
178:causal reasoning
170:absurdist comedy
166:absurdist humour
147:
140:
133:
55:
54:
21:
18:Absurdist humour
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2733:Raymond Queneau
2728:Jacques Prévert
2718:Rastko PetroviÄ
2678:Robert Melville
2658:Georges Limbour
2638:Philip Lamantia
2543:Monny de Boully
2505:
2499:
2485:James F. Walker
2475:Albert Valentin
2465:Kristians Tonny
2435:Martin Stejskal
2410:Toni del Renzio
2390:Wolfgang Paalen
2385:MĂ©ret Oppenheim
2365:E. L. T. Mesens
2330:Georges Malkine
2265:Esteban Francés
2225:Ăscar DomĂnguez
2180:Jacques Brunius
2175:Emmy Bridgwater
2123:
2118:
2088:
2083:
2055:
1920:
1902:Animated sitcom
1824:
1790:Musical theatre
1740:
1734:
1710:Stand-up comedy
1656:One-person show
1646:Improvisational
1595:
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1415:Science fiction
1368:
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1249:Comedy festival
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902:Partisan Review
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516:Smiling Friends
473:Peter Greenaway
387:
367:One example is
324:
244:
188:, incongruity,
172:) is a form of
151:
28:
23:
22:
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2981:Surreal comedy
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2930:Surreal humour
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2755:
2753:Georges Sadoul
2750:
2745:
2743:Pierre Reverdy
2740:
2735:
2730:
2725:
2720:
2715:
2713:Benjamin PĂ©ret
2710:
2705:
2700:
2695:
2693:Pierre Naville
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2655:
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2648:Marcel Lecomte
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2620:
2615:
2613:Georges Hugnet
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2595:
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2588:Renée Gauthier
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2275:Julio GonzĂĄlez
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2240:Marcel Duhamel
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1167:Engaging Humor
1158:
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1097:
1078:
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925:Spike & Co
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815:Lear, Edward.
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679:on 12 May 2012
659:
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559:mental image.
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423:Spike Milligan
410:S. J. Perelman
386:
383:
369:Marcel Duchamp
331:Marcel Duchamp
323:
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243:
240:
186:juxtapositions
162:surreal comedy
158:Surreal humour
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2874:La MandrĂĄgora
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2788:Jacques Vaché
2786:
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2783:Tristan Tzara
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2773:André Thirion
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2723:Francis Ponge
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2668:Joyce Mansour
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2656:
2654:
2653:Michel Leiris
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2633:Jacques Lacan
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2573:Robert Desnos
2571:
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2558:Nicolas Calas
2556:
2554:
2551:
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2533:Jacques Baron
2531:
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2510:
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2480:Remedios Varo
2478:
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2368:
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2360:John Melville
2358:
2356:
2353:
2351:
2350:MikulĂĄĆĄ Medek
2348:
2346:
2345:Roberto Matta
2343:
2341:
2338:
2336:
2335:Marcel Mariën
2333:
2331:
2328:
2326:
2325:René Magritte
2323:
2321:
2320:Conroy Maddox
2318:
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2301:
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2280:Jane Graverol
2278:
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2215:Jean Dallaire
2213:
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2210:Salvador DalĂ
2208:
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2196:
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2191:
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2170:Fanny Brennan
2168:
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2046:Ventriloquism
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1999:Observational
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1810:Opéra comique
1808:
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1803:
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1800:Opéra bouffon
1798:
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1758:Café-chantant
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1726:
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1700:Sketch comedy
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1284:Impressionist
1282:
1280:
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1270:
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1254:Comedy troupe
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1072:0-520-07896-9
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1043:0-394-49078-9
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1014:1-86105-530-7
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960:0-903895-64-1
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801:9781137392190
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566:
560:
557:
553:
552:Elliott Oring
548:
546:
545:elephant joke
535:
533:
529:
528:Weird Twitter
525:
524:Internet meme
522:Contemporary
520:
518:
517:
512:
510:
505:
504:
499:
498:
493:
492:
486:
484:
483:Terry Gilliam
480:
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459:
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450:
445:
443:
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436:
435:comedy troupe
432:
431:Harry Secombe
428:
427:Peter Sellers
424:
420:
419:
418:The Goon Show
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411:
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362:establishment
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270:Lewis Carroll
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237:
233:
228:
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222:
216:
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210:
209:Lewis Carroll
206:
202:
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190:non-sequiturs
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160:(also called
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61:
57:
56:
50:
45:
44:Noel Fielding
41:
37:
32:
19:
2929:
2884:Refus Global
2879:Monty Python
2798:Roger Vitrac
2778:Dylan Thomas
2748:Marko RistiÄ
2738:Herbert Read
2623:Nelly Kaplan
2618:Alfred Jarry
2608:IrĂšne Hamoir
2603:Julien Gracq
2548:André Breton
2523:Louis Aragon
2430:André Souris
2355:Oscar Mellor
2340:André Masson
2220:Paul Delvaux
2190:Claude Cahun
2150:Hans Bellmer
2145:EugĂšne Atget
2040:
1907:Black sitcom
1887:Mockumentary
1795:Opéra bouffe
1763:Café-théùtre
1748:Ballad opera
1666:Harlequinade
1616:Comedy-drama
1395:Mockumentary
1279:Impersonator
1259:Comic timing
1166:
1145:
1139:
1134:, p. 14
1127:
1115:
1106:
1100:
1081:
1058:
1052:
1034:Random House
1032:. New York:
1029:
1023:
1004:
998:
986:. Retrieved
972:
964:
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944:
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918:
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906:
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875:. Retrieved
864:
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827:
817:
810:
790:
771:
764:. Retrieved
759:
750:
738:. Retrieved
734:
724:
712:. Retrieved
708:The Observer
706:
681:. Retrieved
677:the original
672:
662:
638:10 September
636:. Retrieved
633:The Guardian
632:
622:
612:10 September
610:. Retrieved
607:The Guardian
606:
569:Non sequitur
555:
549:
541:
532:YouTube poop
521:
515:
507:
501:
495:
491:Regular Show
489:
487:
476:
466:
463:Monty Python
456:
446:
416:
414:
403:
397:
395:
390:
388:
379:found object
372:
366:
342:
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315:
309:
290:caterpillars
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259:
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229:
217:
198:
169:
165:
161:
157:
156:
87:
36:Mighty Boosh
2673:DuĆĄan MatiÄ
2583:Paul Ăluard
2568:René Daumal
2563:René Crevel
2504:Writers and
2460:Karel Teige
2450:Yves Tanguy
2305:Wifredo Lam
2295:Frida Kahlo
2255:Leonor Fini
2185:Luis Buñuel
2160:Bill Brandt
2135:Eileen Agar
1975:Documentary
1971:(dry humor)
1934:Alternative
1912:Teen sitcom
1805:Opera buffa
1780:Light music
1775:Comedy club
1725:Tragicomedy
1690:Shadow play
1157:Cited works
988:October 28,
766:4 September
740:3 September
453:Luis Buñuel
353:surrealists
345:avant-garde
302:Edward Lear
251:Edward Lear
236:dark humour
213:Edward Lear
2975:Categories
2869:Grup d'Elx
2849:Dau al Set
2703:Paul Nougé
2688:Max Morise
2683:René Ménil
2495:Unica ZĂŒrn
2370:Lee Miller
2121:Surrealism
1882:Television
1785:Music hall
1730:Vaudeville
1651:Macchietta
1641:Double act
1550:Indonesia
1544:Mo lei tau
1540:Hong Kong
1534:Xiangsheng
1405:Remarriage
1314:Visual gag
1304:Punch line
1299:Prank call
1132:Oring 2003
1120:Oring 2003
877:5 February
673:The Yorker
580:References
497:South Park
201:surrealism
93:Techniques
64:Surrealism
2864:The Goons
2708:Paul PÄun
2663:LĂ©o Malet
2628:Petr KrĂĄl
2598:Yvan Goll
2506:Theorists
2380:Joan MirĂł
2315:Dora Maar
2250:Max Ernst
2205:Gala DalĂ
2029:Slapstick
1954:Christian
1949:Character
1926:Subgenres
1741:and dance
1661:Pantomime
1447:Slapstick
1420:Screwball
1324:Word play
735:Honi Soit
683:22 August
648:cite news
585:Citations
468:The Falls
389:The word
357:futurists
298:flamingos
288:-smoking
262:illogical
182:illogical
2814:Acéphale
2420:Kay Sage
2140:Jean Arp
2069:Category
2004:Physical
1815:Operetta
1589:Sarugaku
1457:Thriller
1349:American
1269:Humorist
1239:Comedian
1187:49383970
982:Archived
871:Archived
714:29 March
563:See also
538:Analysis
374:Fountain
349:dadaists
336:Fountain
306:nonsense
225:straight
221:goofball
194:nonsense
2898:Related
2405:Man Ray
2128:Artists
2041:Surreal
1969:Deadpan
1855:Hip hop
1753:Cabaret
1479:Country
1471:Theatre
1435:Mexican
1430:Italian
1410:Romance
1385:Fantasy
1364:Italian
1354:British
1342:Country
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760:Youtube
391:surreal
294:croquet
70:Aspects
2986:Humour
2807:Groups
2079:Portal
2051:Zombie
2034:Topics
1994:Insult
1989:Horror
1964:Cringe
1897:Sitcom
1860:Parody
1584:Rakugo
1579:Owarai
1574:Manzai
1569:KyĆgen
1565:Japan
1559:Ludruk
1554:Lenong
1486:Europe
1452:Stoner
1442:Silent
1400:Parody
1390:Horror
1380:Action
1359:French
1309:Satire
1274:Humour
1232:Topics
1225:Comedy
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1092:Medium
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556:do not
478:Brazil
442:albums
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286:hookah
266:absurd
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174:humour
101:Groups
88:Humour
78:Cinema
2470:Toyen
2019:Shock
1959:Clown
1939:Black
1892:Roast
1877:Radio
1872:Novel
1845:Album
1840:Music
1833:Media
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1739:Music
1604:Genre
1529:China
1373:Genre
1289:Irony
1264:Farce
168:, or
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2950:Dada
2024:Sick
2009:Prop
1980:High
1944:Blue
1850:Rock
1705:Spex
1522:Asia
1334:Film
1294:Joke
1183:OCLC
1173:ISBN
1067:ISBN
1038:ISBN
1009:ISBN
990:2012
955:ISBN
929:ISBN
879:2017
838:ISBN
796:ISBN
768:2024
742:2024
716:2008
685:2012
654:link
640:2024
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