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deserted by her trollopy mother. She becomes pregnant by a Negro sailor and is tended in her unwed motherhood-to-be by a gentle homosexual. The difference between Miss
Delaney's approach, and that of many of the modern writers, is that this writer isn't mad at anyone. Very young when she wrote the play, she has the tolerance and humanity of experience. Her people are sad, funny and grotesque, but none of them is hateful. It is a charming and touching story and film, and contains the only true portrait of homosexualism in the entire literature of modern books, plays and movies. The only drawback to appreciation for an American audience is that the speech is often unintelligible. It is authentic British provincial speech, but for international audiences might have been doctored a bit. Richardson's cast, whom he has guided superbly, is largely unknown. Rita Tushingham, who plays the central figure, is expressive of every shading in a girl pushed into womanhood. Dora Bryan, as the mother, is weightless as cotton candy, and as falsely alluring. Paul Danquah is strong as the seaman, Murray Melvin unerring in a delicate role.
549:, Rita Tushingham's Jo lacks technical accomplishment, but makes up for it with a spirited North Country protest and grave, haunting eyes which express exactly that bleak independence, the sudden snatching after ephemeral happiness in the midst of drab hopelessness, which is at the core of the play. Tony Richardson's direction, though geared throughout to the right mood, has not quite the rhythm and poetry to carry it through. His Blackpool fairground sequences are obviously handled along lines familiar from his previous films; and there is still too much putting-on of style (crowds of singing or playing children) as opposed to the natural lyricism of the sailor's leavetaking in silhouetted long-shot on the bridge. Certain passages are unnecessarily abrupt, while others – possibly due to a number of self-conscious dissolves – seem either dragged-out on the one hand or inconsequential and irrelevant on the other.
541:, and the script, though it misses a little of the verbal richness and precision of the original (as in Jo's persistent request for details of Geoffrey's amatory activities, here muffed), achieves a warm feeling for relationships. Murray Melvin's wistful homosexual, with his pinched, troubled face and nervous kindness, and Dora Bryan's restless, casually effusive Helen, her broad shapeless features occasionally clouded by bitter self-awareness, could hardly be bettered. Something of a cross between
329:
down Helen. Helen comes to visit Jo, and they almost immediately have a row. An inebriated Peter, who Helen had told to wait outside, enters and takes back some money Helen offered Jo; he also claims he will not allow Jo to move into his house, though Jo had already rejected this idea. Before she leaves, Helen offers to come stay with Jo, but Jo again refuses the help. Once alone, Peter gives Helen the same ultimatum as in
Blackpool, and she again chooses him over Jo.
31:
604:
a black sailor, who makes her pregnant, and a homosexual who makes her happy until the poverty trap snaps shut around her. Set in dank bedsits amid the grimy smokestacks, polluted canals and the tacky prom at
Blackpool, this movie – a romance of sorts, and a comedy – survives as a priceless barometer of England in 1961.
603:
A ground-breaking movie of its time, this features the mousy Rita
Tushingham in her screen debut as the unwanted teenage daughter of Dora Bryan, a hilariously vulgar Salford lass who is being courted by a flash and pimpish Robert Stephens. Our Rita is saved from her living hell by two social exiles –
313:
with friends. Peter and Jo argue, and Peter gives Helen an ultimatum, saying she must choose between him and her daughter; Helen sends Jo home alone. Jimmy is waiting when Jo arrives in
Salford, and they spend the night together. In the morning, Jo watches him board his ship and depart. Helen returns
340:
fast approaching, Helen reappears. Her marriage to Peter has fallen apart, and she is intent on moving in with Jo and pushing out Geoff, with whom she has a shouting match. They all realize there is not enough room in the apartment for both Geoff and Helen, so, although Jo says she would prefer that
587:
Shelagh
Delaney's story, based on her successful play, is not one for general release, probably, although its people and their circumstances are no gamier – and in some ways are a good deal healthier – than in some of our "realistic" films. It is the story of a young woman, little more than a girl,
328:
Jo discovers she is pregnant by Jimmy. Geoff offers to marry her; she declines, though she does let him take care of her and help with the pregnancy. After Jo has an outburst during which she says she does not want to be either a mother or a woman, Geoff thinks she might need her mother and tracks
536:
adaptations. It is remarkable that so shapeless, slender and unpretentious a film manages almost completely to stand up to this reputation. But then in some ways it is a realisation rather than an adaptation of
Shelagh Delaney's play, with the music-hall mannerisms of the stage production largely
344:
When Jo wakes up, Helen tells her that Geoff has just popped out. Nervously, Jo tells Helen that the baby will be black, and Helen leaves to buy some alcohol. Jo notices Geoff's belongings are gone and finds his goodbye note. She goes outside, but only sees some children with fireworks around a
288:), arguing with their landlady, who is upset about overdue rent and Helen's frequent gentlemen visitors. Once the landlady leaves, Jo and Helen sneak out the window and move across town on a bus, which is apparently not a unique occurrence for the pair.
306:, where Jimmy happens to be disembarking the ship on which he works as a cook; he invites her aboard to attend to her knee. They begin a brief courtship, and Jimmy gives Jo an engagement ring that she wears on a ribbon around her neck.
325:), a gay textile design student, and, invites him to live with her after learning he has been thrown out of his lodgings due to his sexuality. With Geoff's help, Jo makes the workshop feel more like a home.
673:
490:. Tushingham reflected in 2020 that "a lot of the reaction was 'People like that don’t exist' – by which they meant homosexuals, single mothers and people in mixed-race relationships. But they did."
299:), home after a night in the pub, but their romance is curtailed when Jo's presence alerts Peter to the fact that Helen is a mother. Helen and Jo go to sleep in the bed they share.
828:
Chapman, L. (2021). “They wanted a bigger, more ambitious film”: Film
Finances and the American “Runaways” That Ran Away. Journal of British Cinema and Television, 18(2), 176–197.
647:
800:
256:. Delaney wrote the screenplay with Richardson, who had directed the original Broadway production of the play in 1960. As with the play, the film is an exemplar of a
688:
840:
Chapman, J. (2022). The Money Behind the Screen: A History of
British Film Finance, 1945-1985. Edinburgh University Press p 360 gives figure as ÂŁ120,349
341:
Geoff stay, he packs his things and quietly leaves while Jo is lying down, as he feels she will need someone with her who has gone through childbirth.
1094:
295:), a young black sailor, sees Jo struggling with her suitcases and comes to her aid. Later that evening, Helen brings her new boyfriend, Peter Smith (
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1994:
1658:
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553:'s score adds an element of gratuitous rhetoric. But these remain minor considerations in the light of the simple, fresh appeal of the whole.
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gave the film a positive review, stating: "In being transported out of the theatre, this "Honey" has been enriched." James Powers wrote in
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Left to fend for herself, Jo leaves school, gets a job in a shoe shop, and moves into an old workshop. She meets
Geoffrey Ingham (
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After being kept after class for mocking her teacher, Jo trips and scrapes her knee as she is walking home. She limps past the
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removed and the locale vividly filled in. The film has the advantage of some lived-in, non-studio settings by
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in gym class at her all-girls school. When she gets home, she hears her self-centred mother, Helen (
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801:"Bryanston Films : An Experiment in Cooperative Independent Production and Distribution"
557:, tart and lively around the edges and bitter at the core, is Richardson's best film to date.
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1035:"Rita Tushingham on life after A Taste of Honey: 'It was a shock when the 60s ended'"
998:"Filming Locations for a Taste of Honey (1961), in Manchester, Lancashire and London"
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arrives with an advance, theatre-made reputation exceeded only by that of
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2019:
1406:"BBC News | Entertainment | Best 100 British films - full list"
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Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
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David Boliver as Bert, a friend of Peter and Helen (uncredited)
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bonfire. From the shadows, Geoff watches Helen return from the
349:, and then sneaks away unseen. One of the children gives Jo a
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Moira Kaye as Doris, a friend of Peter and Helen (uncredited)
2002:
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When Jo and Helen arrive at their shabby new flat, Jimmy (
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Herbert Smith as Jo's boss at the shoe shop (uncredited)
1551:- by Melanie Williams. Bloomsbury, 2023. 9781839021558
897:"Breaking Barriers: Murray Melvin on A Taste of Honey"
436:
and her brother Stephen appear as two street urchins.
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The film was banned in several countries, including
1300:
1012:"Tony Richardson, John Osborne And Rita Tushingham"
2371:Wallace & Gromit: The Curse of the Were-Rabbit
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808:Historical Journal of Film, Radio and Television
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599:gave the film five out of five stars, writing:
309:Jo joins Helen and Peter on a weekend trip to
1988:
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393:Margo Cunningham as the landlady (uncredited)
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617:award for Best British Dramatic Screenplay.
276:, 17-year-old Josephine, who goes by "Jo" (
1995:
1981:
1876:
1862:
1659:The Loneliness of the Long Distance Runner
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29:
2491:Three Billboards Outside Ebbing, Missouri
1233:"BAFTA Awards British Screenplay in 1962"
876:"A Taste of Honey (1962) - Full Synopsis"
855:British Film Institute Collections Search
2004:BAFTA Award for Outstanding British Film
1123:"Richardson Production A Touching Drama"
967:
843:
280:), struggles through an outdoor game of
830:https://doi.org/10.3366/jbctv.2021.0565
769:"Gala World Premiere (advertisement)".
272:In a run-down, post-industrial area of
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1308:"Festival de Cannes: A Taste of Honey"
1258:"BAFTA Awards British Actress in 1962"
1120:
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678:15th Directors Guild of America Awards
503:The film made a profit of ÂŁ29,064 for
2590:Best British Film BAFTA Award winners
1976:
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1829:Women & Men: Stories of Seduction
1558:
1539:then-and-now location photographs at
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16:1961 British film by Tony Richardson
834:
613:Delaney and Richardson won the 1961
1208:"BAFTA Awards British Film in 1962"
1033:Stuart Jeffries (28 January 2020).
759:
580:It is the best British drama since
475:opened on 14 September 1961 at the
13:
2630:Films about dysfunctional families
1521:A Taste of Honey: Northern Accents
248:. It is an adaptation of the 1958
14:
2696:
2640:Films directed by Tony Richardson
2210:The Spy Who Came In from the Cold
2150:Saturday Night and Sunday Morning
1445:
1329:Hodgkinson, Will (15 June 2001).
444:The film was shot on location in
378:as Peter Smith, Helen's boyfriend
2675:Films shot in Greater Manchester
775:. 12 September 1961. p. 12.
741:digital transfer of the film on
622:15th British Academy Film Awards
260:genre of British media known as
2635:Films about interracial romance
1709:The Charge of the Light Brigade
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615:Writers' Guild of Great Britain
384:as Geoffrey Ingham, Jo's friend
1121:Powers, James (28 June 1962).
910:
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789:, Stein and Day, 1974, p. 124.
779:
366:as Josephine, who goes by "Jo"
1:
2595:British black-and-white films
799:Petrie, Duncan James (2017).
752:
729:
639:The Day the Earth Caught Fire
498:
439:
414:as Jo's landlord (uncredited)
2645:Films scored by John Addison
2620:1960s English-language films
2605:British romantic drama films
2600:British films based on plays
2120:The Bridge on the River Kwai
1183:"Writers' Guild Awards 1961"
1093:Weiler, A. H. (1 May 1962).
1074:(324): 140. 1 January 1961.
608:
493:
399:as Jo's teacher (uncredited)
7:
460:. Interiors were filmed in
458:St Mary's Church, Stockport
177:14 September 1961
10:
2701:
2660:Films about social realism
2610:British LGBT-related films
2271:The Madness of King George
1360:Directors Guild of America
1155:Radio Times Guide to Films
968:Williams, Melanie (2023).
467:
2665:Teenage pregnancy in film
2580:1961 romantic drama films
2541:The Banshees of Inisherin
2431:Tinker Tailor Soldier Spy
2381:The Last King of Scotland
2231:
2010:
1919:
1892:
1699:The Sailor from Gibraltar
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1157:(18th ed.). London:
1067:The Monthly Film Bulletin
667:1962 Cannes Film Festival
518:The Monthly Film Bulletin
515:Peter John Dyer wrote in
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152:Woodfall Film Productions
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2615:British Lion Films films
2585:1961 LGBTQ-related films
2461:The Theory of Everything
1819:The Phantom of the Opera
1428:The Criterion Collection
735:The Criterion Collection
628:won in four categories:
477:Leicester Square Theatre
390:as Jimmy, Jo's boyfriend
2650:Films set in Lancashire
1960:The Railway Station Man
1799:The Hotel New Hampshire
1159:Immediate Media Company
917:Murphy, Robert (1992).
718:was ranked 56th on the
689:Most Promising Newcomer
665:, respectively, at the
648:Most Promising Newcomer
634:Best British Screenplay
356:
267:
228:drama film directed by
2625:Films about alcoholism
1467:British Film Institute
1128:The Hollywood Reporter
974:British Film Institute
923:British Film Institute
919:Sixties British CInema
720:British Film Institute
683:Tushingham won a 1963
672:Richardson received a
606:
590:
559:
35:UK release window card
2685:Films about landlords
2521:Promising Young Woman
2220:A Man for All Seasons
2060:The Lavender Hill Mob
1952:Dance with a Stranger
1310:. festival-cannes.com
1161:. 2017. p. 911.
1143:– via ProQuest.
1082:– via ProQuest.
724:top 100 British films
601:
578:
573:The Hollwood Reporter
523:
372:as Helen, Jo's mother
304:Manchester Ship Canal
250:play of the same name
2551:The Zone of Interest
1719:Laughter in the Dark
1599:The Apollo of Bellac
1530:Criterion Collection
737:released a restored
650:(Rita Tushingham).
644:Best British Actress
262:kitchen sink realism
2680:1960s British films
1549:(BFI Film Classics)
1385:Golden Globe Awards
1381:"Taste of Honey, A"
1356:"DGA Awards Search"
749:on 23 August 2016.
2281:Secrets & Lies
2232:1992–present
2170:Lawrence of Arabia
1749:A Delicate Balance
1619:Look Back in Anger
1585:Films directed by
1515:TCM Movie Database
1424:"A Taste of Honey"
1331:"Stark raving mod"
1100:The New York Times
1062:"A Taste of Honey"
947:"A Taste Of Honey"
851:"A Taste of Honey"
787:Hollywood, England
785:Alexander Walker,
698:The Miracle Worker
646:(Dora Bryan), and
567:The New York Times
511:Critical reception
163:British Lion Films
74:by Shelagh Delaney
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1014:. 13 October 2015
630:Best British Film
547:Harriet Andersson
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1944:Charlie Bubbles
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949:. 17 April 2020
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722:'s list of the
653:Tushingham and
611:
583:Room at the Top
513:
505:Bryanston Films
501:
496:
470:
462:Chelsea, London
442:
427:
376:Robert Stephens
364:Rita Tushingham
359:
297:Robert Stephens
278:Rita Tushingham
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254:Shelagh Delaney
242:Robert Stephens
234:Rita Tushingham
230:Tony Richardson
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117:Walter Lassally
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99:Robert Stephens
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91:Rita Tushingham
82:Tony Richardson
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58:Tony Richardson
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55:Shelagh Delaney
45:Tony Richardson
36:
17:
12:
11:
5:
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2670:Censored films
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2065:
2055:
2045:
2035:
2025:
2014:
2012:
2008:
2007:
2000:
1999:
1992:
1985:
1977:
1968:
1967:
1965:
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1932:
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1769:Joseph Andrews
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1446:External links
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1410:news.bbc.co.uk
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976:. p. 32.
960:
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925:. p. 21.
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597:Guide to Films
543:Joan Plowright
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2501:The Favourite
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2050:The Blue Lamp
2046:
2042:
2041:
2040:The Third Man
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2022:
2021:
2016:
2015:
2013:
2009:
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1991:
1986:
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1979:
1978:
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1962:
1961:
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1936:The White Bus
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1809:Penalty Phase
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1679:The Loved One
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539:Ralph Brinton
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51:Screenplay by
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2331:Gosford Park
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2311:East Is East
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2291:Nil by Mouth
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2028:
2018:
1958:
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1934:
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1689:Mademoiselle
1687:
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1648:
1647:
1637:
1627:
1617:
1607:
1597:
1546:
1535:
1524:an essay by
1520:
1509:
1498:
1487:
1482:Screenonline
1472:
1461:
1431:. Retrieved
1427:
1418:
1409:
1400:
1388:. Retrieved
1384:
1375:
1363:. Retrieved
1359:
1350:
1338:. Retrieved
1335:The Guardian
1334:
1324:
1312:. Retrieved
1302:
1290:. Retrieved
1286:
1277:
1265:. Retrieved
1261:
1252:
1240:. Retrieved
1236:
1227:
1215:. Retrieved
1211:
1202:
1190:. Retrieved
1186:
1177:
1154:
1149:
1132:
1126:
1116:
1104:. Retrieved
1098:
1088:
1071:
1065:
1056:
1047:
1039:The Guardian
1038:
1028:
1016:. Retrieved
1006:
992:
969:
963:
951:. Retrieved
941:
918:
912:
900:. Retrieved
891:
879:. Retrieved
870:
858:. Retrieved
854:
845:
836:
824:
807:
794:
786:
781:
770:
733:
715:
713:
706:
696:
685:Golden Globe
682:
676:at the 1962
671:
659:Best Actress
652:
637:
625:
620:At the 1962
619:
612:
602:
592:
591:
581:
579:
571:
565:
562:A. H. Weiler
560:
554:
551:John Addison
534:John Osborne
525:
524:
516:
514:
502:
485:
479:in London's
472:
471:
443:
434:Hazel Blears
428:
424:(uncredited)
422:obstetrician
397:Eunice Black
388:Paul Danquah
343:
336:, with Jo's
331:
327:
320:
318:with Peter.
308:
301:
293:Paul Danquah
290:
271:
220:
219:
218:
193:Running time
170:Release date
137:John Addison
127:Antony Gibbs
107:Paul Danquah
66:
18:
2401:Man on Wire
2341:The Warrior
2251:Shadowlands
2100:Richard III
2020:Odd Man Out
1920:Screenplays
1541:ReelStreets
1390:12 December
1365:12 December
1314:25 February
1192:12 December
953:19 February
860:11 December
691:(tied with
636:(tied with
595:Radio Times
488:New Zealand
347:off-licence
197:100 minutes
79:Produced by
41:Directed by
2575:1961 films
2569:Categories
1789:The Border
1141:2339759850
1080:1305829519
1051:Petrie p 9
972:. London:
932:0851703240
921:. London:
902:3 February
753:References
730:Home media
693:Patty Duke
674:nomination
663:Best Actor
499:Box office
450:Manchester
440:Production
370:Dora Bryan
286:Dora Bryan
238:Dora Bryan
224:is a 1961
181:1961-09-14
144:Production
95:Dora Bryan
2411:Fish Tank
2301:Elizabeth
2180:Tom Jones
2080:Genevieve
1884:Works by
1759:Dead Cert
1739:Ned Kelly
1669:Tom Jones
1639:Sanctuary
1135:(47): 3.
1106:11 August
816:1465-3451
714:In 1999,
609:Accolades
494:Reception
454:Blackpool
311:Blackpool
123:Edited by
72:1958 play
2471:Brooklyn
2140:Sapphire
1839:Blue Sky
1504:AllMovie
1137:ProQuest
1076:ProQuest
703:Sue Lyon
530:Woodfall
481:West End
351:sparkler
338:due date
316:bungalow
213:ÂŁ121,602
133:Music by
87:Starring
63:Based on
2655:Salford
2531:Belfast
2451:Gravity
2441:Skyfall
1528:at the
1513:at the
1476:at the
1465:at the
1018:4 March
881:4 March
743:Blu-ray
532:'s two
468:Release
446:Salford
429:Future
420:as the
282:netball
274:Salford
202:Country
179: (
146:company
2554:(2023)
2544:(2022)
2534:(2021)
2524:(2020)
2514:(2019)
2504:(2018)
2494:(2017)
2484:(2016)
2474:(2015)
2464:(2014)
2454:(2013)
2444:(2012)
2434:(2011)
2424:(2010)
2414:(2009)
2404:(2008)
2394:(2007)
2384:(2006)
2374:(2005)
2364:(2004)
2354:(2003)
2344:(2002)
2334:(2001)
2324:(2000)
2314:(1999)
2304:(1998)
2294:(1997)
2284:(1996)
2274:(1995)
2264:(1994)
2254:(1993)
2244:(1992)
2223:(1967)
2213:(1966)
2203:(1965)
2193:(1964)
2183:(1963)
2173:(1962)
2163:(1961)
2153:(1960)
2143:(1959)
2133:(1958)
2123:(1957)
2113:(1956)
2103:(1955)
2093:(1954)
2083:(1953)
2073:(1952)
2063:(1951)
2053:(1950)
2043:(1949)
2033:(1948)
2023:(1947)
1963:(1992)
1955:(1985)
1947:(1967)
1939:(1967)
1931:(1961)
1912:(1960)
1904:(1958)
1843:(1994)
1833:(1990)
1823:(1990)
1813:(1986)
1803:(1984)
1793:(1982)
1783:(1978)
1773:(1977)
1763:(1974)
1753:(1973)
1743:(1970)
1733:(1969)
1729:Hamlet
1723:(1969)
1713:(1968)
1703:(1967)
1693:(1966)
1683:(1965)
1673:(1963)
1663:(1962)
1653:(1961)
1643:(1961)
1633:(1960)
1623:(1959)
1613:(1955)
1603:(1955)
1433:17 May
1340:7 June
1292:19 May
1267:19 May
1242:19 May
1217:19 May
1165:
1139:
1078:
980:
929:
814:
708:Lolita
452:, and
210:Budget
1893:Plays
810:: 7.
804:(PDF)
2511:1917
1493:IMDb
1435:2016
1392:2023
1367:2023
1342:2018
1316:2009
1294:2020
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