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423:, which he felt didn't make Mistress Mothersole an effective villain, as a result of both his and adaptor David Rudkin's sympathy for witch trial victims; "We know so much about the hysteria of the witch trials and the ignorance and downright evil that fueled them that it was well-nigh impossible to portray her as James intended. Although, even he makes her a complicated character, hinting that she was popular with local farmers and the pagan fertility aspects that this implies. Frankly, I don't think the script quite did justice to the story, and maybe someone else should have a go at it."
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2070:: "Of Clark's many adaptations of James's stories, this is perhaps the most varied in its use of landscape and the most visually arresting in its attempt to create an otherworldly atmosphere. ... Using long lenses to flatten the scenery and make the ghost indistinct in the background, John McGlashan's fine cinematography brilliantly conveys the ageless, ritualistic determinism of Ager's pursuit and signposts the inevitability of Paxton's demise." Angelini is less appreciative of
2093:. The moment when Michael Bryant has found the treasure and ... is obviously losing his wits. He just says, rationally, 'It is a thing of slime, I think. Darkness and slime ...' There's also the fantastic scene where he thinks he's got away with it by putting the treasure back. The doctor is heading up the drive and he can't quite see him in the sunlight. Then it pauses to that amazing crane shot. ... Very spooky."
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could never have imagined: it's better than the book." Dave
Rolinson notes that, while "the adaptation inevitably misses Dickens's nuanced and often unsettling prose, ... it achieves comparably skilful effects through visual language and sound, heightening theme and supernatural mood. ... The production heightens the story's crucial features of repetition and foreshadowing."
416:, Clark recalls John Bowen's script "took some liberties with the story—which made it for the better I think...It's really quite a funny story until it gets nasty, although the threat is always there. James has a mordant sense of humour, and it's good to translate that into cinematic terms when you can. I'd always wanted to do a medium scene, and John came up with a beauty."
382:. As a result, the cameraman John McGlashan, who filmed the first five adaptations, was able to make use of night shoots and dark, shadowy interiors, which would not have been possible with the then-standard video-based studio interiors. Clark notes that McGlashan, and the sound recordist Dick Manton's contribution to the series "was every bit as great as mine,
390:, but mainly because they want to keep faith with the notion of a ghost story in its literary rather than cinematic tradition." Helen Wheatley notes that the best adaptations maintain the stories' "sense of decorum and restraint, ... withholding the full revelation of the supernatural until the very last moment, and centring on the
2011:
They went out late at night, when television wasn't a 24-hour experience, probably watched by the dying embers of the fire before the viewer turned in for the night; the nightmarish quality of the stories would linger as they went to bed. Such conditions can magnify the power of the pieces, adding to
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avoids the convoluted plot structure of M. R. James's original, opting for a more linear construction and reducing the number of narrators. In addition, the central character, Paxton, is changed from a young, fair-haired innocent who stumbles across the treasure to a middle-aged character driven by
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is perhaps the most critically acclaimed. Simon
Farquhar suggests that the film is the first evidence of Andrew Davies's gift as an adaptor of literary fiction: "despite an extremely arduous shoot, Davies and Clarke's fog-wreathed, flame-crackling masterpiece manages something the production team
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in 2005, noted that "Perhaps the most surprising aspect ... is how little its adaptations ... have dated. They may boast the odd signifier of cheap 1970s telly – outlandish regional vowels, inappropriate eyeliner, a surfeit of depressed oboes – but lurking within their hushed cloisters and glum
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Andrew Davies adds scenes of the traveller's nightmare-plagued nights at an inn, and reinforces the ambiguity of the traveller-narrator by restructuring the ending and matching his facial features with those of the spectre. The film also makes use of visual and aural devices. For example, the
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as "essentially, a silent film, with the tension building slowly throughout the visual images". After the success of the first two low-budget adaptations which had been largely independently produced by Clark, the stories came under the wing of the BBC's Drama
Department, with a new producer,
2006:
The critical reception of the films has been varied, but several are regarded as classic television ghost stories. Dick Fiddy of the
British Film Institute notes that the late hour of their broadcasts, and the contrast with the rest of the bright lights of the television schedules during the
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was the first dramatic production he directed. Clark recalled in an interview for the BFI's DVD release in 2012 that "the BBC at that time gave you the space to fail, and generously so too. They backed you up with marvellous technicians, art departments, film departments, and so forth."
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The final two stories were based on original screenplays, one by Clive Exton, who was an experienced television screenwriter, and the other by John Bowen, who was primarily known as a novelist and playwright, but also had extensive television experience, including adapting
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in 1968, is often cited as an influence upon the production of the films, and is sometimes included as part of the series. The series was revived by the BBC in 2005 with a new set of ongoing adaptations, although these have been produced sporadically rather than annually.
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production. There are the powdery academics hamstrung by extreme social awkwardness. There is the bumbling protagonist bemused by a particular aspect of modern life. There are stunning, panoramic shots of a specific area of the
British landscape (here, a heavily autumnal
2136:]). There is the determined lack of celebrity pizzazz. There is tweed. And there is, crucially, a single moment of heart-stopping, corner-of-the-eye horror that suggests life, for one powdery academic at least, will never be the same again."
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550:. Clark recalls filming in North Norfolk in late February, with consistently fine cold weather "with a slight winter haze which gave exactly the right depth and sense of mystery to the limitless vistas of the shoreline there."
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Clark recalls that "Paul Fox gave us a tiny budget ... and we set out to do a full-blooded drama on location. Budgets were really tiny, and we shot for ten days and brought the film in for about 8,000 pounds." Unusually for a
2074:, noting that the literal adaptation of the story's ending loses the atmosphere of earlier instalments: "While the creatures are certainly grotesque and threatening, compared with some of the other adaptations of the series,
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In an interview in 1995, Lawrence Gordon Clark stated that the stories "focus on suggestion. The aim, they say, is to chill rather than shock. Partly because television is not best suited to carrying off big-screen
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Schalcken the painter sees his one true love, Rose, wedded by contract for a sum of money to a man who may or may not be a ghost. When she escapes and returns home, she is pursued by her ghostly lover.
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poverty to seek the treasure and acting in full awareness of what he is doing. After the first two adaptations, both by Clark, the tales were adapted by a number of playwrights and screenwriters. For
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A respected mediaeval historian and his protégé unearth clues to find the hidden treasure of a disgraced monk in an abbey library. Should he have heeded his own advice not to go treasure-hunting?
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An orphan moves into the house of his older cousin, but is disturbed by visions of a pair of ghostly children. Is their message a warning to be fearful of his cousin's obsession with immortality?
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The filming of the adaptations took place at a variety of locations. Clark notes that James gave him "a wonderful excuse to discover...places where you could best impart tension and atmosphere."
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A travelogue writer, Mr
Wraxhall, becomes fascinated by the story of Count Magnus, the long-dead founder of a Swedish family who once made a journey to the Holy Land for less than holy reasons.
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does lose some power through this lack of ambiguity. The result overall remains satisfyingly unsettling, however, thanks also to
Petherbridge's restrained, psychologically acute performance."
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An academic researcher repudiates local superstitions surrounding a devilish house in a cathedral city. However, repeated visions and noises during the night suggest he may be proved wrong.
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2030:, with much attention paid to the minutiae of period detail; ... it might be seen to visually prefigure the filmic stylishness and traditions of later literary adaptations such as
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revisited the series at
Christmas 2004, and in 2005 began to produce new adaptations of stories by M. R. James, broadcast along with repeats of episodes from the original series.
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Adam
Scovell, analysing the aural aesthetics of the BBC Ghost Stories, notes that although Clark talks about "stock music", the early adaptations make use of what were then new,
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Leaving his ill and ageing wife in a care home, a retired astronomer revisits one of their old coastal haunts, but after discovering a ring on the beach is soon haunted himself.
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on Region 2 DVD in 2012, in five volumes as well as a box set, in celebration of the 150th anniversary of M. R. James's birth. The following year, an expanded boxset featuring
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2047:"Denholm (Elliot) was so wonderful in that role, like a tightly coiled spring. There was such tension in the character: he was always only a step away from insanity."
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suffers from repeated horrific nightmares while recuperating at a remote mansion in Wales. However, he begins to suspect his psychiatrist or aunt may be responsible.
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2042:." However, she notes that, unlike those adaptations, the sinister tone of the period pieces could lend itself the label of a "feel bad" heritage television drama.
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An eccentric professor finds a whistle carved from bone in a graveyard while on holiday in
Norfolk. After blowing the whistle, he is troubled by terrible visions.
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An archaeologist has a disturbing experience after borrowing a pair of binoculars belonging to an outcast local historian and venturing up a notorious landmark.
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I was itching to move into drama and knew I had exactly the source material I wanted. I'd discovered M.R. James at boarding school and loved him. So I met with
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of June 1865, which Dickens himself survived, having attended to dying fellow passengers. He subsequently suffered panic disorders and flashbacks as a result.
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is almost "totally forgotten". Wheatley has commented that they heralded a divergence from the stage-inspired horror of the 1940s and 1950s to a more modern
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of a ghostly presence rather than the horror of visceral excess and abjection." Clark noted in a 2014 interview that he tried to make the second adaptation,
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The first five films are adaptations of stories from the four books by M. R. James, published between 1904 and 1925. The ghost stories of James, an English
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468:, but was unable to obtain the budget. Although he felt the substitute film was "effective", Clark had by this time left the BBC to go freelance, joining
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Each installment is a separate adaptation of a short story, ranges between 30 and 50 minutes in duration, and features well-known British actors such as
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An electronics company looking for a new recording medium discover that ghosts in their research building could inspire the new format they were after.
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in 1866. In its original context, it was one of eight stories set around the fictional Mugby Junction and its branch lines. It was inspired by the
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After an infamous demonologist is ridiculed on a television programme, its producer soon finds herself targeted by malevolent supernatural forces.
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With the exception of the final film, the tales were directed by Lawrence Gordon Clark. The final episode was directed by Derek Lister.
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on 24 April 1979. Adapted by Clive Exton, it reimagined the events of James's story taking place in a contemporary television studio.
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Cast announced for Mark Gatiss's directorial debut, The Tractate Middoth, on BBC Two, BBC Media Centre press release 20 November 2013
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A governess, incarcerated in a mental asylum, tells a doctor of the possession of her two pupils by a former governess and her lover.
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657:(1966) to signify the appearance of the ghost of William Ager, and the high, meandering flute part of another contemporary work,
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and a recurring red motif connects the signalman's memories of a train crash with the danger light attended by a ghostly figure.
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The adaptations, although remaining true to the spirit of M.R. James, make alterations to suit the small screen - for example,
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expanses of deserted coastline is a timelessness at odds with virtually everything written, or broadcast, before or since."
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A university museum curator is intrigued by the unfolding tale of horror told by an otherwise unprepossessing 19th century
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43:, the 1976 adaptation. Because this was the first non-James story, the strand's title appears on screen for the first time.
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horror based in the present day, losing in the process the "aesthetic of restraint" evident in the original adaptations.
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228:(followed by the title of the individual story being shown), the strand title did not actually appear on screen until
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1326:", another story by M. R. James, was broadcast on BBC Two on Christmas Day 2013. This was followed by a documentary,
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A young librarian receives a request for an obscure Hebrew book from a sinister gentleman, unaware of its contents.
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and various unconventional percussion instruments; according to Clark, a "mixture of evensong and bicycle chains".
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An ambitious cleric murders an aged Archdeacon at Barchester Cathedral. However, he is soon stalked by a sinister
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The production values have received particular praise. Helen Wheatley writes that "the series was shot on film
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in 2002 and 2003. A number of the adaptations were made available in Region 4 format in Australia in 2011 and
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is his favourite adaptation because it is the one that frightened him as a child and that "I absolutely love
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Before Clark's films came under the remit of the BBC Drama Department it commissioned a Christmas play from
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was broadcast on BBC Four on Christmas Eve 2018. Gatiss adapted and directed another James adaptation, "
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An amateur archaeologist travels to a remote seaside town in Norfolk to search for the lost crown of
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Three linked episodes tell the story of the ghostly secrets of Geap Manor, a recently demolished
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tells a curious traveller how he is being troubled by a spectre that seems to predict calamity.
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An aristocrat inherits his family estate and is haunted by visions of his ancestor's role in a
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3721:"The Mezzotint, a ghost story for Christmas from M. R. James and Mark Gatiss, is announced"
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is included as an extra on the Region 1 American DVD release of the 1995 BBC production of
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and by a hooded figure, both of whom seem to be embodiments of carvings on the cathedral's
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301:, were originally narrated as Christmas entertainments to friends and selected students.
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Lawrence Gordon Clark had made his name as a BBC documentary director during the 1960s.
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510:, where M. R. James set many of his stories, was the location for the two first films.
357:". The fact that period drama always has been very popular at the BBC probably helped.
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their creepiness and helping the tales imbed themselves within impressionable minds.
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by Chris Durlacher, although this film was originally screened on 31 October 2006.
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171:. The remit behind the series was to provide a television adaptation of a classic
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A young squire, John Martin, is on trial for murder in a court presided over by
1343:", in 2019 for BBC Four. This was followed by his third M.R. James adaptation, "
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1991:
1978:
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at an auction leads to a horrifying series of events for two Oxford students.
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3739:"BBC's 2022 Christmas line up across TV Channels and BBC iPlayer announced"
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3283:"A Warning to the Curious in Aldeburgh, Suffolk: East Anglia's Ghost Trail"
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349:, who was at the time Controller of BBC1. I brought a copy of M.R. James's
308:, is an adaptation of a story by Charles Dickens published in his magazine
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210:, and the last two instalments from the 1970s are original screenplays by
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since 2005. With one exception, the original instalments were directed by
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After a young couple move into a remote country house in the middle of a
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appearance of the spectre is stressed by the vibrations of a bell in the
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https://www.bbc.co.uk/mediacentre/latestnews/2013/tractate-middoth.html
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2252:(no relation to M. R. James), was adapted as a feature-length drama by
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3456:"The Aural Aesthetics of Ghosts in BBC Ghost Stories – Part 4 (Music)"
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Repeats of the original series on BBC Four at Christmas 2007 included
3757:"Kit Harington to star in BBC Christmas ghost story from Mark Gatiss"
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1842:
1542:
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812:
523:
457:
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of the 1970s, each instalment was filmed entirely on location using
3109:"An Interview with Lawrence Gordon Clark, Master of Ghostly Horror"
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were released as individual VHS cassettes and Region 2 DVDs by the
2186:
For Christmas 1979 the BBC produced a 70-minute-long adaptation of
1298:
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Rigby, Jonathan, "Traces of Uneasiness: Lawrence Gordon Clark and
2125:, who stated that the programme was, "in every respect, a vintage
4083:
3053:"Ghosts of Christmas past: M.R. James, Lawrence Gordon Clark and
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2007:
Christmas period meant that the adaptations made such an impact;
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was the only entry in the series to have its own original score.
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The adaptations have had an influence on the work of the writer
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884:, but after unearthing it he is haunted by a mysterious figure.
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An original tale written and directed by Mark Gatiss entitled
274:
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3359:"30 Things You Never Knew about A Ghost Story for Christmas"
2621:
from the original film negatives by the BFI and released on
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were released together as "Ghost Stories" in October 2022.
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and was originally intended as an episode of the anthology
1286:
in the grounds may be the cause of a series of misfortunes.
111:
106:
101:
3592:"M. R. James and the tradition of Christmas ghost stories"
3648:"Peter Capaldi to star in new BBC4 Christmas ghost story"
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For Christmas 2008 an original three-part ghost story by
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begin to suspect that a strange flower growing in an old
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classical works found in the BBC's gramophone library at
448:, was an original story by Clive Exton filmed around the
218:
respectively. Although the strand (or series) was titled
160:
2579:
and Michael Bryant narrating M. R. James in the series
2431:
15 December 2007 (originally premiered 31 October 2006)
159:
between 1971 and 1978, and revived sporadically by the
4055:". thedigitalfix.co.uk. May 2003. Retrieved 2010-08-23
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3178:"The Christmas Ghost Stories of Lawrence Gordon Clark"
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music of the ghostly Italian boy, who plays the tune
202:. The first five are adaptations of ghost stories by
3609:
472:, where he and Exton made another James adaptation
4170:
2571:films plus related works such as both versions of
3996:
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3342:Farquhar, Simon (2012). "Lawrence Gordon Clark".
3162:Farquhar, Simon (2012). "Lawrence Gordon Clark".
419:Clark is less complimentary of the adaptation of
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4721:A Warning to the Curious and Other Ghost Stories
3480:: CS1 maint: bot: original URL status unknown (
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3432:"The Day I Got to Carry Denholm Elliott's Leg"
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2167:Clark directed another story by M. R. James,
464:", the teleplay of which had been written by
4198:Creeping Flesh: The Horror Fantasy Film Book
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3462:. Archived from the original on 2 April 2016
3357:Phillips-Jones, Richard (21 December 2016).
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2866:Pfaff, Richard W., "Montague Rhodes James",
2115:The BBC Four revival beginning in 2005 with
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179:of telling supernatural tales at Christmas.
4600:'Oh, Whistle, and I'll Come to You, My Lad'
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1523:'Oh, Whistle, and I'll Come to You, My Lad'
1314:'Oh, Whistle, and I'll Come to You, My Lad'
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4729:The Collected Ghost Stories of M. R. James
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3335:
3085:
365:Norwich Cathedral cloister, a location in
31:
4846:1970s British anthology television series
4841:British English-language television shows
3975:
3973:
3859:
3857:
3855:
3853:
3497:
2910:
2889:
2887:
2885:
2883:
2781:
2779:
2777:
2775:
2773:
1347:", for BBC Two in 2021, and his fourth, "
1293:
206:, the sixth is based on a short story by
4826:British horror fiction television series
4538:
4214:
3944:
3902:
3900:
3819:
3778:
3670:
3658:
3341:
3207:
3205:
3203:
3161:
3152:
3050:
3027:
3025:
3023:
3021:
3003:
3001:
2119:was greeted warmly by Sarah Dempster of
2085:. Interviewed in 2008, Gatiss said that
1696:Aubrey Judd, veteran radio presenter of
485:
399:Rosemary Hill, and an increased budget.
360:
273:
4195:
4141:"Ghost Stories for Christmas: Volume 2"
4116:"Ghost Stories for Christmas: Volume 1"
4012:
3923:
3767:
3637:
3589:
3536:
3453:
3442:
3044:
2868:Oxford Dictionary of National Biography
2862:
2860:
4806:1978 British television series endings
4783:
3970:
3866:"Interview with Mark Gatiss: Part One"
3863:
3850:
3311:
3280:
3031:Gordon Clark, Lawrence, interview for
2880:
2841:
2839:
2816:
2785:
2770:
665:(1966), is used in both this film and
526:, Suffolk) was filmed on the coast of
4816:British supernatural television shows
4811:1970s British drama television series
4801:1971 British television series debuts
4512:
4275:
4168:
4046:A Warning to the Curious - DVD review
3897:
3876:from the original on 22 December 2008
3810:
3804:
3293:from the original on 4 September 2010
3200:
3018:
2998:
2737:
2701:
2699:
2643:Ghost Stories for Christmas: Volume 2
2629:in December 2022. The remaining five
2627:Ghost Stories for Christmas: Volume 1
2567:The BFI released the complete set of
2478:mansion in both the past and present.
2001:
522:, "Seaburgh" (a disguised version of
238:An earlier black-and-white adaptation
3811:Fiddy, Dick (2012). "The Ash Tree".
3620:"BBC - The Dead Room - Media Centre"
2857:
1990:The purchase of an Ancient Egyptian
4173:British Television Drama: A History
3590:Stewart, Helen (23 December 2013).
3514:
3323:from the original on 20 August 2010
3184:. 19 September 2013. Archived from
2836:
2819:"Ghost Stories at Christmases past"
2471:22 December 2008 – 24 December 2008
2356:M. R. James, adapted by Clive Exton
701:'s score consists of an organ, two
353:with me, with a bookmark stuck in "
13:
4644:The Stalls of Barchester Cathedral
3107:D'Amico, John (12 February 2014).
2696:
2685:– 1977 BBC horror anthology series
2677:– 1976 ITV horror anthology series
2669:– 1972 BBC horror anthology series
1221:, unleashing a supernatural force.
771:The Stalls of Barchester Cathedral
518:and in the surrounding close. For
355:The Stalls of Barchester Cathedral
14:
4862:
4250:
3864:Hussey, Bill (18 December 2008).
3454:Scovell, Adam (20 October 2014).
3377:"Great Western (SVR) Association"
2148:, an original ghost story called
621:was used for the interior shots.
4658:Mr Humphreys and His Inheritance
3281:Burton, Nigel (22 August 2007).
3051:Farquhar, Simon (30 June 2015).
2139:
490:"It is a fine porch, isn't it?"
460:. He had wanted to film James' "
254:and shown as part of the series
4133:
4108:
4096:
4077:
4058:
4038:
3888:
3841:
3749:
3731:
3713:
3703:"BBC Four Christmas highlights"
3695:
3583:
3488:
3424:
3394:
3369:
3350:
3305:
3274:
3241:
3223:
3170:
3131:
3076:
2970:
2942:
2817:Wigley, Samuel (3 April 2014).
167:and the films were all shot on
4796:BBC anthology television shows
3312:Fisher, Mark (15 April 2007).
2983:Encyclopædia Britannica Online
2810:
2761:
2731:
2722:
1357:
1305:premiered a new adaptation by
724:
498:, Norfolk, a film location in
69:
1:
4836:Television shows about ghosts
4821:Christmas television specials
4697:Ghost Stories of an Antiquary
3220:Database. Retrieved 2010-7-7.
2788:"A Ghost Story for Christmas"
2689:
2534:
2066:Sergio Angelini writes about
1322:Mark Gatiss's adaptation of "
402:
269:
264:
4758:Whistle and I'll Come to You
4609:The Treasure of Abbot Thomas
4464:Whistle and I'll Come to You
4397:Whistle and I'll Come to You
4341:The Treasure of Abbot Thomas
4024:Whistle and I'll Come to You
3573:Whistle and I'll come to You
2615:Whistle and I'll Come to You
2613:films plus both versions of
2573:Whistle and I'll Come to You
2548:Whistle and I'll Come to You
2428:, adapted by Chris Durlacher
2291:Whistle and I'll Come to You
2202:Whistle and I'll Come to You
2091:The Treasure of Abbot Thomas
1506:Whistle and I'll Come to You
973:The Treasure of Abbot Thomas
958:The Treasure of Abbot Thomas
695:The Treasure of Abbot Thomas
617:side of Bewdley Tunnel, and
583:The Treasure of Abbot Thomas
557:and the Pelham Mausoleum at
481:
414:The Treasure of Abbot Thomas
325:The Treasure of Abbot Thomas
7:
4851:A Ghost Story for Christmas
4766:A Ghost Story for Christmas
4304:A Ghost Story for Christmas
4221:Manchester University Press
4065:A Ghost Story for Christmas
3055:A Ghost Story for Christmas
2648:
2156:A Ghost Story for Christmas
2016:Sarah Dempster, writing in
1217:workmen disturb an ancient
220:A Ghost Story for Christmas
140:A Ghost Story for Christmas
25:A Ghost Story for Christmas
10:
4867:
4556:Canon Alberic's Scrap-Book
4239:The M. R. James Collection
3678:"BBC Four - The Dead Room"
3249:"The Stalls of Barchester"
3231:"M.R. James: Ghost Writer"
3034:The M. R. James Collection
3013:The M. R. James Collection
2196:, directed and adapted by
1948:24 December 2023
1876:23 December 2022
1799:24 December 2021
1731:24 December 2019
1662:24 December 2018
1595:25 December 2013
1532:24 December 2010
1469:22 December 2006
1412:23 December 2005
1248:25 December 1978
1186:28 December 1977
1125:22 December 1976
1047:23 December 1975
980:23 December 1974
917:25 December 1973
850:24 December 1972
781:24 December 1971
331:
4739:
4688:
4547:
4455:
4311:
3813:The M.R. James Collection
3344:The M.R. James Collection
3164:The M.R. James Collection
2631:Ghost Story for Christmas
2611:Ghost Story for Christmas
2569:Ghost Story for Christmas
2224:The Haunting of Toby Jugg
2127:Ghost Story for Christmas
1988:
1922:
1912:
1853:
1839:
1776:
1759:
1708:
1694:
1645:
1635:
1570:
1560:
1503:
1493:
1446:
1436:
1384:
1376:
1373:
1370:
1367:
1364:
1361:
1356:
1328:M. R. James: Ghost Writer
1276:
1229:
1211:
1167:
1153:
1097:
1083:
1022:
1012:
955:
945:
892:
878:
827:
809:
751:
743:
740:
737:
734:
731:
728:
723:
442:Ghost Story for Christmas
299:King's College, Cambridge
118:
97:
92:
84:
79:
68:
58:
48:
30:
23:
16:British television series
4672:A Warning to the Curious
4665:The Haunted Dolls' House
4325:A Warning to the Curious
4317:The Stalls of Barchester
4215:Wheatley, Helen (2006).
3779:Farquhar, Simon (2009).
3517:"Ghost Stories for 2007"
3009:The Stalls of Barchester
2896:A Warning to the Curious
2742:A Warning to the Curious
2641:(2006) were released as
2540:A Warning to the Curious
2296:M. R. James, adapted by
2068:A Warning to the Curious
843:A Warning to the Curious
830:A Warning to the Curious
754:The Stalls of Barchester
714:Original run (1971–1978)
708:
639:A Warning to the Curious
624:
553:Later locations include
520:A Warning to the Curious
512:The Stalls of Barchester
500:A Warning to the Curious
409:A Warning to the Curious
396:A Warning to the Curious
367:The Stalls of Barchester
338:The Stalls of Barchester
222:in listings such as the
155:originally broadcast on
4713:A Thin Ghost and Others
4196:Kerekes, David (2003).
4051:1 February 2014 at the
4009:. Retrieved 2011-09-24.
3939:Internet Movie Database
3920:. Retrieved 2012-12-31.
3580:. Retrieved 2010-12-24.
3406:shropshiretourism.co.uk
2950:"Obituary: Clive Exton"
2877:. Retrieved 2010-08-15.
2872:Oxford University Press
2179:and first broadcast on
1319:on Christmas Eve 2010.
682:English Folk Song Suite
328:earlier in the series.
114:(2010–13, 2020-present)
3402:"Filmed in Shropshire"
3314:"Bleak and Solemn ..."
3254:British Film Institute
3218:British Film Institute
2552:British Film Institute
2359:24 April 1979 (on ITV)
2217:, a new adaptation of
2049:
2039:The Jewel in the Crown
2014:
1294:Revival (2005–present)
1278:Residents at a health
677:Ralph Vaughan Williams
503:
426:In his screenplay for
370:
359:
316:Staplehurst rail crash
282:
169:16 mm colour film
4791:BBC television dramas
4496:The Turn of the Screw
4480:Schalcken the Painter
4200:. London: Headpress.
4105:, retrieved 2014-1-21
4093:, Retrieved 2012-5-18
4035:. Retrieved 2010-7-7.
4002:The Turn of the Screw
3988:. Retrieved 2010-7-7.
3967:. Retrieved 2010-7-8.
3956:Schalcken The Painter
3941:. Retrieved 2010-7-7.
3934:Schalcken The Painter
3830:Ghosts in the Machine
3559:. Retrieved 2010-7-7.
3515:BBC (December 2007).
3287:worldtravelblog.co.uk
3015:, BFI 2012 (BFIVD965)
2939:. Retrieved 2010-7-7.
2907:. Retrieved 2010-7-7.
2854:. Retrieved 2010-7-7.
2719:. Retrieved 2010-7-7.
2617:(1968 and 2010) were
2587:(1980) respectively.
2581:Classic Ghost Stories
2498:The Turn of the Screw
2382:Schalcken the Painter
2248:(1898), a novella by
2245:The Turn of the Screw
2193:Schalcken the Painter
2053:Lawrence Gordon Clark
2045:
2009:
1687:, Christopher Allen,
1175:Lawrence Gordon Clark
1105:Lawrence Gordon Clark
1030:Lawrence Gordon Clark
963:Lawrence Gordon Clark
900:Lawrence Gordon Clark
838:Lawrence Gordon Clark
835:Lawrence Gordon Clark
765:Lawrence Gordon Clark
760:Lawrence Gordon Clark
599:Severn Valley Railway
548:North Norfolk Railway
489:
364:
343:
277:
165:Lawrence Gordon Clark
53:Lawrence Gordon Clark
4630:The Tractate Middoth
4405:The Tractate Middoth
3596:BBC Arts and Culture
3460:Celluloid Wicker Man
3317:abstractdynamics.org
2847:A View from the Hill
2738:Knott, J.A. (2004).
2592:The Tractate Middoth
2590:Mark Gatiss's films
2177:Yorkshire Television
2033:Brideshead Revisited
1588:The Tractate Middoth
1573:The Tractate Middoth
1324:The Tractate Middoth
470:Yorkshire Television
376:BBC television drama
4169:Cooke, Lez (2003).
4089:11 May 2012 at the
4074:Retrieved 2012-5-18
4070:31 May 2012 at the
4044:McCusker, Eamonn, "
3745:. 29 November 2022.
3727:. 22 February 2021.
3709:. 26 November 2019.
3237:. 25 December 2013.
2786:Brockhurst, Colin.
2655:List of ghost films
2388:J. Sheridan Le Fanu
2200:. Like the earlier
1834:Tommaso Di Vincenzo
1685:Joshua Oakes-Rogers
1058:Edward Petherbridge
579:13th century church
571:Orchardleigh Estate
561:, Lincolnshire for
196:Edward Petherbridge
175:, in line with the
4750:Night of the Demon
4705:More Ghost Stories
4381:A View from a Hill
3981:The Haunted Airman
3953:Angelini, Sergio
3906:Angelini, Sergio,
3838:, 17 December 2005
3815:. London: BFI: 22.
3763:. 19 October 2023.
3545:Angelini, Sergio,
3346:. London: BFI: 44.
3188:on 27 October 2015
3166:. London: BFI: 41.
3119:on 4 December 2020
2893:Angelini, Sergio,
2874:. September 2004.
2870:(Online Edition).
2798:on 13 October 2011
2792:phantomframe.co.uk
2705:Angelini, Sergio,
2645:in November 2023.
2635:A View From A Hill
2420:The Haunted Airman
2215:The Haunted Airman
2117:A View from a Hill
2002:Critical reception
1944:Arthur Conan Doyle
1895:Krister Henriksson
1402:A View From a Hill
1387:A View from a Hill
675:also makes use of
619:Highley signal box
544:Wells-next-the-Sea
504:
371:
311:All the Year Round
283:
109:(2005–06, 2018-19)
4776:
4775:
4637:Casting the Runes
4506:
4505:
4230:978-0-7190-7149-2
4217:Gothic Television
4207:978-1-900486-36-1
4188:978-0-85170-885-0
4084:BFI press release
3870:Horror Reanimated
3828:Dempster, Sarah "
3654:. 29 August 2019.
3412:on 3 October 2011
3213:Casting the Runes
3062:Sight & Sound
2532:
2531:
2439:Flight Lieutenant
2370:Bernard Gallagher
2351:Casting the Runes
2273:UK broadcast date
2169:Casting The Runes
2130:Suffolk [
1999:
1998:
1374:Original air date
1309:of M. R. James's
1291:
1290:
1267:Elizabeth Romilly
1263:Geoffrey Burridge
1157:railway signalman
741:Original air date
516:Norwich Cathedral
475:Casting the Runes
240:of M. R. James's
136:
135:
59:Country of origin
4858:
4604:
4598:
4533:
4526:
4519:
4510:
4509:
4296:
4289:
4282:
4273:
4272:
4246:
4234:
4211:
4192:
4176:
4156:
4155:
4153:
4151:
4137:
4131:
4130:
4128:
4126:
4112:
4106:
4100:
4094:
4081:
4075:
4062:
4056:
4042:
4036:
4019:
4010:
3998:
3989:
3977:
3968:
3951:
3942:
3930:
3921:
3904:
3895:
3892:
3886:
3885:
3883:
3881:
3861:
3848:
3845:
3839:
3826:
3817:
3816:
3808:
3802:
3801:
3799:
3797:
3776:
3765:
3764:
3753:
3747:
3746:
3743:BBC Media Centre
3735:
3729:
3728:
3725:BBC Media Centre
3717:
3711:
3710:
3707:BBC Media Centre
3699:
3693:
3692:
3690:
3688:
3674:
3668:
3662:
3656:
3655:
3644:
3635:
3634:
3632:
3630:
3616:
3607:
3606:
3604:
3602:
3587:
3581:
3569:
3560:
3543:
3534:
3533:
3531:
3529:
3512:
3495:
3494:Wheatley, 54–55.
3492:
3486:
3485:
3479:
3471:
3469:
3467:
3451:
3440:
3439:
3428:
3422:
3421:
3419:
3417:
3408:. Archived from
3398:
3392:
3391:
3389:
3387:
3373:
3367:
3366:
3354:
3348:
3347:
3339:
3333:
3332:
3330:
3328:
3309:
3303:
3302:
3300:
3298:
3278:
3272:
3271:
3269:
3267:
3258:. Archived from
3245:
3239:
3238:
3227:
3221:
3209:
3198:
3197:
3195:
3193:
3174:
3168:
3167:
3159:
3150:
3147:
3138:
3135:
3129:
3128:
3126:
3124:
3115:. Archived from
3104:
3083:
3080:
3074:
3073:
3071:
3069:
3048:
3042:
3041:
3029:
3016:
3005:
2996:
2995:
2993:
2991:
2986:. 22 August 2007
2974:
2968:
2967:
2965:
2963:
2958:. 22 August 2007
2946:
2940:
2925:Rolinson, Dave,
2923:
2908:
2891:
2878:
2864:
2855:
2843:
2834:
2833:
2831:
2829:
2814:
2808:
2807:
2805:
2803:
2794:. Archived from
2783:
2768:
2765:
2759:
2758:
2756:
2754:
2735:
2729:
2726:
2720:
2703:
2660:Christmas horror
2609:The first three
2519:Michelle Dockery
2512:30 December 2009
2453:Rachael Stirling
2445:Robert Pattinson
2396:23 December 1979
2374:Iain Cuthbertson
2327:25 December 1972
2259:
2258:
2188:Sheridan Le Fanu
2055:
1955:
1953:
1883:
1881:
1806:
1804:
1738:
1736:
1681:Susan Penhaligon
1669:
1667:
1602:
1600:
1539:
1537:
1527:
1521:
1476:
1474:
1419:
1417:
1359:
1354:
1353:
1318:
1312:
1255:
1253:
1193:
1191:
1132:
1130:
1066:Preston Lockwood
1054:
1052:
987:
985:
928:Simon Gipps-Kent
924:
922:
857:
855:
788:
786:
726:
721:
720:
492:St Mary's Church
304:The sixth film,
249:
243:
153:television films
129:
127:
122:24 December 1971
93:Original release
71:
37:Title screen of
35:
21:
20:
4866:
4865:
4861:
4860:
4859:
4857:
4856:
4855:
4781:
4780:
4777:
4772:
4735:
4684:
4623:The Rose Garden
4602:
4596:
4543:
4537:
4507:
4502:
4451:
4307:
4300:
4253:
4237:
4231:
4208:
4189:
4160:
4159:
4149:
4147:
4139:
4138:
4134:
4124:
4122:
4114:
4113:
4109:
4101:
4097:
4091:Wayback Machine
4082:
4078:
4072:Wayback Machine
4063:
4059:
4053:Wayback Machine
4043:
4039:
4020:
4013:
3999:
3992:
3978:
3971:
3952:
3945:
3931:
3924:
3905:
3898:
3893:
3889:
3879:
3877:
3862:
3851:
3846:
3842:
3827:
3820:
3809:
3805:
3795:
3793:
3777:
3768:
3755:
3754:
3750:
3737:
3736:
3732:
3719:
3718:
3714:
3701:
3700:
3696:
3686:
3684:
3676:
3675:
3671:
3663:
3659:
3646:
3645:
3638:
3628:
3626:
3618:
3617:
3610:
3600:
3598:
3588:
3584:
3570:
3563:
3544:
3537:
3527:
3525:
3513:
3498:
3493:
3489:
3473:
3472:
3465:
3463:
3452:
3443:
3438:. 12 June 2012.
3430:
3429:
3425:
3415:
3413:
3400:
3399:
3395:
3385:
3383:
3381:gw-svr-a.org.uk
3375:
3374:
3370:
3355:
3351:
3340:
3336:
3326:
3324:
3310:
3306:
3296:
3294:
3279:
3275:
3265:
3263:
3247:
3246:
3242:
3229:
3228:
3224:
3210:
3201:
3191:
3189:
3176:
3175:
3171:
3160:
3153:
3148:
3141:
3136:
3132:
3122:
3120:
3105:
3086:
3081:
3077:
3067:
3065:
3049:
3045:
3032:
3030:
3019:
3006:
2999:
2989:
2987:
2976:
2975:
2971:
2961:
2959:
2948:
2947:
2943:
2924:
2911:
2892:
2881:
2865:
2858:
2844:
2837:
2827:
2825:
2815:
2811:
2801:
2799:
2784:
2771:
2766:
2762:
2752:
2750:
2736:
2732:
2727:
2723:
2704:
2697:
2692:
2651:
2537:
2426:Dennis Wheatley
2342:Ian Cuthbertson
2309:Michael Hordern
2298:Jonathan Miller
2219:Dennis Wheatley
2190:'s gothic tale
2171:for the series
2142:
2057:
2051:
2004:
1995:
1951:
1949:
1941:
1915:
1879:
1877:
1872:
1846:
1814:Robert Bathurst
1802:
1800:
1795:
1769:
1766:George Jeffreys
1734:
1732:
1727:
1701:
1665:
1663:
1638:
1630:Roy Barraclough
1598:
1596:
1591:
1563:
1555:Sophie Thompson
1535:
1533:
1528:
1525:
1519:
1496:
1472:
1470:
1465:
1439:
1415:
1413:
1405:
1316:
1310:
1296:
1287:
1251:
1249:
1222:
1189:
1187:
1160:
1144:Reginald Jessup
1136:Denholm Elliott
1128:
1126:
1121:Charles Dickens
1118:
1090:
1050:
1048:
1043:
1015:
1007:John Herrington
983:
981:
976:
948:
920:
918:
913:
885:
853:
851:
846:
820:
784:
782:
774:
716:
711:
699:Geoffrey Burgon
627:
567:Wells Cathedral
484:
405:
334:
272:
267:
252:Jonathan Miller
247:
241:
208:Charles Dickens
200:Denholm Elliott
131:
125:
123:
110:
105:
44:
17:
12:
11:
5:
4864:
4854:
4853:
4848:
4843:
4838:
4833:
4828:
4823:
4818:
4813:
4808:
4803:
4798:
4793:
4774:
4773:
4771:
4770:
4769:(1971-present)
4762:
4754:
4745:
4743:
4737:
4736:
4734:
4733:
4725:
4717:
4709:
4701:
4692:
4690:
4686:
4685:
4683:
4682:
4675:
4668:
4661:
4654:
4651:Martin's Close
4647:
4640:
4633:
4626:
4619:
4616:A School Story
4612:
4605:
4594:
4587:
4580:
4573:
4566:
4559:
4551:
4549:
4545:
4544:
4536:
4535:
4528:
4521:
4513:
4504:
4503:
4501:
4500:
4492:
4484:
4476:
4472:The Stone Tape
4468:
4459:
4457:
4453:
4452:
4450:
4449:
4441:
4433:
4425:
4421:Martin's Close
4417:
4409:
4401:
4393:
4385:
4377:
4369:
4361:
4353:
4345:
4337:
4329:
4321:
4312:
4309:
4308:
4299:
4298:
4291:
4284:
4276:
4270:
4269:
4252:
4251:External links
4249:
4248:
4247:
4243:BFI Publishing
4235:
4229:
4219:. Manchester:
4212:
4206:
4193:
4187:
4179:BFI Publishing
4165:
4164:
4158:
4157:
4132:
4107:
4095:
4076:
4057:
4037:
4021:Duguid, Mark,
4011:
3990:
3969:
3943:
3922:
3909:The Stone Tape
3896:
3887:
3849:
3840:
3818:
3803:
3766:
3748:
3730:
3712:
3694:
3669:
3657:
3636:
3608:
3582:
3561:
3535:
3496:
3487:
3441:
3436:Worcester News
3423:
3393:
3368:
3349:
3334:
3304:
3273:
3262:on 1 June 2009
3240:
3235:BBC Television
3222:
3199:
3169:
3151:
3139:
3130:
3084:
3075:
3043:
3038:BFI Publishing
3017:
2997:
2969:
2941:
2909:
2879:
2856:
2835:
2809:
2769:
2760:
2730:
2721:
2694:
2693:
2691:
2688:
2687:
2686:
2678:
2670:
2662:
2657:
2650:
2647:
2600:Martin's Close
2585:Spine Chillers
2536:
2533:
2530:
2529:
2516:
2513:
2510:
2501:
2493:
2492:
2490:Philip Jackson
2479:
2472:
2469:
2464:
2456:
2455:
2442:
2432:
2429:
2423:
2415:
2414:
2412:Cheryl Kennedy
2408:Maurice Denham
2401:
2397:
2394:
2392:Leslie Megahey
2385:
2377:
2376:
2363:
2360:
2357:
2354:
2346:
2345:
2334:Michael Bryant
2331:
2328:
2325:
2320:
2317:The Stone Tape
2312:
2311:
2306:
2303:
2300:
2294:
2286:
2285:
2280:
2275:
2270:
2265:
2198:Leslie Megahey
2175:, produced by
2151:The Stone Tape
2141:
2138:
2044:
2003:
2000:
1997:
1996:
1989:
1986:
1985:
1979:Jonathan Rigby
1971:John Heffernan
1956:
1946:
1934:
1931:
1928:
1921:
1917:
1916:
1913:
1910:
1909:
1903:Allan Corduner
1884:
1874:
1873:by M. R. James
1865:
1862:
1859:
1852:
1848:
1847:
1840:
1837:
1836:
1818:Frances Barber
1807:
1797:
1796:by M. R. James
1788:
1785:
1782:
1775:
1771:
1770:
1760:
1757:
1756:
1754:Simon Williams
1739:
1729:
1728:by M. R. James
1724:Martin's Close
1720:
1717:
1714:
1711:Martin's Close
1707:
1703:
1702:
1695:
1692:
1691:
1677:Anjli Mohindra
1670:
1660:
1657:
1654:
1651:
1644:
1640:
1639:
1636:
1633:
1632:
1614:Louise Jameson
1603:
1593:
1592:by M. R. James
1584:
1581:
1576:
1569:
1565:
1564:
1561:
1558:
1557:
1540:
1530:
1529:by M. R. James
1517:
1512:
1511:Andy de Emmony
1509:
1502:
1498:
1497:
1494:
1491:
1490:
1477:
1467:
1466:by M. R. James
1458:
1455:
1452:
1445:
1441:
1440:
1437:
1434:
1433:
1420:
1410:
1398:
1393:
1390:
1383:
1379:
1378:
1375:
1372:
1369:
1366:
1363:
1360:
1341:Martin's Close
1295:
1292:
1289:
1288:
1277:
1274:
1273:
1271:Gladys Spencer
1256:
1246:
1243:
1238:
1235:
1228:
1224:
1223:
1212:
1209:
1208:
1194:
1184:
1181:
1176:
1173:
1166:
1162:
1161:
1154:
1151:
1150:
1133:
1123:
1115:The Signal-Man
1111:
1106:
1103:
1096:
1092:
1091:
1084:
1081:
1080:
1078:Oliver Maguire
1074:Lucy Griffiths
1055:
1045:
1044:by M. R. James
1036:
1031:
1028:
1021:
1017:
1016:
1013:
1010:
1009:
991:Michael Bryant
988:
978:
977:by M. R. James
969:
964:
961:
954:
950:
949:
946:
943:
942:
932:Joseph O'Conor
925:
915:
914:by M. R. James
906:
901:
898:
891:
887:
886:
879:
876:
875:
858:
848:
847:by M. R. James
839:
836:
833:
826:
822:
821:
810:
807:
806:
789:
779:
767:
762:
757:
750:
746:
745:
742:
739:
736:
733:
730:
727:
715:
712:
710:
707:
691:L'amour De Moi
654:Cello Concerto
626:
623:
587:Prideaux Place
514:was filmed at
483:
480:
440:Clark's final
404:
401:
333:
330:
271:
268:
266:
263:
250:, directed by
177:oral tradition
134:
133:
120:
116:
115:
99:
95:
94:
90:
89:
86:
82:
81:
77:
76:
73:
66:
65:
63:United Kingdom
60:
56:
55:
50:
46:
45:
36:
28:
27:
15:
9:
6:
4:
3:
2:
4863:
4852:
4849:
4847:
4844:
4842:
4839:
4837:
4834:
4832:
4829:
4827:
4824:
4822:
4819:
4817:
4814:
4812:
4809:
4807:
4804:
4802:
4799:
4797:
4794:
4792:
4789:
4788:
4786:
4779:
4768:
4767:
4763:
4760:
4759:
4755:
4752:
4751:
4747:
4746:
4744:
4742:
4738:
4731:
4730:
4726:
4723:
4722:
4718:
4715:
4714:
4710:
4707:
4706:
4702:
4699:
4698:
4694:
4693:
4691:
4687:
4680:
4676:
4673:
4669:
4666:
4662:
4659:
4655:
4652:
4648:
4645:
4641:
4638:
4634:
4631:
4627:
4624:
4620:
4617:
4613:
4610:
4606:
4601:
4595:
4592:
4588:
4585:
4581:
4578:
4574:
4571:
4570:The Mezzotint
4567:
4564:
4560:
4557:
4553:
4552:
4550:
4548:Short stories
4546:
4542:
4534:
4529:
4527:
4522:
4520:
4515:
4514:
4511:
4498:
4497:
4493:
4490:
4489:
4488:Crooked House
4485:
4482:
4481:
4477:
4474:
4473:
4469:
4466:
4465:
4461:
4460:
4458:
4454:
4447:
4446:
4442:
4439:
4438:
4434:
4431:
4430:
4429:The Mezzotint
4426:
4423:
4422:
4418:
4415:
4414:
4413:The Dead Room
4410:
4407:
4406:
4402:
4399:
4398:
4394:
4391:
4390:
4386:
4383:
4382:
4378:
4375:
4374:
4373:The Ice House
4370:
4367:
4366:
4362:
4359:
4358:
4357:The Signalman
4354:
4351:
4350:
4346:
4343:
4342:
4338:
4335:
4334:
4330:
4327:
4326:
4322:
4319:
4318:
4314:
4313:
4310:
4306:
4305:
4297:
4292:
4290:
4285:
4283:
4278:
4277:
4274:
4268:
4264:
4260:
4259:
4258:Ghost Stories
4255:
4254:
4244:
4240:
4236:
4232:
4226:
4222:
4218:
4213:
4209:
4203:
4199:
4194:
4190:
4184:
4180:
4175:
4174:
4167:
4166:
4162:
4161:
4146:
4142:
4136:
4121:
4117:
4111:
4104:
4099:
4092:
4088:
4085:
4080:
4073:
4069:
4066:
4061:
4054:
4050:
4047:
4041:
4034:
4030:
4026:
4025:
4018:
4016:
4008:
4004:
4003:
3997:
3995:
3987:
3983:
3982:
3976:
3974:
3966:
3962:
3958:
3957:
3950:
3948:
3940:
3936:
3935:
3929:
3927:
3919:
3915:
3911:
3910:
3903:
3901:
3891:
3875:
3871:
3867:
3860:
3858:
3856:
3854:
3847:Wheatley, 49.
3844:
3837:
3836:
3831:
3825:
3823:
3814:
3807:
3792:
3791:
3786:
3784:
3783:The Signalman
3775:
3773:
3771:
3762:
3758:
3752:
3744:
3740:
3734:
3726:
3722:
3716:
3708:
3704:
3698:
3683:
3679:
3673:
3666:
3661:
3653:
3649:
3643:
3641:
3625:
3621:
3615:
3613:
3597:
3593:
3586:
3579:
3575:
3574:
3568:
3566:
3558:
3554:
3550:
3549:
3542:
3540:
3524:
3523:
3518:
3511:
3509:
3507:
3505:
3503:
3501:
3491:
3483:
3477:
3461:
3457:
3450:
3448:
3446:
3437:
3433:
3427:
3411:
3407:
3403:
3397:
3382:
3378:
3372:
3364:
3360:
3353:
3345:
3338:
3322:
3318:
3315:
3308:
3292:
3288:
3284:
3277:
3261:
3257:
3255:
3250:
3244:
3236:
3232:
3226:
3219:
3215:
3214:
3208:
3206:
3204:
3187:
3183:
3182:Camelot Books
3179:
3173:
3165:
3158:
3156:
3149:Wheatley, 55.
3146:
3144:
3137:Wheatley, 51.
3134:
3118:
3114:
3110:
3103:
3101:
3099:
3097:
3095:
3093:
3091:
3089:
3079:
3064:
3063:
3058:
3056:
3047:
3039:
3035:
3028:
3026:
3024:
3022:
3014:
3010:
3004:
3002:
2985:
2984:
2979:
2973:
2957:
2956:
2951:
2945:
2938:
2934:
2930:
2929:
2928:The Signalman
2922:
2920:
2918:
2916:
2914:
2906:
2902:
2898:
2897:
2890:
2888:
2886:
2884:
2876:
2873:
2869:
2863:
2861:
2853:
2849:
2848:
2842:
2840:
2824:
2820:
2813:
2797:
2793:
2789:
2782:
2780:
2778:
2776:
2774:
2767:Wheatley, 47.
2764:
2749:
2748:zetaminor.com
2745:
2743:
2734:
2725:
2718:
2714:
2710:
2709:
2708:Ghost Stories
2702:
2700:
2695:
2684:
2683:
2679:
2676:
2675:
2671:
2668:
2667:
2666:Dead of Night
2663:
2661:
2658:
2656:
2653:
2652:
2646:
2644:
2640:
2636:
2632:
2628:
2624:
2620:
2616:
2612:
2607:
2605:
2604:The Mezzotint
2601:
2597:
2596:The Dead Room
2593:
2588:
2586:
2582:
2578:
2577:Robert Powell
2574:
2570:
2565:
2563:
2562:
2557:
2556:The Signalman
2553:
2549:
2546:and Miller's
2545:
2544:The Signalman
2541:
2528:
2524:
2520:
2517:
2514:
2511:
2509:
2506:, adapted by
2505:
2502:
2500:
2499:
2495:
2494:
2491:
2487:
2483:
2480:
2477:
2473:
2470:
2468:
2465:
2463:
2462:
2461:Crooked House
2458:
2457:
2454:
2450:
2446:
2443:
2440:
2437:
2433:
2430:
2427:
2424:
2422:
2421:
2417:
2416:
2413:
2409:
2405:
2402:
2398:
2395:
2393:
2390:, adapted by
2389:
2386:
2384:
2383:
2379:
2378:
2375:
2371:
2367:
2364:
2361:
2358:
2355:
2353:
2352:
2348:
2347:
2343:
2339:
2335:
2332:
2329:
2326:
2324:
2321:
2319:
2318:
2314:
2313:
2310:
2307:
2304:
2301:
2299:
2295:
2293:
2292:
2288:
2287:
2284:
2281:
2279:
2276:
2274:
2271:
2269:
2266:
2264:
2261:
2260:
2257:
2255:
2251:
2247:
2246:
2241:
2239:
2238:
2237:Crooked House
2233:
2228:
2226:
2225:
2220:
2216:
2211:
2209:
2208:
2203:
2199:
2195:
2194:
2189:
2184:
2182:
2178:
2174:
2173:ITV Playhouse
2170:
2165:
2163:
2162:
2161:Dead of Night
2157:
2153:
2152:
2147:
2140:Related works
2137:
2135:
2134:
2128:
2124:
2123:
2118:
2113:
2111:
2107:
2106:The Ice House
2103:
2102:The Ice House
2099:
2094:
2092:
2088:
2084:
2079:
2077:
2073:
2069:
2064:
2061:
2060:The Signalman
2056:
2054:
2048:
2043:
2041:
2040:
2035:
2034:
2029:
2024:
2021:
2020:
2013:
2008:
1993:
1987:
1984:
1983:Andrew Horton
1980:
1976:
1975:James Swanton
1972:
1968:
1964:
1960:
1959:Kit Harington
1957:
1947:
1945:
1939:
1935:
1932:
1929:
1927:
1926:
1918:
1911:
1908:
1904:
1900:
1896:
1892:
1891:MyAnna Buring
1888:
1887:Jason Watkins
1885:
1875:
1870:
1866:
1863:
1860:
1858:
1857:
1849:
1844:
1838:
1835:
1831:
1827:
1826:Emma Cunniffe
1823:
1819:
1815:
1811:
1808:
1798:
1793:
1792:The Mezzotint
1789:
1786:
1783:
1781:
1780:
1779:The Mezzotint
1772:
1767:
1764:
1763:hanging judge
1758:
1755:
1751:
1747:
1746:Wilf Scolding
1743:
1742:Peter Capaldi
1740:
1730:
1725:
1721:
1718:
1715:
1713:
1712:
1704:
1699:
1698:The Dead Room
1693:
1690:
1686:
1682:
1678:
1674:
1671:
1661:
1658:
1655:
1652:
1650:
1649:
1648:The Dead Room
1641:
1634:
1631:
1627:
1623:
1619:
1615:
1611:
1607:
1604:
1594:
1589:
1585:
1582:
1580:
1577:
1575:
1574:
1566:
1559:
1556:
1552:
1548:
1544:
1541:
1531:
1524:
1518:
1516:
1513:
1510:
1508:
1507:
1499:
1492:
1489:
1485:
1481:
1478:
1468:
1463:
1459:
1457:Justin Hopper
1456:
1453:
1451:
1450:
1442:
1435:
1432:
1428:
1424:
1423:Mark Letheren
1421:
1411:
1409:
1403:
1399:
1397:
1396:Peter Harness
1394:
1391:
1389:
1388:
1380:
1355:
1352:
1350:
1346:
1345:The Mezzotint
1342:
1338:
1337:
1336:The Dead Room
1331:
1329:
1325:
1320:
1315:
1308:
1304:
1300:
1285:
1281:
1275:
1272:
1268:
1264:
1260:
1257:
1247:
1244:
1242:
1239:
1236:
1234:
1233:
1232:The Ice House
1225:
1220:
1216:
1210:
1206:
1205:Jon Laurimore
1202:
1198:
1195:
1185:
1182:
1180:
1177:
1174:
1172:
1171:
1163:
1158:
1152:
1149:
1145:
1141:
1140:Bernard Lloyd
1137:
1134:
1124:
1122:
1116:
1112:
1110:
1109:Andrew Davies
1107:
1104:
1102:
1101:
1100:The Signalman
1093:
1088:
1082:
1079:
1075:
1071:
1067:
1063:
1062:Barbara Ewing
1059:
1056:
1046:
1041:
1037:
1035:
1032:
1029:
1027:
1026:
1018:
1011:
1008:
1004:
1000:
996:
992:
989:
979:
974:
970:
968:
965:
962:
960:
959:
951:
944:
941:
937:
933:
929:
926:
916:
911:
907:
905:
904:Robin Chapman
902:
899:
897:
896:
888:
883:
877:
874:
870:
866:
862:
861:Peter Vaughan
859:
849:
844:
840:
837:
834:
832:
831:
823:
818:
814:
808:
805:
801:
800:Thelma Barlow
797:
793:
790:
780:
778:
772:
768:
766:
763:
761:
758:
756:
755:
747:
722:
719:
706:
704:
703:countertenors
700:
696:
692:
688:
684:
683:
678:
674:
670:
668:
664:
660:
659:Bruno Maderna
656:
655:
650:
649:
644:
643:György Ligeti
640:
636:
632:
622:
620:
616:
615:Kidderminster
612:
611:The Signalman
608:
607:The Signalman
604:
603:Kidderminster
600:
596:
592:
588:
584:
580:
576:
572:
568:
564:
560:
556:
551:
549:
545:
541:
537:
533:
529:
528:North Norfolk
525:
521:
517:
513:
509:
501:
497:
493:
488:
479:
477:
476:
471:
467:
463:
459:
455:
451:
450:stone circles
447:
443:
438:
436:
431:
430:
429:The Signalman
424:
422:
417:
415:
410:
400:
397:
393:
389:
383:
381:
377:
368:
363:
358:
356:
352:
351:Ghost Stories
348:
342:
339:
329:
327:
326:
319:
317:
313:
312:
307:
306:The Signalman
302:
300:
296:
292:
288:
281:in about 1900
280:
276:
262:
259:
258:
253:
246:
239:
235:
233:
232:
231:The Signalman
227:
226:
221:
217:
213:
209:
205:
201:
197:
193:
192:Peter Vaughan
189:
185:
180:
178:
174:
170:
166:
162:
158:
154:
150:
146:
142:
141:
121:
117:
113:
108:
103:
100:
96:
91:
88:30–50 minutes
87:
83:
78:
74:
67:
64:
61:
57:
54:
51:
47:
42:
41:
40:The Signalman
34:
29:
26:
22:
19:
4778:
4765:
4764:
4756:
4748:
4727:
4719:
4711:
4703:
4695:
4591:Count Magnus
4577:The Ash-tree
4494:
4486:
4478:
4470:
4462:
4443:
4437:Count Magnus
4435:
4427:
4419:
4411:
4403:
4395:
4387:
4379:
4371:
4363:
4355:
4349:The Ash Tree
4347:
4339:
4331:
4323:
4315:
4303:
4302:
4267:Screenonline
4257:
4238:
4216:
4197:
4172:
4163:Bibliography
4148:. Retrieved
4144:
4135:
4123:. Retrieved
4119:
4110:
4103:BFI releases
4098:
4079:
4060:
4040:
4033:Screenonline
4023:
4000:
3979:
3965:Screenonline
3955:
3932:
3918:Screenonline
3908:
3894:Kerekes, 10.
3890:
3878:. Retrieved
3869:
3843:
3835:The Guardian
3833:
3812:
3806:
3794:. Retrieved
3788:
3782:
3760:
3751:
3742:
3733:
3724:
3715:
3706:
3697:
3685:. Retrieved
3681:
3672:
3660:
3651:
3627:. Retrieved
3623:
3599:. Retrieved
3595:
3585:
3571:
3557:Screenonline
3548:The Ash Tree
3547:
3526:. Retrieved
3520:
3490:
3464:. Retrieved
3459:
3435:
3426:
3414:. Retrieved
3410:the original
3405:
3396:
3384:. Retrieved
3380:
3371:
3363:Spooky Isles
3362:
3352:
3343:
3337:
3325:. Retrieved
3316:
3307:
3295:. Retrieved
3286:
3276:
3264:. Retrieved
3260:the original
3252:
3243:
3234:
3225:
3211:
3190:. Retrieved
3186:the original
3181:
3172:
3163:
3133:
3121:. Retrieved
3117:the original
3112:
3082:Kerekes, 15.
3078:
3066:. Retrieved
3060:
3054:
3046:
3033:
3012:
3008:
2988:. Retrieved
2981:
2978:"John Bowen"
2972:
2960:. Retrieved
2953:
2944:
2937:Screenonline
2927:
2905:Screenonline
2895:
2845:
2826:. Retrieved
2823:BFI features
2822:
2812:
2800:. Retrieved
2796:the original
2791:
2763:
2751:. Retrieved
2747:
2741:
2733:
2724:
2717:Screenonline
2707:
2682:Supernatural
2680:
2672:
2664:
2642:
2638:
2634:
2630:
2626:
2614:
2610:
2608:
2603:
2599:
2595:
2591:
2589:
2584:
2580:
2572:
2568:
2566:
2559:
2555:
2547:
2543:
2539:
2538:
2523:Sue Johnston
2496:
2459:
2449:Julian Sands
2418:
2404:Jeremy Clyde
2380:
2349:
2323:Nigel Kneale
2315:
2289:
2282:
2277:
2272:
2267:
2262:
2243:
2242:
2235:
2229:
2222:
2214:
2212:
2205:
2201:
2191:
2185:
2172:
2168:
2166:
2159:
2155:
2149:
2146:Nigel Kneale
2143:
2131:
2126:
2122:The Guardian
2120:
2116:
2114:
2105:
2101:
2097:
2095:
2090:
2086:
2080:
2076:The Ash Tree
2075:
2072:The Ash Tree
2071:
2067:
2065:
2059:
2058:
2050:
2046:
2037:
2031:
2025:
2019:The Guardian
2017:
2015:
2010:
2005:
1923:
1869:Count Magnus
1856:Count Magnus
1854:
1830:Nikesh Patel
1822:John Hopkins
1810:Rory Kinnear
1777:
1750:Elliot Levey
1709:
1697:
1673:Simon Callow
1646:
1626:Eleanor Bron
1606:Sacha Dhawan
1571:
1551:Leslie Sharp
1504:
1484:Paul Freeman
1447:
1385:
1351:", in 2022.
1349:Count Magnus
1334:
1332:
1327:
1321:
1297:
1237:Derek Lister
1230:
1215:stone circle
1201:Peter Bowles
1168:
1148:Carina Wyeth
1098:
1040:The Ash-tree
1034:David Rudkin
1025:The Ash Tree
1023:
956:
940:Roger Milner
936:James Mellor
893:
873:Gilly Fraser
869:Roger Milner
828:
817:choir stalls
792:Robert Hardy
752:
717:
694:
690:
680:
672:
671:
666:
663:Hyperion III
662:
652:
646:
638:
628:
610:
606:
595:The Ash-Tree
594:
582:
562:
552:
519:
511:
505:
499:
473:
466:Basil Copper
462:Count Magnus
445:
441:
439:
427:
425:
421:The Ash Tree
420:
418:
413:
408:
406:
395:
391:
388:pyrotechnics
384:
372:
366:
350:
344:
337:
335:
323:
320:
309:
305:
303:
295:Eton College
289:scholar and
284:
255:
236:
229:
223:
219:
188:Robert Hardy
181:
139:
138:
137:
85:Running time
38:
24:
18:
4741:Adaptations
4689:Collections
4563:Lost Hearts
4541:M. R. James
4445:Lot No. 249
4333:Lost Hearts
3880:30 December
3761:Radio Times
3687:25 December
3652:Radio Times
3629:23 December
3601:27 December
3466:10 November
3192:29 December
3123:29 December
3113:Smug Horror
3068:2 September
2802:10 February
2728:Cooke, 126.
2637:(2005) and
2633:films plus
2583:(1986) and
2527:Dan Stevens
2508:Sandy Welch
2504:Henry James
2486:Mark Gatiss
2482:Lee Ingleby
2467:Mark Gatiss
2434:An injured
2366:Jan Francis
2278:Description
2254:Sandy Welch
2250:Henry James
2232:Mark Gatiss
2087:Lost Hearts
2083:Mark Gatiss
2028:on location
1963:Freddie Fox
1938:Lot No. 249
1933:Mark Gatiss
1930:Mark Gatiss
1925:Lot No. 249
1907:Jamal Ajala
1864:Mark Gatiss
1861:Mark Gatiss
1787:Mark Gatiss
1784:Mark Gatiss
1719:Mark Gatiss
1716:Mark Gatiss
1689:Mark Gatiss
1656:Mark Gatiss
1653:Mark Gatiss
1618:David Ryall
1610:John Castle
1583:Mark Gatiss
1579:Mark Gatiss
1547:Gemma Jones
1488:David Burke
1454:Pier Wilkie
1431:David Burke
1427:Pip Torrens
1408:M. R. James
1392:Luke Watson
1365:Directed by
1259:John Stride
1207:, John Judd
1197:Kate Binchy
1179:Clive Exton
1003:Sheila Dunn
999:Frank Mills
995:Paul Lavers
910:Lost Hearts
895:Lost Hearts
865:Clive Swift
804:Erik Chitty
796:Clive Swift
777:M. R. James
732:Directed by
687:hurdy-gurdy
673:Lost Hearts
667:Lost Hearts
651:(1961) and
648:Atmosphères
635:Egton House
631:avant-garde
563:Lost Hearts
555:Ormsby Hall
546:and on the
540:Happisburgh
536:Holkham Gap
508:East Anglia
496:Happisburgh
279:M. R. James
225:Radio Times
212:Clive Exton
204:M. R. James
184:Clive Swift
173:ghost story
72:of episodes
4785:Categories
4679:A Vignette
4241:. London:
4177:. London:
4150:20 October
4125:4 December
4007:BBC Online
3986:BBC Online
3790:BBC Online
3578:BBC Online
3522:BBC Online
3036:. London:
2852:BBC Online
2828:31 October
2690:References
2619:remastered
2561:Hard Times
2535:Home media
2338:Jane Asher
2302:7 May 1968
1967:Colin Ryan
1952:2023-12-24
1899:Max Bremer
1880:2022-12-23
1803:2021-12-24
1735:2019-12-24
1666:2018-12-24
1622:Una Stubbs
1599:2013-12-25
1536:2010-12-24
1515:Neil Cross
1473:2006-12-22
1416:2005-12-23
1368:Written by
1307:Neil Cross
1252:1978-12-25
1241:John Bowen
1190:1977-12-28
1129:1976-12-22
1087:witchcraft
1070:Lalla Ward
1051:1975-12-23
984:1974-12-23
967:John Bowen
921:1973-12-25
854:1972-12-24
785:1971-12-24
735:Written by
559:Brocklesby
403:Adaptation
392:suggestion
380:16 mm film
270:Background
265:Production
216:John Bowen
147:of annual
126:1971-12-24
80:Production
49:Created by
4584:Number 13
4539:Works by
4389:Number 13
3796:22 August
3781:"Review:
3682:bbc.co.uk
3624:bbc.co.uk
3416:22 August
3386:22 August
3327:22 August
3297:22 August
3266:22 August
2990:22 August
2962:22 August
2955:The Times
2740:"Review:
2639:Number 13
2283:Main cast
2221:'s novel
1843:mezzotint
1543:John Hurt
1480:Greg Wise
1462:Number 13
1449:Number 13
1377:Main cast
1284:ice house
813:black cat
744:Main cast
524:Aldeburgh
482:Locations
478:in 1979.
458:Wiltshire
435:signalbox
287:mediaeval
234:in 1976.
104:(1971–78)
4087:Archived
4068:Archived
4049:Archived
3874:Archived
3476:cite web
3321:Archived
3291:Archived
3256:Database
2649:See also
2625:disc as
1371:Based on
1299:BBC Four
738:Based on
685:and the
597:and the
577:and its
347:Paul Fox
4456:Related
4261:at the
4245:. 2012.
4027:at the
3959:at the
3937:at the
3912:at the
3551:at the
3216:at the
3040:. 2012.
2931:at the
2899:at the
2711:at the
2623:Blu-ray
2207:Omnibus
1950: (
1878: (
1801: (
1733: (
1664: (
1597: (
1534: (
1471: (
1414: (
1303:BBC Two
1250: (
1188: (
1127: (
1049: (
982: (
919: (
852: (
783: (
591:Padstow
454:Avebury
332:Filming
291:Provost
257:Omnibus
157:BBC One
149:British
132:present
130: –
124: (
119:Release
98:Network
4761:(1968)
4753:(1957)
4732:(1931)
4724:(1925)
4716:(1919)
4708:(1911)
4700:(1904)
4499:(2009)
4491:(2008)
4483:(1979)
4475:(1972)
4467:(1968)
4448:(2023)
4440:(2022)
4432:(2021)
4424:(2019)
4416:(2018)
4408:(2013)
4400:(2010)
4392:(2006)
4384:(2005)
4376:(1978)
4368:(1977)
4365:Stigma
4360:(1976)
4352:(1975)
4344:(1974)
4336:(1973)
4328:(1972)
4320:(1971)
4227:
4204:
4185:
3528:7 July
2753:7 July
2674:Beasts
2268:Author
2110:Gothic
2098:Stigma
1219:menhir
1170:Stigma
1089:trial.
882:Anglia
609:. For
569:, the
532:Waxham
446:Stigma
151:short
145:strand
3011:" in
2476:Tudor
2263:Title
1992:mummy
1362:Title
729:Title
709:Films
641:uses
625:Music
601:near
589:near
575:Frome
143:is a
4225:ISBN
4202:ISBN
4183:ISBN
4152:2023
4127:2022
3882:2008
3798:2010
3689:2018
3631:2018
3603:2013
3530:2010
3482:link
3468:2022
3418:2010
3388:2010
3329:2010
3299:2010
3268:2010
3194:2020
3125:2020
3070:2016
2992:2010
2964:2007
2830:2014
2804:2009
2755:2010
2602:and
2100:and
2036:and
605:for
593:for
581:for
297:and
214:and
198:and
112:BBC2
107:BBC4
102:BBC1
4265:'s
4263:BFI
4145:BFI
4120:BFI
4031:'s
4029:BFI
4005:at
3984:at
3963:'s
3961:BFI
3916:'s
3914:BFI
3576:at
3555:'s
3553:BFI
2935:'s
2933:BFI
2903:'s
2901:BFI
2850:at
2715:'s
2713:BFI
2436:RAF
2181:ITV
2133:sic
1942:by
1406:by
1358:No.
1280:spa
1119:by
775:by
725:No.
679:'s
661:'s
645:'s
530:at
494:in
452:at
293:of
161:BBC
70:No.
4787::
4223:.
4181:.
4143:.
4118:.
4014:^
3993:^
3972:^
3946:^
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3872:.
3868:.
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3787:.
3769:^
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3741:.
3723:.
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3650:.
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3474:{{
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2410:,
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2368:,
2344:.
2340:,
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2234:,
2210:.
2164:.
1981:,
1977:,
1973:,
1969:,
1965:,
1961:,
1920:17
1905:,
1901:,
1897:,
1893:,
1889:,
1851:16
1832:,
1828:,
1824:,
1820:,
1816:,
1812:,
1774:15
1752:,
1748:,
1744:,
1706:14
1683:,
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1675:,
1643:13
1628:,
1624:,
1620:,
1616:,
1612:,
1608:,
1568:12
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1545:,
1501:11
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1429:,
1425:,
1330:.
1269:,
1265:,
1261:,
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1199:,
1155:A
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1072:,
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693:.
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
