622:
692:
play their roles capably, but they're forced to behave as awed observers, not as flexible factors in the scheme of things. As a consequence, the dominance of the hero and his monstrous momentum, driven home by a vast accumulation of TV detail and Mr. Kazan's staccato style, eventually become a bit monotonous when they are not truly opposed. Reality is proved by inadvertence. We finally get bored with
Lonesome Rhodes. Thus the dubious device of having his girl friend switch him on the air when he thinks he is finished with his program (and is scorning his public) is inane. This type would either have become a harmless habit or the public would have been finished with him!
1248:
29:
1469:
1451:
1435:
1419:
750:, critiqued more harshly, writing, "If we are to accept its attack on the jungle values of American sponsored television then we must be able to sense a more decent, rational tone in the film which is attacking them. And this becomes more and more difficult as the film goes on. When it comes to the test Kazan and Schulberg seem to have little more respect for their audience than the elevision showmen. Dramatic scenes are all played at full blast, while the more intimate scenes are slurred over."
504:
325:
Marcia enter into a profit-sharing agreement after she reminds him of her role in his success. Mel, who loves Marcia, leaves to write an exposé on Rhodes. Joey has an affair with Rhodes's young wife, and Rhodes sends her back to
Arkansas. However, he cannot extricate himself from the business arrangement with Joey, as Joey owns 51% of the company.
317:
spokesman for the energy supplement firm that sponsors his show, and his buoyant charisma tremendously increases their sales. As his fame, influence and ego increase, Rhodes is enlisted to improve the appeal of a presidential hopeful, Senator
Worthington Fuller of California, and rebrands Fuller as an
316:
Rhodes is offered a deal—put together without his knowledge by Joey, the overambitious assistant to the owner of the mattress company—to star in a new television show in New York; the rising star accepts the offer and signs a contract that allows Joey to manage him. Rhodes also becomes the national
724:
wrote, "Far and away outstanding in their stellar performances are
Griffith, Miss Neal and Matthau, with Franciosa also very capable. They are nearly all at their peaks in their interpretations, even though the actual reading of lines is not too easy to understand at times. Schulberg has, however,
701:
wrote: "On a whole, however, it is a fascinating picture, superbly directed and finely acted. Much credit for the film's impact is due Andy
Griffith, a newcomer to the screen, for his exceptional performance in the principal role. It is not a sympathetic part, but he plays it with explosive vigor
332:
Having waited for Marcia to break free from Rhodes's spell, Mel insists that Marcia tell Rhodes that she exposed his rant. At Rhodes's home, Mel and Marcia find Rhodes speaking to the empty room, with an applause machine replacing the people whose support that he has lost. Marcia tells Rhodes that
312:
When Rhodes pokes fun at his sponsor, a mattress company, it initially pulls its ads, but when his adoring audience revolts by burning mattresses in the street, the sponsor discovers that the issue actually increased sales. Rhodes returns to the air with a new awareness of his persuasive power. He
691:
Lonesome Rhodes, the two-faced hero, is pretty much the whole show, and what he symbolizes in society is barely hinted—or discreetly overlooked. ... Everyone condescends to him—in the script of Mr. Schulberg, that is—instead of taking positive positions that would better represent reality. ... ll
336:
Before they leave, Mel predicts Rhodes's future: his career is not completely over, and he will likely find further TV work soon, but will never again enjoy the same level of popularity and prestige. After leaving the building, Mel and Marcia hear Rhodes screaming from the penthouse for Marcia to
324:
In contrast to his friendly onscreen persona, Rhodes has become an egomaniac who berates his staff. Marcia's hopes of marrying Rhodes are dashed, first when a woman claims to be his legitimate wife, and again when he returns from Mexico married to 17-year-old drum majorette Betty Lou. Rhodes and
328:
Disgusted with Rhodes's behavior, Marcia activates a live microphone during the end credits of Rhodes's television show, which reveals him contemptuously mocking Fuller and the station's "idiot" viewers. His popularity and the show's ratings plummet, and advertisers cancel their sponsorships.
714:
praised the film as "provocative and hard-hitting", summarizing that "Kazan once again demonstrates his ability as a director and why major studios are willing to give him carte blanche in selecting his own story material and working under his own conditions".
550:—who was known for earthy anecdotes and folksy style—had inspired him to create the Lonesome Rhodes story. The younger Rogers stated that his "father was so full of shit, because he pretends he's just one of the people, just one of the guys".
337:
return to him, but they ignore him as they depart. Marcia expresses guilt for having elevated Rhodes to power, and Mel replies that a faker such as Rhodes may fool people for a while, but "we get wise to him―that’s our strength".
583:
at the end of July, vacation for a month and begin shooting the film. Kazan and
Schulberg spent much of July and August in Memphis and in Arkansas. Patricia Neal's involvement was announced by early August.
276:
The film launched
Griffith into stardom, but it received mixed reviews on its release. Subsequent reappraisals have been kinder to the film. In 2008, it was selected for preservation in the United States
605:
Big Jeff Bess, who portrayed the sheriff under his own name, was a country singer and bandleader in
Nashville who led Big Jeff and his Radio Playboys. Cameo appearances in the film include those by
647:
and musicians from six high school bands from
Arkansas and Missouri. Remick spent two weeks in Piggott with a teenage baton twirler to improve her twirling skill and local accent, although a
665:
Schulberg remained involved throughout filming. He said, "I went on a trip in 1955 to scout a location in
Arkansas, and I've been on the set every day since shooting started in August ."
602:
On the set, Griffith faced difficulty generating the intensity of the stage and asked to have discarded chairs available to destroy in order to instigate his rage before filming.
890:
1891:
861:
1886:
1143:
333:
she was responsible for the open-microphone incident and demands that he never call her again. Rhodes threatens suicide, but Marcia only goads him.
643:, where the fair and baton-twirling competition scenes were filmed. The Poplar Bluff scenes involved 5,000 extras paid $ 1 per hour, 380 dogs and
702:
and makes the characterization entirely believable. Worthy of special mention, too, is Patricia Neal for her fine portrayal" as Marcia Jeffries.
1846:
654:
Shooting in New York included 61 sets at Biograph Studios, as well as some exteriors. The scene of the network headquarters switchboard was
293:
In late 1950s America, radio journalist Marcia Jeffries encounters drunken drifter Larry Rhodes while recording a segment at a rural
1826:
837:
1352:
1811:
1801:
1047:
261:, and who rises to great fame and influence on national television. The character was inspired by Schulberg's acquaintance with
1841:
1851:
1806:
1786:
1517:
1275:
1031:
971:
1876:
1791:
1620:
1572:
1548:
1861:
1474:
621:
1486:
1831:
1816:
305:. Marcia enlists the support of the show's writer Mel Miller and witnesses the charismatic Rhodes ad-lib his way to
1881:
1821:
725:
written a splendid screenplay, and the picture is by far one of Kazan's most penetrating and incidentally ironic."
1224:
1871:
1866:
1836:
1856:
1796:
1295:
810:
1781:
838:"Cinematic Classics, Legendary Stars, Comedic Legends and Novice Filmmakers Showcase the 2008 Film Registry"
1463:
895:
220:
1896:
1716:
1612:
1104:
223:
1163:
926:
301:, and he becomes instantly popular. Marcia dubs him "Lonesome" Rhodes and fast-tracks him onto his own
738:
called it "a great and beautiful work whose importance transcends the dimensions of a cinema review".
1776:
1247:
1195:
1708:
1596:
1541:
1509:
America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry
952:
1734:
1580:
1321:
900:
486:
1700:
640:
278:
1265:
1023:
1684:
1588:
1446:
1168:
697:
579:
257:
who is discovered by the producer (Neal) of a small-market radio program in rural northeast
1494:
1022:. Translated, edited, and updated by Peter Morris. University of California Press. p.
659:
410:
383:
270:
1261:
735:
730:
8:
1771:
1652:
1534:
1358:
765:
648:
478:
282:
1468:
1450:
1434:
1636:
1418:
1200:
1148:
710:
675:
401:
306:
1676:
1644:
1513:
1456:
1413:
1271:
1027:
1016:
938:
720:
636:
359:
93:
28:
1743:
1379:
1300:
786:
746:
587:
Griffith, Lee Remick, Charles Irving, Charles Nelson Reilly and uncredited actors
1692:
1507:
680:
606:
574:
543:
490:
458:
395:
262:
124:
1240:
1164:"'A Face in the Crowd' with Andy Griffith, Patricia Neal and Anthony Franciosa"
1011:
922:
794:
644:
588:
554:
535:
474:
428:
365:
266:
243:
239:
98:
52:
1315:
246:
is based on his short story "Your Arkansas Traveler" from the 1953 collection
1765:
1750:
1440:
816:
629:
625:
511:
507:
454:
389:
353:
347:
302:
235:
231:
119:
88:
83:
553:
Director Elia Kazan and Schulberg based the character of Lonesome Rhodes on
503:
1628:
1604:
1347:
1191:
977:
934:
770:
705:
610:
558:
482:
470:
466:
450:
446:
309:-area popularity, effectively criticizing local politicians along the way.
157:
137:
297:
jail. She invites him to speak to the audience and sing while playing his
1291:
966:
741:
547:
416:
377:
1424:
1407:
577:
wrote that Andy Griffith was due to leave the cast of his Broadway show
1557:
798:
759:
515:
371:
227:
147:
103:
42:
1660:
790:
754:
562:
462:
1430:
1076:"Want to be in Movies? Extras Needed in Piggott", Blytheville, AR:
592:
437:
318:
294:
258:
254:
1333:
997:"Arkansas Movie Sets Production for Near Future", Kingsport, TN:
773:
ranked it at number 14 of her list of the best political movies.
942:
298:
972:"Why Americans Fall for Grifters - A warning from a 1957 film"
1526:
285:
as "culturally, historically, or aesthetically significant".
797:
and the script is an adaptation of Budd Schulberg's book by
313:
begins an affair with Marcia and proposes marriage to her.
793:
in London on September 10, 2024. Its music is composed by
655:
542:. Schulberg had stated that a conversation with friend
1102:
1128:Rob Burton (AP), "Novelist Stays for 'Face' Film",
1048:"He Fights Furniture Before Acting as If in a Rage"
1351:
1015:
970:
1144:"Screen: The Rise and Fall of a TV 'Personality'"
530:The film was produced under the working title of
1763:
651:was utilized for several baton-twirling scenes.
253:The story centers on Larry "Lonesome" Rhodes, a
538:'s source short story from his 1953 collection
1010:
1542:
687:a "sizzling and cynical exposure" and wrote:
1089:Erskine Johnson, "Hollywood", Ardmore, OK:
991:
1892:United States National Film Registry films
1549:
1535:
1467:
1449:
1433:
1417:
1304:. p. 89 – via Internet Archive.
1122:
1096:
273:were also acknowledged in the screenplay.
27:
1222:
1190:
1040:
921:
862:"Complete National Film Registry Listing"
1887:Films with screenplays by Budd Schulberg
1353:"The 34 best political movies ever made"
1346:
1260:
1141:
1083:
1070:
620:
502:
1225:"Power, Irony Hit in 'A Face in Crowd'"
635:Location shooting occurred in Memphis,
1764:
1475:"Naming the Fictional Vitajex Pill in
1057:
965:
422:Big Jeff Bess as Sheriff Big Jeff Bess
16:1957 American drama film by Elia Kazan
1847:Films based on American short stories
1530:
1501:
1484:
1317:Spike Lee on the legacy of Bamboozled
1290:
1004:
885:
883:
881:
757:credited the film with inspiring his
1512:. A&C Black. pp. 528–530.
1296:"Film Reviews: A Face in the Crowd"
1270:. Da Capo Press. pp. 113–115.
1196:"Film Reviews: A Face in the Crowd"
789:is scheduled to begin a run at the
13:
878:
493:in cameo appearances as themselves
321:with the folksy nickname "Curly".
14:
1908:
1401:
1223:Schallert, Edwin (May 30, 1957).
1142:Crowther, Bosley (May 29, 1957).
1246:
1827:Films about music and musicians
1485:Wolfe, April (April 23, 2019).
1372:
1340:
1324:from the original on 2021-12-13
1308:
1284:
1254:
1216:
1184:
1156:
1135:
753:In a 2015 interview, filmmaker
1812:American political drama films
1802:American black-and-white films
1556:
959:
915:
854:
830:
811:List of American films of 1957
595:all made their film debuts in
525:
1:
1842:Films about television people
1212:– via Internet Archive.
1180:– via Internet Archive.
1063:"Dogs in Demand", Aiken, SC:
823:
673:In a contemporary review for
498:
398:as Senator Worthington Fuller
1852:Films directed by Elia Kazan
1807:American films about revenge
1787:1950s English-language films
1464:AFI Catalog of Feature Films
1105:"A Face in the Crowd (1957)"
1103:Scott McGee; Jeff Stafford.
953:Internet Archive Book Reader
896:AFI Catalog of Feature Films
891:"A Face in the Crowd (1957)"
668:
7:
1877:Films shot in New York City
1792:1950s political drama films
804:
781:A stage musical version of
10:
1913:
1862:Films set in New York City
776:
616:
568:
425:Henry Sharp as Abe Steiner
350:as Larry "Lonesome" Rhodes
1727:
1564:
1065:Aiken Standard and Review
573:In April 1956, columnist
407:Charles Irving as Luffler
204:
196:
186:
163:
153:
143:
133:
112:
76:
68:
58:
48:
38:
33:Theatrical release poster
26:
21:
1832:Films about radio people
1817:American satirical films
1621:A Streetcar Named Desire
1573:A Tree Grows in Brooklyn
1078:Blytheville Courier News
744:, reviewing the film in
534:, which was the name of
62:"Your Arkansas Traveler"
1882:Films shot in Tennessee
1822:Films about advertising
1502:Eagan, Daniel (2010). "
931:Some Faces in the Crowd
927:"The Arkansas Traveler"
901:American Film Institute
718:Edwin Schallert of the
540:Some Faces in the Crowd
340:
288:
248:Some Faces in the Crowd
1872:Films shot in Arkansas
1867:Films set in Tennessee
1837:Films about television
694:
641:Poplar Bluff, Missouri
632:
522:
279:National Film Registry
172:May 28, 1957
1857:Films set in Arkansas
1797:1950s satirical films
1685:Splendor in the Grass
1597:Gentleman's Agreement
1491:: American Character"
1481:; Essay by Mark Griep
1380:"A Face in the Crowd"
1109:Turner Classic Movies
689:
624:
580:No Time for Sergeants
532:The Arkansas Traveler
518:(left) on the set of
506:
234:(in his film debut),
1782:1950s American films
1613:Panic in the Streets
1495:Criterion Collection
1350:(January 23, 2020).
1267:The Films In My Life
1132:, December 31, 1956.
1130:Amarillo Globe-Times
1054:, November 16, 1956.
660:30 Rockefeller Plaza
419:as First Mrs. Rhodes
374:as Betty Lou Fleckum
271:Tennessee Ernie Ford
242:. The screenplay by
1669:A Face in the Crowd
1504:A Face in the Crowd
1489:A Face in the Crowd
1477:A Face in the Crowd
1458:A Face in the Crowd
1442:A Face in the Crowd
1426:A Face in the Crowd
1409:A Face in the Crowd
1359:The Washington Post
1018:Dictionary of Films
866:Library of Congress
842:Library of Congress
783:A Face in the Crowd
766:The Washington Post
763:(2000). Writing in
685:A Face in the Crowd
597:A Face in the Crowd
520:A Face in the Crowd
479:John Cameron Swayze
380:as Gen. Haynesworth
283:Library of Congress
219:is a 1957 American
216:A Face in the Crowd
22:A Face in the Crowd
1897:Warner Bros. films
1747:(2010 documentary)
1637:Man on a Tightrope
1447:TCM Movie Database
1262:Truffaut, François
1169:Harrison's Reports
1149:The New York Times
1067:, August 20, 1956.
728:In his review for
698:Harrison's Reports
676:The New York Times
633:
523:
402:Alexander Kirkland
356:as Marcia Jeffries
1759:
1758:
1645:On the Waterfront
1519:978-0-8264-2977-3
1384:Young Vic website
1301:Sight & Sound
1277:978-0-7867-4972-0
1229:Los Angeles Times
1093:, April 21, 1957.
1080:, August 8, 1956.
1050:, Lumberton, NC:
1033:978-0-520-02152-5
969:(November 2020).
937:. pp. 3–44.
747:Sight & Sound
736:François Truffaut
731:Cahiers du cinéma
721:Los Angeles Times
637:Piggott, Arkansas
443:
434:
431:as Macey's nurse
360:Anthony Franciosa
265:The successes of
212:
211:
94:Anthony Franciosa
64:by Budd Schulberg
1904:
1777:1957 drama films
1744:A Letter to Elia
1581:The Sea of Grass
1551:
1544:
1537:
1528:
1527:
1523:
1498:
1471:
1453:
1437:
1421:
1395:
1394:
1392:
1391:
1376:
1370:
1369:
1367:
1366:
1355:
1344:
1338:
1337:
1331:
1329:
1312:
1306:
1305:
1288:
1282:
1281:
1258:
1252:
1251:
1250:
1244:
1238:
1236:
1220:
1214:
1213:
1211:
1209:
1194:(May 29, 1957).
1188:
1182:
1181:
1179:
1177:
1160:
1154:
1153:
1139:
1133:
1126:
1120:
1119:
1117:
1115:
1100:
1094:
1091:Daily Ardmoreite
1087:
1081:
1074:
1068:
1061:
1055:
1044:
1038:
1037:
1021:
1008:
1002:
995:
989:
988:
986:
985:
974:
963:
957:
956:
950:
949:
919:
913:
912:
910:
908:
887:
876:
875:
873:
872:
858:
852:
851:
849:
848:
834:
787:Kwame Kwei-Armah
557:, as well as on
441:
432:
413:as J.B. Jeffries
179:
177:
31:
19:
18:
1912:
1911:
1907:
1906:
1905:
1903:
1902:
1901:
1762:
1761:
1760:
1755:
1736:The Arrangement
1723:
1717:The Last Tycoon
1701:The Arrangement
1693:America America
1560:
1555:
1520:
1404:
1399:
1398:
1389:
1387:
1378:
1377:
1373:
1364:
1362:
1345:
1341:
1327:
1325:
1314:
1313:
1309:
1294:(Autumn 1957).
1289:
1285:
1278:
1259:
1255:
1245:
1234:
1232:
1231:. Part IV, p. 6
1221:
1217:
1207:
1205:
1189:
1185:
1175:
1173:
1162:
1161:
1157:
1140:
1136:
1127:
1123:
1113:
1111:
1101:
1097:
1088:
1084:
1075:
1071:
1062:
1058:
1045:
1041:
1034:
1009:
1005:
1001:, July 9, 1956.
999:Kingsport Times
996:
992:
983:
981:
964:
960:
947:
945:
923:Schulberg, Budd
920:
916:
906:
904:
889:
888:
879:
870:
868:
860:
859:
855:
846:
844:
836:
835:
831:
826:
807:
779:
681:Bosley Crowther
671:
619:
607:Walter Winchell
575:Walter Winchell
571:
544:Will Rogers Jr.
528:
501:
496:
491:Walter Winchell
459:Virginia Graham
440:as Barry Mills
396:Marshall Neilan
362:as Joey DePalma
343:
291:
263:Will Rogers Jr.
189:
182:
175:
173:
166:
129:
125:Harry Stradling
108:
63:
34:
17:
12:
11:
5:
1910:
1900:
1899:
1894:
1889:
1884:
1879:
1874:
1869:
1864:
1859:
1854:
1849:
1844:
1839:
1834:
1829:
1824:
1819:
1814:
1809:
1804:
1799:
1794:
1789:
1784:
1779:
1774:
1757:
1756:
1754:
1753:
1748:
1740:
1731:
1729:
1725:
1724:
1722:
1721:
1713:
1705:
1697:
1689:
1681:
1673:
1665:
1657:
1649:
1641:
1633:
1625:
1617:
1609:
1601:
1593:
1585:
1577:
1568:
1566:
1562:
1561:
1554:
1553:
1546:
1539:
1531:
1525:
1524:
1518:
1499:
1482:
1472:
1466:
1454:
1438:
1422:
1403:
1402:External links
1400:
1397:
1396:
1371:
1339:
1320:. 2015-10-30.
1307:
1283:
1276:
1253:
1241:Newspapers.com
1215:
1183:
1155:
1134:
1121:
1095:
1082:
1069:
1056:
1052:The Robesonian
1039:
1032:
1012:Georges Sadoul
1003:
990:
958:
914:
877:
853:
828:
827:
825:
822:
821:
820:
813:
806:
803:
795:Elvis Costello
778:
775:
670:
667:
645:baton twirlers
618:
615:
589:Lois Nettleton
570:
567:
555:Arthur Godfrey
536:Budd Schulberg
527:
524:
500:
497:
495:
494:
475:Sydney Pollack
444:
435:
429:Lois Nettleton
426:
423:
420:
414:
408:
405:
404:as Jim Collier
399:
393:
387:
381:
375:
369:
366:Walter Matthau
363:
357:
351:
344:
342:
339:
290:
287:
267:Arthur Godfrey
244:Budd Schulberg
240:Walter Matthau
210:
209:
206:
202:
201:
198:
194:
193:
190:
187:
184:
183:
181:
180:
169:
167:
164:
161:
160:
155:
154:Distributed by
151:
150:
145:
141:
140:
135:
131:
130:
128:
127:
122:
116:
114:
113:Cinematography
110:
109:
107:
106:
101:
99:Walter Matthau
96:
91:
86:
80:
78:
74:
73:
70:
66:
65:
60:
56:
55:
53:Budd Schulberg
50:
46:
45:
40:
36:
35:
32:
24:
23:
15:
9:
6:
4:
3:
2:
1909:
1898:
1895:
1893:
1890:
1888:
1885:
1883:
1880:
1878:
1875:
1873:
1870:
1868:
1865:
1863:
1860:
1858:
1855:
1853:
1850:
1848:
1845:
1843:
1840:
1838:
1835:
1833:
1830:
1828:
1825:
1823:
1820:
1818:
1815:
1813:
1810:
1808:
1805:
1803:
1800:
1798:
1795:
1793:
1790:
1788:
1785:
1783:
1780:
1778:
1775:
1773:
1770:
1769:
1767:
1752:
1751:Actors Studio
1749:
1746:
1745:
1741:
1738:
1737:
1733:
1732:
1730:
1726:
1719:
1718:
1714:
1711:
1710:
1706:
1703:
1702:
1698:
1695:
1694:
1690:
1687:
1686:
1682:
1679:
1678:
1674:
1671:
1670:
1666:
1663:
1662:
1658:
1655:
1654:
1650:
1647:
1646:
1642:
1639:
1638:
1634:
1631:
1630:
1626:
1623:
1622:
1618:
1615:
1614:
1610:
1607:
1606:
1602:
1599:
1598:
1594:
1591:
1590:
1586:
1583:
1582:
1578:
1575:
1574:
1570:
1569:
1567:
1563:
1559:
1552:
1547:
1545:
1540:
1538:
1533:
1532:
1529:
1521:
1515:
1511:
1510:
1505:
1500:
1496:
1492:
1490:
1483:
1480:
1478:
1473:
1470:
1465:
1462:
1460:
1459:
1455:
1452:
1448:
1444:
1443:
1439:
1436:
1432:
1428:
1427:
1423:
1420:
1415:
1411:
1410:
1406:
1405:
1385:
1381:
1375:
1361:
1360:
1354:
1349:
1348:Hornaday, Ann
1343:
1335:
1323:
1319:
1318:
1311:
1303:
1302:
1297:
1293:
1287:
1279:
1273:
1269:
1268:
1263:
1257:
1249:
1242:
1230:
1226:
1219:
1203:
1202:
1197:
1193:
1192:Hollinger, Hy
1187:
1171:
1170:
1165:
1159:
1152:. p. 33.
1151:
1150:
1145:
1138:
1131:
1125:
1110:
1106:
1099:
1092:
1086:
1079:
1073:
1066:
1060:
1053:
1049:
1043:
1035:
1029:
1025:
1020:
1019:
1013:
1007:
1000:
994:
980:
979:
973:
968:
962:
954:
944:
940:
936:
932:
928:
924:
918:
902:
898:
897:
892:
886:
884:
882:
867:
863:
857:
843:
839:
833:
829:
819:
818:
817:The Great Man
814:
812:
809:
808:
802:
800:
796:
792:
788:
784:
774:
772:
768:
767:
762:
761:
756:
751:
749:
748:
743:
739:
737:
733:
732:
726:
723:
722:
716:
713:
712:
707:
703:
700:
699:
693:
688:
686:
682:
678:
677:
666:
663:
661:
657:
652:
650:
646:
642:
638:
631:
630:Andy Griffith
627:
626:Patricia Neal
623:
614:
612:
608:
603:
600:
598:
594:
590:
585:
582:
581:
576:
566:
564:
560:
556:
551:
549:
545:
541:
537:
533:
521:
517:
513:
512:Patricia Neal
509:
508:Andy Griffith
505:
492:
488:
484:
480:
476:
472:
468:
464:
460:
456:
455:Betty Furness
452:
448:
445:
439:
436:
430:
427:
424:
421:
418:
415:
412:
409:
406:
403:
400:
397:
394:
391:
390:Rod Brasfield
388:
385:
382:
379:
376:
373:
370:
368:as Mel Miller
367:
364:
361:
358:
355:
354:Patricia Neal
352:
349:
348:Andy Griffith
346:
345:
338:
334:
330:
326:
322:
320:
314:
310:
308:
304:
303:radio program
300:
296:
286:
284:
280:
274:
272:
268:
264:
260:
256:
251:
249:
245:
241:
237:
236:Patricia Neal
233:
232:Andy Griffith
230:and starring
229:
225:
222:
218:
217:
207:
203:
200:United States
199:
195:
191:
185:
171:
170:
168:
162:
159:
156:
152:
149:
146:
142:
139:
136:
132:
126:
123:
121:
120:Gayne Rescher
118:
117:
115:
111:
105:
102:
100:
97:
95:
92:
90:
89:Patricia Neal
87:
85:
84:Andy Griffith
82:
81:
79:
75:
71:
67:
61:
57:
54:
51:
49:Screenplay by
47:
44:
41:
37:
30:
25:
20:
1742:
1739:(1967 novel)
1735:
1715:
1709:The Visitors
1707:
1699:
1691:
1683:
1675:
1668:
1667:
1659:
1653:East of Eden
1651:
1643:
1635:
1629:Viva Zapata!
1627:
1619:
1611:
1603:
1595:
1587:
1579:
1571:
1508:
1503:
1488:
1476:
1457:
1441:
1425:
1408:
1388:. Retrieved
1386:. 2024-09-10
1383:
1374:
1363:. Retrieved
1357:
1342:
1332:– via
1326:. Retrieved
1316:
1310:
1299:
1292:Reisz, Karel
1286:
1266:
1256:
1239:– via
1233:. Retrieved
1228:
1218:
1206:. Retrieved
1199:
1186:
1174:. Retrieved
1172:. p. 88
1167:
1158:
1147:
1137:
1129:
1124:
1112:. Retrieved
1108:
1098:
1090:
1085:
1077:
1072:
1064:
1059:
1051:
1042:
1017:
1006:
998:
993:
982:. Retrieved
978:The Atlantic
976:
967:Tapper, Jake
961:
951:– via
946:. Retrieved
935:Random House
933:. New York:
930:
917:
905:. Retrieved
894:
869:. Retrieved
865:
856:
845:. Retrieved
841:
832:
815:
785:directed by
782:
780:
771:Ann Hornaday
764:
758:
752:
745:
740:
729:
727:
719:
717:
709:
706:Hy Hollinger
704:
696:
695:
690:
684:
674:
672:
664:
653:
634:
611:Mike Wallace
604:
601:
596:
586:
578:
572:
559:Billy Graham
552:
539:
531:
529:
519:
514:(right) and
483:Mike Wallace
471:Mitch Miller
467:Sam Levenson
451:Faye Emerson
447:Bennett Cerf
442:(uncredited)
433:(uncredited)
411:Howard Smith
384:Paul McGrath
335:
331:
327:
323:
315:
311:
292:
275:
252:
247:
226:directed by
215:
214:
213:
188:Running time
165:Release date
158:Warner Bros.
138:Gene Milford
1204:. p. 6
1046:Hal Boyle,
907:January 12,
742:Karel Reisz
548:Will Rogers
526:Development
487:Earl Wilson
417:Kay Medford
378:Percy Waram
192:125 minutes
69:Produced by
39:Directed by
1772:1957 films
1766:Categories
1677:Wild River
1589:Boomerang!
1558:Elia Kazan
1390:2024-07-24
1365:2020-01-24
984:2020-10-09
948:2016-09-30
871:2020-09-30
847:2020-09-30
824:References
799:Sarah Ruhl
760:Bamboozled
516:Lee Remick
499:Production
372:Lee Remick
228:Elia Kazan
224:drama film
176:1957-05-28
148:Tom Glazer
104:Lee Remick
72:Elia Kazan
43:Elia Kazan
1661:Baby Doll
791:Young Vic
769:in 2020,
755:Spike Lee
734:, critic
679:, critic
669:Reception
563:Huey Long
546:, son of
463:Burl Ives
392:as Beanie
221:satirical
134:Edited by
1506:essay".
1431:AllMovie
1322:Archived
1264:(2009).
1235:July 21,
1208:July 21,
1176:June 21,
1114:March 8,
1014:(1972).
925:(1953).
805:See also
593:Rip Torn
438:Rip Torn
386:as Macey
319:everyman
295:Arkansas
259:Arkansas
205:Language
144:Music by
77:Starring
59:Based on
1479:(1957)"
1461:at the
1445:at the
1334:YouTube
1328:May 30,
1201:Variety
943:53-5011
777:Musical
711:Variety
683:called
617:Filming
569:Casting
307:Memphis
281:by the
255:drifter
208:English
197:Country
174: (
1720:(1976)
1712:(1972)
1704:(1969)
1696:(1963)
1688:(1961)
1680:(1960)
1672:(1957)
1664:(1956)
1656:(1955)
1648:(1954)
1640:(1953)
1632:(1952)
1624:(1951)
1616:(1950)
1608:(1949)
1600:(1947)
1592:(1947)
1584:(1947)
1576:(1945)
1516:
1416:
1274:
1030:
941:
903:. 2019
649:double
489:, and
299:guitar
1728:Other
1605:Pinky
1565:Films
510:with
1514:ISBN
1414:IMDb
1330:2021
1272:ISBN
1237:2022
1210:2022
1178:2022
1116:2015
1028:ISBN
939:LCCN
909:2021
639:and
628:and
609:and
591:and
561:and
341:Cast
289:Plot
269:and
238:and
1429:at
1412:at
1024:108
708:of
658:at
656:NBC
1768::
1493:.
1382:.
1356:.
1298:.
1227:.
1198:.
1166:.
1146:.
1107:.
1026:.
975:.
929:.
899:.
893:.
880:^
864:.
840:.
801:.
662:.
613:.
599:.
565:.
485:,
481:,
477:,
473:,
469:,
465:,
461:,
457:,
453:,
449:,
250:.
1550:e
1543:t
1536:v
1522:.
1497:.
1487:"
1393:.
1368:.
1336:.
1280:.
1243:.
1118:.
1036:.
987:.
955:.
911:.
874:.
850:.
178:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
.jpg)