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1113:... abstract expressionism eventually gain momentum among the art glitterati of New York in the 1950s, despite never being popular among the wider American public." It was Greenberg, in fact, who claimed that "for the first time ever, the most 'advanced' form of Western art was no longer being produced in Europe but instead in New York. For him, it was painters like Pollock, Motherwell, De Kooning, Rothko, Kline, and Newman that were now, thanks to the new abstract languages they were developing, carrying on the work that had begun with the European avant-gardes."
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1074:, also a New York School "member," documented the exhibit with a series of photographs. Afterward, "he artists celebrated not only the appearance of the dealers, collectors and museum people on the 9th Street, and the consequent exposure of their work," Altshuler writes, "but they celebrated the creation and the strength of a living community."
310:
describing both the artists and the exhibition's selection process, "the rush to participate was so intense that everyone was limited to a single piece. Even in this renegade atmosphere," she continues, "there was some initial discussion of whether including women in the exhibition would diminish its
1138:
Sixty-one men and eleven women participated in the Ninth Street Art
Exhibition. "Five of the women went on to have international careers, their work collected by major museums and subject to ever-expanding bibliographies: Grace Hartigan, Helen Frankenthaler, Joan Mitchell, Elaine de Kooning (who was
1123:
The poster for the second New York
Painting and Sculpture Annual, also held at The Stable Gallery in 1953, included an introduction by critic Clement Greenberg, both crediting and praising the Ninth Street Show for setting a precedent for showing more daring work because the show was conceived and
1066:
covered the bill, and the artists did all of the work to renovate ... the basement and first floor of a condemned building at 60 East 9th Street." Castelli, in his first curatorial effort, six years before he opened the gallery that made him famous, also hung the show. It was said he was selected
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This exhibition was conceived and organized by artists, the event rightly to be considered the precedent for this one was the famous "Ninth Street" show held in the spring of 1951 on the ground floor of a vacated store, on East 9th St. Like this one, that exhibition was organized, and its
1097:'s "famous 1952 essay, 'The American Action Painters,' effectively likened artists such as Willem de Kooning and Franz Kline to heroic existentialists wrestling with self-expression" is one good example. But praise from critics like the make-or-break "
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The
University of California, Los Angeles (UCLA) also developed an art history class called "Ninth Street Women: The Women of Abstract Expressionism," which assigned Gabriel's book as a text to the influential women artists in the 9th Street Show.
270:
During the late 1940s and early 1950s, dozens of painters and sculptors all had art studios in lower
Manhattan between 8th and 12th streets and First and Sixth Avenues. Collectively known as the Downtown Group, many of them were former
1129:
participants named and invited, by artists themselves, and a range of the liveliest tendencies within the mainstream of advanced painting and sculpture was presented. I don't think the reverberations of that show have died away yet..."
1120:, a converted horse stable, located at 924 7th Avenue and 58th Street in Manhattan, was an exception, and as host of the New York Painting and Sculpture Annuals from 1953–57, it exhibited some of the "Ninth Street Show" artists.
311:
chance of being taken seriously. Eventually, the jury selected eleven women, and sixty-one men, to represent the creatively rich (if otherwise impoverished) new downtown art world, with its cheap industrial lofts, such as the
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251:— was later called "the quintessential American and modern art movement." At the time, however, "t appeared as though a line had been crossed, a step into a larger art world whose future was bright with possibility."
331:
1062:"ent for the decrepit space for the entire length of the show was only $ 70."Arts journalist Philip Barcio explains."But nearly everyone involved in the show was broke, and some were literally starving.
315:, high communal spirits, and almost universal devotion to abstraction." Note, however, although 74 artists were exhibited, only 64 are listed below, which is sourced from Franz Kline's original poster.
156:, long the headquarters of the global art market, typically launched new movements, so there was both financial and cultural fall-out when all the excitement was suddenly emanating from New York. The
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1181:
In 2016, Hauser Wirth & Schimmel, a gallery in Los
Angeles, made its debut with “Revolution in the Making: Abstract Sculpture by Women, 1947–2016.” In a review of the Denver show,
172:, would soon become "art stars," commanding large sums and international attention. The Ninth Street Show marked their "stepping-out," and that of nearly 75 other artists, including
243:
The artist-led show was intended to make names — and it did. Word of the exhibition slipped out prior to the Monday night preview, but that only added to the interest. Author
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Prior to the show, artist Franz Kline designed and created of all of the promotional materials, including the poster that gave the show its official name. During the event,
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In 2006, New York City's
Findlay Fine Art Gallery had a well-researched exhibition honoring the lesser known artists that were included in the 9th Street Art Exhibition.
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In 2016, the Denver Art Museum opened "Women of
Abstract Expressionism," featuring more than 50 major paintings by 1940s and 1950s women of abstract expressionism.
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1587:
Ninth Street Women: Lee
Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler: Five Painters and the Movement That Changed Modern Art
1145:
Ninth Street Women: Lee
Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler: Five Painters and the Movement That Changed Modern Art
290:
In 1949, members of the
Downtown Group, helmed by Philip Pavia, created a more structured group that met regularly on 39 East 8th Street, and came to be known as
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because he was popular, and many of the artists thought he would hang their work impartially, but he also "paid for most of the expenses."
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Harold Rosenberg, "Tenth Street: A Geography of Modern Art," Art News Annual XXVIII, 1959, New York: Art Foundation Press, Inc. pp.120-14
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Critical response after the Ninth Street Show encouraged and helped define early abstract expressionism, while also promoting it. Critic
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writes, "Nothing sold, but no one cared. The exhibition had earned the artists attention on their own terms." Their form of art — the
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1147:. The best-selling book ignited interest in the underappreciated women of abstract expressionism and in women artists, generally.
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1750:"How a Formerly Deserted Waterfront Neighborhood Attracted a Cast of Young Artists to Lower Manhattan in the Mid-20th Century"
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240:, and many others who were then mostly unknown to an art establishment that ignored experimental art without a ready market.
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A less enthusiastic public, however, meant that few local galleries mounted shows featuring members of the group.
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1185:'s Yasmeen Siddiqui notes that "Women of Abstract Expressionism" Challenges the Canon But Is Only the Beginning.
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Weekly discussions at the Club led to the idea of organizing the 9th Street Art Exhibition as a launching pad.
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148:(May 21-June 10, 1951). Now considered historic, the artist-led exhibition marked the formal debut of
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1617:"Abstract Expressionism: how New York overtook Europe to become the epicentre of Western art"
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New York Cultural Capital of the World 1940-1965 ed. Leonard Wallock, Rizzoli, New York 1988
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2054:"Ninth Street Women: The Women of Abstract Expressionism | UCLA Continuing Education Online"
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Abstract expressionist art movement in America video documentation project, 1991-1992.
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published an exclusive, reporting that Amazon Studios had optioned Gabriel's book for
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1951 art show in New York City, USA; debut of the abstract expressionist art movement
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Second Annual Exhibition of Painting and Sculpture, The Stable Gallery poster, 1953
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2109:"'Women of Abstract Expressionism' Challenges the Canon But Is Only the Beginning"
1565:"How the 9th Street Art Exhibition Stepped Out of the New York Art Canons in 1951"
26:
1998:
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Conrad Marca-Relli Abstract Expressionism 1950s-New York School collage-painter
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Albert Kotin Abstract Expressionism 1950s-New York School 1950s action painting
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2036:"'Marvelous Mrs. Maisel' Creators Prepping Art Drama at Amazon (Exclusive)"
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Beginning of the New York School 1950s-Abstract Expressionism of the 1950s
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James Brooks Abstract Expressionism-New York School 1950s action painting
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Abstract Expressionism § Art critics of the post–World War II era
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1724:"The Shows That Made Contemporary Art History: The Ninth Street Show"
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New York School Abstract Expressionists Artists Choice by Artists,
1920:"Harold Rosenberg Critic Overview and Analysis [Internet]"
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New York School Abstract Expressionists Artists Choice by Artists,
1800:
New York School Abstract Expressionists Artists Choice by Artists,
1702:
New York School Abstract Expressionists Artists Choice by Artists,
1439:
9th Street Art Exhibition-abstract expressionist artists reminisce
302:"Since few of them had ever received any significant notice," the
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Joe Stefanelli Abstract Expressionism 1950s-New York School 1950s
1353:
1781:"How New York's Postwar Female Painters Battled for Recognition"
1460:
Nicolas Carone-Abstract Expressionism-Artist of the 9th St. Show
1467:
Perle Fine Abstract Expressionism-1950s New York action painter
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287:. Several had also served in the military during World War II.
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by Willem de Kooning, 1960, lithograph, 47 13/16 x 32 5/16 in.
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130:, America's first internationally influential art movement.
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367:, 1940. Gouache and collage on paper, 7 3/16 x 23 1/4 in.
1639:
Avant-Garde In Exhibition: New Art in the 20th Century,
1897:
Avant-Garde In Exhibition New Art in the 20th Century,
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Avant-Garde In Exhibition New Art in the 20th Century,
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470:, 1963. Stainless steel. The Israel Museum, Jerusalem.
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9th Street Art Exhibition of Paintings and Sculpture
934:(right) beside a Roy Lichtenstein painting in 1992.
1684:"The Club IT IS: A Conversation with Philip Pavia"
1500:
445:Cover photographer for American literary magazine
144:hand-lettered onto the poster he designed for the
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1204:
40:Monday, May 21, 1951 to Sunday, June 10, 1951
31:"Greenwich Village" by Felix Stahlberg, 2017.
1822:"Prolific Years: Exhibitions and Alcoholism"
56:60 East 9th Street, New York, New York 10003
2079:"Uptown gallery revisits Ninth St. exhibit"
385:Cast stone sculpture after treatment. 1962.
1779:Pierpont, Claudia Roth (October 1, 2018).
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25:
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318:
83:"Ninth Street Show" and "9th Street Show"
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1900:(New York: Harry N. Abrams, Inc., 1994)
1877:(New York: Harry N. Abrams, Inc., 1994)
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1642:(New York: Harry N. Abrams, Inc., 1994)
885:(Selection was limited by availability.)
324:(Selection was limited by availability.)
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1589:. New York: Little Brown and Company.
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425:Abstraction With Musical Instruments
2107:Siddiqui, Yasmeen (9 August 2016).
2034:Goldberg, Lesley (April 24, 2019).
1681:
1585:Gabriel, Mary (September 1, 2017).
1418:9th St. Art Exhibition poster, 1951
1405:The Neighbors of Ninth Street, 2020
1048:Exhibition funding and formal roles
484:9th St. Art Exhibition poster, 1951
13:
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2003:
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283:, Landes Lewitin, Franz Kline and
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2167:Cultural history of New York City
1948:’’Interview with Nicolas Carone’’
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1058:Artist-run space § New York
2197:Tourist attractions in Manhattan
1615:FlorĂŞncio, JoĂŁo (Sep 23, 2016).
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1972:(New York School Press, 2000.)
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1950:(New York School Press, 2000.)
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1930:from the original on 2019-10-25
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1854:(New York School Press, 2000.)
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1803:(New York School Press, 2000.)
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1705:(New York School Press, 2000.)
1563:Barcio, Philip (Aug 23, 2018).
1088:
306:'s Claudia Roth Pierpont writes
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2015:Boxer, Sarah (December 2016).
1748:Downey, Walker (Aug 1, 2023).
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1:
1918:Wolf, Justin (Oct 15, 2012).
404:Bust of Paul Johannes Tillich
140:is the official title artist
2162:Contemporary art exhibitions
7:
2017:"An Era for Women Artists?"
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1991:Stable Gallery 1953 Poster
1682:Bui, Phong (Feb 1, 2001).
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946:Willem de Kooning in 1961.
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20:9th Street Art Exhibition
114:, promotional designer.
2177:Events in New York City
2147:Abstract expressionism
2040:The Hollywood Reporter
1885:Chapter 9, pp.168-169.
1298:Abstract expressionism
1152:The Hollywood Reporter
1131:
976:Frederick John Kiesler
427:. Oil on canvas. 1932.
319:By Representative work
150:Abstract Expressionism
128:abstract expressionism
91:Abstract Expressionism
2137:1951 in New York City
1908:Chapter 9, pp.156-173
1513:"9th St." Show Poster
1156:Amy Sherman-Palladino
1126:
1124:organized by artists:
1054:10th Street galleries
860:Bradley Walker Tomlin
746:Richard Pousette-Dart
118:, event photographer.
2172:Culture of Manhattan
2157:Art in New York City
1495:Notes and references
1238:Abstract photography
1105:, and curators like
1101:... collectors like
628:(George) (1922–2008)
598:(Stuart) (1924–2007)
406:(daylight). c. 1965.
365:Untitled Mural Study
266:The Club (fine arts)
1328:Organic abstraction
1170:Related exhibitions
1150:On April 24, 2019,
1008:Robert Rauschenberg
776:Robert Rauschenberg
590:Helen Frankenthaler
548:Robert De Niro, Sr.
344:Litho #2 (Waves #2)
275:artists, including
273:Federal Art Project
178:Helen Frankenthaler
21:
2142:1950s in Manhattan
1997:2012-02-05 at the
1826:de Kooning Experts
1797:Marika Herskovic,
1519:2012-02-05 at the
1263:Hard-edge painting
1118:The Stable Gallery
992:Conrad Marca-Relli
918:in the late 1950s.
698:Conrad Marca-Relli
500:Rene Robert Bouche
194:Robert De Niro Sr.
19:
2182:Greenwich Village
1894:Bruce Altshuler,
1871:Bruce Altshuler,
1688:The Brooklyn Rail
1636:Bruce Altshuler,
1390:
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1308:All-over painting
886:
770:Robert Richenburg
728:Costantino Nivola
722:Robert Motherwell
608:Clement Greenberg
542:Willem de Kooning
536:Elaine de Kooning
488:
381:Costantino Nivola
339:Willem de Kooning
325:
281:Willem de Kooning
234:Robert Motherwell
206:Elaine de Kooning
166:Willem de Kooning
146:Ninth Street Show
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65:Greenwich Village
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1135:
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1090:
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1049:
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1044:
1040:Louis Schanker
1037:
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973:
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916:Nicolas Carone
913:
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845:
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836:Joe Stefanelli
833:
827:
821:
815:
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800:Louis Schanker
797:
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764:Milton Resnick
761:
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752:Melville Price
749:
743:
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731:
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719:
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692:Seymour Lipton
689:
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629:
626:Grace Hartigan
623:
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581:
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572:Herbert Ferber
569:
563:
560:Friedel Dzubas
557:
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545:
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530:Nicolas Carone
527:
521:
515:
509:
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438:
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420:Louis Schanker
417:
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336:
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238:Barnett Newman
226:Milton Resnick
190:Grace Hartigan
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2113:Hyperallergic
2110:
2103:
2089:on 2013-09-01
2088:
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1978:0-9677994-0-6
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1956:0-9677994-0-6
1953:
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1925:
1924:The Art Story
1921:
1914:
1907:
1906:0-8109-3637-2
1903:
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1884:
1883:0-8109-3637-2
1880:
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1860:0-9677994-0-6
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1832:on 2016-03-03
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1648:0-8109-3637-2
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1540:0-8478-0990-0
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1364:Expressionism
1362:
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1347:
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1318:Drip painting
1316:
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1195:
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1191:
1184:
1183:Hyperallergic
1180:
1177:
1174:
1173:
1167:
1163:
1161:
1157:
1153:
1148:
1146:
1142:
1134:Women artists
1130:
1125:
1121:
1119:
1114:
1112:
1111:Alfred H Barr
1108:
1104:
1100:
1096:
1085:
1075:
1073:
1072:Aaron Siskind
1068:
1065:
1059:
1055:
1041:
1034:
1029:
1026:in the 1940s.
1025:
1018:
1013:
1009:
1002:
997:
993:
986:
981:
977:
970:
965:
961:
960:Philip Guston
954:
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933:
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861:
858:
855:
854:Yvonne Thomas
852:
849:
848:Jean Steubing
846:
843:
840:
837:
834:
831:
828:
825:
822:
819:
818:Aaron Siskind
816:
813:
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789:
786:
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753:
750:
747:
744:
741:
738:
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732:
729:
726:
723:
720:
717:
716:Joan Mitchell
714:
711:
710:George McNeil
708:
705:
702:
699:
696:
693:
690:
687:
684:
681:
680:Alfred Leslie
678:
675:
672:
669:
666:
663:
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657:
654:
651:
648:
645:
642:
639:
638:Harry Jackson
636:
633:
630:
627:
624:
621:
620:Philip Guston
618:
615:
612:
609:
606:
603:
600:
597:
594:
591:
588:
585:
582:
579:
576:
573:
570:
567:
564:
561:
558:
555:
554:Enrico Donati
552:
549:
546:
543:
540:
537:
534:
531:
528:
525:
522:
519:
516:
513:
510:
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491:
489:
486:
485:
469:
465:
464:
457:
452:
448:
444:
442:
441:Aaron Siskind
435:
430:
426:
422:
421:
414:
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401:
400:
393:
388:
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366:
363:
361:
354:
349:
345:
342:
340:
333:
328:
327:
326:
316:
314:
313:Coenties Slip
309:
305:
295:
293:
288:
286:
282:
278:
274:
267:
252:
250:
246:
241:
239:
235:
231:
227:
223:
219:
215:
211:
207:
203:
202:Philip Guston
199:
195:
191:
187:
186:Joan Mitchell
183:
179:
175:
174:Harry Jackson
171:
167:
163:
159:
155:
151:
147:
143:
139:
129:
125:
121:
117:
116:Aaron Siskind
113:
109:
106:
102:
98:
94:
90:
86:
82:
80:Also known as
78:
74:
73:New York City
70:
66:
63:
59:
55:
51:
47:
43:
39:
35:
28:
23:
2112:
2102:
2091:. Retrieved
2087:the original
2082:
2073:
2061:. Retrieved
2057:
2048:
2039:
2029:
2021:The Atlantic
2020:
1990:
1985:
1968:
1963:
1943:
1932:. Retrieved
1923:
1913:
1896:
1890:
1873:
1867:
1850:
1845:
1834:. Retrieved
1830:the original
1825:
1816:
1799:
1793:
1784:
1757:. Retrieved
1753:
1743:
1732:. Retrieved
1730:. 2020-10-30
1727:
1718:
1701:
1696:
1687:
1663:
1638:
1620:
1586:
1568:
1512:
1487:
1480:
1473:
1466:
1459:
1452:
1445:
1438:
1424:
1417:
1342:Predecessors
1243:Concrete art
1220:Abstract art
1182:
1164:
1151:
1149:
1144:
1137:
1127:
1122:
1115:
1092:
1089:American art
1069:
1061:
932:Leo Castelli
900:James Brooks
883:
866:Jack Tworkov
842:John Stephan
812:Sonia Sekula
806:Day Schnabel
794:Joop Sanders
782:James Rosati
758:Ad Reinhardt
668:Albert Kotin
632:Hans Hofmann
614:Peter Grippe
512:James Brooks
483:
479:
467:
461:
446:
439:
424:
418:
403:
399:James Rosati
397:
379:
364:
358:
343:
337:
322:
307:
303:
301:
289:
285:Jack Tworkov
277:Philip Pavia
269:
255:Organization
245:Mary Gabriel
242:
230:Joop Sanders
218:Ad Reinhardt
145:
137:
135:
123:Participants
108:Leo Castelli
104:Organized by
2132:1951 in art
1313:Color Field
1290:abstraction
1278:Suprematism
1258:Fractal art
1230:abstraction
1024:Mark Rothko
874:(1903–2001)
868:(1900–1982)
862:(1899–1953)
856:(1913-2009)
850:(1929–2019)
844:(1906–1994)
838:(1921–2017)
832:(1922–1997)
826:(1906–1965)
824:David Smith
820:(1903-1991)
814:(1918–1963)
808:(1905–1991)
802:(1903–1981)
796:(1921–2023)
790:(1889–1954)
784:(1912–1988)
778:(1925–2008)
772:(1917–2006)
766:(1917–2004)
760:(1913–1967)
754:(1920–1970)
748:(1916–1992)
742:(1907–1975)
736:(1912–1956)
730:(1911–1988)
724:(1915–1991)
718:(1925–1992)
712:(1908–1995)
706:(1902–1995)
704:Boris Margo
700:(1913–2000)
694:(1903–1986)
688:(1915–2002)
682:(1927–2023)
676:(1908–1984)
674:Lee Krasner
670:(1907–1980)
664:(1909–1985)
662:Gitou Knoop
658:(1910–1962)
656:Franz Kline
652:(1891–1965)
650:Earl Kerkam
646:(1910–1982)
644:Hugh Kappel
640:(1924–2011)
634:(1880–1966)
622:(1913–1980)
616:(1912–2002)
610:(1909–1998)
604:(1917–2010)
592:(1928–2011)
586:(1908–1988)
580:(1905–1970)
578:John Ferren
574:(1906–1991)
568:(1920–1984)
566:Jimmy Ernst
562:(1915–1994)
556:(1909–2008)
550:(1922–1993)
544:(1904–1997)
538:(1918–1989)
532:(1917–2010)
526:(1904–1989)
520:(1914–1985)
514:(1906–1992)
508:(1893–1959)
502:(1906–1963)
496:(1910–1992)
494:L. Alcopley
463:David Smith
360:Lee Krasner
298:The Artists
292:"The Club."
222:David Smith
214:Franz Kline
210:Lee Krasner
198:John Ferren
162:avant-garde
142:Franz Kline
112:Franz Kline
2126:Categories
2093:2015-12-28
1934:2020-07-02
1836:2015-12-28
1734:2021-11-22
1268:Minimalism
1228:Geometric
1082:See also:
1052:See also:
584:Perle Fine
518:Peter Busa
304:New Yorker
264:See also:
99:Group Show
1759:August 1,
1569:Ideel Art
1099:Greenberg
1042:in 1939.
974:Sculptor
788:Anne Ryan
481:(Source:
447:Big Table
160:New York
69:Manhattan
1995:Archived
1980:pp.20-21
1928:Archived
1862:pp.13-14
1517:Archived
1399:Articles
1382:Category
1359:Futurism
1333:Tachisme
1323:Nuagisme
1288:Lyrical
1253:De Stijl
1064:Castelli
1038:Painter
1022:Painter
1010:in 1968.
994:in 1982.
990:Painter
978:in 1924.
962:in 1940.
958:Painter
930:Curator
914:Painter
898:Painter
880:By photo
260:The Club
61:Location
45:Duration
2063:July 5,
1811:p.11-12
1754:ARTnews
1713:p.11-12
1411:Posters
1354:Fauvism
1141:Krasner
902:in 1940
476:By name
468:Cubi VI
449:, 1959.
158:postwar
48:20 days
1976:
1954:
1904:
1881:
1858:
1807:
1709:
1646:
1593:
1538:
1432:Videos
1349:Cubism
1273:Op art
1078:Legacy
1542:p.146
96:Theme
53:Venue
2065:2020
1974:ISBN
1958:p.19
1952:ISBN
1902:ISBN
1879:ISBN
1856:ISBN
1805:ISBN
1761:2023
1707:ISBN
1644:ISBN
1591:ISBN
1536:ISBN
1158:and
1107:MoMA
1056:and
168:and
136:The
88:Type
37:Date
1109:’s
2128::
2111:.
2081:.
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2038:.
2019:.
2005:^
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1922:.
1824:.
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