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890:. The 24:7 Theatre Festival ceased operations after their celebratory event in honor of the award. Their X account says that it is now an archive with "Tweets about / from Manchester's former première Theatre Festival, 2004 - 2015". The official website noted that its parent company "ceased trading at the end of its last financial year, 31 March 2018", officially bringing 24:7 Theatre Festival to a close.
342:"We're serving up alternative theatre for everyone, in bite size portions in everyday locations at affordable prices. By limiting the performances to one hour, we're opening up to new theatre goers who may initially want to dip a toe in or to office workers who can go to see a play in their lunch hour."
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On top of all this were a series of crossover events, rehearsed readings, comedy sketches, music performances and skills workshops were arranged. Two plays were written, rehearsed and performed within 24 hours, and a Spoken Word night featured poets
Dominic Berry, Alan Keogh and Tony Walsh. A concert
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Ever willing to expand opportunities beyond the shows themselves, the team also set up The Hub: a meeting/information point by day, and an entertainment spot after hours. Based in New
Century House, The Hub offered light meals and refreshments daily, and acted as a friendly environment to hang out or
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The fifth festival ran from 21–27 July 2008, presenting performances of new plays, again in non-theatre venues in
Manchester. The number of plays chosen this year dropped to 16, though a staff of over 200 people, who were mostly volunteers, worked to bring the festival to life. The Midland Hotel was
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in 2002. Inspired by a city alive with creative vibrancy, he developed a plan to bring the most exciting elements of the Fringe to
Manchester. The focus would be on new writing and untapped acting talent; a showcase for original and stimulating theatre brought to unconventional venues in the heart
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24:7 aimed to bring innovative drama to the people of
Manchester and nurtures the writing, directing, performing and producing talent of tomorrow. Each year, scripts are chosen using a 'blind' adjudication process: all plays are read anonymously without any judges knowing the writer's name, giving
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The 2015 festival was held the weekend from Friday 24 to Sunday 26 July, in the Martin Harris Centre for Music and Drama at
Manchester University. It hosted a reduced number of productions, with an additional series of outdoor monologues. This was the last time the festival ran at the same time as
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Alongside this, came the biggest selection of workshops yet, with options in
Harmony Singing, Stage Combat, Creative Writing & Performance, Vocal Dynamics, Puppetry, Physical Theatre and a full-blooded Actor's Workout. There were also additional workshops across the city centre, including Mask
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In 2005, 24:7 hosted a series of
Performance Workshops for actors, non-actors and the curious. These two-hour events allowed those who came along to hone skills in stage combat, mask performance, vocal skills and dreaming up a play in a day, for only £12 each: thereby offering an affordable way to
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With 105 performances across the five days, yet again some of the region's best acting and playwriting talents were in attendance. Audience numbers were up 70% on the first year, and press was incredibly positive, with BBC Manchester again giving strong coverage in particular. As David told them:
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The second festival again ran for seven days starting 24 July, and the team attempted to host 24 plays that year, though minor setbacks resulted in 21 shows planned across five venues: The
Midland Hotel, Life Cafe, Baby Grand and Late Room (all on Peter Street, Manchester), and The King's Arms in
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The inaugural festival began on 24 July 2004, and featured 80 performances of 17 shows across five different venues. Somehow, this trial by fire worked with nearly 1,500 audience members for the initial year, across the various locations. All of these were unconventional spaces to perform plays
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Alongside the shows were a series of afternoon sessions led by industry experts. For just £5 per session, anyone interested could attend these sessions to help plan the development of their creative ideas. Those scheduled to take place included Kevin Bourke (theatre editor, MEN), Will
Kintish
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Running from 26 July to 1 August 2010, the 2010 festival saw every show performed within New Century House for the very first time. The team felt that by 2009, the festival's size was getting to be unmanageable, so they reduced the number of plays to provide more direct assistance with their
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The resulting festival was attended by over 4,000 people, an increase of more than 50% on the previous year, helped in no small part by citywide advertising on billboards, bus shelters and best of all: the giant electronic screen on the run up to Picadilly Station.
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With over 100 entries of to choose from, the final festival, running from 24–30 July hosted 17 one-hour plays across four venues along the Oxford Road/Peter Street corridor. Regular venue, The Midland Hotel, and the previous year's venue, Bedlam, were joined by
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Stripped of the dream-like art direction of previous years, the festival in 2008 was presented in a minimalistic, confrontational yet playful manner. "How many writers does it take to make empty spaces come to life?", asked posters across Manchester.
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hold meetings at the very heart of the festival. This provided an opportunity to put on additional material beyond the already impressive 21 shows. A film night, a 5th birthday party, an art collection partially inspired by the festival from
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Running from 23–29 July, the fourth year of the festival continued the work laid out by the initial events, presenting a selection of the best newly written plays from the north-west region and, in their own words, "a stone's throw beyond".
366:, festival head honcho David Slack commented: "The first day of this year's festival felt like a continuation of last year's festival. It's amazing how the atmosphere, the people and the attendances have been up, up, up!"
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The success of 2009's The Hub inspired four After Hours special events within the venue. Scriptworks offered actor-led critique, feedback, advise and support. Three short films premièred, including Acid Burn starring
492:(business networking speaker), Mark Simpson (director of tax, Simpson Burgess Nash), Katherine Beacon (project manager, BBC Writer's Room North) and Samantha Lansbury (associate solicitor, Hill Dickinson).
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to the winner, whilst an Industry Q&A was chaired by Elizabeth Newman of the Octagon Theatre Bolton, featuring Artistic Director David Thacker and actor, playwright & director Matthew Dunster.
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stating: "HURRAY! It's nearly time for this year's 24:7 Theatre Festival, an event that has grown since its foundation in 2004, into one of the most exciting theatre events in the country."
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Positioned proudly as 'The Beating Heart of New Theatre', the 2011 event was brought to life by over 150 people, featuring 13 show premières – including 24:7's first ever family show,
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learn the tricks of the trade from acknowledged specialists in the field, and ensuring that 24:7 was at the very heart of making theatre in the north west better than ever before.
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The eighth festival ran from 21–29 July 2011, and featured 13 plays across three venues: New Century House, The Midland Hotel's Victoria suite and Sascha's Hotel on Tibb Street.
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The unofficial slogan of the year was "From 20 to 10 in 2010", as hundreds of entries were narrowed down to ten shows, and a collection of rehearsed readings from playwrights
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venue Pure. 21 productions were staged across the spaces, alongside a series of afternoon sessions and blue badge tours. Press reports were, again, highly complementary, with
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in one of this year's shows, and the continued involvement of Vicky Binns, John Henshaw and Robert Powell as trustees and patrons, press interest was high, with the
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all entrants an equal chance of being featured in the festival, each being performed in venues not typically associated with theatrical performances. These included
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Salford. However, Baby Grand was closed suddenly and The King's Arms proved unavailable, forcing venue changes to Bedlam and a second space at The Midland Hotel.
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Running from 20–26 July 2009, the sixth annual festival hosted 21 new plays across Manchester. For the first time, the festival took over areas of
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record store in the Arndale Shopping Centre, and areas of The Printworks once again. Over 100 scripts were submitted for consideration.
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Initial press was positive– with the BBC's local website showing a keen interest. The year was rounded off with a win at the
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The 2014 festival ran from 18–25 July, hosted ten new plays from upcoming writers and took place in a single location,
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Once again, The Midland Hotel hosted a large number of productions, with the rest hosted across three spaces within
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2009 also saw 24:7 put on its first showcase in London, taking three of the biggest shows from the festival to the
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Performance, 'Writing as Revenge', 'A Play in a Day' and two-day site-specific challenges for writers and actors.
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on Quay Street and the Palace Theatre, who allowed shows to take over their Stalls Bar and Grand Tier Bar areas.
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declaring the festival "one of Manchester's most cultivating cultural forces" and "a breath of fresh air".
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Three shows from the festival were revived at Bolton's Octagon Theatre in the Autumn and showcased at
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stated 24:7 was "a showcase for the dramatic talents of a very talented city". Speaking to
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Please help update this article to reflect recent events or newly available information.
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housed the rest of this year's plays across its "Blue", "Funktion" and "Round" spaces.
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was graced with the Alpha Award for Best Newcomer (which 24:7 itself won in 2004), and
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970:"24:7 theatre festival | Theatre review | Stage | The Guardian"
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656:. A sketch competition offered a mentoring session with Gill Isles at
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David Slack devised the idea behind 24:7 when he was performing at the
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a one-man performance from the 2013 festival won best new play at the
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as well as Best Fringe Performance for actor and co-writer Rob Ward.
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The third festival rode on the back of the successes of the first.
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and a variety of pubs, clubs and bar spaces across the city centre.
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featuring the Pagoda Chinese Youth Orchestra was broadcast live on
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around Exchange Square in Manchester and Chapel Street in Salford.
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directly after the festival, and further shows were revived at
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24:7 Theatre: What Next for the Festival? And a Fun Fundraiser
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1231:"News: Spotlight on the Manchester Theatre Awards shortlist"
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a few months later. Again, several shows won awards at the
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dubbed it "an eagerly awaited annual cultural event", and
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Two of this year's shows also went on to win at the
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1288:"Theatre news: 24:7 celebrates its latest award"
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1096:. Archived from the original on 24 January 2015
1094:"News: Who will win Manchester Theatre Awards?"
1129:eNews@247theatrefestival (19 November 2014),
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327:Manchester Evening News Theatre Awards
866:24:7 Theatre Festival 2015 and beyond
669:The Inconsistent Whisper of Insanity
561:, then owned by corporate sponsors,
525:were cast in productions. One show,
385:by Jeff Morris and Peter Sudworth,
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44:adding citations to reliable sources
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888:Queen's Award for Voluntary Service
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761:and the Vicky Allen Equity Award.
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1334:"247 Theatre Festival Manchester"
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873:Manchester International Festival
1313:"This is now just an archive..."
886:In 2016 the festival received a
769:This year's planned plays were:
611:The current decade: 2010–present
421:by Anna Baatz and Cathy Shiel,
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329:as 24:7 scooped Best Newcomer.
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798:Night on the Field of Waterloo
581:and artist, poet and musician
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1390:Festivals established in 2004
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588:With the casting of TV actor
1370:Theatre festivals in England
1338:www.247theatrefestival.co.uk
644:, featured an appearance by
468:won Best Fringe Production.
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577:and performances from poet
466:The Judgement of Mr Jenkins
417:by Sarah McDonald Hughes,
403:The Judgement of Mr Jenkins
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830:24:7 Theatre Festival 2014
792:at Ancoat's Fire station,
774:Billy, the Monster and ME!
765:24:7 Theatre Festival 2013
749:24:7 Theatre Festival 2012
690:24:7 Theatre Festival 2011
616:24:7 Theatre Festival 2010
553:24:7 Theatre Festival 2009
496:24:7 Theatre Festival 2008
472:24:7 Theatre Festival 2007
462:Divas & Double Glazing
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333:24:7 Theatre Festival 2005
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729:) wrote and starred in
594:Manchester Evening News
527:A Dog Called Redemption
381:by Yvonne Pinnington,
278:Manchester City Council
248:was an annual event in
55:"24:7 Theatre Festival"
721:The Rainbow Connection
699:Peggy and the Spaceman
640:. The latter's work,
1292:British Theatre Guide
705:. Television actress
529:, transferred to the
415:A Song for the Lovers
246:24:7 Theatre Festival
159:24:7 Theatre Festival
1322:– via Twitter.
814:Manchester's Burning
790:Manchester's Burning
739:BBC Radio Manchester
658:Baby Cow Productions
411:After The Blood Rush
356:All About Manchester
274:Arts Council England
40:improve this article
877:We Are The Mulitude
860:John Weaver (actor)
715:) and T4 presenter
684:Southwark Playhouse
642:A Lady of Substance
425:by Rina Silverman,
393:by Neil A. Edwards
950:. 15 February 2007
449:by Diane Whitley.
379:Cold Light Singing
282:Manchester Airport
232:247theatrefestival
1344:on 17 August 2022
836:New Century House
603:on The Cut, near
559:New Century House
541:and Manchester's
519:Coronation Street
437:by Claire Berry,
413:by Conor McKee,
391:Canaveral's Lurch
389:by Bailey Lock,
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360:Tony Wilson
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219:Most recent
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