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1860 in animation

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in one tenth of a second and that a mechanism was possible "by which a prepared plate may be presented, focused, impressed, displaced, secured in the dark, and replaced by another within two or three tenths of a second". Apparently without knowledge of previous developments in the field, Herschel
254:" (sic) could very well be adapted into a viewer for stereoscopic motion photography pairs. He also had high hopes for the development of colour photography, since he himself had already obtained promising results. 316:. These smaller lanterns had smaller glass sliders, which instead of wooden frames usually had colorful strips of paper glued around their edges. Their images were printed directly on the glass. 340:, English artist (Wain made a short-lived venture into film animation, drawing the first ever screen cartoon cat, "Pussyfoot". His cartoons were not a cinema success), (d. 1728: 225:. It could "exhibit drawings, models, single or stereoscopic photographs, so as to animate animal movements, or that of machinery, showing various other 312:
began to make magic lanterns more widely available and affordable. Much of the production in the latter half of the 19th century concentrated in
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with two lenses, usually one above the other, and has since been used to project photographic images.In comparison to regular magic lanters, the
637: 209:. His devices included a version that used an endless band of pictures running between two spools which was intermittently lit by an 88: 63: 363: 393: 373: 501: 424: 630: 245:
representation of scenes in action. He figured that photography could already, or would soon be able to take
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added more powerful light sources to optimize the projection of photographic slides.
608:. London: Michael O'Mara Books Limited in association with Chris Beetles Limited. 309: 278: 251: 390:"Medals and Honourable Mentions Awarded by the International Juries: With a ..." 289: 210: 1743: 561: 266: 258: 238: 129: 217:
later received an honourable mention "for ingenuity of construction" at the
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Handbook to the industrial department of the International exhibition, 1862
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from the original on July 24, 2020 – via Internet Archive.
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Stereoscopic Cinema and the Origins of 3-D Film, 1838-1952
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and businessman John Fallon improved a large biunial
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From Peep Show to Palace: The Birth of American Film
485: 1741: 631: 392:Her Majesty's Commissioners. April 10, 1862. 288:Through the mid-19th century, the market for 638: 624: 425:"The photographic news. v.3–4 (1859–1860)" 483: 599: 597: 595: 296:, with production focused primarily on 190:received British patent no. 537 for 28 1742: 645: 619: 518:"Biunial and Triunial Magic Lanterns" 603: 592: 543:"A Refersher on German Toy Lanterns" 540: 441: 406: 361: 13: 14: 1761: 606:Louis Wain: the man who drew cats 447: 368:. University Press of Kentucky. 568: 534: 510: 477: 417: 400: 382: 362:Zone, Ray (February 3, 2014). 355: 1: 452:– via www.academia.edu. 348: 219:1862 International Exhibition 205:devices, much like the later 17: 7: 10: 1766: 1694: 1631: 1568: 1505: 1442: 1379: 1316: 1253: 1190: 1127: 1064: 1001: 938: 875: 812: 749: 686: 653: 550:The Magic Lantern Gazette 494:Columbia University Press 378:– via Google Books. 327: 322: 177: 484:Robinson, David (1996). 604:Dale, Rodney (1991) . 465:Cite journal requires 188:Peter Hubert Desvignes 580:Magic Lantern Society 407:Hunt, Robert (1862). 233:Specific date unknown 308:. By 1860, however, 292:was concentrated in 277:'. The device was a 647:Years in animation 541:Koch, Joe (2009). 79: ·  73: ·  23:Years in animation 1750:1860 in animation 1737: 1736: 375:978-0-8131-4589-1 172:1860 in animation 168: 167: 1757: 640: 633: 626: 617: 616: 610: 609: 601: 590: 589: 587: 586: 576:"Lantern Slides" 572: 566: 565: 547: 538: 532: 531: 529: 528: 514: 508: 507: 491: 481: 475: 474: 468: 463: 461: 453: 448:Treen, Kristen. 445: 439: 438: 436: 435: 421: 415: 414: 404: 398: 397: 386: 380: 379: 359: 273:, and named it ' 269:, imported from 18: 1765: 1764: 1760: 1759: 1758: 1756: 1755: 1754: 1740: 1739: 1738: 1733: 1690: 1627: 1564: 1501: 1438: 1375: 1312: 1249: 1186: 1123: 1060: 997: 934: 871: 808: 745: 682: 649: 644: 614: 613: 602: 593: 584: 582: 574: 573: 569: 545: 539: 535: 526: 524: 516: 515: 511: 504: 482: 478: 466: 464: 455: 454: 446: 442: 433: 431: 423: 422: 418: 405: 401: 388: 387: 383: 376: 360: 356: 351: 330: 325: 310:mass production 279:slide projector 252:phenakistoscope 241:envisioned the 180: 12: 11: 5: 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Desvignes' 212: 208: 204: 201: 197: 193: 189: 185: 182: 181: 175: 173: 164: 160: 156: 152: 151: 146: 142: 138: 135: 133: 131: 127: 126: 123: 119: 115: 111: 110: 105: 101: 97: 94: 92: 90: 86: 85: 82: 78: 77: 72: 69: 67: 65: 61: 60: 57: 53: 49: 45: 44: 39: 35: 31: 28: 26: 24: 20: 19: 16: 695: 605: 583:. Retrieved 579: 570: 553: 549: 536: 525:. Retrieved 521: 512: 487: 479: 458:cite journal 443: 432:. 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Index

Years in animation
1857
1858
1859
1860
1861
1862
1863
Centuries
18th century
19th century
20th century
Decades
1830s
1840s
1850s
1860s
1870s
1880s
1890s
Years
1857
1858
1859
1860
1861
1862
1863
Peter Hubert Desvignes
monocular

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