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radical form of this shape that would become popular in the early 1900s. These gowns typically did not have a long train in the back, which was different from the gowns worn in the 1870s, and were extremely tight. They were known as the "hobble-skirt" due to the tightness of them. Winter gowns were made in darker hues whereas summer ones were made in lighter colors. Velvet was also a very popular fabric used during this period.
316:
1059:
1269:
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were worn for work and play. When going out, especially in the winter, girls wore many layers to keep warm. A warm coat was worn with kid leather gloves. Gloves were worn under a muff hand warmer, so when the girl removed her hands from the muff, her gloves would keep them warm. Just like ladies, all
214:
remained an undercurrent in
Bohemian circles throughout the 1880s. In reaction to the heavy drapery and rigid corseting of mainstream Paris fashion, aesthetic dress focused on beautiful fabrics made up simply, sometimes loosely fitted or with a belt at the waist. Aesthetic ideas influenced the
384:
has fitted bodice with a low point in front. The front of the skirt is cutaway and the back is looped up after the fashion of the 1780s. It is shown over a gored skirt with ruffles. Throughout the century, younger teenage girls ("misses" in fashion plates) wore their skirts just above their
97:
As in the previous decade, emphasis remained on the back of the skirt, with fullness gradually rising from behind the knees to just below the waist. The fullness in back was balanced by a fuller, lower chest, achieved by rigid corseting, creating an S-shaped silhouette, foreshadowing the more
151:
returned to fashion and reached its greatest proportions c. 1886β1888, extending almost straight out from the back waist to support a profusion of drapery, frills, swags, and ribbons. The fashionable corset created a low, full bust with little separation of the breasts.
960:
1846:
930:
167:
with attached knee- or calf-length drawers, worn under the corset, bustle, and petticoat. Woolen combinations were recommended for health, especially when engaging in fashionable sports.
363:
758:
was popular for shooting and rugged outdoor pursuits. It was made of sturdy tweed or similar fabric and featured paired box pleats over the chest and back, with a fabric belt.
626:
wears a gown fastened in back, without a bustle, signalling the styles of the next decade. Her hair is twisted into a small knot on top of her head and is worn with a curly
779:
By the 1880s the majority of the working class, even shepherds, adopted jackets and waistcoats in fustian and corduroy with corduroy trousers, giving up their smock frocks.
751:, which featured a shawl collar with silk or satin facings, and one or two buttons. Dinner jackets were appropriate when "dressing for dinner" at home or at a men's club.
199:
costumes consisting of a long jacket and skirt were worn for travel or walking; these were worn with the bustle and a small hat or bonnet. Travelers wore long coats like
1405:
107:
was a revival style based on a fashion of the 1780s, with a fitted, cutaway overdress caught up and draped over an underskirt. Long, jacket-like fitted bodices called
1494:
679:
showing two young ladies dressed according to the latest
Western fashions of time — except that the colors and designs of the fabrics are to Japanese tastes.
1923:
573:
992:
portrays him in walking clothes. His coat with a waist seam and skirts cutaway in a smooth curve is worn with matching trousers and collared waistcoat, 1882.
1041:
upper-class
Victorian girls wore gloves when going out. A hat or bonnet was worn as well, along with long, knee-length button-up boots or shorter boots with
676:
588:
354:
wears a long, fitted jacket with three-quarter-length striped sleeves over a matching striped skirt. A nosegay of flowers is pinned at her waist, c. 1880.
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38:
was replaced by a full, curvy silhouette with gradually widening shoulders. Fashionable waists were low and tiny below a full, low bust supported by a
607:
1428:
558:
wears the fashionable neckline of mid-decade, wide at the bust and narrower at the shoulder. Flowers trim her bodice, hair, and draped skirt, 1885.
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1423:
976:
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1941:
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remained a dark tail coat and trousers with a dark waistcoat. Evening wear was worn with a white bow tie and a shirt with a winged collar.
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which is both strongly influenced by menswear and bustled. Hair is upswept, with bangs. Elbow-length gloves meet the shorter sleeves.
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was usually pulled back at the sides and worn in a low knot or cluster of ringlets; later hair was swept up to the top of the head.
80:
Summer dresses of 1882 show
Aesthetic influence in the small-scale floral prints. The straw hat frames the fashionable frizzled hair.
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58:
The fashionable corseted figure of 1883. Hair is swept up to the top of the head, and the front hair is frizzled over the forehead.
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wearing shorter skirts and a complete lack of a bustle (acceptable for poorer rural frontier women and/or paid public performers).
401:, 1884. Her habit has the fashionable corseted silhouette, with a simpler skirt suited for riding, tall shirt collar, and top hat.
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1012:(front row, second from left) wears a three-piece "ditto" suit with contrasting binding around the coat collar and lapel, 1883.
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wears a grey frock coat and matching trousers with a grey top hat, 1880. The coat has two covered buttons at the back waist.
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remained fashionable throughout the decade, usually curled or frizzled over the forehead, often called "Josephine Curls."
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Skirts were looped, draped, or tied up in various ways, and worn over matching or contrasting colored underskirts. The
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dress of c. 1885 the "back shelf" bustle. The bodice is draped up at both sides and worn over a matching underskirt.
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In contrast, hunting costumes were far more fashionably styled, with draped ankle-length skirts worn with boots or
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wears a dark frock coat, a decorative double-breasted waistcoat, and a narrow bow tie. Montreal, after 1882.
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were worn for most occasions; tweed or woollen breeches were worn for hunting and other outdoor pursuits.
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and veil. They were worn without bustles, but the cut of the jacket followed the silhouette of the day.
1384:
2nd edition, A & C Black (Publishers) Ltd; Chicago: New
Amsterdam Books, 2000. (Excerpts online at
1190:
732:
was still worn for formal day occasions in Europe and major cities elsewhere, with a dress shirt and an
610:
feature full busts, large "shelf" bustles, and wide shoulders. Gloves reach the elbow or slightly above.
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1946:
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wears a dark coat, waistcoat, and trousers with a stiff-fronted and stiff-collared shirt, German, 1881.
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except for their ribbons tied under the chin; both had curvy brims. Sometimes people wore ribbons too.
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were turned over or pressed into "wings". Dress shirts had stiff fronts, sometimes decorated with
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Young girls wore dresses with round collars and sashes. Fashionable dresses had dropped waists.
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conducts in formal evening wear (dark coat, trousers, and waistcoat, white shirt and tie), 1887.
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and soft felt hats in a variety of shapes were worn for more casual occasions, and flat straw
809:
Narrow ribbon ties were tied in a bow, and white bowtie was correct with formal evening wear.
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721:(called in the UK a "lounge suit") continued as an informal alternative to the contrasting
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had become a "uniform" of matching jacket and skirt worn with a high-collared shirt or
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is swept up into a knot, with the front hair curled and frizzled over the forehead.
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in
Western and Western-influenced countries is characterized by the return of the
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Patterns of
Fashion 2: Englishwomen's Dresses and Their Construction C.1860β1940
54:
2020:
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219:, a frothy confection increasingly worn in the home, even to receive visitors.
211:
1418:
Reforming
Fashion, 1850-1914: Politics, Health, and Art, Ohio State University
114:
Gowns were sleeveless and low-necked (except for matrons), and were worn with
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2014:
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wears a princess-line gown trimmed with ruched panels and ruffles, c. 1882
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by F. Pinet, Paris, c. 1885. Los
Angeles County Museum of Art, M.58.4a-b
84:
46:
was founded in 1881 in reaction to the extremes of fashionable corsetry.
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shows the return of the bustle: the tight overdress is looped up behind.
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1342:, Wace 1966, Macmillan 1972. Revised metric edition, Drama Books 1977.
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show dresses made of contrasting fabrics worn with "shelf" bustles and
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History of
Costume from the Ancient Egyptians to the Twentieth Century
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wears a narrow necktie tied in a bow with his dark suit, German, 1881.
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66:
Princess-line walking dress (left) and hunting costume (right) from
1395:, Harper & Row, 1965. No ISBN for this edition; ASIN B0006BMNFS
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Portrait of Lady Meux (1881β1882) shows the fashionable full bosom.
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772:, often with contrasting velvet or fur collars, and calf-length
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wears a high-necked black satin costume trimmed with beaded
832:
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of practical women's attire is seen in this poster showing
227:
1406:
1880s Fashion Plates of men, women, and children's fashion
1008:
wear their coats with only the high top button fastened.
241:
743:
In mid-decade, a more relaxed formal coat appeared: the
139:, who wore this fashion to disguise a scar on her neck.
696:
wears a topcoat or overcoat with a velvet collar, 1887.
1441:
What Victorians Wore: An Overview of Victorian Costume
1502:
1264:
967:. His shirt collar has softly curled wings, c. 1880.
829:
were worn for yachting and other nautical pastimes.
821:
remained a requirement for upper class formal wear;
203:
to protect their clothes from dirt, rain, and soot.
88:
Front and back views of a traveling coat, c. 1880β81
802:was the four-in-hand and or the newly fashionable
2012:
1354:The Art of Dress: Clothing and Society 1500β1914
835:of the 1880s had higher heels and a narrow toe.
700:
111:were also popular for clothing during the day.
1045:to give the appearance of wearing long boots.
1488:
1408:from The Metropolitan Museum of Art Libraries
116:long over the elbow or shoulder length gloves
709:", consisting of a sack coat with matching
1495:
1481:
405:
247:
222:
1429:Bustle, corset and combination, 1884-1890
1326:. London: Unwin Hyman. pp. 121β122.
1215:Freeholders of Ruokolahti, Finland, 1882
1052:and jackets with round-collared shirts.
687:
634:
135:were fashionable under the influence of
83:
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53:
18:
391:of 1883 show fashionable rear fullness.
2013:
1366:Black, J. Anderson and Madge Garland:
1321:
782:
1476:
1031:
1541:Prehistory of nakedness and clothing
1451:Fashion, Jewellery & Accessories
604:wears a high-necked day dress, 1887.
574:"Woman with a fan made of feathers"
34:. The long, lean line of the late
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1517:History of clothing and textiles
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16:Costume and fashion of the 1880s
1924:impact of the COVID-19 pandemic
1468:Children's fashion of the 1880s
562:Pair of embroidered suede boots
1447:"19th Century Women's Fashion"
1382:Fashion in Costume, 1200β2000,
1324:Fashion Accessories Since 1500
1315:
1160:Boy 5 years old in skirt. 1887
812:
1:
1308:
1303:Svenska drΓ€gtreformfΓΆreningen
1255:Cowboy, c. 1888, South Dakota
358:Sketch of an extremely modish
1048:Older boys wore knee-length
795:, and buttoned up the back.
701:Coats, jackets, and trousers
170:
142:
137:Alexandra, Princess of Wales
7:
1840:1920sβ1950s Western fashion
1770:1830sβ1910s Western fashion
1707:1500sβ1820s Western fashion
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961:Painter John Singer Sargent
92:
10:
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1455:Victoria and Albert Museum
1434:Navy wool tea gown c. 1889
988:of agricultural scientist
725:, waistcoat and trousers.
352:Leona Barel of New Orleans
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1522:History of fashion design
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1424:Olive wool tea gown, 1882
963:wears a formally pleated
648:1 β second half of decade
370:August 1882 fashion plate
1847:Suffrage Movement period
1322:Warren, Geoffry (1987).
624:Vicomtesse De Montmorand
23:Paris fashion, 1883β1885
1506:of clothing and fashion
1293:Artistic Dress movement
406:Style gallery 1885β1889
248:Style gallery 1880β1884
223:Hairstyles and headgear
1288:Victorian dress reform
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602:Princess Alix of Hesse
395:The Empress of Austria
89:
81:
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44:Rational Dress Society
24:
1935:By country and region
996:George Etiene Cartier
971:Hermann von Helmholtz
776:were worn in winter.
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635:Atypical high-fashion
364:Georgiana Burne-Jones
87:
79:
65:
57:
22:
1902:2000βpresent fashion
1368:A History of Fashion
1275:Victorian era portal
1243:French reapers, 1886
705:Three piece suits, "
1942:Indian subcontinent
1871:1960s-1990s fashion
783:Shirts and neckties
736:. The most formal
556:Madame Paul Poirson
552:, M.2007.211.34a-b.
1298:Corset controversy
1032:Children's fashion
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1386:The Victorian Web
1352:Ashelford, Jane:
1283:Victorian fashion
1227:Baseball pitcher
990:John Bennet Lawes
817:As in the 1870s,
591:La Mode IllustrΓ©e
583:Hairstyle of 1887
382:Misses' Polonaise
69:La Mode IllustrΓ©e
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1412:1880s Fashion
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176:Riding habits
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28:1880s fashion
21:
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1458:. Retrieved
1450:
1392:
1381:
1380:Nunn, Joan:
1367:
1353:
1339:
1323:
1317:
1196:Russia, 1888
1124:France, 1885
1076:France, 1881
1047:
1035:
1018:summer 1883.
983:
831:
816:
808:
797:
786:
778:
768:Knee-length
767:
761:Full-length
760:
753:
742:
730:morning coat
728:The cutaway
727:
714:
704:
671:Annie Oakley
596:opera-length
590:
399:riding habit
236:
226:
210:
195:
188:
174:
161:combinations
160:
157:undergarment
154:
146:
124:
113:
102:
100:
96:
67:
27:
26:
1978:By clothing
1641:Western Xia
1631:Jurchen Jin
1613:Anglo-Saxon
1606:Middle Ages
1551:Han Chinese
1112:Paris, 1883
984:Vanity Fair
864:2 β c. 1880
852:1 β c. 1880
813:Accessories
793:shirt studs
707:ditto suits
467:5 β c. 1886
443:3 - c. 1885
285:3 β c. 1882
159:was called
2015:Categories
1698:Vietnamese
1656:400sβ1000s
1460:2007-12-09
1309:References
1010:Wyatt Earp
1006:Dodge City
798:The usual
723:frock coat
376:Whistler's
240:resembled
180:chemisette
122:or suede.
1862:1945β1960
1857:1930β1945
1819:Edwardian
1777:Victorian
1749:1795β1820
1744:1775β1795
1739:1750β1775
1734:1700β1750
1729:1650β1700
1724:1600β1650
1719:1550β1600
1714:1500β1550
1693:Tocharian
1618:Byzantine
1231:, c. 1885
1229:Dan Casey
1136:1885β1886
1038:Pinafores
965:Ascot tie
948:9 - 1887
936:8 - 1883
924:7 - 1883
804:Ascot tie
774:overcoats
734:ascot tie
711:waistcoat
692:Engineer
546:Two-piece
539:11 β 1889
527:10 β 1888
182:, with a
171:Outerwear
143:Underwear
129:necklaces
104:polonaise
2000:Swimwear
1964:Thailand
1622:Chinese
1588:Thracian
1573:Biblical
1563:Egyptian
1504:Timeline
1420: :
1261:See also
1050:breeches
1022:Composer
900:5 β 1882
888:4 β 1881
876:3 β 1881
819:top hats
770:topcoats
763:trousers
719:trousers
660:2 β 1887
515:9 β 1888
503:8 - 1887
491:7 β 1887
479:6 β 1887
455:4 β 1886
431:2 β 1885
419:1 β 1885
345:8 β 1884
333:7 β 1883
321:6 β 1883
309:5 β 1882
297:4 β 1882
273:2 β 1881
261:1 β 1880
217:tea gown
197:Tailored
165:camisole
118:of fine
93:Overview
1688:Ottoman
1652:Europe
1648:English
1533:Ancient
1043:gaiters
827:boaters
823:bowlers
800:necktie
789:collars
630:, 1889.
620:, 1888.
385:ankles.
238:Bonnets
201:dusters
191:gaiters
184:top hat
120:kidskin
109:basques
72:, 1880.
42:. The
1990:Corset
1985:Bikini
1683:Korean
1374:
1360:
1346:
1002:Lawmen
986:sketch
787:Shirt
749:tuxedo
717:) and
713:(U.S.
568:Outfit
149:bustle
126:Choker
40:corset
32:bustle
2021:1880s
1957:Meiji
1952:Japan
1947:Italy
1919:2020s
1914:2010s
1909:2000s
1893:1990s
1888:1980s
1883:1970s
1878:1960s
1852:1920s
1829:1910s
1824:1900s
1812:1890s
1807:1880s
1802:1870s
1797:1860s
1792:1850s
1787:1840s
1782:1830s
1761:1820s
1676:1400s
1671:1300s
1666:1200s
1661:1100s
1583:Roman
1578:Greek
1568:Inuit
1546:China
1416:From
833:Shoes
397:in a
36:1870s
1995:Hide
1636:Yuan
1626:Liao
1372:ISBN
1358:ISBN
1344:ISBN
1184:1887
1100:1882
1088:1882
754:The
715:vest
242:hats
228:Hair
163:, a
147:The
131:and
1556:Shu
1004:of
747:or
2017::
1453:.
1449:.
1338::
193:.
1496:e
1489:t
1482:v
1463:.
1388:)
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