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6012:"One must stress the obvious point that since Korean Buddhist art is directly based on developments in China, ultimately a study of Korean influence on Japan must be rooted in an understanding of the Chinese impact on Korea.""Since the territory of the Northern Wei was adjacent to that of Koguryo, it is natural that the Buddhist ideas and art current at the Northern Wei court would flow directly to Koguryo. ""It should also be pointed out that there was considerable influence from Koguryo on the southern kingdoms of Paekche and Silla even though Paekche also received direct influence from south China, as was mentioned above." "I have argued that various groups, including official envoys, monks, and students, as well as Korean settlers, were responsible for bringing Korean icons to Japan."
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serve as differing terms. Wabi stands for fresh, simple work, denoting all complication and having a very rustic feel to all it relates too. Being made from nature and made from man itself in a tandem. If made by accident, it brings about a certain uniqueness to the work. Sabi is beauty and how it originates from age. The cycle of life plays a great role in sabi, adding to the aesthetic that sense of beauty in works that receive mending damage from aging over time. When bringing wabi and sabi together, it creates the aesthetic that every simple piece developed does not require a complicated design. Nor does it require absolute completeness for beauty to be found in it, and with age comes more delicate beauty.
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method of the reproduction of printed text until further innovations allowed for color to be translated on paper or better known as Nishik-e prints. Wood block printing was the common method of printing from the eleventh until the nineteenth century. Nishiki-e prints produced goods such as calendars that were commonly sold to wealthy members of society during the Edo period. In the Edo period these prints were depicted events and scenes of prominent actors. Ukiyo then was associated to woodblock printing in the early Edo period. These Ukiyo paintings depicted daily lives of prominent members of society. Ukiyo first started out as hand sculpted scrolls depicted life as a normal commoner.
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2144:), marks a turning point in Muromachi painting. Executed originally for a low-standing screen, it has been remounted as a hanging scroll with inscriptions by contemporary figures above, one of which refers to the painting as being in the "new style". In the foreground a man is depicted on the bank of a stream holding a small gourd and looking at a large slithery catfish. Mist fills the middle ground, and the background mountains appear to be far in the distance. It is generally assumed that the "new style" of the painting, executed about 1413, refers to a more Chinese sense of deep space within the picture plane.
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3459:." Over the course of the 1960s, the Japanese economy grew by over 10% per year. Rising wealth created a new class of consumers who could afford to spend money on art and support different types of art and artists. For the first time in Japan's modern history, it became viable for significant numbers of artists to make a living purely through selling their art. The 1960s construction boom in Japan, which leveled the old wood-and-paper traditional Japanese architecture and replaced it with sparkling mega-cities of glass and steel, helped inspire brand new schools of Japanese architecture, such as the
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5518:, which provides both institutional and individual grants, effects scholarly exchanges, awards annual prizes, supported publications and exhibitions, and sends traditional Japanese arts groups to perform abroad. The Arts Festival held for two months each fall for all the performing arts is sponsored by the Agency for Cultural Affairs. Major cities also provides substantial support for the arts; a growing number of cities in the 1980s had built large centers for the performing arts and, stimulated by government funding, were offering prizes such as the
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5397:, which produced many of Japan's late 20th-century innovative young artists. Traditional training in the arts, derived from Chinese traditional methods, remains; experts teach from their homes or head schools working within a master-pupil relationship. A pupil does not experiment with a personal style until achieving the highest level of training, or graduating from an arts school, or becoming head of a school. Many young artists have criticized this system as stifling creativity and individuality. A new generation of the
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nations to open the country to foreign trade. One of the dominant themes in the Edo period was the repressive policies of the shogunate and the attempts of artists to escape these strictures. The foremost of these was the closing of the country to foreigners and the accoutrements of their cultures, and the imposition of strict codes of behaviour affecting every aspect of life, the clothes one wore, the person one married, and the activities one could or should not pursue.
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imperfections such as incomplete work holds undeniable beauty. However, not everyone, of course, favors the idea behind wabi-sabi. While this is true, there are many who wish to keep the belief alive despite what others believe. Overall, wabi-sabi seems to be a very mindful approach to everyday life. A calm way to see things, and a way to live without coming off as judgmental. When understanding wabi-sabi, there are terms that strongly relate to the aesthetic as well.
2804:, The introduction of Western cultural values led to a dichotomy in Japanese art, as well as in nearly every other aspect of culture, between traditional values and attempts to duplicate and assimilate a variety of clashing new ideas. This split remained evident in the late 20th century, although much synthesis had by then already occurred, and created an international cultural atmosphere and stimulated contemporary Japanese arts toward ever more innovative forms.
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1920:, where it remained until 1333. With the shift of power from the nobility to the warrior class, the arts had to satisfy a new audience: men devoted to the skills of warfare, priests committed to making Buddhism available to illiterate commoners, and conservatives, the nobility and some members of the priesthood who regretted the declining power of the court. Thus, realism, a popularizing trend, and a classical revival characterize the art of the
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as popular as the rest which may be newer compared to miyabi. It is a term that is also used to express aristocratic culture. Miyabi eliminates all forms of rudeness and crudity from the culture. This brings about the proper picture and form of aristocratic culture. Miyabi brings about these changes. Miyabi ensures that refinement of love, literature, feeling, and art is celebrated within the
Japanese culture. Refinement is welcomed.
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5427:. It also supports both national and local arts and cultural festivals, and it funds traveling cultural events in music, theater, dance, art exhibitions, and filmmaking. Special prizes are offered to encourage young artists and established practitioners, and some grants are given each year to enable them to train abroad. The agency funds national museums of modern art in Kyoto and Tokyo and
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3838:, or Japanese-style, scroll painting, perhaps one reason why modern filmmaking has been such a natural and successful art form in Japan. Suggestion is used rather than direct statement; oblique poetic hints and allusive and inconclusive melodies and thoughts have proved frustrating to the Westerner trying to penetrate the meanings of literature, music, painting, and even everyday language.
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3864:). Zen thought also contributed a penchant for combining the unexpected or startling, used to jolt one's consciousness toward the goal of enlightenment. In art, this approach was expressed in combinations of such unlikely materials as lead inlaid in lacquer and in clashing poetic imagery. Unexpectedly humorous and sometimes grotesque images and motifs also stem from the Zen
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ceramics found during this period, it is evident that they had a stable economy and more leisure time. In addition, the people of the Middle Jōmon period differed from their ancestors in their development of vessels for specific functions, for example, pots for storage. The decorations on these vessels were more realistic than those on early Jōmon ceramics.
1783:), in which multiple pieces of wood are carved out like shells and joined from the inside. Applied to the walls of the hall are small relief carvings of celestials, the host believed to have accompanied Amida when he descended from the Western Paradise to gather the souls of believers at the moment of death and transport them in lotus blossoms to Paradise.
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5992:"Needless to say, the influence of Greek art on Japanese Buddhist art, via the Buddhist art of Gandhara and India, was already partly known in, for example, the comparison of the wavy drapery of the Buddha images, in what was, originally, a typical Greek style" (Katsumi Tanabe, "Alexander the Great, East-West cultural contacts from Greece to Japan", p19)
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6069:"The Japanese wind god images do not belong to a separate tradition apart from that of their Western counterparts but share the same origins. ... One of the characteristics of these Far Eastern wind god images is the windbag held by this god with both hands, the origin of which can be traced back to the shawl or mantle is worn by
3387:" in Japanese"), due to the extremely passive role played by the supposedly "vanguard" Communist Party. When the protests failed to stop the treaty, a round of recriminations led to further disillusionment with the Communist Party and socialist realist art, causing many more artists to break away from the Party's influence.
3503:, Japanese individuals and institutions became major players in the international art market. Extraordinarily wealthy Japanese mega-corporations began constructing their own private art museums and acquiring collections of modern and contemporary art, and Japanese artists greatly benefited from these expenditures as well.
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3534:, which so many younger artists had grown up immersed in, exerted an increasing if sometimes quite subtle influence. Above all, artists eschewed anything redolent of "high art" or "fine art" in favor of the personal, the eclectic, the fantastic or phantasmagoric, and the playful. In edition, female artists such as
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3335:), as in "vanguard of the communist revolution," happens to be the same word used for "avant-garde" as in the artistic avant-garde. The Japan Communist Party soon came to dominate the major art societies and exhibitions in Japan, and thus the predominant form of art in the immediate aftermath of the war was
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subject matters in traditional styles, while others explore new and different motifs and styles, or create hybrids of traditional and contemporary art forms, while using traditional media or materials. Still others eschew native media and styles, embracing
Western oil paints or any number of other forms.
3139:, created in the Edo period, became popular for its showy style, inlaid with gold, silver, shellfish, ivory, and colorful metal and glass, and reached its peak during this period. Lacquer from Japanese workshops was recognised as technically superior to what could be produced anywhere else in the world.
1576:. This last structure is of great importance as an art-historical cache, because in it are stored the utensils that were used in the temple's dedication ceremony in 752, the eye-opening ritual for the Rushana image, as well as government documents and many secular objects owned by the Imperial family.
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This is an aesthetic that originated from the Noh
Theatre and even appeared in the 14th century. It is used in different art forms in Japan even still today. It is a movement that has been applied in several different arts with jo, ha, and kyu standing for individual things to make up its definition:
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The diagonal, reflecting a natural flow, rather than the fixed triangle, became the favored structural device, whether in painting, architectural or garden design, dance steps, or musical notations. Odd numbers replace even numbers in the regularity of a
Chinese master pattern, and a pull to one side
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and enamel. These wares were highly praised in the West. Seen in the West as distinctively
Japanese, this style actually owed a lot to imported pigments and Western influences, and had been created with export in mind. Workshops in many cities raced to produce this style to satisfy demand from Europe
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At the start of the Meiji era, Japanese metalwork was almost totally unknown outside the country, unlike lacquer and porcelain which had previously been exported. Metalwork was connected to
Buddhist practice, for example in the use of bronze for temple bells and incense cauldrons, so there were fewer
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The Middle Jōmon period (2500–1500 BCE), differed from the Early Jōmon Period in many ways. These people were less nomadic and began to settle in villages. They created useful tools that to process the food they gathered and hunted, which made life easier. Through the numerous aesthetically pleasing
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During the Early Jōmon period (5000–2500 BCE), villages started to be discovered and ordinary everyday objects were found such as ceramic pots for boiling water. The pots found during this time had flat bottoms and elaborate designs made out of materials such as bamboo. It is believed that some early
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has broken with this tradition, often receiving its training in the West. In the traditional arts, however, the master-pupil system preserves the secrets and skills of the past. Some master-pupil lineages can be traced to the
Kamakura period, from which they continue to use a great master's style or
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Shibui is coming to understand an object or an art piece for what it is. Locating simple and subtle beauty in certain things is a goal when it comes to designing or reviewing certain designs. In many ways, shibui is very similar to wabi-sabi but is not wabi-sabi. Shibui appreciates items and objects
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This aesthetic in
Japanese culture is known for many things such as beauty in all things, even those that are imperfect. Modesty and unconventional things are what are seen as the wabi-sabi aesthetic. Wabi and sabi both make up the aesthetic of beauty in incompleteness together. When separated, both
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is just one of many modern
Japanese sculptors. He works primarily in clay pottery and ceramics, creating works that are very simple and straightforward, looking like they were created out of the earth itself. Another sculptor, using iron and other modern materials, built a large modern art sculpture
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Japanese contemporary art takes as many forms and expresses as many different ideas as worldwide contemporary art in general. It ranges from advertisements, anime, video games, and architecture as already mentioned, to sculpture, painting, and drawing in all their myriad forms. Japanese artists have
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in Nara illustrate .Unkei's dynamic supra-realistic style. The images, about 8 m (about 26 ft) tall, were carved of multiple blocks in a period of about three months, a feat indicative of a developed studio system of artisans working under the direction of a master sculptor. Unkei's polychromed
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Buddha, the figure that represents the essence of
Buddhahood, just as the Tōdaiji represented the center for Imperially sponsored Buddhism and its dissemination throughout Japan. Only a few fragments of the original statue survive, and the present hall and central Buddha are reconstructions from the
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should be explained. This deity is the protector and guide of the Buddha Sakyamuni. His image was modeled after that of Hercules. ... The Gandharan Vajrapani was transformed in Central Asia and China and afterward transmitted to Japan, where it exerted stylistic influences on the wrestler-like
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Arts patronage and promotion by the government are broadened to include a new cooperative effort with corporate Japan to provide funding beyond the tight budget of the Agency for Cultural Affairs. Many other public and private institutions participate, especially in the burgeoning field of awarding
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Essentially, what this aesthetic means is that when it comes down to pieces that deal with movement, things should start slowly with proper build-up. Almost akin to how a story is told. Then once it reaches its climax, it speeds up. When it reaches its end, then that is when things begin to rapidly
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In the ongoing history of Japan, miyabi can stand for many things. However, it seems to be centered around the concept of elegance, beauty, refinement, and courtliness. For this, it is one of the older aesthetics among most of the Japanese aesthetics in the culture. That would explain why it is not
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Each of these terms are used to break down the complete understanding of wabi-sabi. It more so relates to the philosophy aspect of the entire aesthetic and how to view one's surroundings. These can allude to several things including the ideas in humans, the themes behind certain aspects of life, or
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and one of the first countries to adopt widespread cellphone use, Japanese art was among the first forms of art to critically evaluate the dramatic social effects that ubiquitous connectivity have had on society. Conversely, the amount of Japanese art distributed on the Internet meant that Japanese
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after many years of suppression by the prewar and wartime Japanese police. This had to do with the success of the Communist Party had in peddling the notion in the early postwar years that the party had been the only group in Japan to have resisted wartime militarism. In addition, the Japanese word
2547:, the latter a creator of romantic and somewhat sentimental landscape prints. The odd angles and shapes through which Hiroshige often viewed landscape, and the work of Kiyonaga and Utamaro, with its emphasis on flat planes and strong linear outlines, had a profound impact on such Western artists as
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gained undisputed control of the government in 1603 with a commitment to bring peace and economic and political stability to the country; in large measure it was successful. The shogunate survived until 1867, when it was forced to capitulate because of its failure to deal with pressure from Western
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in Nara. Constructed as the headquarters for a network of temples in each of the provinces, the Tōdaiji is the most ambitious religious complex erected in the early centuries of Buddhist worship in Japan. Appropriately, the 16.2-m (53-ft) Buddha (completed 752) enshrined in the main Buddha hall, or
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During the Late and Final Jōmon period (1500–300 BCE), the weather grew colder, prompting settlers to move away from the mountains. The main food source was fish, which led them to develop fishing tools and techniques. In addition, the increase in the number of vessels suggests that each household
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Japan has alternated between periods of exposure to new ideas, and long periods of minimal contact with the outside world. Over time the country absorbed, imitated, and finally assimilated elements of foreign culture that complemented already-existing aesthetic preferences. The earliest complex art
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Wabi-sabi has always been related to tea ceremonies in Japanese culture. It is said that these ceremonies are profound wabi-sabi events. Wabi-sabi is also related to activities such as architecture, fashion, and philosophy. All of these portions of wabi-sabi all share belief in the same theme: all
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Japanese art has also been influenced by the increasing role of the nation's mass-culture art in global pop culture. Manga, anime, video games, mass market movies and associated cultural products have continued to become larger and more influential within the world of Japanese art since the 1970s,
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wrote, "In no branch of applied art does the decorative genius of Japan show more attractive results than that of textile fabrics, and in none has there been more conspicuous progress during recent years." Very large, colourful pictorial works were being produced in Kyoto. Embroidery had become an
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has been the acknowledged teacher and Japan the devoted student. Nevertheless, several Japanese arts developed their own style, which can be differentiated from various Chinese arts. The monumental, symmetrically balanced, rational approach of Chinese art forms became miniaturized, irregular, and
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At the same time, many Japanese artists continue to use traditional Japanese artistic techniques and materials inherited from premodern times, such as traditional forms of Japanese paper and ceramics and painting with black and color ink on paper or silk. Some of these artworks depict traditional
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enamel reached a technical peak, producing items more advanced than any that had existed before. The period from 1890 to 1910 was known as the "Golden age" of Japanese enamels. Artists experimented with pastes and with the firing process to produce ever larger blocks of enamel, with less need for
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The temples erected for this new sect were built in the mountains, far away from the Court and the laity in the capital. The irregular topography of these sites forced Japanese architects to rethink the problems of temple construction, and in so doing to choose more indigenous elements of design.
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Both these terms relate to subtle, unobtrusive beauty. There are several items and objects that can be considered a part of the shibui aesthetic, not just art or fashion. It can also be people, animals, songs, movies, several different types of media can be seen as shibui. For example, a pair of
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Woodblock prints were originally used to translate Buddhist scriptures in the eighth century in Japan. Woodblock printing consist of the engraving of images or pictures on a piece of wood, which is then pressed against a piece of paper. In the eighth century woodblock was considered a convenient
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versions of her novel continued to be produced, but the nobility, attuned to the new interest in realism yet nostalgic for past days of wealth and power, revived and illustrated the diary in order to recapture the splendor of the author's times. One of the most beautiful passages illustrates the
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for the Emperor, becoming, in effect, civil dictators. Concurrently, the Kyoto nobility developed a society devoted to elegant aesthetic pursuits. So secure and beautiful was their world that they could not conceive of Paradise as being much different. They created a new form of Buddha hall, the
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Over the course of the 1950s, many Japanese artists became increasingly disillusioned with the rigid and limited definition of "art" enforced by the Communist Party. However, due to the ongoing preeminence of Communist Party members and supporters in the senior ranks of artistic societies and
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Today, Masayuki Murata owns more than 10,000 Meiji art works and is one of the most enthusiastic collectors. From that time, most of the excellent works of Meiji Art were bought by foreign collectors and only a few of them remained in Japan, but because he bought back many works from foreign
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Because of secular ventures and trading missions to China organized by Zen temples, many Chinese paintings and objects of art were imported into Japan and profoundly influenced Japanese artists working for Zen temples and the shogunate. Not only did these imports change the subject matter of
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in Philadelphia, the Japanese government created a Centennial Office and sent a special envoy to secure space for the 30,000 items that would be displayed. The Imperial Household also took an active interest in arts and crafts, commissioning works ("presentation wares") as gifts for foreign
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Throughout the 7th and 8th centuries, however, the major focus in contacts between Japan and the Asian continent was the development of Buddhism. Not all scholars agree on the significant dates and the appropriate names to apply to various time periods between 552, the official date of the
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Traditional Japanese Aesthetics are forms of beauty in Japanese culture that derive from the earliest centuries. At least over two-hundred years ago. Some of these early aesthetics make up the Japanese aesthetic as a whole: Syncretic Buddhist Art, Wabi-Sabi, Miyabi, Shibui, and Jo-ha-Kyu.
3947:, frequently marrying traditional forms and concepts with new aesthetics and anxieties of the technological present, as well as being heavily influenced by the nation's varied economic history following the Second World War. Modern Japanese art engages heavily with themes of isolation and
3027:, who encouraged Japanese artists to retain traditional themes and techniques while creating works more in keeping with contemporary taste. This was a strategy that eventually served to extend the influence of Japanese art as far as Calcutta, London, and Boston in the years leading up to
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exhibition juries, artists found it extremely difficult to even show their art unless they conformed to the Party's guidelines. Some artists shied away from formal public exhibitions. Others sought recognition, financial support, and opportunities to show their art overseas, such as the
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The Japanese began defining such aesthetic ideas in a number of evocative phrases by at least the 10th or 11th century. The courtly refinements of the aristocratic Heian period evolved into the elegant simplicity seen as the essence of good taste in the understated art that is called
5419:. The agency's budget for FY 1989 rose to ¥37.8 billion after five years of budget cuts, but still represented much less than 1 percent of the general budget. The agency's Cultural Affairs Division disseminated information about the arts within Japan and internationally, and the
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statues. Many historians portray Korea as a mere transmitter of Buddhism. The Three Kingdoms, and particularly Baekje, were instrumental as active agents in the introduction and formation of a Buddhist tradition in Japan in 538 or 552. They illustrate the terminal point of the
3069:(enclosing metal strips). Thus enamels became a more pictorial medium, with designs similar to, or copied from, traditional paintings. Enamels with a design unique to Japan, in which flowers, birds and insects were used as themes, became popular. In particular, the works of
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buddhist art had infiltrated a Korean peninsula, Buddhist icons were brought to Japan by Various immigrant groups. Particularly, the semi-seated Maitreya form was adapted into a highly developed Ancient Greek art style which was transmitted to Japan as evidenced by the
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of Japan (PEN stands for prose, essay, and narrative), a branch of an international writers' organization, was the largest of some thirty major authors' associations. Actors, dancers, musicians, and other performing artists boasted their own societies, including the
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Japan's aesthetic conceptions, deriving from diverse cultural traditions, have been formative in the production of unique art forms. Over the centuries, a wide range of artistic motifs developed and were refined, becoming imbued with symbolic significance. Like a
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for simply being. There is no complication or irrational thinking when it comes down to shibui. Akin to certain aesthetics in the Japanese culture, there are a couple of terms in relation to Shibui: shibumi is the taste of shibui; Shibusa is the state of shibui.
3985:, for example, originally was derived from traditional concepts within Japanese art dating back to the 15th century, but was explored within popular manga and anime series in postwar Japan, and today is commonly seen as central to contemporary Japanese culture.
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is a rigidly symmetrical structure replete with brightly colored relief carvings covering every visible surface. Japanese art, valued not only for its simplicity but also for its colorful exuberance, has considerably influenced 19th-century Western painting and
2577:, or bunjinga, a style based on paintings executed by Chinese scholar-painters. Just as ukiyo-e artists chose to depict figures from life outside the strictures of the Tokugawa shogunate, bunjin artists turned to Chinese culture. The exemplars of this style are
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theater. Ancient court music and dance forms deriving from continental sources were preserved through Imperial household musicians and temple and shrine troupes. Some of the oldest musical instruments in the world have been in continuous use in Japan from the
3486:, where dozens of avant-garde and conceptual artists were hired to design pavilions and artistic experiences for fair-goers. Japanese avant-garde art had gone global, and had become something even the conservative government was proud to display to the world.
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Many traditional forms of Japanese music, dance, and theater have survived in the contemporary world, enjoying some popularity through reidentification with Japanese cultural values. Traditional music and dance, which trace their origins to ancient religious
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Japanese art is characterized by unique polarities. In the ceramics of the prehistoric periods, for example, exuberance was followed by disciplined and refined artistry. Another instance is provided by two 16th-century structures that are poles apart: the
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to the southeast of Kyoto, is the exemplar of Fujiwara Amida halls. It consists of a main rectangular structure flanked by two L-shaped wing corridors and a tail corridor, set at the edge of a large artificial pond. Inside, a single golden image of Amida
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and themes expressed in these works have often mirrored the nation's current anxieties. The aesthetic language and conventions of these media have increasingly come to represent the totality of Japanese art and culture abroad as well; the aesthetic of
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that depicted the suffering of the poor and the nobility of the working class, in line with Communist Party doctrine that all art should serve the purpose of advancing the cause of revolution. In 1952, the Communist Party even ordered artists such as
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The 1970s and 1980s saw Japanese art continue in many of the directions begun in the 1950s and 1960s, but often with much bigger budgets and more expensive materials, as Japan's economy kept rapidly expanding, and eventually grew into one of the
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tree and twin pines are depicted on pairs of sliding screens in diagonally opposite corners, their trunks repeating the verticals of the corner posts and their branches extending to left and right, unifying the adjoining panels. Eitoku's screen,
2913:. Imperial patronage, government sponsorship, promotion to new audiences, and Western technology combined to foster an era of Japanese artistic innovation. In the decorative arts, Japanese artists reached new levels of technical sophistication.
964:, a style of woodblock prints, became a major form and its techniques were fine-tuned to create mass-produced, colorful pictures; in spite of painting's traditional pride of place, these prints proved to be instrumental in the Western world's
924:. In the 9th century, as the Japanese began to turn away from China and develop indigenous forms of expression, the secular arts became increasingly important; until the late 15th century, both religious and secular arts flourished. After the
5381:, organized in 1987 to maintain this art's traditional high standards, which were thought to be endangered by modern innovation. By the 1980s, however, avant-garde painters and sculptors had eschewed all groups and were "unattached" artists.
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A drawing style common in manga. In recent decades, manga has not only become globally popular, but now also defines a key Japanese aesthetic. Over time, the art styles commonly found in manga have shifted in response to artistic evolutions.
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Sōtatsu evolved a superb decorative style by re-creating themes from classical literature, using brilliantly colored figures and motifs from the natural world set against gold-leaf backgrounds. One of his finest works is the pair of screens,
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which were erected outside these tombs. Throughout the Kofun period, the characteristics of these tombs evolved from smaller tombs erected on hilltops and ridges to much larger tombs built on flat land. The largest tomb in Japan, the tomb of
3530:. Various types of "hybrid" art increasingly came into vogue. As technology advanced, artists increasingly incorporated electronics, video, computers, synthesized music and sounds, and video games into their art. The aesthetics of manga and
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At the same time, however, the art world remained dominated by cliques that promoted the works of certain (usually male) artists over others. As it became much easier for Japanese to travel overseas in the 1960s, some female artists such as
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allows a motif to turn the corner of a three-dimensional object, thus giving continuity and motion that is lacking in a static frontal design. Japanese painters used the devices of the cutoff, close-up, and fade-out by the 12th century in
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combines passages of text, written with a maximum of easily readable syllables, and illustrations that have the dialogue between characters written next to the speakers, a technique comparable to contemporary comic strips. The plot of the
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hunter-gatherers who later practiced organized farming and built cities with populations of hundreds if not thousands. They built simple houses of wood and thatch set into shallow earthen pits to provide warmth from the soil. They crafted
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had its own stock. Some vessels found during the Late and Final Jōmon Period were damaged which might indicate that they were used for rituals. In addition, figurines were found with distinctive fleshy bodies and goggle-like eyes.
2382:'s palace, contains a cluster of shoin buildings that combine elements of classic Japanese architecture with innovative restatements. The whole complex is surrounded by a beautiful garden with paths for walking. Many of powerful
2293:), Kyoto, he placed the trunk of the tree in the center and extended the limbs nearly to the edge of the composition, creating a flatter, less architectonic work than Eitoku, but a visually gorgeous painting. His sixfold screen,
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version devised a system of pictorial conventions that convey visually the emotional content of each scene. In the second half of the century, a different, livelier style of continuous narrative illustration became popular. The
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1865:("women's pictures") styles of painting. There are many fine differences in the two styles, appealing to the aesthetic preferences of the genders. But perhaps most easily noticeable are the differences in subject matter.
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lasted until about the 1740s, and the great bulk of Japanese porcelain was made for export, mostly to Europe, but also the Islamic world to the west and south of Japan. Japanese pottery is among the finest in the world.
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As Western imports became popular, demand for Japanese art declined within Japan itself. In Europe and America, the new availability of Japanese art led to a fascination for Japanese culture; a craze known in Europe as
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control of the government in 1568 and, five years later, to oust the last Ashikaga shōgun. Hideyoshi took command after Oda's death, but his plans to establish hereditary rule were foiled by Ieyasu, who established the
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arts prizes. A growing number of large corporations join major newspapers in sponsoring exhibitions and performances and in giving yearly prizes. The most important of the many literary awards given are the venerable
4110:, a virtual anime-inspired character portrayed in real time by an actor through the use of motion tracking software. VTubers became popular in Japan in the mid-2010's, before rapidly growing in popularity worldwide.
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weaponry equipped Japanese metalworkers to create metallic finishes in a wide range of colours. By combining and finishing copper, silver and gold in different proportions, they created specialised alloys including
2426:
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With the dominance of socialist realism fading, the 1960s witnessed an explosion of new art forms in Japan, as the arts expanded in new directions that might best be termed "postmodern." Artist collectives such as
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explored concepts such as "non-art" and "anti-art," and conducted a variety of audacious "events," "happenings," and other forms of performance art designed to erode the boundaries between art and daily life. The
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by receiving a name from a feudal lord and thus rising socially. The performing arts, however, were generally held in less esteem, and the purported immorality of actresses of the early Kabuki theater caused the
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and America, often producing quickly and cheaply. So the term "Satsuma ware" came to be associated not with a place of origin but with lower-quality ware created purely for export. Despite this, artists such as
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opportunities for metalworkers once Buddhism was displaced as the state religion. International exhibitions brought Japanese cast bronze to a new foreign audience, attracting strong praise. The past history of
2619:, styles continued in many parts of Japan, but Japanese ceramics were transformed around the start of the Edo period, by a large influx of Korean potters, captured or persuaded to emigrate in the course of the
1006:
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with ivory and wood lost their demand. Therefore, they tried to create a new field, ivory sculptures for interior decoration, and many elaborate works were exported to foreign countries or purchased by the
3593:". His pieces take a multitude of forms, from painting to sculpture, some truly massive in size. But most if not all show very clearly this anime influence, utilizing bright colors and simplified details.
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where remnants of their settlements first were found. These people, arriving in Japan about 300 BCE, brought their knowledge of wetland rice cultivation, the manufacture of copper weapons and bronze bells
4228:
shoes, a camera, a moped bike, and several different pieces of art or objects used for everyday activity can be seen as shibui. Direct and simple is the way of shibui. Nothing over the top or too flashy.
9519:
3828:(flower arrangements), in which the selected few represented a garden, were the favorite pursuits of refined aristocrats for a millennium, and they have remained a part of contemporary cultural life.
2338:, however, the full impact of Tokugawa policies had not yet been felt, and some of Japan's finest expressions in architecture and painting were produced: Katsura Palace in Kyoto and the paintings of
5420:
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is arguably one of the most well-known Japanese modern artists in the Western world. Murakami and the other artists in his studio create pieces in a style, inspired by anime, which he has dubbed "
1971:, are among the most accomplished realistic works of the period; as rendered by Unkei, they are remarkably individualized and believable images. One of the most famous works of this period is an
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of the city. With the return of government to the capital, the popularizing trends of the Kamakura period came to an end, and cultural expression took on a more aristocratic, elitist character.
7615:
2037:, the lives of the two Korean priests who founded the Kegon sect, is swiftly paced and filled with fantastic feats such as a journey to the palace of the Ocean King, and a poignant mom story.
5423:(文化財保護部, now 文化財部) protected the nation's cultural heritage. The Cultural Affairs Division is concerned with such areas as art and culture promotion, arts copyrights, and improvements in the
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episode in which Murasaki Shikibu is playfully held prisoner in her room by two young courtiers, while, just outside, moonlight gleams on the mossy banks of a rivulet in the imperial garden.
3804:, they acquired many layers of meaning and a high luster. Japanese aesthetics provide a key to understanding artistic works perceivably different from those coming from Western traditions.
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1999:
sect, is an excellent example of the popularizing trend in Kamakura painting. The Kegon sect, one of the most important in the Nara period, fell on hard times during the ascendancy of the
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Cypress-bark roofs replaced those of ceramic tile, wood planks were used instead of earthen floors, and a separate worship area for the laity was added in front of the main sanctuary.
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throughout the 1990s and 2000s, an influence that is not only still felt today, but also encouraged Japanese artists to continue to critically explore the nature of online life.
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In sculpture, the same holds true; some artists stick to the traditional modes, some doing it with a modern flair, and some choose Western or brand new modes, styles, and media.
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figures, typically 10 to 30 centimetres (4 to 12 inches) high. Most are female, with large eyes, small waists and wide hips. Many have large bellies, suggesting that they were
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We doubt if any form of the enameller's art can equal the work executed in Japan, which is distinguished by great freedom of design, and the most exquisite gradations of color.
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1847:(late 12th century), a scroll that deals with an intrigue at court, emphasizes figures in active motion depicted in rapidly executed brush strokes and thin but vibrant colors.
2163:(1446) a realistic landscape with deep recession into space. Sesshū, unlike most artists of the period, was able to journey to China and study Chinese painting at its source.
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made especially notable contributions to global contemporary art in the fields of architecture, video games, graphic design, fashion, and perhaps above all, animation. While
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2815:. As well as heavily funding the fairs, the government took an active role organising how Japan's culture was presented to the world. It created a semi-public company — the
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class, and at the end of the Edo period, it changed from practical accessories to art collections. The export of lacquerware continued following the Azuchi-Momoyama period.
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culture, attributable either to internal development or external force. This period is most notable for its tomb culture and other artifacts such as bronze mirrors and clay
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The porcelain industry greatly expanded in the late 1650s, as the collapse of the Chinese industry from civil war led to very large orders from the Chinese traders and the
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Kawaii fashion found in Tokyo. Popular among youth subcultures in the early 2000s, kawaii fashion rapidly differentiated into a number of aesthetic subcultures, including
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in Washington, D.C. A century later, Kōrin reworked Sōtatsu's style and created visually gorgeous works uniquely his own. Perhaps his finest are the screen paintings of
1203:
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pioneered an extremely influential new school of postwar photography that emphasized spontaneity over carefully staged composition and celebrated the characteristics "
3012:
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3951:, as well as the growing power and influence of digital technologies and the degree to which Japanese culture is affected by and exerts influence on an increasingly
928:(1467–1477), Japan entered a period of political, social, and economic turmoil that lasted for over a century. In the state that emerged under the leadership of the
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Traditionally, the artist was a vehicle for expression and was personally reticent, in keeping with the role of an artisan or entertainer of low social status. The
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5546:. All these efforts reflect a rising popular enthusiasm for the arts. Japanese art buyers swept the Western art markets in the late 1980s, paying record highs for
5435:, which honors eminent persons of arts and letters, appointing them to membership and offering ¥3.5 million in prize money. Awards are made in the presence of the
5364:, artists typically gathered in arts associations, some of which were long-established professional societies while others reflected the latest arts movement. The
2213:, attempted to bring peace and political stability to Japan after an era of almost 100 years of warfare. Oda, a minor chieftain, acquired power sufficient to take
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introduction of Buddhism into Japan, and 784, when the Japanese capital was transferred from Nara. The most common designations are the Suiko period, 552–645; the
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nature itself. Each term leads back to the point that wabi-sabi is an aesthetic that is about appreciating the small things that are imperfect and or incomplete.
3348:) out into the mountains to produce socialist realist art in support of "mountain guerrilla squads" that were attempting to foment a violent revolution in Japan.
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2555:. Via artworks held in Western museums, these same printmakers would later exert a powerful influence on the imagery and aesthetic approaches used by early
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Amida hall, which blends the secular with the religious, and houses one or more Buddha images within a structure resembling the mansions of the nobility.
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2011:
sought to revive the sect and also to provide a refuge for women widowed by the war. The wives of samurai had been discouraged from learning more than a
968:. The Japanese, in this period, found sculpture a much less sympathetic medium for artistic expression: most large Japanese sculpture is associated with
5526:. A number of new municipal museums were also providing about one-third more facilities in the 1980s than were previously available. In the late 1980s,
3019:) was opened, employing Italian instructors to teach Western methods. The second response was a pendulum swing in the opposite direction spearheaded by
1498:, on a large rectangular platform, are some of the most important sculptures of the period. The central image is a Shaka Trinity (623), the historical
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2119:(Hsien-tzu in Chinese) at the moment he achieved enlightenment. This type of painting was executed with quick brush strokes and a minimum of detail.
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Technical and artistic innovations of the Meiji era turned porcelain into one of the most internationally successful Japanese decorative art forms.
2641:, and started to make porcelain for the first time in Japan. The early wares (called "Early Imari") were relatively small and imitated the Chinese
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Tomb of Emperor Nintoku located in Sakai, Japan. The keyhole-like tomb is 486 metres long, 305 metres wide at the bottom and 245 metres in diameter.
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at first were derived primarily from manga stories, diverse anime abounds today, and many artists and studios have risen to great fame as artists;
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2842:) system was created to recognise distinguished artists; seventy were appointed from 1890 to 1944. Among these were the painter and lacquer artist
852:
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maintained the highest artistic standards while also successfully exporting. From 1876 to 1913, Kōzan won prizes at 51 exhibitions, including the
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916:. It has a long history, ranging from the beginnings of human habitation in Japan, sometime in the 10th millennium BCE, to the present day.
9943:
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has produced many high-quality cloisonne. Japanese enamels were regarded as unequalled thanks to the new achievements in design and colouring.
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were added to create early musical ensembles. By the early historical period (6th to 7th centuries), there were a variety of large and small
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1705:
7538:
The Fascinating World of the Japanese Artist. A Collection of Essays on Japanese Art by Members of the Society for Japanese Arts and Crafts
2254:, for the creation of monumental landscapes on the sliding doors enclosing a room. The decoration of the main room facing the garden of the
1406:
The earliest Japanese sculptures of the Buddha are dated to the 6th and 7th century. They ultimately derive from the 1st- to 3rd-century AD
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is the preferred artistic expression in Japan, practiced by amateurs and professionals alike. Until modern times, the Japanese wrote with a
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is an exercise in simplicity, with an emphasis on natural materials, rough and untrimmed, and an affinity for beauty achieved by accident;
1526:, which is set on a high wooden base that is decorated with figural paintings executed in a medium of mineral pigments mixed with lacquer.
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found better reception overseas, and decamped for artistic centers such as London, Paris, and New York, as did many male artists as well.
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of conceptual artists, founded in 1954. Still other artists made use of the few unjuried, "independent" exhibitions in Japan, such as the
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statues of the Guardina Deities (Niō)." (Katsumi Tanabe, "Alexander the Great, East-West cultural contacts from Greece to Japan", p. 23)
2077:
sect traditionally thought to have been founded in China in the 6th century, was introduced for a second time into Japan and took root.
1869:, epitomized by the Tale of Genji handscroll, typically deals with court life, particularly the court ladies, and with romantic themes.
1695:(early 9th century), set deep in a stand of cypress trees on a mountain southeast of Nara. The wooden image (also early 9th century) of
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The transmission of the floral scroll pattern from West to East is presented in the regular exhibition of Ancient Japanese Art, at the
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represents the earliest surviving yamato-e handscroll, and one of the high points of Japanese painting. Written about the year 1000 by
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The transmission of Buddhism provided the initial impetus for contacts between China and Japan. The Japanese recognized the facets of
3874:, traditional aesthetics and training methods, stemming generally from religious sources, continue to underlie artistic productions.
2620:
1855:
1836:, the novel deals with the life and loves of Genji and the world of the Heian court after his death. The 12th-century artists of the
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group similarly pushed the boundaries dividing art, space, landscape, and the environment. Other artists, such as graphic designer
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1676:, diagrams of the spiritual universe, which then began to influence temple design. Japanese Buddhist architecture also adopted the
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There are a number of specialized universities for the arts in Japan, led by the national universities. The most important is the
1560:(不空羂索観音立像, the most popular bodhisattva), crafted of dry lacquer (cloth dipped in lacquer and shaped over a wooden armature); the
932:, organized religion played a much less important role in people's lives, and the arts that survived were primarily secular. The
9468:
6042:
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3740:(a type of court dance), are the most ancient of such forms still performed at the Imperial court, ancient temples, and shrines.
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The proliferation of new types of art was supported by the tremendous growth of Japan's economy in the 1960s, remembered as the "
1414:, characterized by flowing dress patterns and realistic rendering, on which Chinese artistic traits were superimposed. After the
7701:
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2279:, a contemporary of Eitoku, developed a somewhat different and more decorative style for large-scale screen paintings. In his
1510:(flourished early 7th century) in homage to the recently deceased Prince Shōtoku. At the four corners of the platform are the
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4026:"Osaka Kawaii" exhibit at Japan Expo 2014. Japan has attempted to use the popularity of Japanese art to bolster the nation's
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of painting in the Chinese manner, where paintings generally only have black and white or different tones of a single color.
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during the first few centuries of our era. Other examples can be found in the development of the iconography of the Japanese
8370:
1375:
9193:
8607:
6418:"[Review:] Japonisme and the Rise of the Modern Art Movement: The Arts of the Meiji Period, The Khalili Collection"
6049:"Throughout this period, Korea continues to play some important role in the transmission of technology and ideas to Japan."
1916:; five years later the Minamoto emerged victorious and established a de facto seat of government at the seaside village of
1647:
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also taking active roles on several art events in previous years. Their other campuses are also involving varied courses.
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By the early 20th century, European art forms were well introduced and their marriage produced notable buildings like the
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for cooperative exchange of high-technology studies of Asian artifacts. The government plays a major role by funding the
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17:
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In particular, artistic production continued to trend away from traditional painting and sculpture in the direction of
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2926:
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High definition images of national treasures and important cultural properties owned by four national museums in Japan
3123:(decorating the lacquer in gold or silver dust) was the most common technique for quality lacquerware in this period.
1338:, so named because the seat of Japanese government was located in the Asuka Valley from 542 to 645 and in the city of
998:, Japanese preferences for natural materials and an interaction of interior and exterior space are clearly expressed.
8629:
8393:
7601:
7591:
7549:
7531:
7501:
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6180:
5368:, for example, was responsible for the largest number of major exhibitions, including the prestigious annual Nitten (
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in Japan, which allowed high temperatures with more precise control. By around 1620 they had discovered deposits of
2431:
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3362:
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4421:
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is a stylized dance drama that originated in the 14th century. Performers wear various masks and play the roles of
1357:; and, most important for the arts, new technologies, new building techniques, more advanced methods of casting in
2399:
1302:, houses 46 burial mounds and is shaped like a keyhole, a distinct characteristic found within later Kofun tombs.
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8624:
8456:
7945:
7934:
7837:
5484:
4403:
4383:
3944:
2121:
1789:
paintings on the wooden doors of the Hō-ō-dō, depicting the Descent of the Amida Buddha, are an early example of
1703:, is typical of the early Heian sculpture, with its ponderous body, covered by thick drapery folds carved in the
838:
5677:
8693:
6022:
5316:
4991:
4497:
4130:
2606:
2465:
897:
8311:
6181:"The Transcultural Roots of Modernism: Imagist Poetry, Japanese Visual Culture, and the Western Museum System"
2311:
9488:
8451:
8005:
7579:"Alexander the Great: East-West Cultural contacts from Greece to Japan" (NHK and Tokyo National Museum, 2003)
7478:
6520:
Japonisme and the rise of the modern art movement : the arts of the Meiji period: the Khalili collection
5111:
4578:
4407:
3912:
1435:
1349:
that could profitably be incorporated into their own: a system for converting ideas and sounds into writing;
7391:
4050:
typical of the 2000s with phone charms. These phones and charms were symbolic of youth culture in the early
3732:. These instruments formed the orchestras for the 7th-century continentally derived ceremonial court music (
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The government took an active interest in the art export market, promoting Japanese arts at a succession of
8634:
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Buddhist meditative practices describe degrees of tranquility: one, the repose found in humble melancholy (
3174:. With this variety of alloys and finishes, an artist could give the impression of full-colour decoration.
2821:(First Industrial Manufacturing Company) — to promote and commercialize exports of art and established the
1391:
6584:
Namikawa Yasuyuki and Japanese Cloisonné The Allure of Meiji Cloisonné: The Aesthetic of Translucent Black
5408:
of their professions, a fact recognized by the rest of the world as one of the hallmarks of Japanese art.
3287:
3031:. Out of these two poles of artistic theory—derived from Europe and from East Asia respectively—developed
2933:
also owns excellent works of Meiji Art, some of which were donated to the state and are now stored in the
2800:
regained ruling power in 1868, Japan was once again invaded by new and alien forms of culture. During the
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7872:
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6073:/ Oado." (Katsumi Tanabe, "Alexander the Great, East-West cultural contacts from Greece to Japan", p. 21)
5644:
5412:
4850:
4587:
4509:
4493:
4395:
3583:
is a contemporary Kirie artist who has pioneered the technique of Paper Cut Sculpture which hangs in 3D.
3496:
2812:
2727:
brought the designs of the Rinpa school of painting into lacquerware. From the middle of the Edo period,
2409:
2178:) is one of Sesshu's most accomplished works, depicting a continuing landscape through the four seasons.
893:
47:
7817:
8883:
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8398:
8182:
7914:
5843:
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With the development of economy and culture, the artistic quality of lacquered furniture has improved.
2198:
2041:
83:
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government to bar women from the stage; female roles in Kabuki and Noh thereafter were played by men.
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1810:: In the last century of the Heian period, the horizontal, illustrated narrative handscroll, known as
9593:
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8777:
8659:
8619:
8541:
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The first response of the Japanese to Western art forms was open-hearted acceptance, and in 1876 the
2839:
2778:
2656:
2610:
2574:
2499:
1902:
1224:
979:
950:, and their familiarity with brush techniques has made them particularly sensitive to the values and
619:
305:
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In skill and technique of faience and keramics generally Japan is a leader and teacher of the world.
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2061:(1338–1573), also called the Ashikaga period, a profound change took place in Japanese culture. The
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9210:
9186:
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8476:
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7861:, online collection of images from the Online Archive of California/University of California Merced
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7174:
7143:
7112:
7081:
7050:
7019:
6988:
6957:
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6892:
6485:
6336:"[Review:] Japonisme and the Rise of the Modern Art Movement: The Arts of the Meiji Period"
5257:
4813:
4375:
4329:
4315:
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2996:
2970:
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1550:
Clustered around the Daibutsuden on a gently sloping hillside are a number of secondary halls: the
256:
204:
7230:
6518:- Japanese spirit, Western techniques: Meiji period arts for the West". In Irvine, Gregory (ed.).
3434:
1874:
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Dale, Joshua Paul; Goggin, Joyce; Leyda, Julia; McIntyre, Anthony P.; Negra, Diane, eds. (2016).
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3219:
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1968:
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452:
410:
343:
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Acercamiento a la influencia del movimiento muralista mexicano en el arte contemporáneo de Japón
7443:
This article was originally based on material from WebMuseum Paris - Famous Artworks exhibition
6194:
5960:
5912:"Yayoi Wave, Kofun Wave, and Timing: The Formation of the Japanese People and Japanese Language"
5734:
5348:
class in Japan, had a higher status, while artists of great genius were often recognized in the
3748:, and that were joined with native ideas to underlay the development of vocal music, such as in
3201:
In the Meiji period, Japanese clothes began to be westernized and the number of people who wore
2273:, also in Kyoto, reveals the bold, brightly colored style of painting preferred by the samurai.
2096:
painting, but they also modified the use of color; the bright colors of Yamato-e yielded to the
9388:
8738:
8575:
8486:
8466:
8187:
8030:
8025:
8020:
7494:
Splendors of Meiji : treasures of imperial Japan: masterpieces from the Khalili Collection
7392:
Association for Consumer Research (U.S.). Conference (35th : 2007 : Memphis) (2008).
5627:
5566:
4949:
4716:
4612:
4501:
2966:
2738:
1818:
1801:
1453:
The earliest Buddhist structures still extant in Japan, and the oldest wooden buildings in the
1062:
Jōmon figurines may have been used as fertility objects based on their breasts and broad hips.
542:
179:
74:
7807:. December 2008, No. 13, p. 237–264. Spanish: p. 237–255, Japanese: p. 256–264.
7344:
6615:
6138:
3417:, drew inspiration from 1960s counterculture and the explosion of new forms of adult-oriented
1465:, it consists of 41 independent buildings. The most important ones, the main worship hall, or
1461:
to the southwest of Nara. First built in the early 7th century as the private temple of Crown
9964:
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9038:
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In 1989 an effort to promote cross-cultural exchange led to the establishment of a Japanese "
5393:, one of the most difficult of all national universities to enter. Another seminal center is
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The World of Ito Jakuchu: Classical Japanese Painter of All Things Great and Small in Nature
6481:
Video of a Lecture discussing the importance of Okakura and Japanese Art to Global Modernism
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in Tokyo, which exhibit both Japanese and international shows. The agency also supports the
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performs in concert. Originally developed as a voice synthesizer, Miku became emblematic of
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in 1945, large numbers of Japanese artists fell under the influence of, or even joined, the
3238:
1732:
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7314:(2015). "Japan and the Global Art World". In Velthuis, Olav; Curioni, Stefano Baia (eds.).
5638:
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5178:
5121:
5116:
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3467:, that boldly broke free from conventional models and proved influential around the world.
3114:
2921:, the study and reevaluation of Meiji Art rapidly advanced in Japan from the 21st century.
2714:
1843:
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330:
300:
285:
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until 784, the first significant influx of continental Asian culture took place in Japan.
994:
were exported to Europe and China, remaining important exports until the 19th century. In
936:(1868–1912) saw an abrupt influx of Western styles, which have continued to be important.
8:
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The Herbert Offen Research Collection of the Phillips Library at the Peabody Essex Museum
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Modern Japanese art is often heavily influenced by the nation's unique relationship with
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2262:(a Zen temple in Kyoto), is perhaps the best extant example of Eitoku's work. A massive
2152:
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is also one of the world's leading arts and crafts, and works gorgeously decorated with
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125:
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Korea, 500–1000 A.D. Heilbrunn Timeline of Art History The Metropolitan Museum of Art
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Korea, 500–1000 A.D. Heilbrunn Timeline of Art History The Metropolitan Museum of Art
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1664:(best known by his posthumous title Kōbō Daishi, 774–835) journeyed to China to study
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1727:(the Buddha of the Western Paradise), became popular. This period is named after the
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1310:
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is among the finest in the world and includes the earliest known Japanese artifacts;
969:
939:
877:
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3768:, "Zen points directly to the human heart, see into your nature and become Buddha",
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1793:, Japanese-style painting, and contain representations of the scenery around Kyoto.
1462:
9738:
9733:
9534:
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9408:
9288:
9116:
8955:
8908:
8893:
8829:
8711:
8654:
8536:
8155:
7960:
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7481:, "The Diffusion of Classical Art in Antiquity", Princeton University Press, 1994,
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6247:
Certainly the Japanese potters are among the most outstanding in the world today...
6166:
Modernism and the Museum: Asian, African and Pacific Art and the London Avant Garde
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as artists developed new designs and experimented with new textures and finishes.
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1991:
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Buddhism, which he introduced into Japan in 806. At the core of Shingon worship is
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1216:
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624:
595:
236:
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6259:"Japanese Pottery: Rapid Expansion of Output for Competition in Foreign Markets".
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style of radical "underground" theater. And in photography, photographers such as
1976:
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9893:
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8328:
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7884:: Sculptures, calligraphy, photographs of a buddhist Great Master (Grand Acharya)
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In 794 the capital of Japan was officially transferred to Heian-kyō (present-day
1299:
527:
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440:
199:
184:
142:
110:
8053:
7890:
Lecture at the Tokyo School of Fine Arts by Okakura Kakuzo (English Translation)
3693:
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took control of the shogunate and moved its headquarters back to Kyoto, to the
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The temple that best reflects the spirit of early Heian Shingon temples is the
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7855:- national cultural portal for Japan created by Visiting Arts/Japan Foundation
5483:. This prize of US$ 100,000 was funded largely by the mass media conglomerate
4429:
3627:
are considered significant artists in the field of contemporary Japanese art.
3464:
2774:
2724:
2251:
2247:
2236:
2225:
2019:), and most were incapable of reading texts that employed Chinese ideographs (
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A number of foundations promoting the arts arose in the 1980s, including the
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The most important school of painting in the Momoyama period was that of the
2230:
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224:
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5510:. Another international arrangement was made in 1988 with the United States
3499:. With Japanese currency becoming incredibly strong in the wake of the 1985
3302:
art form in its own right, adopting a range of pictorial techniques such as
2977:
and pseudo-European style. This style of building was built in urban areas.
2186:
2156:
2130:
1642:. The period is further divided into the early Heian and the late Heian, or
1485:
halls, is a two-story structure of post-and-beam construction, capped by an
1477:), stand in the center of an open area surrounded by a roofed cloister. The
9778:
9758:
9688:
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and the flat six-stringed zither, which evolved into the thirteen-stringed
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3515:
3500:
3472:
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3255:
3004:
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Typical of early Muromachi painting is the depiction by the priest-painter
1925:
1816:(絵巻, lit. "picture scroll"), came to the fore. Dating from about 1130, the
1630:
1572:
1415:
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are generally regarded to be among the best the anime world has to offer.
3344:
and other members of the newly formed Avant-Garde Art Association (前衛美術会,
3061:
2855:
2354:
2250:, and the greatest innovation of the period was the formula, developed by
1956:
1908:
In 1180, a war broke out between the two most powerful warrior clans: the
1898:
1877:(1160), depicted in the "Night Attack on the Sanjō Palace" section of the
814:
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9803:
9753:
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9713:
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9343:
9298:
9293:
9202:
8338:
8102:
7823:
5928:
5911:
5880:
Bleed, Peter (1972). "Yayoi Cultures of Japan: An Interpretive Summary".
5551:
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5535:
5472:
5457:
5398:
5013:
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one of the first nations to be connected to the Internet on a large scale
3858:), the other, the serenity accompanying the enjoyment of subdued beauty (
3765:
3632:
3616:
3483:
3358:
3303:
3268:
3243:
3190:
3028:
2741:, and it became popular among samurai class and wealthy merchants in the
2688:
with bird and flower design in overglaze enamel, Edo period, 17th century
2673:
2628:
2548:
2286:
1507:
1503:
1354:
1335:
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214:
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115:
66:
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7317:
Cosmopolitan Canvases: The Globalization of Markets for Contemporary Art
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4248:
2520:. Ukiyo-e prints began to be produced in the late 17th century; in 1765
2126:
2085:
2008:
1951:
1796:
1739:
1552:
1530:
1398:
925:
9798:
9728:
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9623:
8995:
8360:
8262:
8210:
8123:
7618:
Japanese Woodblock Prints: Artist, Publishers and Masterworks 1680-1900
5499:
4730:
4163:
4145:
4088:
4055:
4031:
4027:
3871:
3724:, flutes, and stringed instruments, such as the imported mandolin-like
3680:
3620:
3567:
3538:
became more and more accepted and supported by the art world in Japan.
2925:
is also one of the world's most dedicated collectors of Meiji art, and
2733:
for portable medicine containers began to be decorated gorgeously with
2642:
2633:
2582:
2560:
2335:
2259:
1939:
1929:
1774:
1773:) is installed on a high platform. The Amida sculpture was executed by
1762:
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1544:
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1209:
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56:
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Crónicas. El Muralismo, Producto de la Revolución Mexicana, en América
4763:
3167:
2255:
1700:
1692:
9783:
9708:
9609:
9085:
8388:
8232:
8222:
7596:"The Crossroads of Asia, Transformation in image and symbols", 1992,
7288:"7 Giants of Japanese Contemporary Art Who Aren't Murakami or Kusama"
6582:
Toyoro Hida, Gregory Irvine, Kana Ooki, Tomoko Hana and Yukari Muro.
6457:
6083:
5531:
5495:
5106:
4149:
4103:
3860:
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3590:
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3128:
2910:
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2616:
2556:
2544:
2536:, created elegant and sometimes insightful depictions of courtesans.
2525:
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2147:
The foremost artists of the Muromachi period are the priest-painters
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2012:
2000:
1669:
1587:
1519:
965:
943:
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729:
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147:
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The national government has actively supported the arts through the
3127:
was a lacquerer who gained a high reputation for his works from the
2743:
2517:
1709:(rolling-wave) style, and its austere, withdrawn facial expression.
1194:
1173:
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5503:
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4902:
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1972:
1913:
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1119:
686:
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7663:
Bridge of dreams: the Mary Griggs Burke collection of Japanese art
4777:
3870:(conundrum). Although the arts have been mainly secular since the
3656:
3489:
2875:
1785:
1699:, the "historic" Buddha, enshrined in a secondary building at the
1661:
1618:
1439:
1095:
1020:
9091:
9018:
9013:
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7459:
This article incorporates text from this source, which is in the
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5494:
set up to preserve historic sites overseas, especially along the
5345:
4986:
4453:
4295:
3824:
3688:
3624:
3511:
3482:
The triumph of the new forms of Japanese art was cemented at the
3410:
3207:
3162:
3041:("Japanese painting"), categories that have maintained currency.
3038:
2540:
2533:
2505:
2495:
2460:
2436:
2358:
2134:
2040:
A work in a more conservative vein is the illustrated version of
1960:
1673:
1487:
1319:
1315:
1038:
markings that decorated the surfaces of their clay vessels, were
901:
885:
739:
447:
251:
219:
154:
4539:
3866:
3033:
2827:(Exhibition Bureau) to maintain quality standards. For the 1876
2755:
are known as collectors of Japanese lacquerware in this period.
2729:
2420:
2004:
1853:
also serve as some of the earliest and greatest examples of the
1566:(戒壇院, Ordination Hall) with its magnificent clay statues of the
1115:
1091:
1049:
868:
consists of a wide range of art styles and media that includes
9101:
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9000:
8985:
8940:
8274:
5523:
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4084:
4054:, and remained prevalent in Japan long after the advent of the
4051:
3981:
3844:
3818:
3745:
3737:
3733:
3701:
3676:
3438:
3213:
3202:
3119:
3098:
2734:
2624:
2513:
2300:
2097:
1980:
1964:
1779:
1474:
1358:
1293:
1135:
987:
905:
229:
159:
9171:
5530:
added more than twenty new cultural halls, notably, the large
3156:, silver decorated with precious metals and rock crystal, 1890
1947:
1932:
remained the centres of artistic production and high culture.
1443:
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8925:
8921:
7930:
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5527:
5507:
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theme. Japanese artists consider technical virtuosity as the
5337:
5101:
5049:
5018:
4773:
3968:
3964:
3808:
3801:
3760:
3697:
3572:
3548:
3531:
3448:
3426:
3418:
2974:
2945:
2423:
carved 120,000 Buddhist images in a rough, individual style.
2116:
2020:
1996:
1943:
1909:
1894:
1812:
1677:
1625:
1605:(womb realm) Mandala on a silk hanging scroll, 9th century CE
1590:
or sculpting, is thought to have started in the Nara period.
1284:
1167:
1163:
1039:
913:
909:
9578:
7881:
7820:
Exhibition at the Metropolitan Museum of Art, online version
5859:
5819:
5782:
4237:
jo, 'beginning'; ha, 'break', 'crack'; kyu: 'rapid', 'over'
1946:, created a new, more realistic style of sculpture. The two
1873:
often recorded historical events, particularly battles. The
7724:. Tokyo: Japan Publishing Industry Foundation for Culture.
7690:. Tokyo: Japan Publishing Industry Foundation for Culture.
7558:
Japan at the Crossroads: Conflict and Compromise after Anpo
7258:
Japan at the Crossroads: Conflict and Compromise after Anpo
7201:
Japan at the Crossroads: Conflict and Compromise after Anpo
7170:
Japan at the Crossroads: Conflict and Compromise after Anpo
7139:
Japan at the Crossroads: Conflict and Compromise after Anpo
7108:
Japan at the Crossroads: Conflict and Compromise after Anpo
7077:
Japan at the Crossroads: Conflict and Compromise after Anpo
7046:
Japan at the Crossroads: Conflict and Compromise after Anpo
7015:
Japan at the Crossroads: Conflict and Compromise after Anpo
6984:
Japan at the Crossroads: Conflict and Compromise after Anpo
6953:
Japan at the Crossroads: Conflict and Compromise after Anpo
6922:
Japan at the Crossroads: Conflict and Compromise after Anpo
6888:
Japan at the Crossroads: Conflict and Compromise after Anpo
6396:
6394:
6252:
3725:
3717:
3713:
3651:
3384:
3380:
3263:
2685:
2682:
2568:
2016:
1777:, who used a new canon of proportions and a new technique (
1598:
1147:
1035:
7859:
Ruth and Sherman Lee Institute for Japanese Art Collection
3744:
introduced the rhythmic chants, still used, that underpin
1529:
Temple building in the 8th century was focused around the
7777:
5951:
Kidder jr, J. Edward (2003). "Nintoku, tomb of Emperor".
5727:
5725:
5723:
5721:
5719:
5717:
5715:
5713:
5711:
5709:
5064:
4241:
speed up until all of a sudden it has reached an ending.
3849:
3749:
3684:
3660:(vengeful spirits), and historical and legendary figures.
3647:
3291:
A composite imaginary view of Japan: silk textile artwork
2264:
2070:
1656:
In reaction to the growing wealth and power of organized
947:
6835:
6789:
6672:
6391:
3390:
3352:
The 1950s: Struggling to break free of socialist realism
2623:. Many of these were settled on the southern island of
2504:
The school of art best known in the West is that of the
7582:"De l'Indus à l'Oxus, Archéologie de l'Asie Centrale",
6811:
Japan and Britain after 1859: creating cultural bridges
6497:
6495:
4091:
music production and the changing nature of the artist.
3963:
art and aesthetics, including mass-culture art such as
2390:
in the territory country, and competed for the beauty.
2201:(1573–1603), a succession of military leaders, such as
1353:; complex theories of government, such as an effective
1074:
Jar; middle to late Jomon period; 35th-11th century BCE
6735:
6733:
6731:
6367:
6357:
6355:
6312:
6001:
Korean Influence on Early Japanese Buddhist Sculpture
5706:
5450:
4087:
culture, questions about artificiality, the growth of
3081:
and won many awards. Along with the two Namikawa, the
1950:
guardian images (1203) in the Great South Gate of the
1731:, then the most powerful in the country, who ruled as
1322:
bronze with silver, Asuka period, 7th century, former
988:
959:
886:
7496:. St. Petersburg, Fla.: Broughton International Inc.
5740:. Harry N. Abrams, Inc., Publishers. pp. 1–431.
3683:—have been preserved in the dramatic performances of
3631:, an artists' collective, counts contemporary artist
2969:
that still exist today. Tokyo Station, a building of
1283:(c. 300 – 710 AD), represents a modification of
954:
of painting. With the rise of popular culture in the
6777:
6716:
6684:
6595:
6544:
6492:
6379:
5572:
List of National Treasures of Japan (crafts: others)
2528:. Print designers of the next generation, including
6745:
6728:
6439:
6352:
6229:
The Ceramic Art of Japan: A Handbook for Collectors
6059:
Korea: a religious history By James Huntley Grayson
5439:, who personally bestows the highest accolade, the
2573:A school of painting contemporary with ukiyo-e was
1634:refers to the years between 794 and 1185, when the
920:in Japan was produced in the 7th and 8th centuries
7644:. New York: The Metropolitan Museum of Art. 1975.
7396:. Association for Consumer Research. p. 349.
5733:
2115:(active early 15th century) of the legendary monk
1556:(Lotus Sutra Hall), with its principal image, the
1995:, the illustrated history of the founding of the
1723:, which offered easy salvation through belief in
1118:("earthen figure") are small humanoid and animal
9956:
6220:
5487:and was awarded on a worldwide selection basis.
3425:pioneered a new form of postmodern dance called
2648:, which Japan had been importing for some time.
2003:sects. After the Genpei War (1180–1185), Priest
7715:
3812:subtly suggestive in Japanese hands. Miniature
3490:The 1970s and 1980s: Riding the economic bubble
7894:Japanese Art of the Meiji Period (1868 – 1912)
7613:
6522:. New York: Thames & Hudson. p. 177.
3704:having between two and four strings, to which
3452:" (literally "rough, blurred, out-of-focus").
2929:encompasses many categories of Meiji art. The
2833:
2822:
2816:
2539:In the 19th century the dominant figures were
2015:system for transcribing sounds and ideas (see
1881:handscroll is a famous example of this style.
1082:
9594:
9187:
7915:
7681:
7658:
7640:Momoyama, Japanese art in the age of grandeur
5550:paintings and US$ 51.7 million alone for one
5317:
1361:, and new techniques and media for painting.
982:has been a major industry at various points.
846:
7667:. New York: The Metropolitan Museum of Art.
6914:
6912:
6136:
3541:
3313:
3258:was a name originally given to pottery from
3233:
1514:, carved in wood around 650. Also housed at
1279:The third stage in Japanese prehistory, the
1126:. They were produced all over Japan, except
7758:. New York, NY: Columbia University Press.
7749:
7524:Sotheby's Concise Encyclopedia of Porcelain
7424:: CS1 maint: numeric names: authors list (
6292:
6226:
2785:
1506:, sculpture cast in bronze by the sculptor
1369:, 645–710, and the Tenpyō period, 710–784.
9601:
9587:
9194:
9180:
7922:
7908:
7622:. North Clarendon, VT: Tuttle Publishing.
7377:: CS1 maint: location missing publisher (
6696:
6329:
6327:
6189:Volume 18, Number 1, January 2011, 27–42.
5688:
5686:
5415:, set up in 1968 as a special body of the
5324:
5310:
4195:Yugen: subtly profound grace, not obvious.
3807:Within the East Asian artistic tradition,
2940:
1628:), where it remained until 1868. The term
1491:, or hipped-gabled roof of ceramic tiles.
1045:lavishly decorated pottery storage vessels
853:
839:
7285:
7098:
7067:
7005:
6974:
6909:
6864:
6862:
6807:
6272:
6169:. Oxford University Press, 2011, passim.
6143:. Harvard University Press. p. 120.
5961:10.1093/gao/9781884446054.article.t062565
5950:
5927:
5464:, the latter being the equivalent of the
4198:Datsuzoku: unbounded by convention, free.
4124:
4115:
3931:Learn how and when to remove this message
3736:), which, together with the accompanying
7805:National Autonomous University of Mexico
6757:
6412:
5810:(in Japanese). Tokyo: Shogakukan. 2012.
5773:(in Japanese). Tokyo: Shogakukan. 2012.
4139:
3759:
3642:
3286:
3279:and the National Industrial Exhibition.
3237:
3181:
3146:
3131:to the Meiji period. Lacquerware called
3113:The Meiji era saw a renewed interest in
3092:
3048:
2995:
2944:
2621:Japanese invasions of Korea in the 1590s
2471:
2448:
2425:
2348:
2310:
2306:
2224:
2185:
2155:. Shūbun, a monk at the Kyoto temple of
2102:
2079:
1888:
1795:
1738:
1608:
1597:
1309:
1270:
1138:of people and might have been used in
1086:
1069:
1005:
8195:Japanese invasions of Korea (1592–1598)
7848:Ukiyo-e in the "A World History of Art"
7536:Kaempfer, H. M. and W. O. G. Sickinghe
7228:
6333:
6324:
5683:
5421:Cultural Properties Protection Division
3326:, which had just been legalized by the
2303:of a grove of trees enveloped in mist.
1646:, the pivotal date being 894, the year
1450:floral patterns in temple decorations.
1261:Yayoi storage jar from 500 BCE - 200 CE
966:19th-century dialogue with Japanese art
14:
9957:
7347:The aesthetics and affects of cuteness
7310:
7229:Simpson, Gregory (September 1, 2014).
6859:
6513:
6227:Munsterberg, Hugo (October 10, 2010).
5796:
3696:, as shown by finds of stone and clay
2181:
1757:(Phoenix Hall, completed 1053) of the
1215:excavated in Tsubai-otsukayama kofun,
1065:
1010:Middle Jōmon vase; circa 3000-2000 BCE
9582:
9175:
7903:
7554:
7491:
7254:
7197:
7166:
7135:
7104:
7073:
7042:
7011:
6980:
6949:
6918:
6884:
6841:
6795:
6783:
6751:
6739:
6722:
6690:
6678:
6613:
6601:
6550:
6501:
6445:
6400:
6385:
6373:
6361:
6318:
6179:Also see Arrowsmith, Rupert Richard.
6137:Frédéric, Louis; Roth, Käthe (2002).
5905:
5903:
5879:
5838:
5836:
5731:
3755:
3391:The 1960s: An explosion of new genres
3328:U.S.-led military occupation of Japan
3205:decreased, so the craftsmen who made
2386:(feudal lords) built a Circuit style
1512:Guardian Kings of the Four Directions
1305:
1056:
1019:The first settlers of Japan were the
7542:Society for Japanese Arts and Crafts
5909:
4058:made flip phones obsolete elsewhere.
3881:
3375:A final straw came with the massive
1162:The next wave of immigrants was the
7818:Five Thousand Years of Japanese Art
5761:
5759:
5757:
5599:List of collections of Japanese art
5451:Private sponsorship and foundations
3497:largest economic bubbles in history
2903:right side, 1895, by Hashimoto Gahō
2829:Centennial International Exhibition
2512:of the demimonde, the world of the
24:
8371:2011 Tōhoku earthquake and tsunami
7929:
7789:), translator: Saeko Yanagisawa. "
7607:
6620:. Tuttle Publishing. p. 388.
6507:
6265:. November 30, 1917. p. 255.
6015:
5900:
5833:
5429:The National Museum of Western Art
4192:Shizen: without pretense, natural.
4183:Fukinsei: asymmetry, irregularity.
3877:
3638:
3195:Khalili Collection of Japanese Art
2935:Museum of the Imperial Collections
2299:(松林図), is a masterly rendering in
1638:was established at the end of the
1166:people, named for the district in
1130:. According to some scholars, the
1094:figurine from the site Ebisuda of
25:
9981:
8238:Imperial Constitution (1890–1947)
7811:
3971:, were enormously influential on
3794:20th-century Western architecture
3555:and the artists and animators of
2478:Sudden Shower at the Atake Bridge
2432:Three Beauties of the Present Day
1570:; and the storehouse, called the
1230:Ceramic jar from the Yayoi period
9562:
9553:
9552:
9156:
9155:
9144:
7882:The Vision and Art of Shinjo Ito
7454:
7286:Gotthardt, Alexxa (2018-09-18).
6814:. Routledge Curzon. p. 45.
5754:
5291:
4618:Post-Japanese occupation history
4538:
4096:
4063:
4039:
4019:
4003:
3990:
3886:
3421:comics. In the performing arts,
3177:
3053:Flower and bird pattern vase by
2890:
2867:
2840:Artist to the Imperial Household
2760:
2693:
2665:
2133:, Kyoto), by the priest-painter
2052:
1967:, the legendary founders of the
1390:
1374:
1254:
1235:
1223:
1202:
1186:
1177:), and wheel-thrown, kiln-fired
65:
38:
9201:
7793:." (日本現代美術におけるメキシコ壁画運動の影響について,
7526:, 71-74, 1990, Conran Octopus.
7385:
7338:
7304:
7279:
7248:
7222:
7191:
7160:
7129:
7036:
6943:
6878:
6847:
6801:
6634:
6607:
6576:
6556:
6474:
6462:
6451:
6406:
6211:
6202:
6157:
6130:
6103:
6090:
6076:
6063:
6052:
6032:
5995:
5986:
5967:
5678:Urushi once attracted the world
5485:Fujisankei Communications Group
3060:During the Meiji era, Japanese
3037:("Western-style painting") and
2122:Catching a Catfish with a Gourd
1884:
1684:, in its Chinese-style pagoda.
9924:British Indian Ocean Territory
9520:British Indian Ocean Territory
8724:Agriculture, forestry, fishing
6614:Seton, Alistair (2012-06-26).
6566:p.122, p.132. Heibonsha, 2014
6023:Britannica Online Encyclopedia
5944:
5873:
5671:
5492:Cultural Properties Foundation
5384:
4415:Schools, Styles and Movements
4201:Seijaku: tranquility, silence.
4131:Japanese Buddhist architecture
3363:Yomiuri Indépendant Exhibition
3320:Japan's defeat in World War II
3222:. In particular, the works of
3088:
2607:Japanese pottery and porcelain
2466:Thirty-six Views of Mount Fuji
2353:Circuit style Japanese garden
1975:Triad (completed in 1195), in
1650:were officially discontinued.
1522:Shrine, a wooden replica of a
13:
1:
9608:
7394:Advances in consumer research
6334:Liddell, C. B. (2013-12-14).
5664:
3848:. Two terms originating from
3262:, elaborately decorated with
2440:
2172:
2165:Landscape of the Four Seasons
2138:
1959:, Nara) of two Indian sages,
1767:
1436:Silk Road transmission of art
1024:
7720:The Japanese Sense of Beauty
7261:. Cambridge, Massachusetts:
7204:. Cambridge, Massachusetts:
7173:. Cambridge, Massachusetts:
7142:. Cambridge, Massachusetts:
7111:. Cambridge, Massachusetts:
7080:. Cambridge, Massachusetts:
7049:. Cambridge, Massachusetts:
7018:. Cambridge, Massachusetts:
6987:. Cambridge, Massachusetts:
6956:. Cambridge, Massachusetts:
6925:. Cambridge, Massachusetts:
6891:. Cambridge, Massachusetts:
6765:Introduction to Meiji Crafts
6617:Collecting Japanese Antiques
6163:Arrowsmith, Rupert Richard.
6082:"The origin of the image of
5445:Tokyo University of the Arts
4231:
4135:
4030:through initiatives such as
3571:in the Israeli port city of
3142:
2490:Ukiyo-e and nanga (bunjinga)
1593:
1266:
1157:
1014:
7:
8312:1923 Great Kantō earthquake
8258:Abolition of the han system
6643:The Decorator and Furnisher
5955:. Oxford University Press.
5850:. Tokyo: Shogakukan. 2012.
5645:Museum of Fine Arts, Boston
5560:
5413:Agency for Cultural Affairs
3906:. The specific problem is:
3282:
2991:
2834:
2823:
2817:
2410:Red and White Plum Blossoms
2285:(楓図), now in the temple of
2107:The hungry ghosts of Kyoto
1942:of sculptors, particularly
1832:, a lady-in-waiting to the
1648:imperial embassies to China
1314:A dragon-head pitcher with
1083:Late and Final Jōmon period
989:
960:
922:in connection with Buddhism
887:
48:The Great Wave off Kanagawa
10:
9986:
7436:
6706:pp.60-61. Heibonsha, 2014
6458:Kiyomizu Sannenzaka Museum
5538:and the reconstruction of
4244:
4128:
3955:and interconnected world.
3775:
3663:
3429:, and playwrights such as
3381:U.S.-Japan Security Treaty
3372:which anyone could enter.
3044:
2919:Kiyomizu Sannenzaka Museum
2882:(竜虎図) left side, 1895, by
2832:dignitaries. In 1890, the
2789:
2712:
2677:(old Kutani) five colours
2604:
2493:
2334:In the early years of the
2159:, created in the painting
1924:. In the Kamakura period,
1001:
9912:
9872:
9616:
9548:
9507:
9467:
9209:
9139:
8907:
8785:
8776:
8719:
8710:
8645:
8522:
8518:
8509:
8422:
8413:
8381:
8324:Japan during World War II
8294:
8203:
8141:Mongol invasions of Japan
8116:
8041:
7968:
7959:
7941:
7888:"History of Japanese Art"
7870:The Art of Bonsai Project
7773:(in Spanish and Japanese)
7472:Federal Research Division
7231:"The Are-Bure-Boke-Matic"
6808:Checkland, Olive (2003).
6514:Irvine, Gregory (2013). "
5654:Japanese artists category
5522:initiated by the city of
4218:
4209:
3542:Contemporary art in Japan
3461:Metabolism (architecture)
3457:Japanese economic miracle
3314:Art of the postwar period
3234:Porcelain and earthenware
2917:countries and opened the
2767:Writing lacquer box with
2657:Japanese export porcelain
2611:Japanese export porcelain
2500:Nanga (Japanese painting)
2161:Reading in a Bamboo Grove
1987:Calligraphy and painting:
1875:Siege of the Sanjō Palace
1682:Indian architectural form
980:Japanese export porcelain
9679:East Timor (Timor-Leste)
9269:East Timor (Timor-Leste)
8598:House of Representatives
8394:2019 imperial transition
8366:Great Hanshin earthquake
8334:Second Sino-Japanese War
8307:Japan during World War I
7716:Takashina Shuji (2018).
7563:Harvard University Press
7263:Harvard University Press
7206:Harvard University Press
7175:Harvard University Press
7144:Harvard University Press
7113:Harvard University Press
7082:Harvard University Press
7051:Harvard University Press
7020:Harvard University Press
6989:Harvard University Press
6958:Harvard University Press
6927:Harvard University Press
6893:Harvard University Press
6763:Masayuki Murata. (2017)
6641:"Japanese Art Enamels".
6486:School of Advanced Study
5732:Mason, Penelope (1993).
4106:, the first large-scale
3013:Technological Art School
2931:Japanese Imperial Family
2813:1873 Vienna World's Fair
2786:Art of the Prewar period
2653:Dutch East India Company
2646:blue and white porcelain
2378:, built in imitation of
2316:Wind God and Thunder God
2042:Murasaki Shikibu's diary
1446:guardians, and the near-
1122:dated to the end of the
1047:, clay figurines called
9934:Cocos (Keeling) Islands
9530:Cocos (Keeling) Islands
8281:First Sino-Japanese War
7896:The Khalili Collections
7754:History of Art in Japan
7614:Marks, Andreas (2010).
7349:. New York. p. 2.
7322:Oxford University Press
6871:Encyclopædia Britannica
6422:Japan Society of the UK
5736:History of Japanese Art
5512:Smithsonian Institution
4583:Science, and Technology
4376:Artists (chronological)
4330:Jōmon and Yayoi periods
4189:Koko: basic, weathered.
3785:Katsura Detached Palace
3484:1970 Osaka World's Fair
3298:Encyclopædia Britannica
2941:Architecture and garden
2376:Katsura Detached Palace
1955:wood sculptures (1208,
1859:("men's pictures") and
1822:, a famous illustrated
8749:Science and technology
8188:Council of Five Elders
8183:Azuchi–Momoyama period
7853:Japan Cultural Profile
7682:Sato Yasuhiro (2020).
7659:Murase Miyeko (2000).
6471:Japan Arts Foundation.
6302:p.80. Heibonsha, 2014
6282:p.104. Me no Me, 2017
5910:Hong, Wontack (2005).
5628:Kyushu National Museum
5567:First Gutai Exhibition
5468:in the United States.
4717:Japanese Sign Language
4350:Azuchi–Momoyama period
4280:Japanese Art Main Page
4171:
4125:Syncretic Buddhist art
4116:Traditional aesthetics
3773:
3661:
3318:Immediately following
3292:
3251:
3198:
3157:
3110:
3083:Ando Cloisonné Company
3057:
3008:
2967:National Diet Building
2958:
2792:Meiji (era) § Art
2486:
2469:
2446:
2362:
2323:
2240:
2199:Azuchi–Momoyama period
2194:
2108:
2089:
1905:
1819:Genji Monogatari Emaki
1804:
1802:Genji Monogatari Emaki
1750:
1621:
1606:
1327:
1276:
1103:
1075:
1053:, and crystal jewels.
1011:
275:Art of the Middle East
82:, early 12th century (
75:Genji Monogatari Emaki
8694:Deputy Prime Minister
8079:Asuka Kiyomihara Code
7775:Kato, Kauro [
6767:pp. 88–89. Me no Me.
6098:Tokyo National Museum
6025:, 2009, webpage:
5848:Encyclopedia of Japan
5696:p.24. Me no Me, 2017
5616:Kyoto National Museum
5610:Tokyo National Museum
5481:Japan Art Association
5417:Ministry of Education
5391:Tokyo Arts University
4992:Pottery and porcelain
4143:
3816:, diminutive plants (
3763:
3664:Further information:
3646:
3324:Japan Communist Party
3290:
3241:
3230:won praise in Japan.
3185:
3150:
3096:
3052:
2999:
2948:
2811:, beginning with the
2790:Further information:
2475:
2452:
2429:
2352:
2314:
2307:Art of the Edo period
2228:
2189:
2125:(early 15th century,
2106:
2083:
1983:, Unkei's successor.
1892:
1799:
1742:
1612:
1601:
1313:
1274:
1090:
1073:
1009:
398:Art of Southeast Asia
105:Periods and movements
9849:United Arab Emirates
9444:United Arab Emirates
8603:House of Councillors
8497:World Heritage Sites
7750:Tsuji Nobuo (2019).
7555:Kapur, Nick (2018).
7255:Kapur, Nick (2018).
7198:Kapur, Nick (2018).
7167:Kapur, Nick (2018).
7136:Kapur, Nick (2018).
7105:Kapur, Nick (2018).
7074:Kapur, Nick (2018).
7043:Kapur, Nick (2018).
7012:Kapur, Nick (2018).
6981:Kapur, Nick (2018).
6950:Kapur, Nick (2018).
6919:Kapur, Nick (2018).
6885:Kapur, Nick (2018).
5929:10.1353/ks.2006.0007
5639:Freer Gallery of Art
5622:Nara National Museum
5587:History of Asian art
5520:Lafcadio Hearn Prize
5475:" for the arts, the
5370:Japan Art Exhibition
5366:Japan Artists League
5206:World Heritage Sites
5154:Association football
5112:Mobile phone culture
4267:Japanese art history
3913:improve this article
3902:to meet Knowledge's
3331:for "vanguard" (前衛,
3295:The 1902 edition of
3242:Earthenware bowl by
2824:Hakurankai Jimukyoku
2818:Kiritsu Kosho Kaisha
2770:Irises at Yatsuhashi
2715:Japanese lacquerware
2615:Traditional, mostly
2235:, folding screen by
2193:, built in 1580-1609
1844:Ban Dainagon Ekotoba
1660:in Nara, the priest
1586:), the art of metal
1416:Chinese Northern Wei
1381:Pagoda and Kondō at
1197:bell, 3rd century CE
984:Japanese lacquerware
908:, and more recently
9874:States with limited
9471:limited recognition
8620:Self-Defense Forces
7830:John Gould Fletcher
7787:Kanagawa University
7586:, Christine Sachs,
7584:Osmund Bopearachchi
7492:Earle, Joe (1999).
7053:. pp. 193–94.
6960:. pp. 298n11.
6844:, pp. 117–119.
6798:, pp. 116–117.
6681:, pp. 186–187.
6403:, pp. 347–348.
6186:Modernism/modernity
5882:Arctic Anthropology
5592:History of painting
5395:Tama Art University
5344:literati class, or
5221:Cultural Properties
5216:Cultural Landscapes
4819:Legendary creatures
4569:Historical currency
4323:Historical Periods
4260:Eastern art history
3778:Japanese aesthetics
3635:among its members.
3398:Neo-Dada Organizers
3342:Hiroshi Katsuragawa
2971:Giyōfū architecture
2963:Tokyo Train Station
2524:produced the first
2400:Waves at Matsushima
2366:Woodblock printing:
2182:Azuchi-Momoyama art
1568:Four Guardian Kings
1469:(Golden Hall), and
1066:Middle Jōmon period
884:on silk and paper,
584:Art of the Americas
323:Art of Central Asia
18:Visual art of Japan
8754:Telecommunications
8286:Russo-Japanese War
8216:Tokugawa shogunate
8166:Nanboku-chō period
8161:Ashikaga shogunate
8134:Kamakura shogunate
7875:2019-04-23 at the
7840:2017-04-22 at the
7518:Impey, Oliver, in
7265:. pp. 201–2.
7235:UltraSomething.com
7177:. pp. 208–9.
6856:Makuzu ware Museum
6414:Cortazzi, Sir Hugh
6262:American Economist
6140:Japan Encyclopedia
6045:2006-12-14 at the
6008:2011-01-11 at the
5980:2006-12-14 at the
5340:, a member of the
5226:National Treasures
4913:Cultural festivals
4186:Kanso: simplicity.
4172:
3908:Add more examples?
3774:
3756:Aesthetic concepts
3662:
3377:1960 Anpo Protests
3308:aerial perspective
3293:
3252:
3199:
3158:
3111:
3077:were exhibited at
3058:
3009:
2980:Many artistic new
2959:
2518:pleasure districts
2487:
2470:
2447:
2419:The Buddhist monk
2363:
2328:Tokugawa shogunate
2324:
2241:
2220:Tokugawa shogunate
2207:Toyotomi Hideyoshi
2195:
2109:
2090:
2067:Muromachi district
1906:
1805:
1751:
1721:Pure Land Buddhism
1636:Kamakura shogunate
1622:
1607:
1558:Fukukenjaku Kannon
1481:, in the style of
1408:Greco-Buddhist art
1328:
1306:Asuka and Nara art
1277:
1104:
1076:
1057:Early Jōmon period
1012:
930:Tokugawa shogunate
210:Post-Impressionism
53:Katsushika Hokusai
9952:
9951:
9916:other territories
9576:
9575:
9513:other territories
9169:
9168:
9135:
9134:
8884:Sexual minorities
8772:
8771:
8706:
8705:
8702:
8701:
8615:Political parties
8554:Foreign relations
8505:
8504:
8409:
8408:
8399:COVID-19 pandemic
8268:Satsuma Rebellion
8253:Meiji Restoration
8151:Kenmu Restoration
8011:Foreign relations
7765:978-4-13-087060-3
7731:978-4-86658-020-3
7697:978-4-86658-135-4
7674:978-0-87099-941-3
7651:978-0-87099-125-7
7629:978-4-8053-1055-7
7572:978-0-674-98442-4
7561:. Cambridge, MA:
7403:978-0-915552-61-0
7356:978-1-138-99875-9
7331:978-0-19-871774-4
7272:978-0-674-98848-4
7215:978-0-674-98848-4
7184:978-0-674-98848-4
7153:978-0-674-98848-4
7122:978-0-674-98848-4
7091:978-0-674-98848-4
7060:978-0-674-98848-4
7029:978-0-674-98848-4
6998:978-0-674-98848-4
6967:978-0-674-98848-4
6936:978-0-674-98848-4
6902:978-0-674-98848-4
6873:(1902), Volume 29
6821:978-1-135-78619-9
6773:978-4-907211-11-0
6712:978-4-582-92217-2
6627:978-1-4629-0588-1
6572:978-4-582-92217-2
6529:978-0-500-23913-1
6376:, pp. 32–33.
6321:, pp. 30–31.
6308:978-4-582-92217-2
6288:978-4-907211-11-0
6278:Masayuki Murata.
6242:978-1-4629-1309-1
6233:Tuttle Publishing
6175:978-0-19-959369-9
6150:978-0-674-01753-5
6021:"Archaic smile",
5953:Oxford Art Online
5844:"Jōmon figurines"
5771:Dijitaru Daijisen
5747:978-0-8109-1085-0
5702:978-4-907211-11-0
5692:Masayuki Murata.
5680:urushi-joboji.com
5477:Premium Imperiale
5433:Japan Art Academy
5425:national language
5334:
5333:
5174:American football
4918:Japanese New Year
4898:Buddha's Birthday
4888:Coming of Age Day
4655:Ōbeikei Islanders
4598:Foreign relations
4515:
4514:
4510:Japan WikiProject
4369:Japanese Artists
4168:National Treasure
4074:
3949:depersonalization
3941:
3940:
3933:
3904:quality standards
3895:This article may
3365:sponsored by the
3346:Zen'ei Bijutsukai
3337:socialist realism
3187:Basket of Flowers
3071:Namikawa Yasuyuki
3055:Namikawa Yasuyuki
3023:and the American
3007:, Kuroda Kinenkan
2860:Namikawa Yasuyuki
2835:Teishitsu Gigeiin
2779:National Treasure
2587:Tanomura Chikuden
2565:Richard Aldington
2342:, pioneer of the
2258:, a subtemple of
1903:National Treasure
1457:are found at the
1318:pattern incised,
1140:sympathetic magic
1100:Miyagi prefecture
1034:), named for the
863:
862:
373:Art of South Asia
84:National Treasure
16:(Redirected from
9977:
9929:Christmas Island
9914:Dependencies and
9617:Sovereign states
9603:
9596:
9589:
9580:
9579:
9566:
9556:
9555:
9525:Christmas Island
9211:Sovereign states
9196:
9189:
9182:
9173:
9172:
9159:
9158:
9151:Japan portal
9149:
9148:
9147:
9064:National symbols
8783:
8782:
8717:
8716:
8520:
8519:
8516:
8515:
8420:
8419:
8354:Economic miracle
8156:Muromachi period
7966:
7965:
7924:
7917:
7910:
7901:
7900:
7774:
7769:
7746:
7744:
7743:
7734:. Archived from
7712:
7710:
7709:
7700:. Archived from
7678:
7655:
7633:
7576:
7515:
7475:
7458:
7457:
7430:
7429:
7423:
7415:
7389:
7383:
7382:
7376:
7368:
7342:
7336:
7335:
7308:
7302:
7301:
7299:
7298:
7283:
7277:
7276:
7252:
7246:
7245:
7243:
7241:
7226:
7220:
7219:
7195:
7189:
7188:
7164:
7158:
7157:
7133:
7127:
7126:
7102:
7096:
7095:
7071:
7065:
7064:
7040:
7034:
7033:
7009:
7003:
7002:
6978:
6972:
6971:
6947:
6941:
6940:
6916:
6907:
6906:
6882:
6876:
6875:, pages 724–725.
6866:
6857:
6851:
6845:
6839:
6833:
6832:
6830:
6828:
6805:
6799:
6793:
6787:
6781:
6775:
6761:
6755:
6749:
6743:
6737:
6726:
6720:
6714:
6702:Yūji Yamashita.
6700:
6694:
6688:
6682:
6676:
6670:
6669:
6649:(5): 170. 1893.
6638:
6632:
6631:
6611:
6605:
6599:
6593:
6589:Mainichi Shimbun
6580:
6574:
6562:Yūji Yamashita.
6560:
6554:
6548:
6542:
6541:
6511:
6505:
6499:
6490:
6478:
6472:
6466:
6460:
6455:
6449:
6443:
6437:
6436:
6434:
6433:
6424:. Archived from
6410:
6404:
6398:
6389:
6383:
6377:
6371:
6365:
6359:
6350:
6349:
6347:
6346:
6331:
6322:
6316:
6310:
6298:Yūji Yamashita.
6296:
6290:
6276:
6270:
6269:
6256:
6250:
6249:
6224:
6218:
6215:
6209:
6206:
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6019:
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5999:
5993:
5990:
5984:
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5948:
5942:
5941:
5931:
5907:
5898:
5897:
5877:
5871:
5870:
5868:
5867:
5858:. Archived from
5840:
5831:
5830:
5828:
5827:
5818:. Archived from
5808:Kokushi Daijiten
5806:[Dogū].
5800:
5794:
5793:
5791:
5790:
5781:. Archived from
5769:[Dogū].
5763:
5752:
5751:
5739:
5729:
5704:
5690:
5681:
5675:
5577:Culture of Japan
5516:Japan Foundation
5441:Order of Culture
5326:
5319:
5312:
5298:Japan portal
5296:
5295:
5294:
4645:Zainichi Koreans
4608:Military history
4593:Imperial history
4574:Economic history
4542:
4533:
4531:Culture of Japan
4517:
4516:
4479:Anime and Manga
4422:Schools category
4346:Muromachi period
4249:
4100:
4076:
4075:
4043:
4023:
4007:
3994:
3973:Internet culture
3936:
3929:
3925:
3922:
3916:
3890:
3889:
3882:
3666:Theatre of Japan
3605:Hiroshi Sugimoto
3587:Takashi Murakami
3528:installation art
3463:movement led by
3423:Tatsumi Hijikata
3260:Satsuma province
3025:Ernest Fenollosa
2982:Japanese gardens
2901:Dragon and tiger
2894:
2880:Dragon and tiger
2871:
2837:
2826:
2820:
2798:Emperor of Japan
2764:
2749:Marie Antoinette
2697:
2669:
2591:Yamamoto Baiitsu
2553:Vincent van Gogh
2526:polychrome print
2516:theater and the
2510:woodblock prints
2445:
2442:
2340:Tawaraya Sōtatsu
2320:Tawaraya Sōtatsu
2177:
2174:
2143:
2140:
2059:Muromachi period
2029:Kegon Engi Emaki
1992:Kegon Engi Emaki
1879:Heiji Monogatari
1830:Murasaki Shikibu
1772:
1769:
1680:, originally an
1654:Early Heian art:
1426:Bosatsu and the
1394:
1378:
1326:Temple treasures
1258:
1248:Yoshinogari Site
1239:
1227:
1217:Yamashiro, Kyoto
1206:
1190:
1152:mother goddesses
1033:
1029:
1026:
992:
976:Japanese pottery
963:
894:woodblock prints
890:
855:
848:
841:
331:Art of East Asia
93:
92:
69:
45:Woodblock print
42:
21:
9985:
9984:
9980:
9979:
9978:
9976:
9975:
9974:
9955:
9954:
9953:
9948:
9917:
9915:
9908:
9889:Northern Cyprus
9877:
9875:
9868:
9659:Burma (Myanmar)
9612:
9607:
9577:
9572:
9544:
9512:
9503:
9484:Northern Cyprus
9470:
9463:
9205:
9200:
9170:
9165:
9145:
9143:
9131:
8951:Class S (genre)
8903:
8879:Sex trafficking
8854:Life expectancy
8790:Anti-monarchism
8768:
8698:
8641:
8608:List of members
8588:Law enforcement
8501:
8405:
8377:
8329:Mukden Incident
8290:
8248:Meiji oligarchy
8228:Empire of Japan
8199:
8129:Kamakura period
8112:
8037:
7955:
7937:
7928:
7877:Wayback Machine
7842:Wayback Machine
7825:Japanese Prints
7814:
7772:
7766:
7741:
7739:
7732:
7707:
7705:
7698:
7675:
7652:
7636:
7630:
7610:
7608:Further reading
7573:
7504:
7467:Country Studies
7464:
7455:
7439:
7434:
7433:
7417:
7416:
7404:
7390:
7386:
7370:
7369:
7357:
7343:
7339:
7332:
7324:. p. 250.
7309:
7305:
7296:
7294:
7284:
7280:
7273:
7253:
7249:
7239:
7237:
7227:
7223:
7216:
7208:. p. 176.
7196:
7192:
7185:
7165:
7161:
7154:
7146:. p. 273.
7134:
7130:
7123:
7115:. p. 266.
7103:
7099:
7092:
7084:. p. 194.
7072:
7068:
7061:
7041:
7037:
7030:
7022:. p. 185.
7010:
7006:
6999:
6991:. p. 183.
6979:
6975:
6968:
6948:
6944:
6937:
6929:. p. 182.
6917:
6910:
6903:
6895:. p. 181.
6883:
6879:
6867:
6860:
6852:
6848:
6840:
6836:
6826:
6824:
6822:
6806:
6802:
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6697:
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6635:
6628:
6612:
6608:
6600:
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6530:
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6508:
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6493:
6479:
6475:
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6456:
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6444:
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6431:
6429:
6411:
6407:
6399:
6392:
6384:
6380:
6372:
6368:
6360:
6353:
6344:
6342:
6340:The Japan Times
6332:
6325:
6317:
6313:
6297:
6293:
6277:
6273:
6258:
6257:
6253:
6243:
6225:
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6207:
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6162:
6158:
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6135:
6131:
6121:
6119:
6109:
6108:
6104:
6095:
6091:
6081:
6077:
6068:
6064:
6057:
6053:
6047:Wayback Machine
6037:
6033:
6020:
6016:
6010:Wayback Machine
6000:
5996:
5991:
5987:
5982:Wayback Machine
5972:
5968:
5949:
5945:
5908:
5901:
5878:
5874:
5865:
5863:
5842:
5841:
5834:
5825:
5823:
5802:
5801:
5797:
5788:
5786:
5765:
5764:
5755:
5748:
5730:
5707:
5691:
5684:
5676:
5672:
5667:
5563:
5462:Akutagawa Prize
5453:
5387:
5350:Kamakura period
5330:
5292:
5290:
5283:
5282:
5273:
5272:
5263:
5262:
5258:National anthem
5243:
5242:
5231:
5230:
5201:
5200:
5189:
5188:
5139:
5138:
5127:
5126:
5082:
5081:
5070:
5069:
5045:
5044:
5042:performing arts
5029:
5028:
5009:
5008:
4997:
4996:
4972:
4971:
4960:
4959:
4935:
4934:
4923:
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4681:
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4623:
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4554:
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4529:
4496:
4456:
4444:
4428:
4424:
4402:
4394:
4386:
4378:
4360:
4356:
4352:
4348:
4344:
4342:Kamakura period
4340:
4336:
4332:
4306:
4294:
4286:
4282:
4247:
4234:
4221:
4212:
4138:
4133:
4127:
4118:
4111:
4101:
4092:
4077:
4064:
4059:
4044:
4035:
4024:
4015:
4008:
3999:
3995:
3937:
3926:
3920:
3917:
3910:
3891:
3887:
3880:
3878:Modern concepts
3780:
3764:Calligraphy of
3758:
3668:
3641:
3639:Performing arts
3544:
3520:performance art
3492:
3393:
3368:Yomiuri Shimbun
3354:
3316:
3285:
3236:
3220:Imperial Family
3180:
3145:
3091:
3075:Namikawa Sōsuke
3047:
2994:
2943:
2904:
2895:
2886:
2872:
2794:
2788:
2781:
2765:
2717:
2704:
2703:dish, 1700–1740
2698:
2689:
2670:
2613:
2605:Main articles:
2502:
2494:Main articles:
2443:
2388:Japanese garden
2361:, begun in 1700
2309:
2277:Hasegawa Tōhaku
2211:Tokugawa Ieyasu
2184:
2175:
2141:
2055:
1922:Kamakura period
1887:
1770:
1729:Fujiwara family
1717:Fujiwara period
1596:
1502:flanked by two
1483:Chinese worship
1402:
1395:
1386:
1379:
1347:Chinese culture
1308:
1300:Emperor Nintoku
1269:
1262:
1259:
1250:
1244:Yayoi potteries
1242:Various ritual
1240:
1231:
1228:
1219:
1207:
1198:
1193:A Yayoi period
1191:
1160:
1085:
1068:
1059:
1031:
1027:
1017:
1004:
870:ancient pottery
859:
830:
829:
778:
770:
769:
725:
717:
716:
650:
640:
639:
468:
401:
376:
334:
326:
277:
272:
264:
263:
185:Pre-Raphaelites
106:
91:
90:
89:
88:
87:
72:Scene from the
70:
61:
60:
59:
43:
34:
33:
23:
22:
15:
12:
11:
5:
9983:
9973:
9972:
9970:Art by country
9967:
9950:
9949:
9947:
9946:
9941:
9936:
9931:
9926:
9920:
9918:
9913:
9910:
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9907:
9906:
9901:
9896:
9891:
9886:
9880:
9878:
9873:
9870:
9869:
9867:
9866:
9861:
9856:
9851:
9846:
9841:
9836:
9831:
9826:
9821:
9816:
9811:
9806:
9801:
9796:
9791:
9786:
9781:
9776:
9771:
9766:
9761:
9756:
9751:
9746:
9741:
9736:
9731:
9726:
9721:
9716:
9711:
9706:
9701:
9696:
9691:
9686:
9681:
9676:
9671:
9666:
9661:
9656:
9651:
9646:
9641:
9636:
9631:
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9613:
9606:
9605:
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9549:
9546:
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9505:
9504:
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9486:
9481:
9475:
9473:
9465:
9464:
9462:
9461:
9456:
9451:
9446:
9441:
9436:
9431:
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9416:
9411:
9406:
9401:
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9381:
9376:
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9356:
9351:
9346:
9341:
9336:
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9306:
9301:
9296:
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9286:
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9124:
9119:
9114:
9109:
9104:
9099:
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9089:
9082:
9073:
9066:
9061:
9056:
9051:
9046:
9041:
9036:
9031:
9026:
9021:
9016:
9011:
9008:
9006:Henohenomoheji
9003:
8998:
8993:
8988:
8983:
8978:
8973:
8968:
8963:
8953:
8948:
8943:
8938:
8933:
8928:
8919:
8913:
8911:
8905:
8904:
8902:
8901:
8896:
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8861:
8856:
8851:
8850:
8849:
8839:
8838:
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8827:
8822:
8817:
8812:
8807:
8802:
8797:
8792:
8786:
8780:
8774:
8773:
8770:
8769:
8767:
8766:
8761:
8756:
8751:
8746:
8741:
8736:
8731:
8726:
8720:
8714:
8708:
8707:
8704:
8703:
8700:
8699:
8697:
8696:
8691:
8690:
8689:
8682:Prime Minister
8679:
8674:
8672:Foreign policy
8669:
8664:
8663:
8662:
8651:
8649:
8643:
8642:
8640:
8639:
8638:
8637:
8632:
8627:
8617:
8612:
8611:
8610:
8605:
8600:
8590:
8585:
8580:
8579:
8578:
8568:
8567:
8566:
8556:
8551:
8549:Imperial House
8546:
8545:
8544:
8534:
8529:
8523:
8513:
8507:
8506:
8503:
8502:
8500:
8499:
8494:
8489:
8484:
8479:
8474:
8469:
8464:
8459:
8457:Extreme points
8454:
8449:
8444:
8439:
8434:
8429:
8423:
8417:
8411:
8410:
8407:
8406:
8404:
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8385:
8383:
8379:
8378:
8376:
8375:
8374:
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8368:
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8357:
8356:
8351:
8346:
8341:
8336:
8331:
8326:
8316:
8315:
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8309:
8298:
8296:
8292:
8291:
8289:
8288:
8283:
8278:
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8271:
8270:
8265:
8260:
8255:
8250:
8245:
8240:
8230:
8225:
8220:
8219:
8218:
8207:
8205:
8201:
8200:
8198:
8197:
8192:
8191:
8190:
8185:
8178:Sengoku period
8175:
8170:
8169:
8168:
8163:
8153:
8148:
8143:
8138:
8137:
8136:
8126:
8120:
8118:
8117:Post-Classical
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7867:
7862:
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7850:
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7813:
7812:External links
7810:
7809:
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7673:
7656:
7650:
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7516:
7502:
7489:
7479:Boardman, John
7476:
7448:
7438:
7435:
7432:
7431:
7402:
7384:
7355:
7337:
7330:
7312:Favell, Adrian
7303:
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6820:
6800:
6788:
6786:, p. 330.
6776:
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6727:
6725:, p. 187.
6715:
6695:
6693:, p. 185.
6683:
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6633:
6626:
6606:
6604:, p. 254.
6594:
6586:, pp.182-188,
6575:
6555:
6553:, p. 287.
6543:
6528:
6506:
6504:, p. 252.
6491:
6473:
6469:第12回「創造する伝統賞」.
6461:
6450:
6438:
6416:(2014-01-16).
6405:
6390:
6388:, p. 349.
6378:
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6156:
6149:
6129:
6111:"Choukin (彫金)"
6102:
6089:
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5916:Korean Studies
5899:
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5635:United States
5633:
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5625:
5619:
5613:
5603:Art galleries
5601:
5596:
5595:
5594:
5589:
5584:
5574:
5569:
5562:
5559:
5466:Pulitzer Prize
5452:
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5386:
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5379:Kabuki Society
5332:
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4712:Writing system
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4603:Historiography
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4465:The Art World
4462:
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4371:
4370:
4366:
4365:
4362:Postwar period
4325:
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4160:Hon'ami Kōetsu
4137:
4134:
4129:Main article:
4126:
4123:
4117:
4114:
4113:
4112:
4102:
4095:
4093:
4079:A hologram of
4078:
4062:
4060:
4045:
4038:
4036:
4025:
4018:
4016:
4012:lolita fashion
4009:
4002:
4000:
3996:
3989:
3939:
3938:
3894:
3892:
3885:
3879:
3876:
3789:Nikkō Tōshō-gū
3776:Main article:
3772:, 17th century
3757:
3754:
3687:, kabuki, and
3640:
3637:
3629:The Group 1965
3613:Daidō Moriyama
3609:Chiharu Shiota
3601:Yoshitomo Nara
3553:Hayao Miyazaki
3543:
3540:
3536:Mika Yoshizawa
3524:conceptual art
3508:graphic design
3491:
3488:
3443:Daidō Moriyama
3415:Tadanori Yokoo
3402:Zero Dimension
3392:
3389:
3353:
3350:
3315:
3312:
3284:
3281:
3235:
3232:
3228:Asahi Gyokuzan
3224:Ishikawa Komei
3189:. circa 1900,
3179:
3176:
3144:
3141:
3125:Shibata Zeshin
3107:Shibata Zeshin
3103:Fuji Tagonoura
3090:
3087:
3046:
3043:
3021:Okakura Kakuzō
2993:
2990:
2984:were built by
2953:, designed by
2942:
2939:
2927:his collection
2923:Nasser Khalili
2906:
2905:
2896:
2889:
2887:
2884:Hashimoto Gahō
2873:
2866:
2858:enamel artist
2852:Hashimoto Gahō
2844:Shibata Zeshin
2787:
2784:
2783:
2782:
2766:
2759:
2721:Hon'ami Kōetsu
2713:Main article:
2706:
2705:
2699:
2692:
2690:
2671:
2664:
2559:poets such as
2530:Torii Kiyonaga
2508:paintings and
2322:, 17th century
2308:
2305:
2301:monochrome ink
2183:
2180:
2084:Karesansui of
2073:Buddhism, the
2054:
2051:
1977:Jōdo-ji in Ono
1886:
1883:
1834:Empress Shōshi
1761:, a temple in
1746:Phoenix Hall,
1595:
1592:
1463:Prince Shōtoku
1442:Wind God, the
1404:
1403:
1396:
1389:
1387:
1380:
1373:
1351:historiography
1307:
1304:
1268:
1265:
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1222:
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1208:
1201:
1199:
1192:
1185:
1159:
1156:
1111:Dogū figurines
1102:(1000–400 BCE)
1084:
1081:
1067:
1064:
1058:
1055:
1032: 300 BCE
1016:
1013:
1003:
1000:
946:rather than a
892:paintings and
861:
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613:Art of Oceania
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126:Pre-Romanesque
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97:History of art
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9899:South Ossetia
9897:
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9506:
9500:
9497:
9495:
9494:South Ossetia
9492:
9490:
9487:
9485:
9482:
9480:
9477:
9476:
9474:
9472:
9466:
9460:
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8779:
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8765:
8762:
8760:
8757:
8755:
8752:
8750:
8747:
8745:
8742:
8740:
8739:Manufacturing
8737:
8735:
8732:
8730:
8727:
8725:
8722:
8721:
8718:
8715:
8713:
8709:
8695:
8692:
8688:
8685:
8684:
8683:
8680:
8678:
8675:
8673:
8670:
8668:
8667:Fiscal policy
8665:
8661:
8658:
8657:
8656:
8653:
8652:
8650:
8648:
8644:
8636:
8633:
8631:
8628:
8626:
8623:
8622:
8621:
8618:
8616:
8613:
8609:
8606:
8604:
8601:
8599:
8596:
8595:
8594:
8593:National Diet
8591:
8589:
8586:
8584:
8581:
8577:
8576:Supreme Court
8574:
8573:
8572:
8569:
8565:
8562:
8561:
8560:
8557:
8555:
8552:
8550:
8547:
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8498:
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8455:
8453:
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8416:
8412:
8400:
8397:
8395:
8392:
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8387:
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8380:
8372:
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8364:
8363:
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8347:
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8131:
8130:
8127:
8125:
8122:
8121:
8119:
8115:
8109:
8106:
8104:
8101:
8097:
8094:
8093:
8092:
8089:
8085:
8084:Hakuhō period
8082:
8080:
8077:
8075:
8072:
8071:
8070:
8067:
8065:
8062:
8060:
8057:
8055:
8052:
8050:
8047:
8046:
8044:
8040:
8032:
8031:Imperial Navy
8029:
8027:
8026:Imperial Army
8024:
8022:
8019:
8018:
8017:
8014:
8012:
8009:
8007:
8004:
8002:
7999:
7995:
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7987:
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7880:
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7839:
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7826:
7822:
7819:
7816:
7815:
7806:
7802:
7801:
7796:
7792:
7788:
7784:
7780:
7779:
7771:
7767:
7761:
7757:
7756:
7753:
7748:
7738:on 2021-09-28
7737:
7733:
7727:
7723:
7722:
7719:
7714:
7704:on 2021-06-07
7703:
7699:
7693:
7689:
7688:
7685:
7680:
7676:
7670:
7666:
7665:
7662:
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7621:
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7617:
7612:
7611:
7603:
7602:0-9518399-1-8
7599:
7595:
7593:
7592:2-9516679-2-2
7589:
7585:
7581:
7578:
7574:
7568:
7564:
7560:
7559:
7553:
7551:
7550:0-87093-156-3
7547:
7543:
7540:, The Hague,
7539:
7535:
7533:
7532:1-85029-251-5
7529:
7525:
7521:
7520:Battie, David
7517:
7513:
7509:
7505:
7503:1-874780-13-7
7499:
7495:
7490:
7488:
7487:0-691-03680-2
7484:
7480:
7477:
7473:
7469:
7468:
7462:
7461:public domain
7452:
7449:
7447:
7445:
7441:
7440:
7427:
7421:
7413:
7409:
7405:
7399:
7395:
7388:
7380:
7374:
7366:
7362:
7358:
7352:
7348:
7341:
7333:
7327:
7323:
7319:
7318:
7313:
7307:
7293:
7289:
7282:
7274:
7268:
7264:
7260:
7259:
7251:
7236:
7232:
7225:
7217:
7211:
7207:
7203:
7202:
7194:
7186:
7180:
7176:
7172:
7171:
7163:
7155:
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7145:
7141:
7140:
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7118:
7114:
7110:
7109:
7101:
7093:
7087:
7083:
7079:
7078:
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7062:
7056:
7052:
7048:
7047:
7039:
7031:
7025:
7021:
7017:
7016:
7008:
7000:
6994:
6990:
6986:
6985:
6977:
6969:
6963:
6959:
6955:
6954:
6946:
6938:
6932:
6928:
6924:
6923:
6915:
6913:
6904:
6898:
6894:
6890:
6889:
6881:
6874:
6872:
6865:
6863:
6855:
6850:
6843:
6838:
6823:
6817:
6813:
6812:
6804:
6797:
6792:
6785:
6780:
6774:
6770:
6766:
6760:
6754:, p. 66.
6753:
6748:
6742:, p. 64.
6741:
6736:
6734:
6732:
6724:
6719:
6713:
6709:
6705:
6699:
6692:
6687:
6680:
6675:
6668:
6664:
6660:
6656:
6652:
6648:
6644:
6637:
6629:
6623:
6619:
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6610:
6603:
6598:
6591:
6590:
6585:
6579:
6573:
6569:
6565:
6559:
6552:
6547:
6539:
6535:
6531:
6525:
6521:
6517:
6510:
6503:
6498:
6496:
6488:
6487:
6482:
6477:
6470:
6465:
6459:
6454:
6448:, p. 29.
6447:
6442:
6428:on 2014-08-14
6427:
6423:
6419:
6415:
6409:
6402:
6397:
6395:
6387:
6382:
6375:
6370:
6364:, p. 31.
6363:
6358:
6356:
6341:
6337:
6330:
6328:
6320:
6315:
6309:
6305:
6301:
6295:
6289:
6285:
6281:
6275:
6268:
6264:
6263:
6255:
6248:
6244:
6238:
6234:
6230:
6223:
6217:Impey, 71-74
6214:
6205:
6196:
6192:
6188:
6187:
6182:
6178:
6177:
6176:
6172:
6168:
6167:
6160:
6152:
6146:
6142:
6141:
6133:
6118:
6117:
6112:
6106:
6099:
6093:
6085:
6079:
6072:
6066:
6060:
6055:
6048:
6044:
6041:
6040:metmuseum.org
6035:
6028:
6024:
6018:
6011:
6007:
6004:
6003:buddhapia.com
5998:
5989:
5983:
5979:
5976:
5975:metmuseum.org
5970:
5962:
5958:
5954:
5947:
5939:
5935:
5930:
5925:
5921:
5917:
5913:
5906:
5904:
5895:
5891:
5887:
5883:
5876:
5862:on 2007-08-25
5861:
5857:
5853:
5849:
5845:
5839:
5837:
5822:on 2007-08-25
5821:
5817:
5813:
5809:
5805:
5799:
5785:on 2007-08-25
5784:
5780:
5776:
5772:
5768:
5762:
5760:
5758:
5749:
5743:
5738:
5737:
5728:
5726:
5724:
5722:
5720:
5718:
5716:
5714:
5712:
5710:
5703:
5699:
5695:
5689:
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5674:
5670:
5660:
5657:
5655:
5652:
5646:
5643:
5640:
5637:
5636:
5634:
5629:
5626:
5623:
5620:
5617:
5614:
5611:
5608:
5607:
5605:
5604:
5602:
5600:
5597:
5593:
5590:
5588:
5585:
5583:
5580:
5579:
5578:
5575:
5573:
5570:
5568:
5565:
5564:
5558:
5556:
5553:
5549:
5548:impressionist
5545:
5544:Globe Theatre
5541:
5537:
5533:
5529:
5525:
5521:
5517:
5513:
5509:
5505:
5501:
5497:
5493:
5488:
5486:
5482:
5478:
5474:
5469:
5467:
5463:
5459:
5448:
5446:
5442:
5438:
5434:
5430:
5426:
5422:
5418:
5414:
5409:
5407:
5406:
5400:
5396:
5392:
5382:
5380:
5375:
5371:
5367:
5363:
5358:
5356:
5351:
5347:
5343:
5339:
5327:
5322:
5320:
5315:
5313:
5308:
5307:
5305:
5304:
5299:
5289:
5288:
5287:
5286:
5279:
5276:
5275:
5271:Organisations
5267:
5266:
5259:
5256:
5254:
5251:
5249:
5246:
5245:
5241:
5235:
5234:
5227:
5224:
5222:
5219:
5217:
5214:
5212:
5209:
5207:
5204:
5203:
5199:
5193:
5192:
5185:
5182:
5180:
5177:
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5172:
5170:
5167:
5165:
5162:
5160:
5157:
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5152:
5150:
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5142:
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5137:
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5123:
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5110:
5108:
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5039:
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5022:
5020:
5017:
5015:
5012:
5011:
5007:
5001:
5000:
4993:
4990:
4988:
4985:
4983:
4980:
4978:
4975:
4974:
4970:
4964:
4963:
4956:
4953:
4951:
4950:New religions
4948:
4946:
4943:
4941:
4938:
4937:
4933:
4927:
4926:
4919:
4916:
4914:
4911:
4909:
4908:Shichi-Go-San
4906:
4904:
4901:
4899:
4896:
4894:
4891:
4889:
4886:
4884:
4881:
4880:
4876:
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4859:
4857:
4854:
4852:
4849:
4848:
4844:
4838:
4837:
4830:
4827:
4825:
4824:Urban legends
4822:
4820:
4817:
4815:
4812:
4811:
4807:
4803:
4797:
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4646:
4643:
4641:
4638:
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4627:
4626:
4619:
4616:
4614:
4613:Naval history
4611:
4609:
4606:
4604:
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4599:
4596:
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4532:
4528:
4527:
4523:
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4518:
4511:
4508:
4507:
4504:
4503:
4502:Manga artists
4499:
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4427:
4423:
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4414:
4413:
4410:
4409:
4405:
4404:Photographers
4401:
4397:
4393:
4389:
4385:
4384:Calligraphers
4381:
4377:
4373:
4372:
4368:
4367:
4364:
4363:
4359:
4358:Prewar period
4355:
4351:
4347:
4343:
4339:
4335:
4334:Yamato period
4331:
4327:
4326:
4322:
4321:
4318:
4317:
4313:
4309:
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4301:
4297:
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4265:
4264:
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4006:
4001:
3993:
3988:
3987:
3986:
3984:
3983:
3976:
3974:
3970:
3966:
3961:
3958:As Japan was
3956:
3954:
3950:
3946:
3935:
3932:
3924:
3914:
3909:
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3610:
3606:
3602:
3598:
3594:
3592:
3588:
3584:
3582:
3581:Nahoko Kojima
3579:(Fireworks).
3578:
3574:
3569:
3564:
3560:
3558:
3557:Studio Ghibli
3554:
3550:
3539:
3537:
3533:
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3525:
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3513:
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3450:
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3432:
3428:
3424:
3420:
3416:
3412:
3407:
3406:Hi-Red Center
3403:
3399:
3388:
3386:
3382:
3378:
3373:
3371:
3369:
3364:
3360:
3349:
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3229:
3225:
3221:
3216:
3215:
3210:
3209:
3204:
3196:
3192:
3188:
3184:
3178:Ivory carving
3175:
3173:
3169:
3164:
3155:
3154:
3149:
3140:
3138:
3134:
3130:
3126:
3122:
3121:
3116:
3108:
3104:
3101:
3100:
3095:
3086:
3084:
3080:
3079:world's fairs
3076:
3072:
3068:
3063:
3056:
3051:
3042:
3040:
3036:
3035:
3030:
3026:
3022:
3018:
3014:
3006:
3002:
2998:
2989:
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2928:
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2912:
2902:
2899:
2893:
2888:
2885:
2881:
2878:
2877:
2870:
2865:
2864:
2863:
2861:
2857:
2853:
2849:
2846:, ceramicist
2845:
2841:
2836:
2830:
2825:
2819:
2814:
2810:
2809:world's fairs
2805:
2803:
2802:Prewar period
2799:
2793:
2780:
2776:
2772:
2771:
2763:
2758:
2757:
2756:
2754:
2753:Maria Theresa
2750:
2746:
2745:
2740:
2736:
2732:
2731:
2726:
2722:
2716:
2711:
2710:
2702:
2696:
2691:
2687:
2684:
2680:
2676:
2675:
2668:
2663:
2662:
2661:
2658:
2654:
2649:
2647:
2644:
2640:
2636:
2635:
2630:
2629:climbing kiln
2626:
2622:
2618:
2612:
2608:
2603:
2602:
2598:
2596:
2592:
2588:
2584:
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2468:
2467:
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2451:
2438:
2434:
2433:
2428:
2424:
2422:
2418:
2414:
2412:
2411:
2406:
2405:Freer Gallery
2402:
2401:
2395:
2391:
2389:
2385:
2381:
2377:
2374:
2373:Architecture:
2370:
2367:
2360:
2356:
2351:
2347:
2345:
2341:
2337:
2332:
2329:
2321:
2317:
2313:
2304:
2302:
2298:
2297:
2292:
2288:
2284:
2283:
2278:
2274:
2272:
2271:Chinese Lions
2267:
2266:
2261:
2257:
2253:
2249:
2245:
2238:
2234:
2232:
2231:Cypress Trees
2227:
2223:
2221:
2216:
2212:
2208:
2204:
2200:
2192:
2191:Himeji Castle
2188:
2179:
2170:
2169:Sansui Chokan
2166:
2162:
2158:
2154:
2150:
2145:
2136:
2132:
2128:
2124:
2123:
2118:
2114:
2105:
2101:
2099:
2094:
2087:
2082:
2078:
2076:
2072:
2068:
2064:
2063:Ashikaga clan
2060:
2053:Muromachi art
2050:
2047:
2043:
2038:
2036:
2031:
2030:
2024:
2022:
2018:
2014:
2010:
2006:
2002:
1998:
1994:
1993:
1988:
1984:
1982:
1979:, created by
1978:
1974:
1970:
1966:
1962:
1958:
1953:
1949:
1945:
1941:
1937:
1933:
1931:
1927:
1923:
1919:
1915:
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1401:, 8th century
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550:Art of Africa
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9965:Japanese art
9844:Turkmenistan
9809:Saudi Arabia
9718:
9509:Dependencies
9439:Turkmenistan
9404:Saudi Arabia
9203:Art of Asia
9107:Tea ceremony
9084:
9078: /
9070:No-pan kissa
9068:
9039:Martial arts
9029:LGBT culture
8935:
8931:Architecture
8924: /
8869:Prostitution
8835:Homelessness
8805:Demographics
8729:Central bank
8559:Human rights
8527:Constitution
8382:Contemporary
8204:Early Modern
8108:Heian period
8096:Monmu period
8091:Taika Reform
8069:Asuka period
8064:Kofun period
8059:Yayoi period
8054:Jōmon period
7824:
7798:
7782:
7781:] (加藤 薫
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7736:the original
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7702:the original
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6484:
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6426:the original
6421:
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6208:Impey, 69-70
6204:
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6114:
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5820:the original
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5783:the original
5770:
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5673:
5582:Buddhist art
5489:
5470:
5454:
5410:
5405:sine qua non
5403:
5388:
5362:World War II
5359:
5338:calligrapher
5335:
5253:Coat of arms
5211:Architecture
5159:Martial arts
4968:
4945:Christianity
4851:Food history
4783:Tea ceremony
4776: /
4564:Demographics
4498:Illustrators
4484:
4470:
4426:Buddhist art
4420:
4374:
4338:Heian period
4328:
4288:Architecture
4279:
4278:
4266:
4239:
4235:
4226:
4222:
4213:
4204:
4177:
4173:
4153:
4119:
4081:Hatsune Miku
3980:
3977:
3957:
3942:
3927:
3918:
3911:Please help
3907:
3896:
3865:
3859:
3853:
3843:
3840:
3833:
3830:
3823:
3817:
3814:rock gardens
3806:
3798:
3781:
3770:Hakuin Ekaku
3706:Yayoi period
3694:Jōmon period
3669:
3655:
3597:Yayoi Kusama
3595:
3585:
3576:
3565:
3561:
3545:
3516:wearable art
3505:
3501:Plaza Accord
3493:
3481:
3473:Yayoi Kusama
3469:
3454:
3446:
3437:created the
3394:
3379:against the
3374:
3366:
3355:
3345:
3332:
3317:
3296:
3294:
3277:World's fair
3273:Makuzu Kōzan
3256:Satsuma ware
3253:
3247:
3212:
3206:
3200:
3191:Meiji period
3186:
3159:
3151:
3136:
3132:
3118:
3112:
3102:
3097:
3066:
3059:
3032:
3010:
3005:Kuroda Seiki
3000:
2979:
2960:
2957:in 1894–1898
2915:
2907:
2900:
2897:
2879:
2874:
2848:Makuzu Kōzan
2806:
2795:
2768:
2742:
2728:
2718:
2709:Lacquerware:
2708:
2707:
2678:
2672:
2650:
2632:
2614:
2600:
2599:
2579:Ike no Taiga
2572:
2538:
2503:
2489:
2488:
2476:
2464:
2454:
2430:
2416:
2415:
2408:
2398:
2393:
2392:
2383:
2372:
2371:
2365:
2364:
2344:Rinpa school
2333:
2325:
2315:
2294:
2282:Maple Screen
2280:
2275:
2270:
2263:
2243:
2242:
2229:
2203:Oda Nobunaga
2196:
2168:
2164:
2160:
2146:
2120:
2110:
2092:
2091:
2056:
2045:
2039:
2034:
2027:
2025:
1990:
1986:
1985:
1935:
1934:
1907:
1885:Kamakura art
1870:
1866:
1860:
1854:
1850:
1849:
1842:
1837:
1823:
1817:
1811:
1807:
1806:
1800:"YUGIRI" of
1784:
1778:
1754:
1752:
1712:
1711:
1704:
1690:
1686:
1668:, a form of
1653:
1652:
1644:Fujiwara era
1631:Heian period
1629:
1623:
1613:Taishakuten
1602:
1583:
1579:
1578:
1571:
1561:
1551:
1549:
1535:
1528:
1523:
1504:bodhisattvas
1495:
1493:
1486:
1478:
1473:(Five-story
1470:
1466:
1452:
1405:
1363:
1344:
1336:Nara periods
1329:
1292:
1281:Kofun period
1278:
1172:
1161:
1143:
1131:
1124:Jōmon period
1114:
1110:
1109:
1105:
1077:
1060:
1048:
1018:
996:architecture
974:
938:
934:Meiji Period
918:
878:ink painting
866:Japanese art
865:
864:
793:Art movement
760:Graphic arts
750:Architecture
625:Cook Islands
611:
610:
582:
581:
548:
547:
463:
462:
396:
395:
371:
370:
355:
329:
328:
321:
320:
281:Mesopotamian
274:
237:Contemporary
80:Heian period
73:
46:
32:Japanese art
26:
9876:recognition
9794:Philippines
9739:South Korea
9734:North Korea
9624:Afghanistan
9568:Asia portal
9469:States with
9389:Philippines
9329:South Korea
9324:North Korea
9219:Afghanistan
9122:Video games
8864:Pornography
8472:Prefectures
8452:Environment
8447:Earthquakes
8432:Archipelago
8339:Pacific War
8295:Late Modern
8103:Nara period
8049:Paleolithic
7240:October 13,
6868:"Japan" in
6516:Wakon Yosai
5922:(1): 1–29.
5888:(2): 1–23.
5641:, est. 1923
5630:, est. 2005
5624:, est. 1889
5618:, est. 1889
5612:, est. 1872
5552:blue period
5540:Shakespeare
5536:Tokyu Group
5473:Nobel Prize
5458:Naoki Prize
5399:avant-garde
5385:Art schools
5179:Rugby union
5122:Pornography
5117:Video games
5014:Light novel
4893:Hinamatsuri
4856:Ingredients
4472:Art museums
4458:Tarashikomi
4408:Printmakers
4292:Calligraphy
4253:Art history
4046:A Japanese
3915:if you can.
3766:Bodhidharma
3633:Makoto Aida
3617:Mariko Mori
3465:Kenzō Tange
3447:are, bure,
3435:Satō Makoto
3383:(known as "
3359:Gutai group
3304:chiaroscuro
3269:Yabu Meizan
3244:Yabu Meizan
3089:Lacquerware
3029:World War I
2986:Jihei Ogawa
2955:Jihei Ogawa
2775:Ogata Kōrin
2725:Ogata Kōrin
2549:Edgar Degas
2444: 1793
2287:Chishaku-in
2252:Kanō Eitoku
2248:Kanō school
2237:Kanō Eitoku
2176: 1486
2142: 1400
2098:monochromes
2057:During the
1893:Muchaku by
1771: 1053
1706:honpa-shiki
1536:Daibutsuden
1508:Tori Busshi
1494:Inside the
1397:Hokkedō at
1355:bureaucracy
1330:During the
882:calligraphy
788:Art history
765:Digital art
755:Photography
745:Calligraphy
528:Anglo-Saxon
508:Hellenistic
453:Singaporean
215:Art Nouveau
175:Romanticism
143:Renaissance
111:Prehistoric
9959:Categories
9854:Uzbekistan
9829:Tajikistan
9749:Kyrgyzstan
9729:Kazakhstan
9644:Bangladesh
9634:Azerbaijan
9449:Uzbekistan
9424:Tajikistan
9339:Kyrgyzstan
9319:Kazakhstan
9239:Bangladesh
9229:Azerbaijan
9112:Television
9034:Literature
8996:Hikikomori
8917:Aesthetics
8795:Censorship
8677:Ministries
8647:Government
8361:Heisei era
8344:Occupation
8302:Taishō era
8263:Boshin War
8243:Government
8211:Edo period
8124:Genpei War
8074:Taihō Code
7783:Katō Kaoru
7742:2021-03-25
7708:2021-03-25
7297:2019-04-22
6842:Earle 1999
6796:Earle 1999
6784:Earle 1999
6752:Earle 1999
6740:Earle 1999
6723:Earle 1999
6691:Earle 1999
6679:Earle 1999
6602:Earle 1999
6551:Earle 1999
6502:Earle 1999
6446:Earle 1999
6432:2020-03-19
6401:Earle 1999
6386:Earle 1999
6374:Earle 1999
6362:Earle 1999
6345:2020-03-19
6319:Earle 1999
5866:2012-07-21
5826:2012-07-21
5789:2012-07-20
5665:References
5500:Inner Asia
5169:Ice hockey
5164:Basketball
5092:Television
5006:Literature
4731:Traditions
4665:Ryukuyuans
4588:Healthcare
4400:Architects
4354:Edo period
4284:Categories
4164:Edo period
4152:tea bowl (
4089:grassroots
4056:smartphone
4052:Heisei era
4048:flip phone
4032:Cool Japan
4028:soft power
3953:globalized
3945:technology
3872:Edo period
3621:Aya Takano
3568:Yo Akiyama
2973:, full of
2949:Garden of
2850:, painter
2643:underglaze
2634:noborigama
2583:Yosa Buson
2561:Ezra Pound
2463:'s series
2453:The print
2417:Sculpture:
2336:Edo period
2260:Daitoku-ji
2157:Shōkoku-ji
2131:Myōshin-ji
2026:Thus, the
1969:Hossō sect
1940:Kei school
1936:Sculpture:
1748:Uji, Kyoto
1697:Shakyamuni
1640:Genpei War
1545:Edo period
1471:Gojū-no-tō
1431:Siddhartha
1289:sculptures
1210:Shinju-kyo
1146:are small
1030: – c.
956:Edo period
952:aesthetics
825:Naturalist
805:Figurative
724:Techniques
692:Manichaean
670:Protestant
620:Australian
416:Vietnamese
406:Indonesian
311:Phoenician
257:Minimalism
242:Postmodern
205:Decorative
170:Revivalism
131:Romanesque
57:Edo period
9939:Hong Kong
9894:Palestine
9819:Sri Lanka
9814:Singapore
9699:Indonesia
9610:Asian art
9535:Hong Kong
9489:Palestine
9414:Sri Lanka
9409:Singapore
9289:Indonesia
9086:Otokonoko
9054:Mythology
8966:Festivals
8889:Sexuality
8842:Languages
8815:Etiquette
8810:Education
8759:Transport
8571:Judiciary
8532:Elections
8442:Districts
8427:Addresses
8415:Geography
8389:Reiwa era
8319:Shōwa era
8233:Meiji era
8223:Bakumatsu
8146:Genkō War
8006:Education
7969:Overviews
7420:cite book
7412:799995265
7373:cite book
7365:958469540
6655:2150-6256
6538:853452453
6195:1071-6068
6084:Vajrapani
5938:1529-1529
5816:683276033
5534:built by
5532:Bunkamura
5496:Silk Road
5479:, by the
5342:Confucian
5198:Monuments
5107:Media mix
5060:Kayōkyoku
4875:Festivals
4829:Folktales
4802:Mythology
4744:Etiquette
4679:Languages
4579:Education
4559:Era names
4494:Animators
4396:Sculptors
4312:Sculpture
4232:Jo-ha-kyu
4150:Raku ware
4136:Wabi-Sabi
4104:Kizuna Ai
3921:July 2018
3720:, gongs,
3591:superflat
3575:, called
3431:Jūrō Kara
3172:shibuichi
3143:Metalwork
3133:Shibayama
3129:Bakumatsu
3062:cloisonné
3017:ja:工部美術学校
2911:Japonisme
2856:cloisonné
2796:When the
2674:Ko-Kutani
2639:kaolinite
2631:, called
2617:stoneware
2557:Modernist
2545:Hiroshige
2483:Hiroshige
2403:, in the
2394:Painting:
2355:Kōraku-en
2296:Pine Wood
2244:Painting:
2222:in 1603.
2093:Painting:
2013:syllabary
2001:Pure Land
1957:Kōfuku-ji
1899:Kōfuku-ji
1670:Vajrayana
1594:Heian art
1588:engraving
1520:Tamamushi
1448:Classical
1267:Kofun art
1158:Yayoi art
1120:figurines
1015:Jōmon art
874:sculpture
820:Narrative
730:Sculpture
660:Christian
648:Religions
523:Byzantine
436:Cambodian
431:Malaysian
386:Bhutanese
344:Hong Kong
200:Symbolism
148:Mannerism
9884:Abkhazia
9834:Thailand
9789:Pakistan
9774:Mongolia
9769:Maldives
9764:Malaysia
9664:Cambodia
9558:Category
9479:Abkhazia
9429:Thailand
9384:Pakistan
9364:Mongolia
9359:Maldives
9354:Malaysia
9254:Cambodia
9161:Category
8976:Folklore
8874:Religion
8847:Japanese
8820:Gambling
8630:Maritime
8511:Politics
8492:Villages
8173:Ōnin War
8016:Military
8001:Economic
7935:articles
7873:Archived
7838:Archived
7835:e-Museum
7544:, 1971.
7512:42476594
6827:28 April
6663:25582341
6043:Archived
6027:EB-Smile
6006:Archived
5978:Archived
5894:40315778
5856:56431036
5779:56431036
5561:See also
5504:Dunhuang
5460:and the
5374:PEN Club
5355:Tokugawa
5184:Olympics
5149:Baseball
4940:Buddhism
4932:Religion
4903:Tanabata
4806:folklore
4769:Marriage
4749:Funerals
4739:Clothing
4697:Ryukyuan
4692:Japanese
4640:Japanese
4522:a series
4520:Part of
4434:Yamato-e
4392:Painters
4300:Painting
4273:General
4148:" white
3897:require
3835:yamato-e
3742:Buddhism
3673:Buddhist
3477:Yoko Ono
3283:Textiles
3067:cloisons
2992:Painting
2965:and the
2951:Murin-an
2701:Ko-Imari
2601:Ceramics
2522:Harunobu
2456:Red Fuji
2215:de facto
2137:(active
2127:Taizō-in
2086:Ryōan-ji
2009:Kōzan-ji
1973:Amitabha
1952:Tōdai-ji
1918:Kamakura
1914:Minamoto
1912:and the
1901:, 1212,
1791:Yamato-e
1759:Byōdō-in
1744:Byōdō-in
1674:mandalas
1658:Buddhism
1603:Taizokai
1563:Kaidanin
1553:Hokke-dō
1531:Tōdai-ji
1516:Hōryū-ji
1459:Hōryū-ji
1455:Far East
1428:Chūgū-ji
1421:Kōryū-ji
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1399:Tōdai-ji
1383:Hōryū-ji
1324:Horyu-ji
1179:ceramics
1136:effigies
1023:people (
970:religion
940:Painting
926:Ōnin War
898:ceramics
810:Funerary
783:Abstract
735:Painting
665:Catholic
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630:Hawaiian
533:Ottonian
498:Scythian
483:Etruscan
478:Cycladic
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411:Filipino
356:Japanese
286:Egyptian
121:Medieval
9859:Vietnam
9759:Lebanon
9689:Georgia
9639:Bahrain
9629:Armenia
9454:Vietnam
9369:Myanmar
9349:Lebanon
9279:Georgia
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9224:Armenia
9117:Theatre
9092:Origami
9019:Irezumi
9014:Ikebana
8981:Gardens
8956:Cuisine
8909:Culture
8894:Smoking
8830:Housing
8778:Society
8712:Economy
8655:Cabinet
8537:Emperor
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8462:Islands
8349:Postwar
8277:(noble)
8042:Ancient
7989:Shoguns
7961:History
7951:Outline
7795:Archive
7522:, ed.,
7437:Sources
6704:明治の細密工芸
6564:明治の細密工芸
6300:明治の細密工芸
5659:Musha-e
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5502:and at
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4982:Gardens
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4687:Japonic
4551:History
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4380:Artists
4304:Pottery
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4245:Artists
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9904:Taiwan
9839:Turkey
9804:Russia
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9102:Shinto
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9001:Hanami
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8941:Bonsai
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8825:Health
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8625:Ground
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8437:Cities
8275:Kazoku
7975:Lists
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8971:Flag
8960:wine
8687:list
8660:list
8564:LGBT
8542:list
7994:Wars
7979:Eras
7760:ISBN
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7508:OCLC
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7426:link
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6829:2020
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6124:2016
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5812:OCLC
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