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In his voluminous preserved collection, the first works that can be dated with certainty is dedicated to San
Vicente Ferrer in the chapel of the convent of Santo Domingo de Valencia ( 1665), paintings close to the work of Espinosa and not inferior. Very different are other works, considered later, in
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which the artist was interested in deep architectural perspectives, with a very dynamic treatment of the figures and a dramatic study of light, as can be found on the
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MARCO GARCIA, Victor (2006). The painter
Salvador Gómez Vicente (Valencia, 1637-1678 .. Valencia: Institució Alfons the Magnanimous-Dep. Of Valencia.
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PEREZ SANCHEZ, Alfonso E. (1980). The
Spanish drawing of the golden age. Madrid: Ministry of Culture. Legal Deposit M. 16.788.-1980.
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PEREZ SANCHEZ, Alfonso E. (1992). Baroque
Painting in Spain 1600-1750 .. Madrid: Ediciones SA Chair.
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His intellectual interests are reflected in his library, with works largely from the collection of
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that are not even published, fragmentarily preserved in the
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English about Vicente Salvador Gómez both in web and
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into a family of artists. He was the son of the painter
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153:Purification of the Temple
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145:St. Ignatius of Loyola
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18:Vicente Salvador Gomez
326:Spanish painter stubs
321:Artists from Valencia
316:Spanish male painters
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168:José García Hidalgo
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