331:
200:
76:
22:
2693:
1769:
2794:
2352:
267:, also in 1929, a huge transparency of a street scene—taken from the credits—was mounted on the front of the building, with speeding cars in the foreground, and alternately lighted and darkened; wooden gates swung closed in front of it, with the title written on them in letters blazing with light. The exception was
306:
in Berlin, Speer designed a false front in simplified classical style. The following year, the remainder of the façade was similarly covered and heavy masonry pylons evoking the entrance to the
Olympic Stadium set on either side of the entrance; one architectural historian has noted that except for
225:
reported that the
American "combination of symphony concert, ballet and film" had been successfully imported to Germany for the first time. Rapee stayed on for almost a year as manager and as Ufa's senior music director, in which role he arranged music to accompany several films; he left after
2426:
285:(Germany's first purpose-built cinema, dating to 1912), which for the occasion was painted silver and illuminated "gleam like a beacon into the night", as a contemporary reviewer put it, and had a gong mounted over the main entrance; the film's brief German run continued there.
1694:
59:, or Ufa. Opened in 1919 and enlarged in 1925, it was the largest cinema in Germany until 1929 and was one of the main locations of film premières in the country. The building was destroyed in November 1943 during the
1824:
255:
in 1928, a gigantic stylised eye stared out of the centre of the façade and the letters of the title, written across the whole width of the central bay, became pupils which emitted searchlights; for
261:
in 1929, the façade was draped in lights to evoke stars, and above the entrances skyscraper cities jutted out, from the centres of which model spaceships travelled to a moon globe and back; and for
2871:
2758:
277:, which received a double première on 10 January 1927: the gala première at the Ufa-Palast am Zoo was attended by President Hindenburg but advertised only by a sign above the entrance reading
188:; it was enlarged to 2,165 seats by the addition of a balcony, the lighting was improved, and an illuminated cinema organ was added. The interior décor by Samuel Rachman resembled that of
2861:
960:
1484:
181:
praised the sightlines from the amphitheatre-style seating and the "discreet" and "tasteful" colour scheme; the décor was simple, with faïence panels around the screen.
1359:
672:
1025:, like those of his earlier films, was scheduled to be held at the Ufa-Palast am Zoo, on 23 March 1933, but was cancelled when the film was banned by the Nazis.
2822:
2512:, ed. Sara Friedrichsmeyer, Sara Lennox and Susanne Zantop, Social history, popular culture, and politics in Germany, Ann Arbor: University of Michigan, 1998,
1372:
1293:
1216:
193:
1431:
2876:
2399:
219:, to introduce US-style cinema shows to Germany. They were given an 85-member orchestra plus a jazz band, and Roxy himself came to offer assistance. The
2593:
2146:
1040:
185:
2380:
2521:
2415:
Deutsche
Tonfilme: Filmlexikon der abendfüllenden deutschen und deutschsprachigen Tonfilme nach ihren deutschen Uraufführungen: 11 Jahrgang 1940/41
758:
2295:
249:. This began with light displays and large posters and progressed to complete transformations of the appearance of the building. For example, for
2311:
Deutsche
Tonfilme: Filmlexikon der abendfüllenden deutschen und deutschsprachigen Tonfilme nach ihren deutschen Uraufführungen: 6. Jahrgang 1935
1725:
2369:
Deutsche
Tonfilme: Filmlexikon der abendfüllenden deutschen und deutschsprachigen Tonfilme nach ihren deutschen Uraufführungen: 7 Jahrgang 1936
164:
238:
made a speech denouncing the entertainment and other business venues there, Berlin's premier cinemas were clustered close together around the
1266:
2069:
1839:
1799:
177:. The cinema had a rectangular auditorium with two levels of proscenium boxes and the remaining seating arranged in horseshoe-shaped rows.
2195:
2550:
2881:
2171:
2129:
2056:
2580:
2497:
1066:, Lexikon: Charlottenburg-Wilmersdorf von A bis Z, Bezirksamt Charlottenburg-Wilmersdorf, City of Berlin, retrieved 19 December 2012
2563:
2270:
2116:
1500:
1456:
307:
the lack of windows and the decoration with film posters rather than government symbols, the building then looked very like Speer's
2482:
1974:
1676:
1091:
330:
1915:
302:
modified the façade and it was dressed with large numbers of swastika flags spotlighted from below and with a huge eagle. For the
944:
664:
2240:
984:
2257:
1752:
1398:
138:
In 1912, Arthur
Biberfeld converted the western hall into a theatre. In 1913–15, projection facilities were installed by
2777:
2621:
2322:
1928:
1600:
1121:
1117:
2210:
2186:, ed. Berhard Chiari, Matthias Rogg and Wolfgang Schmidt, Beiträge zur Militärgeschichte, Bd. 59, Munich: Oldenbourg, 2003,
2223:
1965:, ed. Randall Halle and Margaret McCarthy, Contemporary film and television series, Detroit: Wayne State University, 2003,
1427:
314:
The building was destroyed by bombing on 23 November 1943. The Zoo Palast was built on the site in 1957, built as a large
1513:
2541:, ed. Robert C. Reimer, Studies in German literature, linguistics and culture, Rochester, New York: Camden House, 2000,
2016:
1595:, Studies in German Literature, Linguistics, and Culture, Rochester, New York: Camden House-Boydell & Brewer, 2010,
2727:
2706:
2676:
2672:
2645:
2617:
2546:
2517:
2478:
2453:
2422:
2376:
2348:
2318:
2291:
2191:
2167:
2094:
2090:
2052:
1999:
1995:
1970:
1945:
1894:
1873:
1869:
1820:
1748:
1721:
1672:
1644:
1604:
1554:
1533:
1480:
1452:
1423:
1330:
1262:
1241:
1237:
1212:
1178:
1174:
1149:
1087:
1063:
825:
742:
319:
97:
building at
Hardenbergstraße was designed as an exhibition hall by architect Carl Gause (1851–1907), an alumnus of the
2649:
2457:
1318:
386:
1289:
1153:
782:
405:
60:
1898:
976:
584:
2731:
1782:
1547:
Illusionen in Stein: Stimmungsarchitektur im deutschen
Faschismus: ihre Vorgeschichte in Theater- und Film-Bauten
282:
216:
94:
2814:
1343:
239:
112:
2638:
Der
Spielfilm Robert Koch—Der Bekämpfer Des Todes Im Kontext antisemitischer Propaganda im Dritten Reich
2809:
852:
512:
2606:
Die ungewöhnlichen
Abenteuer des Dr. Mabuse im Lande der Bolschewiki: das Buch zur Filmreihe "Moskau-Berlin"
1021:
464:
308:
1957:
Richard W. McCormick, "The carnival of humiliation: sex, spectacle, and self-reflexivity in E.A. Dupont's
1306:
2866:
1648:
883:
875:
860:
841:
421:
356:
173:
1764:
Frances Guerin, "Dazzled by the Light: Technological Entertainment and Its Social Impact in 'Varieté'",
488:
131:
power lines. Construction work took place from 1905 to 1906; the building complex initially hosted the
124:
1230:
American Showman: Samuel "Roxy" Rothafel and the Birth of the Entertainment Industry, 1908–1935
215:
who was brought over by Ufa together with Alexander Oumansky, who had been ballet director at Roxy's
2471:
Staatspolitisch besonders wertvoll: ein Handbuch zu 30 deutschen Spielfilmen der Jahre 1934 bis 1945
1418:, Studies in German literature, linguistics, and culture, Rochester, New York: Camden House, 2000,
1000:
345:
The Ufa-Palast am Zoo was one of the main locations for film premières in Germany. These included:
245:
Following the renovation, the exterior was used for advertising, designed by Ufa's scenic designer
40:
1567:
167:
rebuilt it for Ufa as a 1,740-seat cinema, which opened on 18 September 1919 with the première of
2886:
952:
750:
437:
281:(world première), while the smaller première, primarily for the press, took place at the smaller
2508:
Sabine Hake, "Mapping the native body: on Africa and the colonial film in the Third Reich", in:
992:
568:
520:
273:
968:
774:
798:
635:
338:
144:
929:
2539:
Cultural History through a National Socialist Lens: Essays on the Cinema of the Third Reich
894:
627:
367:
303:
212:
8:
1660:
1323:
The Anatomy of Design: Uncovering the Influences and Inspiration in Modern Graphic Design
833:
726:
544:
453:
294:
263:
1815:, Collection "Films/textes/références" 2, Nancy: Presses universitaires de Nancy, 1990,
107:
1620:
619:
375:
178:
918:
592:
199:
75:
2750:
2723:
2668:
2641:
2613:
2542:
2513:
2474:
2449:
2418:
2372:
2344:
2314:
2287:
2187:
2163:
2086:
2048:
1991:
1966:
1890:
1865:
1816:
1744:
1717:
1668:
1640:
1596:
1550:
1476:
1448:
1419:
1326:
1285:
1258:
1233:
1208:
1170:
1145:
1113:
1083:
734:
691:
611:
504:
56:
2688:
Terri J. Gordon, "Fascism and the Female Form: Performance Art in the Third Reich",
21:
2609:
806:
710:
653:
528:
289:
189:
120:
116:
642:
2446:
Holocaust and the Moving Image: Representations in Film and Television Since 1933
1414:, 16 January 1927, in translation in: Michael Minden and Holger Bachmann (eds.),
790:
600:
334:
235:
208:
203:
Ufa-Palast, Memorial Church and Gloria-Palast, view from Zoo station, August 1926
156:. The other section of the building housed a café and variety theatre called the
128:
1447:, exhibition catalogue, New York: Museum of Modern Art / Distributed Art, 2011,
680:
472:
221:
168:
139:
48:
702:
234:, also opened in 1925 as a nearby competitor to the Ufa-Palast; by 1928, when
2855:
2837:
2824:
2747:"Kann denn Lüge Wahrheit sein?": Stereotypen im polnischen und deutschen Film
2441:
902:
817:
576:
413:
315:
227:
2358:(stating 20 November; however, that was the day the first reviews appeared).
1191:
1110:
The Ufa Story: A History of Germany's Greatest Film Company, 1918–1945
910:
552:
192:
cinemas. It was the largest cinema in Germany until the 1929 opening of the
1549:, Rororo Sachbuch, Kulturen und Ideen, Reinbek bei Hamburg: Rowohlt, 1985,
766:
560:
299:
257:
231:
2754:
119:(present-day Breitscheidplatz), built in 1891–1895 according to plans by
102:
98:
1385:
1205:
Irresistible Empire: America's Advance Through Twentieth-Century Europe
1016:
268:
64:
2343:, ed. Gabriele Toepser-Ziegert and Hans Bohrmann, Munich: Saur, 1987,
1741:
The Many Faces of Weimar Cinema: Rediscovering Germany's Filmic Legacy
496:
242:
and some had deliberately sought to make it the "Broadway of Europe".
1388:, The Film Music Museum, 6 November 2010, retrieved 23 December 2012.
246:
123:. The development of a "Romanesque forum" met the demands of Emperor
44:
2396:
Heinz Rühmann 1902–1994: Der Schauspieler und sein Jahrhundert
1008:
936:
718:
288:
Under the Nazis, for important occasions like the 1935 première of
341:(right rear) at an event in the Ufa-Palast am Zoo, 19 January 1938
2749:, Kinemathek 87, Berlin: Freunde der Deutschen Kinemathek, 1995,
2337:
NS-Presseanweisungen der Vorkriegszeit: Edition und Dokumentation
1416:
Fritz Lang's Metropolis: Cinematic Visions of Technology and Fear
397:
2872:
Buildings and structures in Berlin destroyed during World War II
1623:, Erich Kästners Berliner Adreßbuch, retrieved 19 December 2012
1864:, London: Secker & Warburg, repr. New York: Da Capo, 1976,
1284:, Weimar and now 27, Berkeley: University of California, 2001,
643:
Premières in the Third Reich until the outbreak of World War II
536:
251:
52:
2510:
The Imperialist Imagination: German Colonialism and Its Legacy
1889:, rev. trans. Berkeley: University of California Press, 1973,
298:
and the March 1943 celebration of Ufa's own 25th anniversary,
149:
1743:, Screen cultures, Rochester, New York: Camden House, 2010,
1443:"1927: Art & Culture", Starr Figura and Peter Jelavich,
1255:
Die Zwanziger Jahre in Berlin: ein Wegweiser durch die Stadt
230:
across the square. Berlin's own Capitol cinema, designed by
152:
company, and from 1913 to 1914, the theatre was called the
127:
who even set guidelines for the design of streetlights and
1167:
Passions and Deceptions: The Early Films of Ernst Lubitsch
2789:
Gösta Werner, "Fritz Lang and Goebbels: Myth and Facts",
2284:
Liebe, Tod und Technik: Kino des Phantastischen 1933-1945
1232:, Film and culture, New York: Columbia University, 2012,
2720:
Heimkehr: Strategien eines nationalsozialistischen Films
1112:, 1996, repr. Berkeley: University of California, 1999,
2160:
The Ministry of Illusion: Nazi Cinema and Its Afterlife
135:
exhibition halls, named after the adjacent Berlin Zoo.
2862:
Buildings and structures in Charlottenburg-Wilmersdorf
2473:, Diskurs Film 6, Munich: Schaudig & Ledig, 1994,
2162:, Cambridge, Massachusetts: Harvard University, 1996,
1990:, Cambridge, Massachusetts: Harvard University, 1998,
1714:
Die Chronik. Geschichte des 20. Jahrhunderts bis heute
1282:
Weimar Surfaces: Urban Visual Culture in 1920s Germany
348:
211:, a former employee of the American cinema impresario
2692:
11.1/2, January–April 2002, pp. 164–200,
1667:, : Cahiers du cinéma: Cinémathèque française, 1985,
1169:, Princeton, New Jersey: Princeton University, 1992,
2417:, Klaus-Archiv, Berlin/Berchtesgaden: Klaus, 2000,
2371:, Klaus-Archiv, Berlin/Berchtesgaden: Klaus, 1996,
2313:, Klaus-Archiv, Berlin/Berchtesgaden: Klaus, 1995,
1207:, Cambridge, Massachusetts: Harvard-Belknap, 2005,
207:The reopening on 25 September 1925 was overseen by
2612:, Berlin: Freunde der Deutschen Kinemathek, 1995,
2640:, MA thesis, Munich: GRIN print on demand, 2007,
2533:Mary Elizabeth O'Brien, "The Spectacle of War in
2043:"Chronology", Rainer Rother, tr. Martin H. Bott,
1963:Light Motives: German Popular Film in Perspective
1080:EIN ETWAS ERLEBT ETWAS: ... UND DAS WAR DAS LEBEN
2853:
1108:Klaus Kreimeier, trans. Robert and Rita Kimber,
937:Gala premières following first showing elsewhere
867:
196:, which was at that time the largest in Europe.
16:Former cinema in Charlottenburg, Berlin, Germany
1194:, Cinema Treasures, retrieved 20 December 2012.
2184:Krieg und Militär im Film des 20. Jahrhunderts
2039:
2037:
2035:
2033:
2031:
2029:
2027:
2025:
1104:
1102:
111:nearby, the design followed the model of the
1545:Kreimeier, p. 254, citing Dieter Bartetzko,
1524:
1522:
1136:
1134:
2877:Buildings and structures demolished in 1943
2022:
1615:
1613:
1473:Leni: The Life and Work of Leni Riefenstahl
1124:, referring to the film by its U.S. title,
82:(left) and Kaiser Wilhelm Memorial Church,
2107:
2105:
2103:
1856:
1854:
1852:
1850:
1848:
1467:
1465:
1354:
1352:
1325:, Minneapolis, Minnesota: Quayside, 2009,
1099:
2045:Leni Riefenstahl: The Seduction of Genius
1519:
1495:
1493:
1445:German Expressionism: The Graphic Impulse
1253:Michael Bienert and Elke Linda Buchholz,
1144:, Detroit: Wayne State University, 1995,
1131:
184:In 1925, the cinema was again rebuilt by
133:Ausstellungshallen am Zoologischen Garten
1610:
1059:
1057:
1055:
1053:
1051:
329:
198:
74:
20:
2100:
1845:
1758:
1462:
1349:
2854:
2810:Exterior view of the Ufa-Palast am Zoo
2394:Franz Josef Görtz and Hans Sarkowicz,
1490:
1257:, 2nd ed. Berlin: Berlin-Story, 2006,
1082:, Norderstedt: Books on Demand, 2010,
2448:, London/New York: Wallflower, 2005,
1813:Fritz Lang: films, textes, références
1768:42.4, Summer 2003, pp. 98–115,
1048:
226:supervising the opening of Ufa's new
2793:43.3, Spring 1990, pp. 24–27,
2282:Kraft Wetzel and Peter A. Hagemann,
2047:, London/New York: Continuum, 2002,
1637:The Lubitsch Touch: A Critical Study
985:Robert Koch, der Bekämpfer des Todes
325:
322:, and fully renovated in 2011–2013.
2815:Night view of the Ufa-Palast am Zoo
2690:Journal of the History of Sexuality
1988:In 1926: Living on the Edge of Time
349:Premières under the Weimar Republic
13:
743:Tag der Freiheit: Unsere Wehrmacht
320:Berlin International Film Festival
14:
2898:
2882:1943 disestablishments in Germany
2803:
2083:Marlene Dietrich: Life and Legend
1639:, 3rd ed. New York: Dover, 1977,
1593:A Critical History of German Film
853:Fünf Millionen suchen einen Erben
783:Der Mann, der Sherlock Holmes war
406:Der Golem, wie er in die Welt kam
101:who had also drawn plans for the
61:Bombing of Berlin in World War II
977:Es war eine rauschende Ballnacht
2783:
2766:
2739:
2712:
2699:
2682:
2657:
2630:
2599:
2586:
2569:
2556:
2527:
2502:
2490:
2463:
2434:
2407:
2388:
2361:
2330:
2303:
2276:
2263:
2246:
2229:
2216:
2203:
2177:
2152:
2135:
2122:
2075:
2062:
2005:
1980:
1951:
1934:
1921:
1904:
1879:
1832:
1805:
1788:
1775:
1733:
1702:
1684:
1654:
1629:
1585:
1560:
1539:
1506:
1437:
1404:
1391:
1386:"'Metropolis' around the World"
1378:
1375:; photographs following p. 152.
1365:
1336:
1312:
1299:
1274:
1247:
1142:German Cinema: Texts in Context
283:Ufa-Pavillon am Nollendorfplatz
1321:in Steven Heller, Mirko Ilić,
1222:
1197:
1184:
1159:
1072:
1034:
240:Kaiser Wilhelm Memorial Church
113:Kaiser Wilhelm Memorial Church
1:
1041:Romanisches Forum - Berlin.de
1028:
868:Premières during World War II
142:for the première of the film
83:
26:
2667:, New York: Berghahn, 2005,
2665:Sexuality and German Fascism
1708:Ute Becker, Johannes Ebert,
1064:Ehemaliger Ufa-Palast am Zoo
1022:Das Testament des Dr. Mabuse
465:Die Finanzen des Großherzogs
63:and replaced in 1957 by the
7:
2722:, Vienna: Eichbauer, 1998,
945:The White Hell of Pitz Palu
10:
2903:
2085:, New York: Morrow, 1992,
1739:Christian Rogowski (ed.),
1568:"Festival Map: Zoo Palast"
148:, produced by the Italian
70:
1475:, New York: Knopf, 2007,
665:Ein Lied geht um die Welt
80:Ausstellungshallen am Zoo
2286:, Berlin: Spiess, 1977,
1724:, : Wissen Media, 2006,
41:Berlin Zoological Garden
1986:Hans Ulrich Gumbrecht,
826:Der Tiger von Eschnapur
446:Dr. Mabuse, der Spieler
438:Dr. Mabuse, der Spieler
2398:, Munich: Beck, 2001,
1165:Cited in Sabine Hake,
993:Wir tanzen um die Welt
673:Ein gewisser Herr Gran
529:Eine Dubarry von heute
342:
204:
117:Auguste-Viktoria-Platz
90:
32:
2838:52.50611°N 13.33417°E
2549:, pp. 197–213,
2496:Görtz and Sarkowicz,
1572:Berlinale: Zoo Palast
636:F.P.1 antwortet nicht
339:Ewald von Demandowsky
333:
309:New Reich Chancellery
202:
194:Ufa-Palast in Hamburg
78:
24:
2520:, pp. 163–88,
2055:, pp. 223–32,
1635:Herman G. Weinberg,
1203:Victoria De Grazia,
842:Das indische Grabmal
799:Der zerbrochene Krug
585:Bombs on Monte Carlo
430:Das indische Grabmal
422:Das indische Grabmal
304:1936 Summer Olympics
2834: /
1973:, pp. 41–60,
1661:Bernard Eisenschitz
1591:Stephen Brockmann,
1401:, Figure 40 p. 168.
998:24 September 1940:
982:26 September 1939:
969:Wasser für Canitoga
958:23 September 1936:
950:19 September 1933:
775:Unter heißem Himmel
727:Triumph des Willens
566:17 September 1930:
387:Kohlhiesels Töchter
354:18 September 1919:
295:Triumph des Willens
163:In 1919, architect
2867:Cinemas in Germany
2843:52.50611; 13.33417
1691:Der Bär von Berlin
1663:and Jean Narboni,
1362:, Fig. 37. p. 158.
1346:, Fig. 41, p. 170.
942:15 November 1929:
908:14 February 1941:
900:30 December 1940:
881:28 November 1940:
839:26 February 1938:
823:11 February 1938:
804:21 December 1937:
772:23 December 1936:
740:30 December 1935:
732:19 November 1935:
633:22 December 1932:
625:19 November 1932:
620:Der schwarze Husar
590:26 November 1931:
542:18 February 1929:
510:17 December 1926:
494:16 November 1925:
486:23 December 1924:
470:14 February 1924:
451:13 November 1922:
428:19 November 1921:
395:1 September 1920:
373:14 December 1920:
343:
205:
179:Siegfried Kracauer
91:
33:
2745:Michael Hanisch,
2564:pp. 194, 202, 263
2440:Toby Haggith and
2413:Ulrich J. Klaus,
2367:Ulrich J. Klaus,
2309:Ulrich J. Klaus,
2158:Eric Rentschler,
1860:Lotte H. Eisner,
1619:Michael Bienert,
1601:978-1-57113-468-4
1412:Der Kinematograph
1192:Ufa Palast am Zoo
1118:978-0-520-22069-0
1006:23 October 1941:
990:19 January 1940:
961:Der Bettelstudent
892:6 December 1940:
858:18 October 1938:
796:19 October 1937:
764:16 October 1936:
748:23 January 1936:
735:Frisians in Peril
700:8 December 1933:
692:Sieg des Glaubens
689:1 December 1933:
651:2 February 1933:
617:12 October 1932:
558:15 October 1929:
526:24 January 1927:
518:10 January 1927:
513:The Holy Mountain
502:14 October 1926:
419:22 October 1921:
403:29 October 1920:
365:4 December 1919:
326:Use for premières
57:Universum Film AG
37:Ufa-Palast am Zoo
2894:
2849:
2848:
2846:
2845:
2844:
2839:
2835:
2832:
2831:
2830:
2827:
2798:
2787:
2781:
2770:
2764:
2763:
2743:
2737:
2736:
2718:Gerald Trimmel,
2716:
2710:
2703:
2697:
2686:
2680:
2661:
2655:
2654:
2634:
2628:
2626:
2610:Oksana Bulgakowa
2603:
2597:
2590:
2584:
2573:
2567:
2560:
2554:
2531:
2525:
2506:
2500:
2494:
2488:
2487:
2467:
2461:
2438:
2432:
2431:
2411:
2405:
2404:
2392:
2386:
2385:
2365:
2359:
2357:
2334:
2328:
2327:
2307:
2301:
2300:
2280:
2274:
2267:
2261:
2250:
2244:
2233:
2227:
2220:
2214:
2207:
2201:
2200:
2181:
2175:
2156:
2150:
2139:
2133:
2126:
2120:
2109:
2098:
2079:
2073:
2066:
2060:
2057:pp. 223–26
2041:
2020:
2009:
2003:
1984:
1978:
1955:
1949:
1938:
1932:
1925:
1919:
1908:
1902:
1883:
1877:
1858:
1843:
1836:
1830:
1829:
1809:
1803:
1792:
1786:
1779:
1773:
1762:
1756:
1737:
1731:
1730:
1706:
1700:
1699:
1688:
1682:
1681:
1658:
1652:
1633:
1627:
1626:
1617:
1608:
1589:
1583:
1582:
1580:
1578:
1564:
1558:
1543:
1537:
1526:
1517:
1510:
1504:
1497:
1488:
1469:
1460:
1441:
1435:
1408:
1402:
1399:pp. 166–67
1395:
1389:
1384:Aitam Bar-Sagi,
1382:
1376:
1369:
1363:
1356:
1347:
1340:
1334:
1316:
1310:
1303:
1297:
1294:pp. 181–83
1278:
1272:
1271:
1251:
1245:
1242:pp. 253–54
1226:
1220:
1201:
1195:
1188:
1182:
1163:
1157:
1140:Marc Silberman,
1138:
1129:
1106:
1097:
1096:
1076:
1070:
1069:
1061:
1046:
1045:
1038:
1015:The première of
974:15 August 1939:
953:Hitlerjunge Quex
926:
891:
849:
815:6 January 1938:
814:
788:20 August 1937:
699:
688:
678:30 August 1933:
670:15 August 1933:
661:
650:
609:8. August 1932:
608:
582:31 August 1931:
550:27 August 1929:
462:7 January 1924:
461:
394:
383:
364:
290:Leni Riefenstahl
279:Welturaufführung
186:Carl Stahl-Urach
121:Franz Schwechten
108:Romanisches Haus
88:
85:
55:cinema owned by
31:
28:
2902:
2901:
2897:
2896:
2895:
2893:
2892:
2891:
2852:
2851:
2842:
2840:
2836:
2833:
2828:
2825:
2823:
2821:
2820:
2806:
2801:
2788:
2784:
2771:
2767:
2761:
2744:
2740:
2734:
2717:
2713:
2704:
2700:
2687:
2683:
2663:Dagmar Herzog,
2662:
2658:
2652:
2636:Lutz Schmökel,
2635:
2631:
2624:
2604:
2600:
2591:
2587:
2574:
2570:
2561:
2557:
2535:Die große Liebe
2532:
2528:
2507:
2503:
2495:
2491:
2485:
2468:
2464:
2439:
2435:
2429:
2412:
2408:
2402:
2393:
2389:
2383:
2366:
2362:
2355:
2335:
2331:
2325:
2308:
2304:
2298:
2281:
2277:
2268:
2264:
2251:
2247:
2234:
2230:
2221:
2217:
2208:
2204:
2198:
2182:
2178:
2157:
2153:
2140:
2136:
2127:
2123:
2110:
2101:
2080:
2076:
2067:
2063:
2042:
2023:
2010:
2006:
1985:
1981:
1956:
1952:
1939:
1935:
1926:
1922:
1909:
1905:
1884:
1880:
1859:
1846:
1837:
1833:
1827:
1811:Georges Sturm,
1810:
1806:
1794:Becker, Ebert,
1793:
1789:
1780:
1776:
1770:p. 113, note 22
1763:
1759:
1738:
1734:
1728:
1707:
1703:
1697:
1689:
1685:
1679:
1659:
1655:
1634:
1630:
1624:
1618:
1611:
1590:
1586:
1576:
1574:
1566:
1565:
1561:
1544:
1540:
1527:
1520:
1511:
1507:
1498:
1491:
1470:
1463:
1442:
1438:
1409:
1405:
1396:
1392:
1383:
1379:
1370:
1366:
1357:
1350:
1341:
1337:
1317:
1313:
1304:
1300:
1279:
1275:
1269:
1252:
1248:
1227:
1223:
1202:
1198:
1189:
1185:
1164:
1160:
1139:
1132:
1107:
1100:
1094:
1078:Rudolf Woelky,
1077:
1073:
1067:
1062:
1049:
1043:
1039:
1035:
1031:
966:17 March 1939:
939:
924:
919:Die große Liebe
889:
873:20 March 1940:
870:
861:Dreizehn Stühle
847:
831:20 April 1938:
812:
791:Alarm in Peking
724:28 March 1935:
716:12 March 1935:
708:29 March 1934:
697:
686:
659:
648:
645:
628:Der weiße Dämon
606:
601:Das blaue Licht
598:24 March 1932:
593:Der Draufgänger
534:22 March 1928:
489:Der letzte Mann
479:26 April 1924:
459:
435:27 April 1922:
411:14 April 1921:
392:
381:
362:
351:
335:Joseph Goebbels
328:
318:cinema for the
236:Joseph Goebbels
217:Capitol Theatre
213:"Roxy" Rothafel
86:
73:
39:, located near
29:
17:
12:
11:
5:
2900:
2890:
2889:
2887:Former cinemas
2884:
2879:
2874:
2869:
2864:
2818:
2817:
2812:
2805:
2804:External links
2802:
2800:
2799:
2791:Film Quarterly
2782:
2765:
2738:
2728:978-3901699061
2711:
2707:p. 356, note 1
2698:
2681:
2673:978-1571816528
2656:
2646:978-3638636742
2629:
2618:978-3927876101
2598:
2594:p. 319, note 1
2585:
2568:
2555:
2547:978-1571131645
2526:
2518:978-0472096824
2501:
2489:
2479:978-3926372055
2469:Klaus Kanzog,
2462:
2454:978-1904764526
2433:
2423:978-3927352100
2406:
2387:
2377:978-3927352063
2360:
2349:978-3598105548
2329:
2319:978-3927352056
2302:
2292:978-3920889597
2275:
2262:
2245:
2228:
2215:
2202:
2192:978-3486567168
2176:
2168:978-0674576391
2151:
2134:
2121:
2099:
2091:978-0688071196
2074:
2061:
2053:978-0826461018
2021:
2004:
1996:978-0674000568
1979:
1971:978-0814330449
1950:
1933:
1920:
1903:
1895:978-0520022850
1885:Lotte Eisner,
1878:
1870:978-0306802713
1844:
1831:
1821:978-2864804147
1804:
1787:
1774:
1766:Cinema Journal
1757:
1749:978-1571134295
1732:
1722:978-3577146418
1701:
1683:
1673:978-2866420352
1665:Ernst Lubitsch
1653:
1645:978-0486234830
1628:
1609:
1584:
1559:
1555:978-3499178894
1538:
1518:
1505:
1489:
1481:978-0375404009
1461:
1453:978-0870707957
1436:
1424:978-1571131225
1403:
1390:
1377:
1364:
1348:
1335:
1331:978-1592535545
1311:
1298:
1273:
1263:978-3929829280
1246:
1238:978-0231159043
1228:Ross Melnick,
1221:
1213:978-0674016729
1196:
1183:
1175:978-0691031972
1158:
1150:978-0814325605
1130:
1098:
1088:978-3842313354
1071:
1047:
1032:
1030:
1027:
1013:
1012:
1004:
996:
988:
980:
972:
964:
956:
948:
938:
935:
934:
933:
927:5 March 1943:
922:
916:12 June 1942:
914:
906:
898:
887:
884:Der ewige Jude
879:
869:
866:
865:
864:
856:
850:1 April 1938:
845:
837:
829:
821:
810:
802:
794:
786:
780:15 July 1937:
778:
770:
762:
759:Weiberregiment
756:10 July 1936:
754:
746:
738:
730:
722:
714:
706:
695:
684:
681:S.O.S. Eisberg
676:
668:
657:
644:
641:
640:
639:
631:
623:
615:
604:
596:
588:
580:
572:
564:
556:
548:
540:
532:
524:
516:
508:
500:
492:
484:
481:Die Nibelungen
477:
473:Die Nibelungen
468:
457:
449:
442:
433:
426:
417:
409:
401:
390:
384:9 March 1920:
379:
371:
360:
357:Madame Dubarry
350:
347:
327:
324:
222:New York Times
174:Madame Dubarry
169:Ernst Lubitsch
158:Wilhelmshallen
140:Oskar Kaufmann
95:Neo-Romanesque
72:
69:
51:, was a major
49:Charlottenburg
15:
9:
6:
4:
3:
2:
2899:
2888:
2885:
2883:
2880:
2878:
2875:
2873:
2870:
2868:
2865:
2863:
2860:
2859:
2857:
2850:
2847:
2816:
2813:
2811:
2808:
2807:
2796:
2792:
2786:
2779:
2775:
2769:
2760:
2756:
2752:
2748:
2742:
2733:
2729:
2725:
2721:
2715:
2708:
2702:
2695:
2691:
2685:
2678:
2674:
2670:
2666:
2660:
2651:
2647:
2643:
2639:
2633:
2623:
2619:
2615:
2611:
2607:
2602:
2595:
2589:
2582:
2578:
2572:
2565:
2559:
2552:
2548:
2544:
2540:
2536:
2530:
2523:
2519:
2515:
2511:
2505:
2499:
2493:
2484:
2480:
2476:
2472:
2466:
2459:
2455:
2451:
2447:
2443:
2442:Joanna Newman
2437:
2428:
2424:
2420:
2416:
2410:
2401:
2397:
2391:
2382:
2378:
2374:
2370:
2364:
2354:
2350:
2346:
2342:
2338:
2333:
2324:
2320:
2316:
2312:
2306:
2297:
2293:
2289:
2285:
2279:
2272:
2266:
2259:
2255:
2249:
2242:
2238:
2232:
2225:
2219:
2212:
2206:
2197:
2193:
2189:
2185:
2180:
2173:
2169:
2165:
2161:
2155:
2148:
2144:
2138:
2131:
2125:
2118:
2114:
2108:
2106:
2104:
2096:
2092:
2088:
2084:
2081:Steven Bach,
2078:
2071:
2065:
2058:
2054:
2050:
2046:
2040:
2038:
2036:
2034:
2032:
2030:
2028:
2026:
2018:
2014:
2008:
2001:
1997:
1993:
1989:
1983:
1976:
1972:
1968:
1964:
1961:(1925)", in:
1960:
1954:
1947:
1943:
1937:
1930:
1924:
1917:
1913:
1907:
1900:
1896:
1892:
1888:
1882:
1875:
1871:
1867:
1863:
1857:
1855:
1853:
1851:
1849:
1841:
1835:
1826:
1822:
1818:
1814:
1808:
1801:
1797:
1791:
1784:
1778:
1771:
1767:
1761:
1754:
1750:
1746:
1742:
1736:
1727:
1723:
1719:
1715:
1711:
1705:
1696:
1692:
1687:
1678:
1674:
1670:
1666:
1662:
1657:
1650:
1646:
1642:
1638:
1632:
1622:
1616:
1614:
1606:
1602:
1598:
1594:
1588:
1573:
1569:
1563:
1556:
1552:
1548:
1542:
1535:
1531:
1525:
1523:
1515:
1509:
1502:
1496:
1494:
1486:
1482:
1478:
1474:
1471:Steven Bach,
1468:
1466:
1458:
1454:
1450:
1446:
1440:
1433:
1429:
1425:
1421:
1417:
1413:
1407:
1400:
1394:
1387:
1381:
1374:
1368:
1361:
1355:
1353:
1345:
1339:
1332:
1328:
1324:
1320:
1315:
1308:
1302:
1295:
1291:
1290:9780520222991
1287:
1283:
1277:
1268:
1264:
1260:
1256:
1250:
1243:
1239:
1235:
1231:
1225:
1218:
1214:
1210:
1206:
1200:
1193:
1187:
1180:
1176:
1172:
1168:
1162:
1155:
1151:
1147:
1143:
1137:
1135:
1127:
1123:
1119:
1115:
1111:
1105:
1103:
1093:
1089:
1085:
1081:
1075:
1065:
1060:
1058:
1056:
1054:
1052:
1042:
1037:
1033:
1026:
1024:
1023:
1018:
1011:
1010:
1005:
1003:
1002:
997:
995:
994:
989:
987:
986:
981:
979:
978:
973:
971:
970:
965:
963:
962:
957:
955:
954:
949:
947:
946:
941:
940:
932:
931:
923:
921:
920:
915:
913:
912:
907:
905:
904:
903:Wunschkonzert
899:
897:
896:
888:
886:
885:
880:
878:
877:
876:Stern von Rio
872:
871:
863:
862:
857:
855:
854:
846:
844:
843:
838:
836:
835:
830:
828:
827:
822:
820:
819:
818:Der Berg ruft
811:
809:
808:
803:
801:
800:
795:
793:
792:
787:
785:
784:
779:
777:
776:
771:
769:
768:
763:
761:
760:
755:
753:
752:
747:
745:
744:
739:
737:
736:
731:
729:
728:
723:
721:
720:
715:
713:
712:
707:
705:
704:
696:
694:
693:
685:
683:
682:
677:
675:
674:
669:
667:
666:
658:
656:
655:
647:
646:
638:
637:
632:
630:
629:
624:
622:
621:
616:
614:
613:
605:
603:
602:
597:
595:
594:
589:
587:
586:
581:
579:
578:
574:11 May 1931:
573:
571:
570:
565:
563:
562:
557:
555:
554:
549:
547:
546:
541:
539:
538:
533:
531:
530:
525:
523:
522:
517:
515:
514:
509:
507:
506:
501:
499:
498:
493:
491:
490:
485:
482:
478:
475:
474:
469:
467:
466:
458:
456:
455:
450:
447:
444:26 May 1922:
443:
440:
439:
434:
431:
427:
424:
423:
418:
416:
415:
414:Die Bergkatze
410:
408:
407:
402:
400:
399:
391:
389:
388:
380:
378:
377:
372:
370:
369:
361:
359:
358:
353:
352:
346:
340:
336:
332:
323:
321:
317:
316:film festival
312:
310:
305:
301:
297:
296:
291:
286:
284:
280:
276:
275:
270:
266:
265:
260:
259:
254:
253:
248:
243:
241:
237:
233:
229:
228:Gloria-Palast
224:
223:
218:
214:
210:
201:
197:
195:
191:
187:
182:
180:
176:
175:
170:
166:
161:
159:
155:
151:
147:
146:
141:
136:
134:
130:
126:
122:
118:
114:
110:
109:
104:
100:
96:
81:
77:
68:
66:
62:
58:
54:
50:
46:
42:
38:
23:
19:
2819:
2790:
2785:
2773:
2768:
2746:
2741:
2719:
2714:
2705:Rentschler,
2701:
2689:
2684:
2664:
2659:
2637:
2632:
2605:
2601:
2592:Rentschler,
2588:
2576:
2571:
2562:Rentschler,
2558:
2538:
2534:
2529:
2509:
2504:
2492:
2470:
2465:
2445:
2436:
2414:
2409:
2395:
2390:
2368:
2363:
2340:
2336:
2332:
2310:
2305:
2283:
2278:
2269:Rentschler,
2265:
2253:
2248:
2236:
2231:
2222:Rentschler,
2218:
2205:
2183:
2179:
2159:
2154:
2142:
2137:
2124:
2112:
2082:
2077:
2064:
2044:
2012:
2007:
1987:
1982:
1962:
1958:
1953:
1941:
1936:
1923:
1911:
1906:
1886:
1881:
1861:
1834:
1812:
1807:
1795:
1790:
1777:
1765:
1760:
1740:
1735:
1713:
1709:
1704:
1690:
1686:
1664:
1656:
1636:
1631:
1592:
1587:
1577:18 September
1575:. Retrieved
1571:
1562:
1546:
1541:
1529:
1508:
1472:
1444:
1439:
1415:
1411:
1406:
1393:
1380:
1367:
1338:
1322:
1314:
1301:
1281:
1280:Janet Ward,
1276:
1254:
1249:
1229:
1224:
1204:
1199:
1186:
1166:
1161:
1141:
1125:
1109:
1079:
1074:
1036:
1020:
1014:
1007:
999:
991:
983:
975:
967:
959:
951:
943:
928:
917:
909:
901:
893:
882:
874:
859:
851:
840:
832:
824:
816:
805:
797:
789:
781:
773:
767:Stadt Anatol
765:
757:
749:
741:
733:
725:
717:
709:
701:
690:
679:
671:
663:
662:9 May 1933:
652:
634:
626:
618:
610:
599:
591:
583:
575:
567:
561:Frau im Mond
559:
551:
543:
535:
527:
519:
511:
503:
495:
487:
480:
471:
463:
452:
445:
436:
429:
420:
412:
404:
396:
385:
374:
366:
355:
344:
313:
300:Albert Speer
293:
287:
278:
272:
262:
258:Frau im Mond
256:
250:
244:
232:Hans Poelzig
220:
206:
183:
172:
165:Max Bischoff
162:
157:
154:Cines-Palast
153:
143:
137:
132:
106:
92:
79:
36:
34:
25:Ufa-Palast,
18:
2841: /
2762:(in German)
2735:(in German)
2653:(in German)
2625:(in German)
2486:(in German)
2430:(in German)
2403:(in German)
2384:(in German)
2356:(in German)
2339:Volume 3.1
2326:(in German)
2299:(in German)
2209:Kreimeier,
2199:(in German)
2128:Kreimeier,
2068:Kreimeier,
1927:Kreimeier,
1838:Kreimeier,
1828:(in French)
1729:(in German)
1698:(in German)
1680:(in French)
1625:(in German)
1512:Kreimeier,
1499:Kreimeier,
1371:Kreimeier,
1270:(in German)
1095:(in German)
1068:(in German)
1044:(in German)
930:Münchhausen
703:Flüchtlinge
376:Anna Boleyn
105:. Like the
103:Hotel Adlon
99:Bauakademie
87: 1910
30: 1935
2856:Categories
2829:13°20′03″E
2826:52°30′22″N
2774:Fritz Lang
2113:Fritz Lang
1862:Fritz Lang
1781:Weinberg,
1621:Ufa-Palast
1410:Review in
1029:References
1017:Fritz Lang
911:Ohm Krüger
569:The Copper
553:Der Würger
521:Metropolis
274:Metropolis
269:Fritz Lang
209:Ernö Rapée
125:Wilhelm II
65:Zoo Palast
2755:246883294
1190:Ken Roe,
807:Gasparone
751:Traumulus
654:Morgenrot
368:Die Puppe
247:Rudi Feld
145:Quo Vadis
2772:Eisner,
2111:Eisner,
1940:Eisner,
1910:Eisner,
1009:Heimkehr
895:Bismarck
719:Artisten
483:(Part 2)
476:(Part 1)
448:(Part 2)
441:(Part 1)
432:(Part 2)
425:(Part 1)
190:Broadway
89:postcard
47:area of
45:New West
1959:Variety
1693:(1995)
1430:–
1126:Passion
1001:Jud Süß
834:Olympia
545:Asphalt
497:Varieté
454:Phantom
398:Sumurun
264:Asphalt
71:History
43:in the
2778:p. 130
2753:
2726:
2694:p. 174
2677:p. 174
2671:
2644:
2616:
2608:, ed.
2575:Bach,
2551:p. 197
2545:
2537:", in
2522:p. 179
2516:
2498:p. 216
2483:p. 235
2477:
2452:
2427:p. 135
2421:
2400:p. 177
2381:p. 197
2375:
2353:p. 768
2347:
2317:
2290:
2271:p. 229
2258:p. 121
2252:Bach,
2235:Bach,
2224:p. 227
2211:p. 205
2196:p. 295
2190:
2166:
2141:Bach,
2130:p. 188
2117:p. 409
2095:p. 493
2089:
2070:p. 156
2051:
2011:Bach,
2000:p. 145
1994:
1969:
1946:p. 277
1942:Murnau
1929:p. 145
1916:p. 277
1912:Murnau
1899:p. 276
1893:
1887:Murnau
1874:p. 408
1868:
1819:
1800:p. 150
1783:p. 330
1753:p. 326
1747:
1726:p. 143
1720:
1677:p. 269
1671:
1643:
1605:p. 144
1599:
1553:
1534:p. 164
1528:Bach,
1514:p. 322
1501:p. 254
1485:p. 138
1479:
1457:p. 280
1451:
1428:pp. 82
1422:
1397:Ward,
1373:p. 117
1360:p. 157
1358:Ward,
1344:p. 169
1342:Ward,
1329:
1307:p. 171
1305:Ward,
1288:
1267:p. 208
1261:
1236:
1217:p. 286
1211:
1179:p. 119
1173:
1148:
1116:
1086:
537:Spione
252:Spione
53:Berlin
2795:p. 25
2759:p. 29
2732:p. 66
2650:p. 60
2622:p. 75
2581:p. 57
2458:p. 85
2323:p. 30
2296:p. 58
2241:p. 87
2172:p. 31
2147:p. 77
2017:p. 46
1975:p. 60
1840:p. 87
1825:p. 51
1796:et al
1710:et al
1695:p. 52
1649:p. 29
1319:Photo
1122:p. 56
1092:p. 76
612:Quick
505:Faust
150:Cines
2751:OCLC
2724:ISBN
2669:ISBN
2642:ISBN
2614:ISBN
2577:Leni
2543:ISBN
2514:ISBN
2475:ISBN
2450:ISBN
2419:ISBN
2373:ISBN
2345:ISBN
2341:1935
2315:ISBN
2288:ISBN
2254:Leni
2237:Leni
2188:ISBN
2164:ISBN
2143:Leni
2087:ISBN
2049:ISBN
2013:Leni
1992:ISBN
1967:ISBN
1891:ISBN
1866:ISBN
1817:ISBN
1745:ISBN
1718:ISBN
1669:ISBN
1641:ISBN
1597:ISBN
1579:2022
1551:ISBN
1530:Leni
1477:ISBN
1449:ISBN
1420:ISBN
1327:ISBN
1286:ISBN
1259:ISBN
1234:ISBN
1209:ISBN
1171:ISBN
1154:p. 3
1146:ISBN
1114:ISBN
1084:ISBN
711:Gold
337:and
129:tram
93:The
35:The
1798:.,
1712:.,
1675:,
1019:'s
292:'s
271:'s
171:'s
115:at
2858::
2776:,
2757:,
2730:,
2675:,
2648:,
2620:,
2579:,
2481:,
2456:,
2444:,
2425:,
2379:,
2351:,
2321:,
2294:,
2256:,
2239:,
2194:,
2170:,
2145:,
2115:,
2102:^
2093:,
2024:^
2015:,
1998:,
1944:,
1914:,
1897:,
1872:,
1847:^
1823:,
1751:,
1716:,
1647:,
1612:^
1603:,
1570:.
1532:,
1521:^
1492:^
1483:,
1464:^
1455:,
1432:83
1426:,
1351:^
1292:,
1265:,
1240:,
1215:,
1177:,
1152:,
1133:^
1120:,
1101:^
1090:,
1050:^
311:.
160:.
84:c.
67:.
27:c.
2797:.
2780:.
2709:.
2696:.
2679:.
2627:.
2596:.
2583:.
2566:.
2553:.
2524:.
2460:.
2273:.
2260:.
2243:.
2226:.
2213:.
2174:.
2149:.
2132:.
2119:.
2097:.
2072:.
2059:.
2019:.
2002:.
1977:.
1948:.
1931:.
1918:.
1901:.
1876:.
1842:.
1802:.
1785:.
1772:.
1755:.
1651:.
1607:.
1581:.
1557:.
1536:.
1516:.
1503:.
1487:.
1459:.
1434:.
1333:.
1309:.
1296:.
1244:.
1219:.
1181:.
1156:.
1128:.
925:0
890:0
848:0
813:0
698:0
687:0
660:0
649:0
607:0
577:M
460:0
393:0
382:0
363:0
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
