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His permanent home, Montmartre and its environs, was a favorite subject throughout
Steinlen's life and he often painted scenes of some of the harsher aspects of life in the area. His daughter Colette was featured in much of his work. In addition to paintings and drawings, he also did
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199:, a short-lived magazine he and a dozen other artists jointly founded in 1911. Between 1883 and 1920, he produced hundreds of illustrations, a number of which were done under a
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that he had great affection for as seen in many of his paintings. Steinlen included cats in many of his illustrations, and even published a book of his designs,
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in eastern France. In his early twenties he was still developing his skills as a painter when he and his wife Emilie were encouraged by the painter
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so as to avoid political problems because of their harsh criticisms of social ills. His art influenced the work of other artists, including
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Miller, Brian (20 October 2010). "Denison revives prints in three-pronged show
Exhibit of tobacco print ads also shown".
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In "Compagnie Française des
Chocolats et des Thès," Steinlen includes his wife and daughter in the illustration.
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painter and printmaker. He was politically engaged and collaborated with anarchist and socialist press.
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in
Montmartre. Today, his works can be found at many museums around the world including at the
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471:"Illustrator, Posterist, Lithographer: The Graphic Arts Lose Théophile Alexandre Steinlen"
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445:"War, Socialism, and Cats: Théophile-Alexandre Steinlen's Political Artistic Practice"
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in
American public collections, on the French Sculpture Census website
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Théophile
Steinlen died in 1923 in Paris and was buried in the
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before taking a job as a designer trainee at a textile mill in
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with sixteen original lithographs that illustrated the
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magazines plus numerous other publications including
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118:In the early 1890s, Steinlen's paintings of rural
30:"Steinlen" redirects here. For the racehorse, see
573:- A collection of more than 2,500 Steinlen images
369:(in French), Paris: Maitron/Editions de l'Atelier
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48:(November 10, 1859 – December 13, 1923), was a
538:"Square Joël Le Tac (ex-Constantin Pecqueur)"
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166:on a limited basis, most notably figures of
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41:Théophile Steinlen, sculpting a cat in 1913.
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177:Steinlen became a regular contributor to
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152:. Five of his posters were published in
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71:, Switzerland, Steinlen studied at the
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443:Asimakis, Magdalyn (2 November 2017).
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361:Fau-Vincenti, Véronique (2020-08-11),
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497:"La Marseillaise / The Mobilisation"
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503:. Princeton University. 13 May 2015
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107:and other commercial enterprises.
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363:"STEINLEN Théophile, Alexandre"
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390:"Théophile Alexandre Steinlen"
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172:Dessins Sans Paroles Des Chats
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668:University of Lausanne alumni
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340:25 Juin 1916 - Journée Serbe
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18:Theophile-Alexandre Steinlen
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277:La tournée du Chat Noir de
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16:(Redirected from
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325:Café à Léon
297:(1896-1900)
150:Paul Delmet
126:. His 1895
57:Art Nouveau
592:Categories
418:"Steinlen"
373:2023-03-18
367:Le Maitron
348:References
226:. and the
128:lithograph
120:landscapes
101:poster art
542:Mon Paris
201:pseudonym
164:sculpture
148:songs of
63:Biography
261:Cocorico
186:Gil Blas
77:Mulhouse
69:Lausanne
67:Born in
422:Denison
180:Le Rire
130:titled
552:3 July
507:1 July
481:3 July
454:3 July
428:2 July
399:2 July
342:(1916)
327:(1921)
312:(1897)
282:(1896)
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224:Russia
54:French
52:-born
240:Paris
89:Paris
50:Swiss
554:2019
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