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As an iconographic subject, the raising of the cross depicts the moment when, after Jesus was nailed on the cross on the ground, the cross is raised to a vertical position by Roman soldiers, sometimes using ropes or ladders. Figures named in the
Gospels may be present at the scene, such as
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After Jesus had been nailed to the Cross, lying upon the ground, the executioners raised the instrument of punishment by means of ropes, the foot being first planted in a hole which had previously been
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in 1563, the following statement was pronounced regarding the raising of the cross, explaining the use of ropes in representations:
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Although the nailing of Jesus on the cross and the raising of the cross are not described in the
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The subject became popular in the sixteenth and seventeenth centuries, with artists such as
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Comments on
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Central panel of a triptych by the Master of the Stötteritz Altar, circa 1500
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among the first to produce significant works with the subject.
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notes that Jesus was referring to his death (John 12:33).
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has depicted these scenes as part of the narrative of the
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Notable depictions of the raising of the Cross include:
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359:. You can help Knowledge by
309:. København. pp. 18–19.
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285:(CONA) Iconography Display
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163:The Elevation of the Cross
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236:by Anthony van Dyck, 1631
175:The Raising of the Cross
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329:Crucifixion in the arts
260:by Adriaen Backer, 1683
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406:Crucifixion of Jesus
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