41:
The first book defines the powers of imagination and discusses the various kinds of pleasure to be derived from the perception of beauty; the second distinguishes works of imagination from philosophy; the third describes the pleasure to be found in the study of man, the sources of ridicule, the
60:
complains that "his tone is too high-pitched; his ideas are too much in the air; they do not nourish themselves in the common heart, the common life of man."
101:. These specific papers differed from the rest in that they were non-narrative and philosophical, and contained less obvious social commentary.
111:
53:
42:
operations of the mind, in producing works of imagination, and the influence of imagination on morals. The ideas were largely borrowed from
199:
252:
222:
73:
262:
189:
124:
64:
praised the blank verse of the poems, but found fault with the long and complicated periods.
267:
116:
93:
48:
8:
257:
170:
162:
195:
174:
154:
98:
77:
61:
43:
30:
246:
145:
Hart, Jeffrey (1959). "Akenside's
Revision of the Pleasures of Imagination".
57:
26:
166:
158:
22:
194:. New Delhi: Discovery Publishing House. p. 232.
72:
Akenside got the idea for the poem during a visit to
244:
191:English Literature in Eighteenth Century
83:
245:
187:
144:
125:The Pleasures of Imagination. A Poem
97:papers numbered 411 through 421, by
13:
104:
14:
279:
89:The Pleasures of the Imagination
46:'s essays on the imagination in
18:The Pleasures of the Imagination
215:
181:
138:
67:
1:
131:
225:. Minnesota State University
223:"Joseph Addison (1672-1719)"
7:
36:
10:
284:
112:Pleasures of Imagination
120:, Nos. 411-421 (1712).
188:Sanyal, Lopa (2006).
29:, first published in
84:Similarly-named work
153:(1). JSTOR: 67–74.
21:is a long didactic
110:Addison, Joseph.
91:may also refer to
253:1744 poetry books
275:
235:
234:
232:
230:
219:
213:
212:
210:
208:
185:
179:
178:
142:
123:Akenside. Mark.
54:Lord Shaftesbury
283:
282:
278:
277:
276:
274:
273:
272:
243:
242:
239:
238:
228:
226:
221:
220:
216:
206:
204:
202:
186:
182:
143:
139:
134:
107:
105:Further reading
86:
70:
39:
12:
11:
5:
281:
271:
270:
265:
260:
255:
237:
236:
214:
201:978-8183561365
200:
180:
159:10.2307/460387
136:
135:
133:
130:
129:
128:
121:
106:
103:
99:Joseph Addison
85:
82:
69:
66:
62:Samuel Johnson
44:Joseph Addison
38:
35:
9:
6:
4:
3:
2:
280:
269:
266:
264:
263:British poems
261:
259:
256:
254:
251:
250:
248:
241:
224:
218:
203:
197:
193:
192:
184:
176:
172:
168:
164:
160:
156:
152:
148:
141:
137:
126:
122:
119:
118:
117:The Spectator
113:
109:
108:
102:
100:
96:
95:
94:The Spectator
90:
81:
79:
75:
65:
63:
59:
58:Edward Dowden
55:
51:
50:
49:The Spectator
45:
34:
32:
28:
27:Mark Akenside
24:
20:
19:
240:
227:. Retrieved
217:
205:. Retrieved
190:
183:
150:
146:
140:
115:
92:
88:
87:
71:
47:
40:
17:
16:
15:
268:Imagination
68:Inspiration
258:1744 poems
247:Categories
229:22 January
207:22 January
132:References
175:163320052
52:and from
37:Contents
127:(1744).
114:, from
74:Morpeth
198:
173:
167:460387
165:
171:S2CID
163:JSTOR
231:2019
209:2019
196:ISBN
147:PMLA
78:1738
31:1744
23:poem
155:doi
76:in
25:by
249::
169:.
161:.
151:74
149:.
80:.
56:.
33:.
233:.
211:.
177:.
157::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.