382:
414:
she sees a man rising from his chair, whom she recognises as the man who was standing over the body. He then collapses to the floor, a knife in his back. Nora is confronted by a deranged Laura, who confesses to the killings. She stabbed that man, her husband, because he wanted to have her committed to a psychiatric hospital. He was actually disposing of the body for his wife the night Nora saw him. Laura reveals that she murdered her sister in order to claim their father's inheritance. Laura prepares to shoot Nora but is shot dead by her dying husband. Nora is happily reunited with
Marcello, as they plan to marry soon.
410:
leading to the arrest of a mentally ill man named
Straccianeve, who denied being the killer. Landini became determined to prove Straccianeve's innocence, but he eventually lost his job as a result. Nora decides to help Landini, but as they tour Rome, they find no clues. Nora visits Landini's apartment the next day, finding clues that lead her to believe that he is the killer, including the tape recorder, a confession note on his typewriter and a photo of herself labelled as the possible fourth victim. Shortly afterwards, she finds Landini dead, an apparent suicide.
1820:
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whose victims have been murdered in alphabetical order by surname. The killer has already murdered three women whose last names begin with "A", "B" and "C". The latest victim was Laura's sister, who was killed ten years earlier in front of Laura's house. Nora receives a telephone call, in which an anonymous caller taunts her by saying that "'D' is for death".
398:. When she wakes up, she witnesses a young woman being murdered in front of a house. She also observes a bearded man pulling a knife out of the woman's corpse. Nora then faints. Waking up in the hospital the next morning, she reports the incident to the police, who do not believe her after finding no evidence that a murder has been committed.
406:
apartment, where they find a voice emanating from a tape recorder, telling Nora to be cautious since her last name begins with a "D". They discover the apartment is leased to investigative reporter Andrea
Landini. After several unsuccessful attempts to locate him, Nora and Marcello go to the beach to relax.
409:
Upon returning to the Craven house, Nora and
Marcello find Landini, who has been told that they were inquiring about him. Landini has been secretly following them since he spotted Nora in the square. He explains that he collaborated with the police while writing articles about the "Alphabet Murders",
413:
Laura returns to Rome from her trip. Nora reads in the newspaper that the young woman's body has been found. At the morgue, Nora positively identifies the body, and the victim is revealed to be
Straccianeve's daughter. Alone in the house that night, Nora notices the study door is ajar. On entering,
332:
as Nora Davis. The plot revolves around a young
American woman named Nora, who travels to Rome and witnesses a murder. The police and Dr. Bassi do not believe her, since a corpse has not been found. Several more killings follow, tied to a decade-long string of murder victims chosen in alphabetical
634:
on the beach, which would upset Bava who felt as if Saxon was showing off. Saxon stated that later in a conversation with a producer for the film, that the producer said that Román convinced Saxon to enter the film as she said Saxon was in love with her. Saxon felt that Bava was perhaps initially
401:
At her aunt's funeral, Nora meets a close friend of her aunt's, Laura Craven-Torrani, who lives in Piazza di Spagna. Laura is travelling to
Switzerland the next day and offers Nora to stay in her house. At Laura's, Nora comes across newspaper clippings about the "Alphabet Killer", a serial killer
405:
Nora is assisted by
Marcello, who takes her on a sightseeing tour of Rome to distract her from the recent events, as they become romantically involved. That night, after Marcello drops Nora off at the Craven house, an anonymous call lures her into an empty apartment. Marcello follows Nora to the
635:
annoyed at him as he felt his action might have interpreted from Bava as trying to usurp attention from Román. Filming finished on 14 July 1962. Bava biographer Tim Lucas said that some re-shoots were apparently done towards the end of 1962. Bava completed the film at a cost of 190 million
393:
On vacation, American tourist Nora Davis arrives in Rome to visit her elderly ailing aunt, who is being treated by Dr. Marcello Bassi. Nora's aunt dies on the first night of Nora's visit and she walks to the nearby hospital to notify
Marcello. On the way, she is mugged and knocked out in
579:
prior to production on the film. Saxon has stated that he was invited by Román to work on the film by asking if he would be interested in an art film in Rome. Saxon agreed, but on receiving the script, he found that he misunderstood her as she said horror film instead.
516:(1961). Bava spent this extended period reading mystery and horror magazines. He pondered retiring from directing and thought he might only return to work on special effects for film. Bava was convinced to return to directing by
609:, Bava's last film shot in this style. Bava had made earlier films in colour, but films in the horror and thriller genre made in Italy were generally shot in black and white in this period. Location shooting in
770:'s ability to make a merit of cliches, and often seems rather unhappy with his complicated plot, which is packed to the brim with red herrings, lurking shadows and sinister happenings known to thrillerdom."
584:
stated that Bava initially thought DiPaolo was too young for his role in the film, but after seeing his screen test, he felt DiPaolo understood his part well and cast him in this film and later again in
676:. The film grossed less than $ 27,000 on its opening and only weekend and failed to cover its own production cost. It was the least commercially successful film in Bava's directorial career. The
31:
744:
edit of the film became more difficult to find as Bava's original
Italian version of the film was used. This led to audiences knowing the film under its translated Italian title,
680:
films were not popular among the Italian film audiences on its initial theatrical release as the genre never gained popularity in its home country until the release of
789:, the film holds an approval rating of 71% based on seven reviews, which note the stylish look to the film, but negatively point out its story. James of Blackford
762:
described the film as "a tolerably silly but quite enjoyable thriller". The reviewer praised the camerawork and acting by Valentina Cortese, whom he compared to
481:
1089:
605:
began shooting on 2 May 1962. Bava thought the plot was silly, and focused more on the technical aspects of the film. This included shooting the film in
550:
538:(1960), and Coronet films. The film benefited from AIP as a deal was set between the company and Galatea to have confirmed distribution overseas.
2130:
2175:
2120:
565:
has said that the original script was more of a romantic comedy, but the film became more of a thriller as it went into production.
773:
Bava did not look back positively on the film, claiming that he "thought was too preposterous. Perhaps it could have worked with
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686:
621:. Some set pieces were borrowed from other Italian films, such as the painting in Nora's aunt's house, which is from
1948:
707:
529:
362:
2140:
1599:
1099:
740:. The two versions also have different endings. When Bava's films were being released on DVD and Blu-ray, the
630:
Saxon stated that he had initially gotten along with Bava during production. Later, Saxon would be practicing
381:
2185:
2078:
1976:
1962:
1878:
510:, Bava had taken a six-month break after filming the last of the special effects shots for his previous film
2105:
724:. Alterations between the two versions include the deletion of several scenes, including all references to
2155:
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1969:
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758:
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766:. The reviewer noted the plot, stating that "Bava, always a better cameraman than director hasn't
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is a low-key, modest film. It would be Bava's subsequent production, the violent, striking
716:
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8:
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532:(AIP). The film was produced by Galatea Film, which also produced Bava's earlier film
2011:
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782:
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1941:
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Perverse Titillation: The Exploitation Cinema of Italy, Spain and France, 1960-1980
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Ghouls, Gimmicks, and Gold: Horror Films and the American Movie Business, 1953–1968
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976:(Blu-ray (Disc 1)) (in Italian). Arrow Films. Event occurs at 0:00:50. FCD1023.
1990:
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524:, who had begun co-producing Italian films for release in the United States.
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1203:(Blu-ray (Disc 1)). Arrow Films. 2014. Event occurs at 0:05:15. FCD1023.
1186:(Blu-ray (Disc 1)). Arrow Films. 2014. Event occurs at 0:04:59. FCD1023.
1172:(Blu-ray (Disc 1)). Arrow Films. 2014. Event occurs at 0:04:30. FCD1023.
1033:(Blu-ray (Disc 1)). Arrow Films. 2014. Event occurs at 0:02:01. FCD1023.
1019:(Blu-ray (Disc 1)). Arrow Films. 2014. Event occurs at 0:01:30. FCD1023.
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781:, whereas I had... oh, well, I can't even remember their names." On the
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2018:
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was the first film in this venture for Arkoff and Nicholson's company
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805:, that would announce the genre's arrival in bold primary colours."
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245:
1504:
Popular Italian Cinema: Culture and Politics in a Postwar Society
1458:
Blackford, James (February 2015). "The Girl Who Knew Too Much".
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in the United States on 6 May 1964, where it was shown on a
361:
was released in the United States and the United Kingdom by
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Walter Williams (credited as Robert Buchanan) as Dr. Alessi
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After Hitchcock: Influence, Imitation, and Intertextuality
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893:
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1300:
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So Deadly, So Perverse: 50 Years of Italian Giallo Films
1400:. Vol. 32, no. 372. London. 1965. p. 58.
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Capital and Popular Cinema: The Dollars Are Coming!
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553:and the writers of the film, while crediting Bava,
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838:(booklet). Arrow Films. 2014. p. 3. FCD1023.
696:(1971). It grossed a total of 80 million Italian
2092:
389:, where Nora believes she has witnessed a murder
1190:
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1023:
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1841:
1685:
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1501:
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736:score being replaced with one performed by
728:, the addition of more comical scenes, and
575:, her first leading role. Román knew actor
1848:
1834:
1818:
1802:
1786:
1478:
1451:
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720:; this release of the film retitled it as
672:was first released on 10 February 1963 in
613:took place at various locations including
29:
1585:
1457:
1342:
653:, who had previously worked with Bava on
1083:
1081:
795:stated, "Although certainly pioneering,
591:(1964). Film began with tentative title
421:
380:
1632:. Vol. 1. Midnight Marquee Press.
1627:
1608:
1479:Boyd, David; Palmer, R. Barton (2006).
1378:
959:
561:as collaborators. Italian screenwriter
355:conventions. An alternative cut titled
2093:
1746:
1723:
1652:Mario Bava: All the Colors of the Dark
1562:
1527:Italian Gothic Horror Films, 1957-1969
1389:
1387:
1072:
872:
848:
645:The theme song of the film is sung by
2131:American International Pictures films
1829:
1672:
1646:
1546:Italian Giallo in Film and Television
1543:
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595:with the planned English title being
491:as Professor Torrani, Laura's husband
343:film, a film genre with a mixture of
2176:Italian psychological thriller films
1704:
860:
1384:
615:Leonardo da Vinci–Fiumicino Airport
365:; this version features a score by
13:
2121:1960s psychological thriller films
478:Marta Melocco as the murder victim
14:
2197:
1770:
1394:"Ragazza che sapeva troppo, La".
1087:
687:The Bird with the Crystal Plumage
373:compared to the Italian release.
1949:Dr. Goldfoot and the Girl Bombs
1675:Audio commentary with Tim Lucas
1613:. Midnight Marquee Press, Inc.
1611:The Haunted World of Mario Bava
1472:
1424:
1246:
1219:
708:American International Pictures
545:(credited as "Enzo Corbucci"),
530:American International Pictures
447:as Nora Davis (Nora Drowson in
433:was Román's first leading role.
363:American International Pictures
2171:Italian mystery thriller films
2051:Caltiki – The Immortal Monster
1977:Roy Colt & Winchester Jack
1855:
460:Titti Tomaino as the inspector
339:is considered to be the first
1:
2166:Italian black-and-white films
1963:Five Dolls for an August Moon
1879:Hercules in the Haunted World
1707:Italian Horror Film Directors
1686:Luther-Smith, Adrian (1999).
808:
501:
2146:Films directed by Mario Bava
2116:1960s mystery thriller films
2111:1960s Italian-language films
1502:Brizio-Skov, Flavia (2011).
1090:"The Girl Who Knew Too Much"
751:
312:La ragazza che sapeva troppo
51:La ragazza che sapeva troppo
7:
2181:Italian serial killer films
1464:. Vol. 25, no. 2.
541:The opening credits credit
10:
2202:
1893:The Girl Who Knew Too Much
1811:The Girl Who Knew Too Much
1795:The Girl Who Knew Too Much
1778:The Girl Who Knew Too Much
1747:Vitali, Valentina (2016).
836:The Girl Who Knew Too Much
797:The Girl Who Knew Too Much
756:In a contemporary review,
746:The Girl Who Knew Too Much
704:The Girl Who Knew Too Much
670:The Girl Who Knew Too Much
664:
649:. The film's score was by
603:The Girl Who Knew Too Much
573:The Girl Who Knew Too Much
526:The Girl Who Knew Too Much
508:The Girl Who Knew Too Much
431:The Girl Who Knew Too Much
337:The Girl Who Knew Too Much
328:as Dr. Marcello Bassi and
303:The Girl Who Knew Too Much
236:10 February 1963
24:The Girl Who Knew Too Much
2126:1960s serial killer films
2028:
1970:Hatchet for the Honeymoon
1863:
1586:Heffernan, Kevin (2004).
1485:University of Texas Press
1397:The Monthly Film Bulletin
759:The Monthly Film Bulletin
287:
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217:
194:
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70:
60:
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35:Theatrical release poster
28:
23:
2136:Fiction about mariticide
2044:The Day the Sky Exploded
1690:. Stray Cat Publishing.
1254:"Mario Bava filmography"
593:Incubo infuori programma
1753:Oxford University Press
1544:Curti, Roberto (2022).
1525:Curti, Roberto (2015).
457:as Laura Craven-Torrani
417:
376:
16:1963 film by Mario Bava
2072:The Wonders of Aladdin
1928:Planet of the Vampires
1921:The Road to Fort Alamo
1724:Shipka, Danny (2011).
1688:Blood & Black Lace
1628:Howarth, Troy (2015).
1609:Howarth, Troy (2014).
1419:Boyd & Palmer 2006
1355:Boyd & Palmer 2006
434:
390:
311:
2141:Films about siblicide
2058:The Giant of Marathon
1984:Four Times That Night
1935:Knives of the Avenger
1907:The Whip and the Body
1592:Duke University Press
1432:"The Evil Eye (1963)"
693:The Cat o' Nine Tails
624:Divorce Italian Style
441:as Dr. Marcello Bassi
425:
384:
2186:Murder mystery films
1914:Blood and Black Lace
1705:Paul, Louis (2005).
1563:Gelder, Ken (2000).
1201:John Saxon Interview
1184:John Saxon Interview
1170:John Saxon Interview
1031:John Saxon Interview
1017:John Saxon Interview
802:Blood and Black Lace
588:Blood and Black Lace
506:Prior to working on
314:) is a 1963 Italian
2106:1960s Italian films
2065:Esther and the King
2029:Collaborative works
1673:Lucas, Tim (2014).
482:Gianni Di Benedetto
291:80 million Italian
2156:Films shot in Rome
2005:Lisa and the Devil
1886:Erik the Conqueror
1227:"Roberto Nicolosi"
974:All About the Girl
659:Erik the Conqueror
513:Erik the Conqueror
466:as the hotel clerk
435:
391:
2151:Films set in Rome
2088:
2087:
1716:978-0-7864-8749-3
1665:978-0-9633756-1-2
1620:978-1-936168-45-3
1565:The Horror Reader
1555:978-1-4766-8248-8
1461:Sight & Sound
1367:Luther-Smith 1999
792:Sight & Sound
783:review aggregator
647:Adriano Celentano
619:TrinitĂ dei Monti
497:as Andrea Landini
455:Valentina Cortese
320:film directed by
299:
298:
153:Valentina Cortese
2193:
1956:Danger: Diabolik
1942:Kill, Baby, Kill
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730:Roberto Nicolosi
706:was released by
651:Roberto Nicolosi
551:Eliana de Sabata
547:Ennio de Concini
490:
396:Piazza di Spagna
243:
241:
189:Roberto Nicolosi
120:Eliana de Sabata
114:Ennio de Concini
87:Eliana de Sabata
78:Ennio de Concini
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20:
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1816:Rotten Tomatoes
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1437:Rotten Tomatoes
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811:
787:Rotten Tomatoes
754:
667:
607:black and white
559:Franco Prosperi
543:Sergio Corbucci
504:
484:
420:
379:
258:
251:
239:
237:
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199:
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179:Mario Serandrei
162:
131:Massimo De Rita
123:
103:
96:Franco Prosperi
36:
17:
12:
11:
5:
2199:
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2023:
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2015:
2008:
2001:
1994:
1991:A Bay of Blood
1987:
1980:
1973:
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1938:
1931:
1924:
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1889:
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1864:Films directed
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1771:External links
1769:
1768:
1767:
1762:978-0719099656
1761:
1744:
1739:978-0786448883
1738:
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1715:
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1656:Video Watchdog
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1536:978-1476619897
1535:
1522:
1517:978-1848855724
1516:
1499:
1493:
1474:
1471:
1468:
1467:
1450:
1423:
1421:, p. 201.
1411:
1383:
1371:
1359:
1357:, p. 200.
1347:
1345:, p. 151.
1343:Heffernan 2004
1335:
1323:
1311:
1299:
1284:
1272:
1245:
1218:
1206:
1189:
1175:
1161:
1149:
1137:
1125:
1113:
1095:Chicago Reader
1077:
1075:, p. 106.
1065:
1048:
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1022:
1008:
991:
979:
972:Cozzi, Luigi.
964:
952:
931:
919:
904:
889:
887:, p. 341.
877:
875:, p. 330.
865:
863:, p. 106.
853:
841:
813:
812:
810:
807:
768:Riccardo Freda
753:
750:
666:
663:
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218:Distributed by
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167:Cinematography
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1900:Black Sabbath
1897:
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1727:
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1718:
1712:
1709:. McFarland.
1708:
1703:
1699:
1697:0-9533261-1-X
1693:
1689:
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1589:
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1578:0-415-21356-8
1574:
1570:
1566:
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1557:
1551:
1548:. McFarland.
1547:
1542:
1538:
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1529:. McFarland.
1528:
1523:
1519:
1513:
1509:
1505:
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1494:0-292-71338-X
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1403:
1399:
1398:
1390:
1388:
1381:, p. 16.
1380:
1375:
1369:, p. 45.
1368:
1363:
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1344:
1339:
1333:, p. 79.
1332:
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1321:, p. 77.
1320:
1315:
1309:, p. 64.
1308:
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1129:
1122:
1117:
1102:on 4 May 2004
1101:
1097:
1096:
1091:
1088:Jones, J. R.
1084:
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1005:
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983:
975:
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962:, p. 47.
961:
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950:, p. 73.
949:
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923:
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869:
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857:
851:, p. 36.
850:
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788:
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780:
776:
775:James Stewart
771:
769:
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764:Joan Crawford
761:
760:
749:
747:
743:
739:
735:
731:
727:
723:
719:
718:
717:Black Sabbath
713:
709:
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699:
695:
694:
689:
688:
683:
682:Dario Argento
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589:
583:
582:Dante DiPaolo
578:
574:
570:
569:LetĂcia Román
566:
564:
560:
556:
555:Mino Guerrini
552:
548:
544:
539:
537:
536:
531:
527:
523:
522:Jim Nicholson
519:
518:Samuel Arkoff
515:
514:
509:
496:
495:Dante DiPaolo
493:
488:
483:
480:
477:
474:
471:
468:
465:
462:
459:
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446:
445:LetĂcia Román
443:
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436:
432:
428:
427:LetĂcia Román
424:
415:
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399:
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388:
387:Spanish Steps
383:
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368:
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349:sexploitation
346:
342:
338:
334:
331:
330:LetĂcia Román
327:
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229:Release dates
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209:Coronet Films
208:
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193:
190:
187:
183:
180:
177:
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169:
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159:
158:Dante DiPaolo
156:
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149:
148:LetĂcia Román
146:
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141:
140:
138:
134:
130:
126:
119:
117:Enzo Corbucci
116:
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106:
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92:
91:Mino Guerrini
89:
86:
84:
83:Enzo Corbucci
81:
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71:Screenplay by
69:
66:
63:
59:
55:
52:
49:
47:
43:
39:
32:
27:
22:
19:
2161:Giallo films
2077:
2070:
2063:
2056:
2049:
2042:
2035:
2017:
2010:
2003:
1996:
1989:
1982:
1975:
1968:
1961:
1954:
1947:
1940:
1933:
1926:
1919:
1912:
1905:
1898:
1892:
1891:
1884:
1877:
1872:Black Sunday
1870:
1810:
1794:
1777:
1748:
1725:
1706:
1687:
1674:
1651:
1629:
1610:
1587:
1564:
1545:
1526:
1503:
1480:
1473:Bibliography
1459:
1453:
1441:. Retrieved
1435:
1426:
1414:
1395:
1379:Howarth 2015
1374:
1362:
1350:
1338:
1326:
1314:
1302:
1275:
1263:. Retrieved
1257:
1248:
1236:. Retrieved
1230:
1221:
1209:
1200:
1183:
1178:
1169:
1164:
1152:
1140:
1128:
1116:
1104:. Retrieved
1100:the original
1093:
1068:
1039:
1030:
1025:
1016:
1011:
982:
973:
967:
960:Howarth 2014
955:
922:
880:
868:
856:
844:
835:
800:
796:
790:
772:
757:
755:
745:
741:
722:The Evil Eye
721:
715:
714:with Bava's
703:
702:
697:
691:
685:
677:
669:
668:
658:
655:Black Sunday
654:
644:
638:
629:
622:
602:
601:
596:
592:
586:
572:
571:was cast in
567:
540:
535:Black Sunday
533:
525:
511:
507:
505:
470:Milo Quesada
449:The Evil Eye
448:
430:
412:
408:
404:
400:
392:
358:The Evil Eye
357:
356:
340:
336:
335:
315:
302:
301:
300:
292:
280:
277:190 million
257:Running time
222:Warner Bros.
206:Galatea Film
50:
18:
2079:The Odyssey
1998:Baron Blood
1679:Arrow Films
1677:(Blu-ray).
1265:23 February
1238:23 February
1106:22 November
1073:Shipka 2011
873:Gelder 2000
849:Vitali 2016
712:double bill
700:in Italy.
690:(1970) and
657:(1960) and
563:Luigi Cozzi
485: [
464:Luigi Bonos
324:, starring
128:Produced by
61:Directed by
2101:1963 films
2095:Categories
2019:Rabid Dogs
1857:Mario Bava
1681:. FCD1023.
1648:Lucas, Tim
1601:0822385554
1508:I.B.Tauris
1443:15 January
1331:Curti 2015
1319:Curti 2022
1297:, 0:18:22.
1295:Lucas 2014
1282:, 0:00:21.
1280:Lucas 2014
1216:, 0:00:45.
1214:Lucas 2014
1159:, 0:08:00.
1157:Lucas 2014
1147:, 0:09:05.
1145:Lucas 2014
1135:, 0:02:45.
1133:Lucas 2014
1123:, 0:47:02.
1121:Lucas 2014
1063:, 0:26:58.
1061:Lucas 2014
1046:, 0:59:10.
1044:Lucas 2014
1006:, 0:06:20.
1004:Lucas 2014
989:, 0:34:56.
987:Lucas 2014
948:Curti 2022
929:, 0:50:18.
927:Lucas 2014
917:, 0:50:05.
915:Lucas 2014
902:, 0:49:45.
900:Lucas 2014
885:Lucas 2013
809:References
738:Les Baxter
577:John Saxon
502:Production
472:as De Vico
439:John Saxon
367:Les Baxter
326:John Saxon
322:Mario Bava
288:Box office
261:86 minutes
240:1963-02-10
196:Production
170:Mario Bava
143:John Saxon
100:Mario Bava
65:Mario Bava
2037:I Vampiri
1730:McFarland
1569:Routledge
1406:0027-0407
861:Paul 2005
779:Kim Novak
752:Reception
726:marijuana
429:in 1961.
198:companies
175:Edited by
1800:AllMovie
1650:(2013).
1259:AllMovie
1232:AllMovie
785:website
742:Evil Eye
674:Cagliari
661:(1961).
637:Italian
627:(1961).
617:and the
345:thriller
279:Italian
248:, Italy)
246:Cagliari
185:Music by
136:Starring
108:Story by
665:Release
597:Incubus
333:order.
308:Italian
295:(Italy)
266:Country
238: (
46:Italian
1785:
1759:
1736:
1713:
1694:
1662:
1636:
1617:
1598:
1575:
1552:
1533:
1514:
1491:
1404:
678:giallo
371:comedy
353:horror
341:giallo
317:giallo
274:Budget
244: (
2012:Shock
489:]
269:Italy
1783:IMDb
1757:ISBN
1734:ISBN
1711:ISBN
1692:ISBN
1660:ISBN
1634:ISBN
1615:ISBN
1596:ISBN
1573:ISBN
1550:ISBN
1531:ISBN
1512:ISBN
1489:ISBN
1445:2019
1402:ISSN
1267:2016
1240:2016
1108:2022
777:and
734:jazz
698:lire
639:lire
632:judo
611:Rome
557:and
549:and
520:and
418:Cast
385:The
377:Plot
351:and
293:lire
281:lire
1814:at
1798:at
1781:at
732:'s
684:'s
2097::
1755:.
1751:.
1732:.
1728:.
1658:.
1654:.
1594:.
1590:.
1571:.
1567:.
1510:.
1506:.
1487:.
1483:.
1434:.
1386:^
1287:^
1256:.
1229:.
1192:^
1092:.
1080:^
1051:^
994:^
934:^
907:^
892:^
817:^
748:.
642:.
599:.
487:it
347:,
310::
1849:e
1842:t
1835:v
1765:.
1742:.
1719:.
1700:.
1668:.
1642:.
1623:.
1604:.
1581:.
1558:.
1539:.
1520:.
1497:.
1447:.
1408:.
1269:.
1242:.
1110:.
451:)
306:(
242:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
