502:("Something Special") the group released the rock influenced "La La La La Love", released as "Banzai Baby" outside Japan. Although a strong album musically the group was disappointed that it was not promoted internationally, despite following the guidance of the record company, and opted to follow their own creative vision for subsequent releases. This led them to reggae, dancehall and other Jamaican styles which heavily influenced the final Sunsetz albums "Rhythm Chemistry" and "One Love".
297:("Sunset Gang") as a backup singer. Makoto was an accomplished musician with broad influences, and the collaboration went on to be critically acclaimed, though never quite achieving the popular success expected. The music of The Sunset Gang was very influenced by blues, Southern and West Coast rock, but later they became increasingly interested in Hawaiian and Okinawan music. At this time Sandii also became friends with the future members of the
22:
404:. At this point Makoto also wound up the Sunset Gang and Sandii & The Sunsetz were born. The two groups had the same members, but Sandii became lead vocalist. The collaboration with Mosdell would go on to produce some of the band's biggest hits over the next four years. Sandii and Makoto are on record as saying they were influenced by the sound and success of
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In 1990, the group had another re-invention, just using the name Sandii, although they would carry on using "& The
Sunsetz" for live appearances well into the 1990s. Sandii and Makoto decided to concentrate on the Asian market and subsequent releases sold in greater numbers, helped by Sandii
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band that collaborated from 1979 until the 1990s. The
Sunsetz, led by Makoto Kubota, and Sandii started as separate artists, and each has a separate discography. However, their collaboration provided a particular body of work that is representative of the period, and which successfully blended
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In 1976 Sandii performed at the Yamaha World
Popular Song Festival as a non-competitor interval act, and the next year she won the prestigious “Grand Prix Best Vocal Performance” award with the single "Goodbye Morning", her best selling record to date.
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gave The
Sunsetz extensive coverage which gave the group a lot of credibility in Japan, leading to increased record sales. Their live act gained many fans in the international music industry following their support slot on the final
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In 1979, again using the name "Sandy O'Neil", Sandii released the disco track "Hey! King Kong", which failed to become a hit. The same year saw Sandii's first guest appearance with the Yellow Magic
Orchestra on their album
436:, was released in 17 countries - most international releases adding tunes from "Eating Pleasure". From the release of "Heat Scale" until the next album release "Immigrants" (with a title song penned once more by lyricist
262:
and
Pacific dance. After becoming accomplished as a singer and dancer, Sandii released her first record "Perusha Neko" under the name Sandi Ai. Returning to Japan in 1975 she was befriended by
489:, including her hit "Babylon". The group had problems with international distribution and promotion and was unable to replicate that success worldwide, but it had an avid cult following.
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In 1985 Sandii & The
Sunsetz left Alfa Records for Toshiba-EMI, whose greater financial muscle gave the group a better budget to work with. Following a collaboration with
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to an
American father of Irish and Spanish ancestry and a Japanese mother. Her father was in the U.S. Navy, and she spent her early life in Japan, but moved to
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naming her "Sandii" because of the connection with Hawaii. However, until 1980 Sandii used a variety of names for different sessions e.g. "Sandra Hohn", "
331:, which became a top 20 hit in Japan. This gave Sandii and Makoto the opportunity to record a follow-up album. With limited time and budget, the album
481:. Their extensive touring and TV appearances in Australia in 1983 allowed them to achieve the #11 charting hit single "Sticky Music" (lyrics by
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recording key songs in up to four languages. In 1996 Sandii recorded the first of her "Hawaii" albums and became increasingly involved in
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saw
Sunsetz guitarist Keni Inoue play in his distinctive plucking style (as heard on "Open Sesame") and asked to be taught the technique.
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Sandii performed the songs "I Miss You Babe" and "Love Squall"; the latter was a single release paired with the theme of the TV series by
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TV in Japan. Sandii performed during the interval of the "World
Popular Song Festival" in late 1975, and secured a record deal with
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Makoto Kubota is still a major music producer in Japan, always exploring new directions in world music.
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Sandii met Makoto Kubota in 1976, when he was a guest on her NHK TV show and afterward joined his band
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343:. Sandii and Makoto used fake English names on the record - "Sandy O'Neil" and "Theo Layer".
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David Kent (1993). Australian Chart Book 1970 - 1992. Australian Chart Book, St Ives, N.S.W.
384:. Right at the end of '79 the Y.M.O. and Sandii began to record her debut for Alfa Records,
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Their first show as Sandii & The Sunsetz was opening for Yellow Magic Orchestra at
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In 1978 Sandii sang the end title theme for the Japanese release of Agatha Christie's
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dance in Japan and allowing Sandii to release roughly two albums a year of
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and other Pacific style music. In late 2005 Sandii achieved the rank of
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745:(A&M, US/Canada, 1989; compilation of material from 1980 to 1988)
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and celebrated with an event at a shrine in Ise, with old friend
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world tour. The Sunsetz went on to tour and play festivals with
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440:) The Sunsetz spent a lot of time in the UK, recording with
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485:). Sandii & the Sunsetz also wrote songs for pop idol
696:(Alfa Records, 1982; title track lyrics by Chris Mosdell)
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567:) "Perusha Neko" (Pineapple Records Hawaii, USA, 1975)
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consists of disco and pop cover versions including "
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656:"Sticky Music" (Alfa Records/WEA, 1983; lyrics:
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761:"The Bomb the Bass Remix" (Alfa Records, 1991)
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428:in December 1980. In 1981 their next album
686:(Alfa Records, 1981; title track lyrics by
618:(Alfa Records, 1980; title track lyrics by
362:by Yamamoto Sho, whose backing band became
346:Other guest appearances include the albums
266:, who helped her to get a job as a DJ on
106:Learn how and when to remove this message
749:Twins – Super Best of Sandii and Sunsetz
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595:) "Hey! King Kong" (Toshiba-EMI, 1979)
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258:in her early teens and began to study
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646:Sandii & The Sunsetz discography
639:Come Again – Remixes and Rare Tracks
588:) "Mystery Nile" (Toshiba-EMI, 1978)
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581:) "Love Squall" (Vap Records, 1978)
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737:Orientation (Best of 1985–1988)
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702:(Sire Records, 1983) - AUS #11
666:"Immigrants" (1984) - AUS #100
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835:April 18, 2007, at the
669:'Babes in the Woods" (
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390:Yellow Magic Orchestra
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299:Yellow Magic Orchestra
628:(EMI/Eastworld, 1991)
539:providing the music.
312:On the soundtrack of
751:(Alfa Records, 1996)
398:Solid State Survivor
381:Solid State Survivor
40:improve this article
739:(Toshiba EMI, 1990)
720:(Toshiba EMI, 1988)
714:(Toshiba EMI, 1987)
673:/Toshiba EMI, 1985)
546:Sandii Discography
420:1980s: The Sunsetz
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806:. Retrieved
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180:Sire Records
172:Alfa Records
159:Years active
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38:Please help
33:verification
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856:Kent, David
660:) - AUS #11
565:as Sandi Ai
558:as Sandi Ai
479:David Bowie
414:Chris Stein
360:Melting Pot
280:John Lennon
176:Toshiba EMI
152:World Music
901:Categories
808:2014-08-21
781:References
694:Immigrants
684:Heat Scale
467:Eurythmics
430:Heat Scale
392:lyricist,
232:Early days
205:Keni Inoue
148:Techno Pop
66:newspapers
671:Eastworld
533:Kumu Hula
320:Yuji Ohno
163:1981–1990
144:Synth Pop
858:(1993).
833:Archived
802:"Sandii"
769:See also
718:One Love
626:Pacifica
572:as Sandy
529:Hawaiian
348:Dead End
276:Sandi Ai
246:- born
220:synthpop
651:Singles
551:Singles
475:Blondie
426:Budokan
406:Blondie
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364:Ippu-Do
356:Godiego
80:scholar
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236:Sandii
227:Career
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241:サンディー
131:Japan
87:JSTOR
73:books
864:ISBN
525:Hula
513:Hula
477:and
471:INXS
456:and
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412:and
350:and
341:ABBA
282:and
272:Toho
260:hula
140:Rock
59:news
521:NHK
454:NME
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