131:"The society desires to promote the study and appreciations of Indian culture in its aesthetic aspects, believing that in Indian sculpture, architecture, and painting, as well as in Indian literature and music, there is a vast unexplored field, the investigation of which will bring about a better understanding of Indian India. Everything will be done to promote the acquisition by the authorities of our national and provincial museums of works representing the best Indian art. The society proposes to publish works showing the best examples of Indian architecture, sculpture, and painting, and hopes to co-operate with all those who have it as their aim to keep alive the traditional arts and handicrafts still existing in India, and to assist in the development of Indian art education on native and traditional lines, and not in imitation of European ideals."
122:, while chairing the Indian Section of the annual meeting of the Royal Society of Arts, had announced that there was no "fine art" in India and had somewhat unwisely responded to the suggestion that a particular statue of the Buddha was an example of fine art: "This senseless similitude, in its immemorial fixed pose, is nothing more than an uninspired brazen image. . . . A boiled suet pudding would serve equally well as a symbol of passionless purity and serenity of soul. This controversy culminated in the, foundation of the India Society, later the Royal India Society, to combat the views of the Birdwoods of this world." (Mark Sedgwick 2004)
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After partition, its name was again changed to the Royal India and
Pakistan Society, and then again to the Royal India, Pakistan and Ceylon Society. In 1966 it merged with the
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S.V. Turner, "Crafting
Connections: The India Society and the Formation of an Imperial Artistic Network in Early Twentieth-Century Britain", in S. Nasta (eds)
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Ajanta
Frescoes: being reproductions in colour and monochrome of frescoes in some of the caves at Ajanta, after copies taken ... 1909-1911
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In 1944 the
Society was granted permission to become the Royal India Society under the patronage of the Dowager Queen
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114:"In 1910 he became involved in a very public controversy, played out in the correspondence columns of
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Against the Modern World: Traditionalism and the Secret
Intellectual History of the Twentieth Century
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Eleven Plates. Representing Works of Indian
Sculptures Chiefly in English Collections
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Examples of Indian sculpture at the
British Museum: twelve collotype plates
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and elsewhere, on the status of Indian art. This had started when Sir
390:, The Royal Society for India, Pakistan, and Ceylon, 1969, page 374.
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The India
Society was founded in 1910. The earliest members were
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The India
Society organised a conference on Indian Art at the
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The Royal India, Pakistan and Ceylon
Society (after 1948);
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a book on Mughal Painting, edited by T. W. Arnold and
401:"Royal Society for India, Pakistan and Ceylon papers"
285:, by Taraknath Ganguli, tr. by Edward Thompson (1928)
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The Society's archives (held at the British Library)
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52:The Royal India and Pakistan Society (after the
511:Defunct learned societies of the United Kingdom
299:The Red Tortoise and Other Tales of Rural India
125:The Society's aims and plans were described in
251:The Architectural Antiquities of Western India
245:Indian Art at the British Empire Exhibition
463:The India Society Conference on Indian Art
445:, Oxford University Press, 2004, page 52.
247:, with introduction by Lionel Heath (1924)
516:1910 establishments in the United Kingdom
153:- twice-yearly journal, issued from 1925
431:https://doi.org/10.1057/9780230392724_7
146:The Society's publications included:
521:Arts organizations established in 1910
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479:"India Society | Making Britain"
378:, Vol. 15, No. 2 (1981), pp. 339-341.
429:, Palgrave Macmillan, London, 2013.
49:The Royal India Society (from 1944);
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265:The Bagh Caves in the Gwalior State
42:The Society has had several names:
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171:, ed. A. K. Coomaraswamy (1911-12)
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205:, tr. by Rabindranath Tagore and
142:Publications of the India Society
46:The India Society (founded 1910);
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307:, ed. by H. G. Rawlinson (1946)
199:, by Rabindranath Tagore (1913)
159:, ed. A. K. Coomaraswamy (1910)
62:Finally it was merged with the
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183:, by A. K. Coomaraswamy (1911)
138:, at Wembley, on 2 June 1924.
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370:Review, by K. R. Norman, of
289:Ancient Monuments of Kashmir
235:by A. K. Coomaraswamy (1916)
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31:was a 20th-century British
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305:A Garland of Indian Poetry
203:One hundred poems of Kabir
129:, 11 June 1910 as follows:
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468:. Retrieve 22 March 2021.
313:, by Muhammad Iqbal, tr.
229:and her assistants (1915)
181:Kapilar and a Tamil Saint
177:, ed. E. B. Havell (1911)
136:British Empire Exhibition
241:, by E. B. Havell (1920)
16:Not to be confused with
301:, by N. Gangulee (1941)
352:East India Association
321:Indian Art and Letters
239:Handbook of Indian Art
213:The Music of Hindostan
189:('Song-offering'), by
151:Indian Art and Letters
79:(Honorary Secretary),
64:East India Association
233:The Mirror of Gesture
227:Christiana Herringham
101:Christiana Herringham
22:London Indian Society
18:British India Society
376:Modern Asian Studies
374:by Roger Lipsey, in
275:, E. B. Havell, and
217:A. H. Fox Strangways
334:Royal India Society
191:Rabindranath Tagore
109:William Rothenstein
29:Royal India Society
388:South Asian Review
311:The Tulip of Sinai
169:Indian drawings II
89:A. K. Coomaraswamy
54:Partition of India
451:978-0-19-515297-5
85:Leighton Cleather
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271:, M. B. Garde,
157:Indian drawings
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33:learned society
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505:Categories
358:References
105:Paira Mall
414:The Times
187:Gitanjali
127:The Times
116:The Times
56:in 1947);
261:) (1926)
66:in 1966.
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323:(1947)
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197:Chitra
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107:, and
291:, by
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253:, by
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215:, by
447:ISBN
27:The
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259:ASI
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20:or
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