692:"Lâassemblage est une Ă©tape cruciale parce que câest une exploration du matĂ©riel, un temps que lâon sâalloue pour faire quelques expĂ©rimentations, mais câest surtout lâoccasion dâĂ©valuer les forces et les faiblesses du matĂ©riel, de voir ce quâelles peuvent apporter au film. On a discutĂ© ensuite de la structure Ă lâaide des assemblages. ⊠Je travaille beaucoup avec un matĂ©riel non scĂ©narisĂ©. Cette façon de faire des films fait en sorte que lâactivitĂ© dans la salle de montage se rapproche du processus dâĂ©criture, exceptĂ© quâil sâagit lĂ de jongler avec des images, des sons, des mouvements, des mots, de la musique, etc. ⊠Donc, il est essentiel avec ce genre de films de se donner le temps dâarriver Ă un rĂ©sultat qui tienne le coup."
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an exploration of the material, a time to experiment a bit, but importantly a way of evaluating the strengths and weaknesses of the material, what it might offer the film. The discussion about structure is based on the assemblies. ⊠I work on a lot of unscripted material. This is the model of filmmaking wherein the activity in the editing room becomes something like the writing process, except that it's a process of juggling images, sounds, motions, words, music, etc. ⊠it's important with these types of films to have the time to make it work.â
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129:, tackling hundreds of hours of film and video to produce a fifty-two-hour assembly edit and a three-hour film. Of this period, Mettler would later remark, âIâve never lived together with anybody as intensively as Roland. ⊠He edited the day shift and Iâd edit the night shift and weâd converse and show each other things in-between.â
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He works predominantly but not exclusively on documentary films and describes his approach to film editing with analogies to writing and music composition, stressing the importance of early-stage assemblies. In an interview published in 2012, he elaborated, âAssembly is a crucial stage because it's
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said, âThe quarry scene was interesting because it was Rolandâs idea, our editor, to use the opera . At first, I thought, âitâs drawing too much attention to itself,â but then I grew to love it because there is something so epic about that environment.â (The segment sets activity at the cavernous
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The films
Schlimme has edited have been featured at TIFF nine times (including a Gala, a Special Presentation, and the Master's Programme) and at Hot Docs eight times (including an Opening Night Gala). Among many international accolades, theyâve won two Canadian Screen Awards for Best Feature
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Carrara marble quarries in Italy to the second act of the opera, in which a statue takes its revenge on an unrepentant Don
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Schlimme mentors and lectures occasionally (including masterclasses at the
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682:. The Neutral, Graduate Journal of Cinema and Media Studies, Issue 2, 2021.
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nominee (Best
Picture Editing in a Documentary Program or Series) for
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Schlimme was the winner (along with editor
Caroline Christie) of the
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in 2011), and an
International Emmy for Outstanding Documentary (
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in an abandoned hotel outside Zurich on the feature documentary
752:"Canadian Screen Awards Preview: Picks and Foolish Predictions"
633:"In search of wonder: Peter Mettler's Gambling, Gods and LSD"
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His film credits also include writing and music composition (
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Embracing Voices: The Woman Behind the Music of Jane
Bunnett
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in 2014 (both times along with editor
Roderick Deogrades).
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295:- 1998 (as Associate Editor with David Wharnsby, Editor)
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92:known in particular for his work with filmmakers
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259:in 2011. He is also a two-time nominee for the
669:. ââPoint of View Magazineâ, November 1, 2009.
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667:"The POV Interview: Peter Mettler, Part Two"
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198:in 2014), two Genies for Best Documentary (
638:Take One: Film & Television in Canada
292:Let It Come Down: The Life of Paul Bowles
219:Let It Come Down: The Life of Paul Bowles
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34:contains content that is written like
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410:The Ghosts in Our Machine
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256:Acquainted with the Night
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108:as well as filmmakers
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16:Canadian film editor
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47:promotional content
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279:Filmography
263:awards for
235:. He was a
138:, director
106:Laura Taler
90:film editor
831:Categories
718:2023-08-02
618:References
604:Torn Again
571:Slow Blink
354:Act of God
222:in 1999).
43:improve it
713:akimbo.ca
559:Love Song
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388:Watermark
239:nominee (
204:in 2006;
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192:in 2019;
181:Accolades
157:Watermark
792:Playback
738:Playback
651:26 April
586:Hardcore
580:(Mingin)
517:Forsaken
773:Tribute
529:On Fire
339:Doormat
612:- 2021
606:- 2021
600:- 2017
594:- 2012
592:Malody
588:- 2011
582:- 2011
573:- 2010
567:- 2009
561:- 2008
555:- 2008
553:Solace
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