41:
285:. Segovia led him to perfect his already highly developed technique. It was generally accepted that both he and Díaz were above average in terms of technique and repertoire. Furthermore, they renewed the rather stale (at the time) guitar repertoire, by bringing to Europe the works of important Latin-American composers, which were largely unknown at the time.
388:
created spontaneous accompaniments to many standard etudes. Riera collaborated with the Robert
Joffrey Ballet Company arranging a work for guitar and orchestra, Antonio Vivaldi's Concerto in D-Major for Violin, Strings, a Cembalo, Pincherle 151 which he performed many times. The work, Viva Vivaldi, remains a mainstay in the Joffrey repertoire.
192:
His father, Juan
Teodosio Querales, was a music teacher. He grew up with his mother, Paula Antonia Riera and his five older siblings. In addition to his music talent, Rodrigo inherited a congenital foot defect from his father. Despite this, he was able to have a normal childhood, even excelling in
387:
Riera was a popular member of New York's
Society of the Classic Guitar. He frequented Mirko's Restaurant, a salon frequented by luminaries of the New York guitar scene, namely Vladimir Bobri, Gregory d'Alessio, and Segovia's inner circle. Known as the leading improviser on the classic guitar he
555:
Though fairly accurate, this list may prove to be confusing (especially to the non-fluent in
Spanish language) due to several reasons: first, Rodrigo Riera was not so prolific at inventing names for his compositions as he was at creating music, so there are many repeated names corresponding to
354:, where she was residing. The recital was very successful in a city which, although traditionally is rich in culture, was thirsty for good classical guitar. Riera ended up staying for years, consolidating his triple career as composer, concert guitarist and teacher.
329:
and his old master, Raúl Borges. During those touring years, he started introducing his own pieces in his repertoire. Riera also performed many guitar duo concerts with his friend Alirio Díaz. In 1956, the two recorded an
312:
The second half of the 1950s was spent touring Europe and
Venezuela, playing the repertoire that Segovia had established, as well as the works of Latin-American composers such as the aforementioned Lauro,
234:. Lauro was so impressed with Riera's playing, that he wrote a letter recommending him to his teacher. Life's circumstances made it difficult for Riera to start studies under Borges until 1945.
207:
to look for better opportunities. In 1939, he was part of a guitar and vocal group called "Hermanos Riera" (founded by his brother Ruben). That year, he met fellow Carora guitarist
293:
In 1954, Riera married Julia
Esteban Esteban in Spain and established Madrid as his main place of residence. They had four children together, all of whom were to become musicians:
227:
428:, Carlos Barbosa-Lima, and of course his many pupils, several of which are now celebrities. A composer's competition was established bearing his name. Rodrigo Riera died in
254:, who was visiting Venezuela at the time. Segovia was impressed enough with the pair, because he invited them to his master classes that were to start the following year in
334:
of popular Latin
American pieces under a pseudonym to avoid incurring the wrath of Segovia, who frowned at the popular repertoire for the guitar (the album was released as
302:
266:
Despite their obvious qualities as promising guitarists, it took some time for Díaz and Riera to establish themselves in Europe. Riera started his studies in the
294:
496:
Rodrigo Riera's compositions are not easy to catalog or categorize, as there is a copious assortment of notable compositions from his years in Spain, like
452:, when we don't have that kind of music ." Therefore, his compositions are a reflection of the music that was popular in the early 20th century. He wrote
306:
576:
if Riera's works are ever to be orderly published. Dedications (ded.), dates and places of the compositions have been included whenever available.
298:
1037:
404:. Additionally, in the summer months, he opened a teaching practice similar to what he had experienced in Siena. In 1971, he ran the first
1390:
1350:
138:. He wrote a vital and important body of works for the guitar, inspired by and dedicated to the rich musical legacy of his region in the
1345:
1340:
1370:
420:
and other cities, where he held informal meetings and fraternal conversations with other guitarists of fame, like Alirio Díaz,
1385:
274:
in 1952. He obtained a "First Class
Diploma" in 1953. In this year, he started his career as a classical guitar performer.
416:
He spent his last years composing and teaching further. His presence was often a cherished sight at guitar festivals in
200:
and his first teachers were his peers and his own will. His first public recital took place in Carora at age thirteen.
164:
Lastly, he had an important career as a concert guitarist, but his recordings are relatively scarce and hard to find.
1360:
1355:
1311:
408:
between July 1 and August 30. Many
Venezuelan and foreign-born guitarists attended. The last one took place in 1991.
365:
which features a very daring harmonic structure and style that predates the works of modern guitar composers such as
1380:
381:
1365:
361:, which is a required piece in the guitar syllabi in Europe and the Americas. He also composed the prelude
318:
999:, ded. to Carole Warner, (Published by Unión Musical Española), Madrid, 1964, recorded by the composer;
440:
The work of
Rodrigo Riera concentrates on Latin American forms. He once said that he "would feel silly
425:
250:. They graduated in 1949 with the highest of grades. In March of that year, they were introduced to
1375:
242:
In September 1945, Riera's and Alirio Díaz' paths crossed again, this time at the footsteps of the
572:(waltz) were his favorite words for naming his creations. Obviously, there is a strong need for a
981:(Published in the Cuatro Piezas Venezolanas collection, Halstan y Co. Lid, England, c. 1984);
1335:
1330:
615:(Estudio), Caracas, 14.Jun.1976, ded. to his friend Francisco Andrés, inspired on J.S.Bach;
154:
but with a technique that is more accessible to beginners and intermediate guitar players.
1219:
8:
478:
472:
326:
197:
396:
In 1969 he decided to move back to Venezuela with his family. He established himself in
357:
During those years, Riera composed many important works, the best known today being the
528:(1969); and those compositions he created in Venezuela, the most popular of which are:
314:
88:
1307:
331:
251:
374:
158:
131:
380:
Riera also performed many times on different stages and concert halls in the U.S.
931:, Editado por ´´Edition Sikorsk´´i NR, Germany, c.1963, recorded by the composer;
277:
During the Summer of 1954, he was able to attend Segovia's master classes at the
150:, displaying a loving nationalism that led him to be associated with the work of
84:
721:, Barquisimeto, 18. VII.1980, ded. to his cousin Ignacio Ramos Silva, guitarist;
347:
247:
231:
208:
1324:
1254:
556:
distinct compositions; second, the names that he chose consist mostly of the
351:
223:
151:
1244:
1033:
429:
397:
370:
322:
204:
143:
139:
70:
66:
46:
421:
366:
391:
161:. Many guitarists active today studied with him in the 1980s and 1990s.
1058:; El juguetón, etudes in waltz form; Canción, recorded by the composer;
182:
177:
Rodrigo Riera was born in the township of Barrio Nuevo, in the city of
1232:
Preludio; Dance; Study; Autograph; Venezuelan profile for two guitars
186:
147:
102:
74:
50:
40:
1200:
Homenaje a Teresa Rojas; Golpe al diablo de Carora; Ysabel, Mercedes
925:, Barquisimeto, 5.Mar.1986, ded. to Felipe Sangiorgi (Musicologist);
639:, Barquisimeto, 6.Dec.1978 (there is a transcription for guitar and
384:
both as a solo guitarist and as featured soloist with an orchestra.
196:
Like many other Venezuelan musicians, his first instrument was the
135:
106:
98:
640:
462:
417:
341:
215:
609:, waltz, Barquisimeto, 12.Mar.1976, ded. to his son Andrés Raúl;
448:
271:
178:
116:
484:
442:
282:
255:
219:
211:, who wasn't planning to have a career in music at the time.
400:, in 1971, where he created a music studies program for the
1052:; Canción I; Canción II; Valse ded. to don Manuel Guerrero;
1261:, waltz, Barquisimeto, 13.May.1981, arr. for two guitars;
745:, Barquisimeto, 9.Jun. 1981, tres Guitarras, waltz etude;
522:
A Venezuelan triptych - Melancolía, Monotonía, Nostalgia
130:(19 September 1923 – 19 August 1999), was a Venezuelan
1064:, improvisation while being recorded by the composer;
392:
The return to Venezuela: Self-realization as educator
1206:
Pequeña suite para guitarra a la manera de mi pueblo
222:presentations. During that trip, he met guitarists
1146:, waltz ded. to Agapito Pérez Cordero, guitarist;
560:of the piece, which adds to the confusion: i.e.,
1322:
542:Suite Popular - Homage to Maestro Antonio Lauro
402:Universidad Centro Occidental Lisandro Alvarado
288:
246:to meet and audition for the guitar classes of
342:New York: the consolidation of a triple career
237:
751:, Barquisimeto,1 981, ded. to his son Rubén;
965:), Madrid, 1964, recorded by the composer;
268:Real Conservatorio de Música y Declamación
547:
157:He was also an important educator of the
1287:Rodrigo Riera - La Parábola de la Tierra
1005:; a simple melody in country waltz form;
346:In 1962, Venezuelan writer and composer
193:certain sports and physical activities.
1218:, waltz, ded. to his friend the artist
512:(1964); from his years in New York, as
214:In 1941, he and his group travelled to
1323:
1304:Enciclopedia de la Música en Venezuela
841:, 20. XI.1984, Preludio in etude form;
491:
1184:, ded. to his student Darío González;
691:, 25.Jun.197?; Preludio, 27.Jan.1980;
1017:, based on a store by the same name;
829:, Barquisimeto, 27.Oct. 1983, etude;
659:Valse (Suite to sing to the Peoples)
350:invited Riera to stage a concert in
261:
847:, Barquisimeto, 17.Apr.1985, etude;
172:
13:
1391:Accademia Musicale Chigiana alumni
1351:Composers for the classical guitar
1239:TRANSCRIPTIONS & ARRANGEMENTS:
1172:, ded. to daughter María Josefina;
14:
1402:
1122:Danza infantil, merengue infantil
1346:20th-century classical composers
1341:20th-century classical musicians
1317:Personal files of Rodrigo Riera.
1170:Canción a mi hija María Josefina
601:Estudio to put a kitten to sleep
39:
1371:Venezuelan classical guitarists
1279:
1190:, waltz ded. to Nacha Mosquera;
435:
406:Curso Internacional de Guitarra
1194:Canción blanda y Valse estudio
1160:, ded. to his son Andrés Raúl;
889:, 21.May.1985, merengue-etude;
1:
1210:Canción, Danza, Pequeño Valse
773:Estudio in danza zuliana form
411:
1314:), Caracas, Venezuela, 1998)
1212:, song, dance, little waltz;
913:, Barquisimeto, 18.Jun.1985;
907:, Barquisimeto, 3.Jun. 1985;
901:, Barquisimeto, 22. V. 1985;
895:, Barquisimeto, 21.May.1985;
871:, Barquisimeto, 24.Apr.1985;
817:, 15.Jul. 1983, waltz etude;
805:, Barquisimeto, 6. IV. 1983;
781:, Barquisimeto, 23.Dec.1982;
775:, Barquisimeto, 15.Nov.1982;
739:, Barquisimeto, 1980, waltz;
727:, Barquisimeto, 22.Jul.1980;
709:, Barquisimeto, 16.May.1980;
685:, Barquisimeto, 28.Nov.1979;
679:, Barquisimeto, 18.Nov.1979;
289:Graduation and concert tours
244:Escuela de Música de Caracas
167:
7:
1386:20th-century male musicians
1154:Estudio de simples accordes
1082:; Estudio in merengue form;
993:, recorded by the composer;
955:, recorded by the composer;
949:, recorded by the composer;
943:, recorded by the composer;
937:, recorded by the composer;
787:, Barquisimeto, 9.Feb.1983;
703:, Barquisimeto, 5.Apr.1980;
697:, Barquisimeto, 5.Apr.1980;
667:, Barquisimeto, 5.Jun.1979;
655:, Barquisimeto, 3.Mar.1979;
633:, Barquisimeto, 4.Dec.1978;
338:i.e. "One and the Other").
279:Accademia Musicale Chigiana
10:
1407:
1249:Two small works for guitar
1164:Homenaje a La Chica Chagua
1015:El Encandilador de Zamuros
991:Valse, ded. to Nando Riera
755:Valse en forma de preludio
637:Melodía para dos guitarras
238:Studying under Raúl Borges
230:, both fellow students of
1289:Ediciones Farmatodo, 1999
1188:Valse a mi Nacha Mosquera
923:Lección en forma de chôro
905:Danza en forma de estudio
534:Homenaje a la Chicachagua
526:Golpe al Diablo de Carora
228:Manuel Enrique Perez Díaz
112:
94:
80:
56:
25:
18:
1361:People from Lara (state)
1356:Male classical composers
1306:, ed. Fundación Bigott (
1196:, ded. to his son Rubén;
779:Danza popular venezolana
749:Pajarillo con revoltillo
538:Pajarillo con Revoltillo
89:Venezuelan popular music
1381:20th-century guitarists
1088:; etude in joropo form;
1044:Oración al Jueves Santo
1032:Melody for an Etude by
695:Melodía (in waltz form)
319:Agustín Barrios Mangoré
1228:, ded. to Raúl Borges;
973:Unión Musical Española
963:Unión Musical Española
919:, 21.Nov. 1985, etude;
548:Complete list of works
1285:Bruzual, Alejandro -
883:infantil, 6.May.1985;
865:, 25.Apr.1985, etude;
859:, 24.Apr.1985, etude;
853:, 23.Apr.1985, etude;
821:Estudio, Barquisimeto
142:state (Capital city:
1366:Venezuelan composers
1251:, for three guitars;
1110:Preludio en terceras
583:WORKS FOR THE GUITAR
203:In 1937 he moved to
1040:and Gustavo Lopez;
985:Monotonía Nostalgia
947:Merengue Venezolano
833:Merengue venezolano
827:Merengue venezolano
815:Valse, Barquisimeto
707:Valse al negro Tino
502:Merengue Venezolano
492:Most popular pieces
432:on August 9, 1999.
327:Vicente Emilio Sojo
1080:Preludio; Manotolo
1027:Preludio a la Cruz
835:, ?.Mar.1984;
574:numbered catalogue
315:Heitor Villa-Lobos
181:, in the state of
36:September 19, 1923
935:Danza a Maracaibo
597:, New York, 1964;
262:Studies in Europe
122:
121:
1398:
1264:Flavio Herrera,
1104:Danza venezolana
975:), Madrid, 1964;
953:Canción Caroreña
941:Serenata ingenua
929:Preludio criollo
731:Preludio estudio
713:Preludio Ingenuo
677:Estudio preludio
671:Seis por derecho
647:Preludio estudio
514:Preludio Criollo
510:Canción Caroreña
506:Serenata Ingenua
375:Carlo Domeniconi
359:Preludio Criollo
336:El Uno y El Otro
218:for a series of
185:, in midwestern
173:Family and youth
159:classical guitar
63:
44:
43:
35:
33:
16:
15:
1406:
1405:
1401:
1400:
1399:
1397:
1396:
1395:
1376:Male guitarists
1321:
1320:
1282:
1178:, zulian dance;
1092:Aire venezolano
1021:Danza a Manolay
809:Preludio a Luis
793:, 21.Mar. 1983;
719:Canción y Danza
589:Aire venezolano
579:
577:
568:(prélude), and
550:
494:
482:and even a few
438:
414:
394:
344:
291:
264:
240:
175:
170:
125:
85:Classical music
65:
61:
60:August 19, 1999
38:
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1191:
1185:
1179:
1176:Danza al Zulia
1173:
1167:
1161:
1158:Vals campestre
1147:
1141:
1131:
1125:
1119:
1113:
1107:
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872:
866:
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854:
848:
842:
836:
830:
824:
823:, 25.Oct.1983;
818:
812:
811:, 16.May.1983;
806:
800:
799:, 24.Mar.1983;
794:
788:
782:
776:
770:
769:, 10.Jun.1982;
764:
758:
757:, 10.Mar.1982;
752:
746:
740:
734:
733:. 28.Sep.1980;
728:
722:
716:
710:
704:
698:
692:
686:
680:
674:
673:, 20.Jun.1979,
668:
662:
656:
650:
644:
634:
628:
627:, 25.Dec.1978;
622:
621:, 25.Nov.1978;
616:
610:
604:
603:, 25.May.1972;
598:
592:
591:, 17.Mar.1963;
551:
549:
546:
493:
490:
437:
434:
413:
410:
393:
390:
343:
340:
295:María Josefina
290:
287:
263:
260:
252:Andrés Segovia
239:
236:
174:
171:
169:
166:
124:Musical artist
123:
120:
119:
114:
110:
109:
96:
92:
91:
82:
78:
77:
64:(aged 75)
58:
54:
53:
27:
23:
22:
19:
9:
6:
4:
3:
2:
1403:
1392:
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1326:
1316:
1313:
1312:980-6428-02-1
1309:
1305:
1302:
1299:
1298:
1297:
1295:
1294:Other sources
1288:
1284:
1283:
1274:
1270:
1267:
1263:
1260:
1256:
1255:Antonio Lauro
1253:
1250:
1246:
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1242:
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1135:
1134:Danza Estudio
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1120:
1117:
1114:
1111:
1108:
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1086:Valse Estudio
1084:
1081:
1078:
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1072:
1069:
1066:
1063:
1060:
1057:
1056:Estudio Lento
1054:
1051:
1048:
1045:
1042:
1039:
1038:Etta Zaccaria
1035:
1031:
1028:
1025:
1022:
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1010:
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1001:
998:
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927:
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918:
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912:
909:
906:
903:
900:
897:
894:
893:Valse Estudio
891:
888:
885:
882:
879:
877:, 6.May.1985;
876:
873:
870:
867:
864:
861:
858:
855:
852:
849:
846:
845:Pequeña danza
843:
840:
837:
834:
831:
828:
825:
822:
819:
816:
813:
810:
807:
804:
803:Estudio-danza
801:
798:
795:
792:
789:
786:
783:
780:
777:
774:
771:
768:
765:
763:, 1.Apr.1982;
762:
761:Pequeño Valse
759:
756:
753:
750:
747:
744:
741:
738:
735:
732:
729:
726:
723:
720:
717:
715:, 9.Jul.1980;
714:
711:
708:
705:
702:
699:
696:
693:
690:
687:
684:
681:
678:
675:
672:
669:
666:
665:Valse Estudio
663:
660:
657:
654:
653:Valse Estudio
651:
648:
645:
642:
638:
635:
632:
629:
626:
623:
620:
617:
614:
611:
608:
605:
602:
599:
596:
595:Perfil gitano
593:
590:
587:
586:
585:
584:
580:
575:
571:
567:
563:
559:
554:
545:
543:
540:(1980s), and
539:
535:
531:
527:
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519:
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511:
507:
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426:David Russell
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224:Antonio Lauro
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165:
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152:Antonio Lauro
149:
146:) in Western
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137:
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128:Rodrigo Riera
118:
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95:Occupation(s)
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59:
55:
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48:
45:Near Carora,
42:
28:
24:
20:Rodrigo Riera
17:
1303:
1293:
1292:
1286:
1280:Bibliography
1272:
1271:(anonymous)
1265:
1258:
1248:
1245:Fernando Sor
1238:
1237:
1231:
1225:
1215:
1209:
1205:
1199:
1193:
1187:
1182:Aire zuliano
1181:
1175:
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1149:
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1127:
1121:
1115:
1109:
1103:
1097:
1091:
1085:
1079:
1073:
1067:
1061:
1055:
1050:Alegre Golpe
1049:
1043:
1026:
1020:
1014:
1008:
1002:
996:
990:
984:
978:
972:
971:, (Publ. by
968:
962:
958:
952:
946:
940:
934:
928:
922:
916:
910:
904:
898:
892:
886:
880:
874:
868:
862:
856:
850:
844:
838:
832:
826:
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814:
808:
802:
796:
790:
784:
778:
772:
766:
760:
754:
748:
742:
736:
730:
724:
718:
712:
706:
700:
694:
688:
682:
676:
670:
664:
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636:
630:
624:
618:
612:
606:
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588:
582:
581:
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573:
569:
565:
561:
557:
552:
541:
537:
533:
529:
525:
521:
517:
513:
509:
508:(1963), and
505:
501:
497:
495:
483:
477:
471:
467:
461:
457:
453:
447:
441:
439:
436:Guitar works
430:Barquisimeto
415:
405:
401:
398:Barquisimeto
395:
386:
379:
371:Roland Dyens
362:
358:
356:
348:Conny Méndez
345:
335:
323:Manuel Ponce
311:
292:
278:
276:
267:
265:
243:
241:
213:
205:Barquisimeto
202:
195:
191:
176:
163:
156:
144:Barquisimeto
127:
126:
67:Barquisimeto
62:(1999-08-19)
1336:1999 deaths
1331:1923 births
1098:Valse etude
1046:, Preludio;
767:Valse lento
553:Disclaimer:
422:Leo Brouwer
367:Leo Brouwer
303:Andrés Raúl
248:Raúl Borges
232:Raúl Borges
209:Alirio Díaz
1325:Categories
1300:Interviews
1220:Jesús Soto
1216:El popular
1202:, waltzes;
979:Melancolía
961:(Publ. by
743:El simplón
520:, (1964),
412:Last years
382:East Coast
113:Instrument
32:1923-09-19
1140:, etudes;
631:Aguinaldo
607:Sugerente
564:(étude),
479:merengues
307:Juan José
258:, Italy.
187:Venezuela
168:Biography
148:Venezuela
132:guitarist
103:guitarist
75:Venezuela
51:Venezuela
1130:, etude;
1076:, etude;
1070:, etude;
1068:Merengue
1011:; Etude;
987:, ídem.;
917:Preludio
899:Preludio
887:El Carne
869:Preludio
851:Merengue
839:Preludio
725:Preludio
701:El Poeta
683:Preludio
625:Joropito
613:Preludio
566:Preludio
544:(1990).
530:Chorinho
524:(1968),
516:(1963),
504:(1962),
500:(1960).
352:New York
136:composer
107:composer
99:musician
1259:Natalia
1226:Canción
1150:Estudio
1138:Andante
1128:Canción
1116:Andante
1036:, ded.
1003:Estudio
863:Canción
797:Estudio
791:Estudio
785:Estudio
689:Estudio
649:, 1978;
641:bassoon
562:Estudio
463:joropos
449:minuets
418:Caracas
216:Caracas
1310:
1273:Tonada
1062:Joropo
1009:Joropo
997:Elorac
737:Julita
518:Elorac
485:choros
473:gaitas
468:golpes
458:danzas
454:valses
443:fugues
363:Elorac
272:Madrid
198:cuatro
179:Carora
117:Guitar
81:Genres
1266:Polka
1144:Valse
1074:Valse
959:Choro
911:Danza
881:Danza
875:Danza
857:Danza
619:Paseo
570:Valse
558:genre
498:Choro
299:Rubén
283:Siena
256:Siena
220:radio
1308:ISBN
969:Nana
446:and
373:and
305:and
226:and
183:Lara
140:Lara
134:and
71:Lara
57:Died
47:Lara
26:Born
1296::
1034:Sor
281:in
270:in
1327::
1257:,
1247:,
1208:,
1156:;
1152:;
1136:,
643:);
536:,
532:,
488:.
476:,
470:,
466:,
460:,
456:,
424:,
377:.
369:,
332:LP
325:,
321:,
317:,
309:.
301:,
297:,
189:.
105:,
101:,
87:,
73:,
69:,
49:,
1275:.
1268:;
1234:.
1222:;
1166:;
1124:;
1118:;
1112:;
1106:;
1100:;
1094:;
1029:;
1023:;
661:;
34:)
30:(
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