803:, was an experiment in structure, development and presentation. Instead of full-scale productions, the company instead presented a series of works-in-development, which allowed the audience a unique opportunity to see artists developing non-linear work in workshop settings. Most of the presentations were only two or three performances long and the season was divided into three "waves" of development, each around a core theme: Wave One - The Creator/Performer; Wave Two - Audience Relocation (anchored around the presentation of Mammalian Diving Reflex's
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queer aesthetic and practice. The company is known for its work that was unapologetically political, fiercely pro-sexual, and fundamentally anti-establishment. In 1983, Sue
Golding joined the company as its founding Board President, a post which she held until 1995. Playing an instrumental role in shaping the direction of the organization, Some of the company's earliest commercial and critical successes included productions of Gilbert's
1148:. The 35th Rhubarb Festival, helmed by Festival Director Laura Nanni, marked the company's historic milestone with a 35 Performances for 35 Year Cabaret. The Festival looked to explore ideas of heritage and archiving while looking forward to possible Queer futures. The 2013/14 season was filled out with multiple guest companies including Theatre Rusticle, Pleiades Theatre, Cahoots Theatre Company, Cabaret Company and inDANCE.
896:, a modern queer vaudeville conceived and directed by Jim LeFrancois and David Oiye, opened the 2007–2008 season. The set design for this multidisciplinary production completely transformed the theatre, and featured Keith Cole as the omniscient MC, burlesque from The Scandelles, Shane MacKinnon (the Beefcake Boys) and Stephen Lawson and Aaron Pollard (2Boys.tv of Montreal).
1129:. Laura Nanni returned as the Rhubarb Festival Director and oversaw the return of the wildly successful One-To-One Performance Series and Mobile Works projects. The 34th Rhubarb Festival broke all previous attendance records and engaged almost 200 artists. The season saw 22 Dora Mavor Moore Award nominations overall, including three awards for
942:, enjoyed critical acclaim and won a leading six Dora awards. Agokwe nabbed awards for outstanding production of a play, best new play, and outstanding performance by a male in a principal role, while Ed Roy was honoured for his direction. Mark Shyzer, also from the Queer Youth Arts Programme, wrote and performed
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Buddies continued long-time partnerships with Canada's cutting-edge cultural artists and independent theatre companies. Crow's
Theatre, Mammalian Diving Reflex, The Scandelles, Necessary Angel, Native Earth Performing Arts, 2boys.tv, Small Wooden Shoe and Sky Gilbert were also included as part of the
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Although the company eventually achieved notoriety and success in the 1980s as a queer theatre company, it wasn't founded with that intent. Buddies' original focus was on staged adaptations of poetry. However, during the 1980s, under the sole leadership of Sky
Gilbert, Buddies developed a distinctly
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Buddies enters its next 35 years as the premier cultural centre for
Toronto's LGBT community, as the top destination for all audiences seeking cutting-edge theatre in Toronto, as a leading centre for the creation and presentation of alternative theatre in Canada, and as a preferred employer in the
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Shortly after Walsh and
Ciccoritti stopped working with the company in its infancy, Gilbert moved its artistic direction toward the then emerging gay subculture of Toronto. Buddies has become one of North America's premiere examples of the synthesis between so-called gay culture and modern theatre
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Following an extensive national search for a new artistic head, the company underwent two major shifts in leadership in 2009. Award-winning director
Brendan Healy became the artistic director in October 2009, and acting general manager Shawn Daudlin officially became the general manager of the
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Gilbert, Walsh and
Ciccoritti, along with playwright Fabian Boutilier, subsequently founded the Rhubarb Festival of Canadian Plays, first produced by the theatre company at The Dream Factory in January 1979 and featuring short plays written by local, unknown playwrights directed by all four of
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In 2003–2004 Buddies celebrated its 25-year contribution to
Toronto's cultural landscape by programming its largest season ever. The year was decidedly retrospective in flavour, and welcomed back key artists who helped shape the company over the years.
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By 1993, BIBT had successfully negotiated a 40-year lease with the city and entered into a symbiotic partnership with The
Alexander Street Theatre Project, a company formed primarily to raise funds and manage expenses for the renovation of the theatre.
957:, written by Edward Roy, fell victim and had its scheduled mid-season run cancelled. In the midst of 'bad times', Buddies' extended family of artists came forward to help weather the financial storm. Daniel MacIvor performed his one-man show
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The 2012/13 season also saw the completion of two large-scale initiatives: a three-year
Audience Development Project and a strategic planning process that helped revise Buddies' mandate, and articulated a long-term vision for the company.
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opened at TWP (12 Alexander Street) in 1987. Tim Jones became general manager in 1988. By 1990 BIBT had been directly or indirectly nominated or presented with numerous and various cultural awards. 1990 marked the year that Sky Gilbert's
1041:. Rhubarb! returned with a new festival director, Laura Nanni, and featured, for the first time, off-site performance in public spaces. Buddies also embarked on two major national tours of productions from its recent repertoire,
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During the 2002–2003 Gwen Bartleman resigned as general manager. Jim LeFrancois stepped in to oversee operations as Buddies' producer in the spring of 2003. Shows presented that season included James Harkness' rural drama
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and the farewell season of one of Toronto's most challenging companies, da da kamera, which staged three solo shows, directed by Daniel Brooks and performed for the last time by core artist Daniel MacIvor.
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During the 2008–2009 season, major changes to staffing occurred. Jim LeFrancois resigned as artistic producer and David Oiye announced that 2008–09 would be his last season as artistic director.
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BIBT was a company on the move that utilized venues within Toronto to create exciting hit shows. In 1991, BIBT set up its first permanent performance space at 142 George Street. Sky Gilbert's
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Celebrating its third decade, Buddies' rebellious youthful tendencies began to collide with considerations for the future. 2008–2009 saw the programming of an exceptionally rich season.
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and the resignation of founding artistic director Sky Gilbert. Sarah Stanley was appointed as Sky Gilbert's successor in April, and Gwen Bartleman was appointed general manager in July.
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2008–2009 saw its share of successes, but like so many art organizations during this season, Buddies in Bad Times Theatre felt increased pressure related to the economic downturn.
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in Toronto—a movement of theatre that was hailed as the "next wave". Of all the companies involved in the venture, Buddies found an artistic and social connection to the work
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The programming for the 2009–10 season, the final season programmed by Oiye, featured work led by female creators. This decision was in response to a national study on
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Over the 2000–2001 season, BIBT explored the notion of a national queer repertoire by programming Vancouver-based artist Dorothy Dittrich's award-winning musical
1049:. The company took home five Dora Mavor Moore Awards (for outstanding production, lighting design, set design, sound design and direction) for its production of
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were all laid to rest. Associate artists took on a larger role of shaping the subsidized work in the building and as a result there was tremendous success with
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and 2boys.tv, while also announcing some new directions for the company. For the first production of the season, Healy helmed the English-Canadian premiere of
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arts in Toronto. Buddies is truly a one-of-a-kind place in the world that is dedicated to the nurturing, protection, and celebration of queer culture.
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toured to glowing reviews in Great Britain with stops in London, Brighton, and Cardiff. Two anthologies of Sky Gilbert's plays were also published.
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in Canadian theatre which revealed that female representation in our theatres is shockingly low. Participating artists included The Scandelles (
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brought youth into Buddies throughout the season, to learn about theatre, see shows and meet artists and to create their own performance for
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1053:. This year also saw a 25 per cent growth in attendance for the company's main stage shows and festivals which included sold-out runs of
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593:, Ann Holloway, Jane Johanson and Edward Roy) and artistic director David Oiye directed a re-mount of one of Gilbert's biggest hits,
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was also produced: born out of Rhubarb! and developed through Seed. It is now known as one of the most important plays of the 1980s.
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Buddies in Bad Times (BIBT) was established and incorporated in Toronto in 1979. Gilbert was the company's first artistic director.
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and the development of six scripts under the eye of company dramaturg Edward Roy. In 1997, the theatre also hosted the inaugural
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reached a new kind of notoriety, and an explosion of activity under one roof like the city of Toronto had never seen.
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Buddies in Bad Times' 2012/13 season looked to empower the individual as an agent of social change. It began with
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For the 2001–2002 season Buddies produced the largest production in its history with Kelly Thornton's ambitious
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Buddies' 2013/14 season marked the company's 35th Anniversary. Its programming included the world premiere of
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Healy's first season in 2010/11 featured many artists long associated with the company, such as Sonja Mills,
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in 1999, providing a summer-long outlet for twelve queer youth, and two year-round internship positions.
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was doing and an alliance was formed that showed itself in six collaborative Rhubarb! Festivals.
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theatrical expression". It's the largest and longest-running queer theatre company in the world.
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BIBT's programming grew more ambitious in 1998–1999; the company produced the world premiere of
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and has spawned the successful careers of dozens of Canadian actors, playwrights and directors.
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In 1999, following a national search, David Oiye was hired as BIBT's third artistic director.
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Expanding its commitment to gay, lesbian and bisexual youth, BIBT launched its first annual
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By 1983 Buddies in Bad Times Theatre was receiving funding from four levels of government.
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The name Buddies in Bad Times was taken from the poem of the same title by the French poet
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in Wave One; Emergency Exit's moody forest of headphones as part of their installation,
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1997–1998 heralded a renewed commitment to play development, marked by the birth of the
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BIBT also increased its commitment to new play development in 1999 by introducing
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In 1996, Tim Jones resigned as general manager. 1997 marked the highly successful
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This schedule was anchored by Necessary Angel's Dora award-winning production of
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won a jury prize at The Festival Des Ameriques in Montreal. Platform 9 Theatre's
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returned to direct the silver anniversary season opener, his much-lauded
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For 2004–2005, offered a season of theatrical works by Greg MacArthur (
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King also enjoyed tremendous success with the second incarnation of
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On the producing front, BIBT's 1999 tribute to Canadian rock legend
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1994–1998 saw many exciting and challenging things happen for BIBT.
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proved to be some of the most successful runs in Buddies' history.
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The 2002–2003 season also launched a naughty late night series in
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won Outstanding New Musical at the 2008 Dora Mavor Moore Awards.
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The company also workshopped a new play by award-winning artist
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returned as associate artist, and was instrumental in launching
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The community support for the company was at an all-time high;
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In 1994 BIBT opened its first season at Alexander Street with
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Ten Ruminations on An Elegy Attributed to William Shakespeare
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Theatre Research in Canada / Recherches Théâtrales Au Canada
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The company's 2005–2006 season included shows such as
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Unidentified Human Remains and the True Nature of Love
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played a pivotal role as President from 1983 to 1995.
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and the workshop of Diane Flacks' new one-woman show
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was building BIBT. Seed Shows such as DNA Theatre's
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Fishbowl: A Concise, Expansive Theory Of Everything
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607:. Moynan also joined forces with Franco Boni on
1517:"Buddies' artistic director David Oiye resigns"
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1404:. Buddies in Bad Times Theatre. Archived from
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521:nominations for da da kamera]'s production of
102:, Ontario, and founded in 1978 by Matt Walsh,
1548:. Playwrights Guild of Canada. Archived from
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1499:. Dora Mavor Moore Awards. Archived from
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1374:. Dora Mavor Moore Awards. Archived from
1343:. Dora Mavor Moore Awards. Archived from
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142:(1989), as well as the Sex Tours of the
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1173:as part of the online component of
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783:(Nightwood Theatre). The company's
261:BIBT's first mainstage production,
252:This Is What Happens in Orangeville
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977:also mounted a joint comedy show,
680:), Sky Gilbert (Cabaret Company's
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1566:Murphy, Aisling (2023-08-22).
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700:Hysteria: A Festival of Women
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605:Hysteria: A Festival of Women
508:Three Dead Trolls in a Baggie
216:was held for the first time.
1620:Theatre companies in Toronto
1319:Open Letter from Sue Golding
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1080:Native Earth Performing Arts
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1444:Sumi, Glenn (2009-01-14).
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750:'s heartfelt family drama
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272:Drag Queens in Outer Space
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124:Lana Turner has Collapsed!
1446:"Diva act - NOW Magazine"
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717:Manitoba Theatre Centre
613:Green and The Magic Key
550:Friday Superstar Series
469:Shaking the Foundations
384:Martha Steward Projects
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1254:"What's a diva to do?"
1198:David Oiye (1999–2009)
886:The 2007–2008 season,
858:and One Reed Theatre.
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617:Colourful Conversation
519:Dora Mavor Moore Award
283:Dora Mavor Moore Award
267:The Postman Rings Once
244:Theatre Passe Muraille
136:The Postman Rings Once
1086:'s seminal AIDS play
811:; and Gilbert's play
805:Diplomatic Immunities
633:from Crow's Theatre.
424:We're Funny That Way!
285:for Best Production.
214:The Rhubarb! Festival
1645:21st-century theatre
1640:20th-century theatre
1193:Sarah Garton Stanley
1155:In 2020, during the
1119:A Few Brittle Leaves
1059:The Silicone Diaries
1047:The Silicone Diaries
1010:The Silicone Diaries
753:In Gabriel's Kitchen
492:When We Were Singing
443:Steel Kiss and Gulag
301:was nominated for a
293:was nominated for a
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138:(1987), Don Druik's
132:Drag Queens on Trial
112:Buddies in Bad Times
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777:Bad Acting Teachers
728:The Monster Trilogy
420:Ante Chamber Series
242:which premiered at
208:1979: The beginning
163:Angels in Underwear
55:12 Alexander Street
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1424:The Globe and Mail
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1166:Queer Pride Inside
950:2008–2009 season.
846:, Andrew Kushnir,
844:Edwige Jean-Pierre
711:toured to London (
707:). Damien Atkin's
615:and Peter Lynch's
591:Ellen-Ray Hennessy
589:, Marc Gushuliak,
546:Tallulah's Cabaret
373:The Soldier Dreams
221:The Theatre Centre
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963:Sing Out, Louise!
940:Waawaate Fobister
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713:The Grand Theatre
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646:Mirha-Soleil Ross
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1572:Intermission
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1402:"Past Shows"
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1450:NOW Toronto
1207:(2015–2020)
1195:(1997–1999)
1189:(1979–1997)
1187:Sky Gilbert
1029:Sky Gilbert
1002:Neon Nightz
975:Elvira Kurt
836:Neon Nightz
682:Rope Enough
625:Brad Fraser
601:Moynan King
583:Play Murder
579:Sky Gilbert
548:dubbed the
500:PileDriver!
465:Carole Pope
409:Random Acts
397:Brad Fraser
339:More Divine
335:Sky Gilbert
323:Sue Golding
263:Sky Gilbert
248:Sky Gilbert
167:Beat poetry
156:Sue Golding
108:Sky Gilbert
1604:Categories
1577:2023-10-31
1455:2024-02-29
1430:2024-02-29
1354:2011-01-17
1238:2023-11-30
1215:References
1131:Obaaberima
1111:Obaaberima
1070:Jean Genet
1033:Sarah Kane
959:Cul-de-Sac
854:, Mikiki,
852:Kids on TV
824:Keith Cole
789:Pride Week
769:d'bi young
678:Kingstonia
642:Cul-de-sac
566:Kids on TV
562:Will Munro
361:Seed Shows
256:Steel Kiss
1075:The Maids
1014:Breakfast
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882:2007–2008
795:2006–2007
572:2003–2006
515:Peep Show
486:2000–2003
449:1999–2000
329:1994–1998
291:2-2-Tango
234:1985–1993
212:In 1979,
1520:Archived
1322:Archived
1161:CBC Arts
1035:'s play
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863:Insomnia
856:2boys.tv
840:ArtSexy2
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801:ArtSexy2
523:In on It
130:(1984),
126:(1980),
1171:CBC Gem
1055:Blasted
1051:Blasted
1038:Blasted
955:Gay4Pay
913:Art Fag
872:Monster
638:Snowman
150:History
100:Toronto
96:theatre
78:Website
65:M4Y 1B4
62:Ontario
58:Toronto
52:Address
1043:Agokwe
936:Agokwe
498:, and
357:4-Play
171:Angels
106:, and
70:Opened
1553:(PDF)
1546:(PDF)
1529:Xtra!
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1473:(PDF)
1379:(PDF)
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909:Happy
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116:queer
1306:2019
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1061:and
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828:Mine
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