1227:
460:, leaving her behind at his family's home. She was persecuted by his family and attempted to reach out to him for help but was ignored. When she could no longer bear it she fled to her own family's home, where Raizō was born. The relationship between her and her husband having deteriorated, Raizo's mother intended to raise him on her own. At this point she received repeated petitions from her husband's brother-in-law, Ichikawa Kudanji III, to allow him to raise the child. She initially refused these offers, but ultimately relented, and Raizō was officially adopted by Kudanji at the age of six months. Raizō was not aware of his adoption until he was 16 years old, and he did not meet his mother in person until he was 30.
624:, a name with deep roots in the Ichikawa house stretching back to the 1600s, but the chief cabinet secretary of the Ichikawa house, Ichikawa En'ō II, viciously fought against this wish, stating "We can't bestow a name with such deep family ties to some unknown performer from an unknown line." After long negotiations they finally settled on the name "Ichikawa Raizō." The adoption was finalized in April 1951, and the ceremony for the succession of the "Ichikawa Raizo" name was carried out in June of the same year. According to the film director Kazuo Ikehiro, around this time rumors began to circulate that Ichikawa Jukai III was actually Raizō's biological father.
1165:, the director with whom Raizō produced the greatest number of films, said that Raizo carried “a human pain of which he didn’t speak to anyone” which he sublimated into each of his performances. In an interview between Mori and the film critic Sadao Yamane, the two agreed that Raizō had a “refreshing sorrow” about him. Yamane explained this further, saying “while it’s true that he played a great many tragic roles, it wasn’t simply with a dark depression or gloom; he had a very crisp presentation. There wasn’t a single other actor who was equipped with both this sorrow and this cool crispness the way that Raizō was.”
911:, rather than director, as he would then be able to make decisions about subject matter, scripts, and casting in addition to direction. In January 1968, Raizō said “I want to assemble a new dramatic production, the likes of which has never been seen before,” and began the process of establishing a new theater company called “Teatoro Kaburaya” at which he would take a producer role, but as soon as it was founded he fell ill and the company never began operations. According to Seiji Hoshikawa, director of 14 of Raizō's films, Raizō said to Hoshikawa and
1203:
makeup Raizō's usual appearance would become completely different and beautiful. “Makeup would change him so suddenly, to the point where you’d say ‘woah! Who’s this?’” he said. Tokuō Tanaka said, “this guy, with his disarming warmth and aura of purity; as soon as work began he’d transform into an actor, he’d stiffen his shoulders and become immediately commanding, steadfast, dignified and strikingly good-looking. For someone like me who knew his usual face, it was so surprising that it made my eyes pop open.”
1020:
other stars of the time, his fanbase had the rare characteristic of having many intelligent and educated female fans. “You didn’t see the type that only squealed and caused a big fuss,” he said. The “Ichikawa Raizo Film
Festival,” in which a selection of his films are shown, became an annual event, held each year on the anniversary of his death, July 17. From December 2009 until May 2011 an especially large event was held and his performances were screened to commemorate the 40th anniversary of his passing.
518:
1218:), said of Raizō's transformation that he normally looked like a company man, but “when he appeared on the screen he’d have undergone a complete change; and in the midst of all the light was this youthful star, fighting against emptiness and loneliness.” Inoue said that the reason that so many of Raizō's movie posters feature an image of him from behind with his head turned to face the camera was because many directors felt that this view of him best showed off his "intriguing emptiness".
1347:, a Japanese word meaning “to fuss about, to harp on.” However, once he was satisfied in his understanding, he never complained or grumbled, and once filming began he would stop making these sorts of suggestions altogether. On the other hand, Katsu would go through the entire pre-production phase without saying a word, but start making suggestions and impromptu changes as soon as filming began which was a frequent source of trouble for the staff of his films.
501:, which can be translated as "exhaustive meeting," and together they focused diligently on training. However, there was one obstacle that this training could not overcome: Kudanji had been the son of a member of a minor politician in Kyoto rather than a kabuki actor, and had only been apprenticed (to an actor known as Ichikawa Sadanji II) because of Kudanji's own strong desire to enter the world of kabuki. Thus Kudanji was forever labeled as a
1008:
956:(released February 12, 1969), but his physical strength was rapidly dwindling, and they had to resort to a body double with voice-over for all of his scenes involving walking and movement. In February 1969, complaining of physical unwellness, Raizō was admitted to the hospital once again. After his second surgery Raizō was so weak that he couldn't swallow soup, but he deeply wished to play the role of a naval officer in the film
839:
complicated childhood had caused something like a base part of his heart to emerge, merging with and adding depth to his performance. Kazuo
Ikehiro said that precisely because of this "hidden part of his childhood," or "base part of his heart," that Raizō was perfectly equipped for the performance. Once, when a member of the Daiei planning department named Hisakazu Tsuji mused aloud that he felt as though his performance in
1207:
makeup plan. In particular, Raizō's original designs could be seen in the makeup around his eyes and eyebrows. Furthermore, Raizō carried out the most important points of his makeup application himself, and wouldn't allow anyone to see him while doing it. Inoue theorizes that the application of makeup was a crucial part of his process for immersing himself in a role, and thus he didn't want to be observed while doing so.
3359:
3345:
1385:
that Raizō was incredibly friendly and helpful with the staff, often inviting people to his home for dinner and other such activities. According to Seiji
Hoshikawa, Raizō didn’t much like “glitzy and neon-decked or famous restaurants,” but instead “would nearly always eat regular restaurants, without any regards to social standing,” where he would “happily argue and discuss life and films.”
935:, but the diagnosis was not made known to Raizō. On August 10, Raizō underwent surgery and was released from the hospital, but his family received a prognosis from his doctor stating that Raizō would “relapse in about half a year.” Raizō had possessed a weak digestive system from birth, and had previously visited a doctor for the same symptoms in January 1961, after filming
977:
death Raizō's face was wrapped in two layers of white cloth, which remained in place even as he was cremated. According to Masako, Raizō had said only “I don’t want anyone to see how dreadfully thin I've become,” and because of that wish she had not allowed anyone aside from his adopted father, Jukai, and his company president, Nagata, to see his face after his death.
675:, in which he played Yasuie Togashi. On that occasion Raizō said, "In Kabuki you're no good unless you're old. In film you're no good once you're old. While I'm still young I'll make a living in film, once I've gotten older I'll try kabuki again." Once he had decided to pursue a film career, Raizō began to frequent the movie theater to study the performances of
892:
face. Not with a sword, with his face,” he reminisced, “Rai-chan didn’t become
Kyoshirō through his fight scenes or the delivery of his lines, he did it through his face; that’s my opinion, anyway.” Kazuo Ikehiro said, “without speaking, without any kind of facial expression, simply by the way he walked around as though he were carrying his past on his back”
995:?” – Tsurata being an actor well known for performing in such films – but Masayoshi Tsuchiya convinced him, saying “I’ll make sure you get the next role you want to play.” The following year Tsuchiya expressed deep regret that this role which Raizō had not wanted to play had become his last. In 1971, two years after Raizō's death, Daiei Studios filed for
1362:, in all of them.” Akinari Suzuki has made similar statements regarding the two actors. Tomomi Muramatsu, said that Katsu was the kind of actor where “no matter what he does, it always ends up in the vein of Shintarō Katsu,” but that Raizō, even though he was established as a mainstream Japanese film star in the ranks of Kazuo Hasegawa and
635:, Raizō often advised those around him to consider changing their names, and it's said that some 20 to 30 people related to the film studio did so upon Raizō's recommendation. In fact, Masako Nagata, the woman Raizō would eventually marry, was originally named Kyōko, and changed her given name after Raizō suggested she do so.
1191:, also attempted to change careers from kabuki to film, but failed to find success and returned to the kabuki stage. When asked his thoughts on this, Akinari Suzuki said that he felt that Raizō had found success in film because he was not steeped in kabuki in his young childhood, and thus avoided being totally stained by it.
1254:
player, and for a time was known as Kineya
Katsumaru II. Both Raizō and Katsu signed on with Daiei in 1954, and joined the company in the same term. Both born in 1931, having made a hurried transition from kabuki to the new world of film, there were many similar circumstances about the pair of young
976:
It has been said that in the time before his death, Raizō deliriously entreated that nobody be allowed to see his face when he died. His wife, Masako Ōta, staunchly denies these claims, stating “Raizō never gave up on recovery, even until the end; he never even wrote a will.” Nevertheless, after his
891:
films, saying "When he was playing
Kyoshirō he had a real animal magnetism about him, didn't he. Maybe you could say it came from this sense of the shadow of death hanging over him. It really is the face people make when they die, that expression." “When he’d walk by, Rai-chan would cut you with his
774:
Raizō had weak legs, and would often become faint when standing or walking. Masayoshi
Tsuchida, then head of Daiei's planning department, said that it must have been an incredible adventure to play "Kiyomori, the youth who pierced the heavens" for the physically frail Raizō. Raizō was self-conscious
573:
kabuki scene during and after the Second World War. By the time he met Raizō in 1950, Jukai had become the president of the Kansai Kabuki Actors Guild, a position of great influence. Furthermore, the name "Jukai" had been bestowed upon
Ichikawa Jukai III by both of the actors who had used it before:
1202:
According to Arashi
Ichikawa, Raizō’s essence was “hardness divided by simplicity,” and in stark contrast to other stars when playing their popular characters, Raizō's unmade-up simplicity “would transform completely with makeup,” he said of this peculiar quirk. According to Akira Inoue, when given
1040:
Raizō married Masako Nagata, daughter of
Masaichi Nagata, in a private wedding ceremony in 1962. She took his name, becoming Masako Ōta, and they had three children together. Raizō had told Masako “I never want in the public eye,” when he was alive, and she continued to uphold his wishes after his
529:
was scouting for young, talented kabuki performers to join his traditionalist troupe, Tetsuji Kabuki. The members of the Tsukushikai participated in this troupe and thus made the acquaintance of Tetsuji. Tetsuji thought very highly of Raizō's acting talents, but realized that so long as he remained
1380:
According to Kazuo Ikehiro, even when working with someone he didn’t like, Katsu could “usually manage to get along,” but “when disliked someone, he disliked them completely” to the point where there had been cases when he had said “I don’t even want to see your face” directly to someone. Ikehiro
1206:
According to Inoue, at the time of his debut, Raizō, along with Shintarō Katsu and Takeshi Hanayagi, received makeup instruction from the star Kazuo Hasegawa. The other two actors applied their makeup exactly as told, but Raizō alone had a number of points where he made personal alterations to the
700:). While Raizō had been held back in the world of kabuki by the circumstances of his parentage, he was treated with great respect in the world of film, as the son of Ichikawa Jukai III, president of the Kanto Kabuki Guild. Daiei's management intended to position Raizō as a successor to the popular
651:
Regarding his transition to film acting, Raizō maintained that he did it simply because it seemed like a good opportunity and he wanted to try it out. Rikiya Tayama has said that the real reason was that Raizō, dissatisfied with the treatment he received over the years, was extremely upset when he
1384:
Speaking of their interactions with other film staff Yoshinobu Nishioka, who worked as a production designer on many of Daiei’s films, said that Katsu was the sort to go out drinking with other actors, while Raizō would often socialize with the production staff. Tokuzō Tanaka corroborates, saying
1258:
As previously mentioned, Daiei's management intended from the start to position Raizō as a successor to the star Kazuo Hasegawa, and it “proceeded smoothly along the tracks.” Tokuzō Tanaka shared the opinion that Katsu, who was the first of the two to make his debut, was “like a second helping of
490:
In May 1949, a little over two years after his first performance, Raizō formed a study group with two other young kabuki performers. These were Rishō Arashi (known later in his kabuki career as Arashi Kichisaburō VIII, and as Yatarō Kitagami in his acting career) and Nakamura Taro II. They called
1315:
rice.” When the two appeared on movie posters and in films together under this slogan, they were often made to appear in contrast to one another in their appearance and style, and it was widely believed that there was a strong rivalry between them. However, their usage of friendly nicknames like
1019:
In 1974, five years after Raizō's death, a fan club called “Raizō-kai” was formed. This fan club is still functioning as of this writing in 2012. According to Masaki Matsubara, once president of Daiei Kyoto Studios, Raizō's fans were drawn in by his acting and his humanity, and thus, unlike many
1331:
indicated that for Raizo, who had “worriedly spent his days in the world of kabuki, which is so dominated by lineage and ceremony, without ever receiving a large role,” and Katsu, whose father had been involved in the backstage world of kabuki, shared “the same complex, this large problem to be
1179:
said of Raizō's acting, “even when he’s here, he’s not here,” and clarified, “even in this filthy world, there was a sense of purity about him, as though he were a glimpse into a faraway place.” “Some people might take my saying ‘sense of purity’ as some sort of posturing phrase, but it's not.”
830:
should not be given such a large role in his second film with the studio, but he was ultimately given the part, stating "we need to give the young actor Ichikawa Raizō a chance if we want to make him into a success." Raizō rose to the occasion and gave an excellent performance. Ichikawa praised
838:
reflected his childhood. Ichikawa said, "He's expressing something of his true self through his performance," and "He's overcome something through his acting ... some sort of burden he had been carrying; and his indescribable life can be seen in his expression." Tokuzō Tanaka said that Raizō's
1027:
published an article titled “Film Stars of the 20th Century: Male Actors.” Raizō placed 6th. In the same issue's “Readers’ Choice: Male Film Stars of the 20th Century" he was ranked 7th. In the 2014 list of “All Time Best Japanese Film Stars” he was ranked 3rd in the list of male actors.
900:, said that there were other actors who played Kyoshirō, but none of them could compare to Raizō when it came to portraying Kyoshirō's soul. Raizō went on to hold the starring role in 12 films in the series, which represents a majority of the starring roles for which Raizō was cast.
643:
Raizō became Jukai's adopted son in 1951, but Jukai believed that the 20-year-old Raizō was still too young to take on major roles and adopted a policy of only giving him minor roles for the time being. As a result of this Raizō decided to pursue a film career in 1954 and joined the
1160:
Kazuo Ikehiro said that Raizō's childhood cast a “shadow of heartlessness” over him, and because of that a “shadowed part” and a “true background part" of his life were exposed. Moreover, they were not merely exposed, but thrust forward willfully, in Ikehiro's estimation.
1283:, released in 1960, was particularly terrible, despite Katsu's highly acclaimed performance, to the point that Tanaka received complaints from movie theater owners about his constant use of Katsu in his films. Reflecting on the state of things in 1959, Katsu said “The
3383:
On the experience of becoming a kabuki actor, Raizō himself said that as he was on the verge of quitting junior high school and simply spending his time about the house instead, he got something of an interest in the world of kabuki and somehow ended up as a kabuki
964:
as a substitute in order to begin filming. After learning of the recast by reading it in the newspaper, Raizō never again spoke about work. He died several months later, on July 17, of liver cancer, at the age of 37. His funeral was held on July 23, at the
505:– someone born and raised outside of the kabuki world and its "lineage" and later apprenticed into it – and doomed never to exceed a supporting role. That being the case, no matter how hard Raizō trained, he was unlikely to gain noteworthy roles as a
1148:
said of Raizō's manners, “Regardless of to whom he was speaking, he was always polite and proper, without arrogance or effusive emotion,” and that shone through in his acting style. According to Yahiro, “Even among the great number of
540:, which had been unused for a quarter century, but Nakamura Jakuemon III – who was no longer performing, but still alive – was dissatisfied with Raizō's thus-far inability to gain real recognition and refused to allow the name's use.
1373:
speaking largely favorably of Raizō, “his lower body always feels somewhat undetermined, but despite that his movement is quite real enough;” but he had to declare Katsu the superior of the two, saying “Katchan is just unbelievably
745:. Kazuo Ikehiro, who directed another 16 of Raizō's films, said that until that point it had seemed that Raizō was simply imitating Kazuo Hasegawa, but bit by bit his innate acting talent had begun to shine through. The film critic
613:
traditionally used by the head of the Ichikawa line. With the help of some mutual friends, Tetsuji was successful in his efforts and Jukai agreed to officially adopt Raizō. At this point Jukai wished to give Raizō the name Ichikawa
783:
in an attempt to train and strengthen them, but it was no use. Whenever photos were taken of Raizō, the photography staff took special precautions to frame the shot in such a way as to avoid showing Raizō's weak legs. According to
741:, released on September 21 of that year. Tokuzō Tanaka, director of 16 of Raizō's films, stated that at first it seemed as though it would be difficult to make Raizō into a great success, but that impression changed instantly with
1274:
series that Katsu became widely discussed and surpassed Raizō in earnings. Akinari Suzuki said of Katsu, “It wasn’t until after shooting 70 or 80 films without a single real hit, that he finally became of use with the release of
472:. Kudanji did not train him as a kabuki actor during his childhood, but in 1946, when he was in his third and final year at Osaka Prefectural Tennoji High School, Raizō elected to withdraw from school to pursue an acting career.
1259:
Hasegawa” when he played an attractive young man in his white-faced film makeup; but as the director and supporting cast could hardly be described as first-rate, it was a long time before Katsu managed to become a real success.
941:. At that time he had been told simply that “there is a wound in the rectum” when examined. There's also a record of him confiding to Tetsuji Takechi, “I’m tormented by diarrhea,” in 1964, at the occasion of his performance of
821:
was originally intended for the role, but Ichikawa argued against this selection based on an instinctive feeling that Raizō was the right choice for the role and ultimately succeeded in convincing the studio president,
64:
757:, as though following in the footsteps of Kazuo Hasegawa" but that now he "has come to be a distinguished actor worthy of high praise, giving fresh performances in elegant dramas, rather than only performing in
1031:
In a 2014 blog post, Ichikawa Ebizō XI implied that the honorific name Ichikawa Raizō was under his care, and thus it can be seen as having been returned to the Ichikawa house and line following Raizō's death.
569:. Jukai had been the son of a kimono-maker and thus had had no connection to the world of kabuki through his lineage, but despite this, through great effort on his part, Jukai had become quite renowned in the
788:, director of 18 of Raizō's films, Raizō deeply loathed the physical frailty of his body, but when he finally managed to overcome that loathing and accept himself he became capable of incredible composure.
1316:“Rai-chan” and “Katchan” for each other indicates that their relationship certainly wasn't bad, and in fact might even have been quite friendly. In fact, Raizō had a close friendship with Katsu's wife,
1311:
Eventually the pair became treated as a unit, with the name “KATSURAISU,” taking Katsu's surname and the first half of Raizō's given name to create a name which happened to sound like the food dish “
315:
Award, both for the category of Best Performance by an Actor in a Leading Role. Among his fans he was referred to lovingly as "Rai-sama." In June 1968 he was diagnosed with and underwent surgery for
530:
known as Kudanji's son he would never be able to truly shine in the world of kabuki and his talent would be wasted. To that end Tetsuji formed a plan to have Raizō take the name of Nakamura Jakuemon
3274:
1199:
Raizō usually looked plain, not eye-catching, but when his makeup was applied for a film shoot he would completely transform. Many people in the film industry spoke about this particular quirk.
3220:
5383:
3168:
2790:
1242:
Raizō, as written above, was the son of Ichikawa Kudanji III, a supporting actor by trade, and for a time was known as Ichikawa Enzō II. Shintarō Katsu was the son of Kineya Katsutōji, a
3261:
4561:
3176:
2721:
2779:
2696:
3160:
879:, even Raizō himself said that "the characteristic 'hollowness' of Kyoshirō simply didn't come out at all" and deemed the film a failure. It wasn't until the fourth film,
665:
period dramas – and accepted it, leaving the kabuki world for film. From that time forwards, Raizō only performed in a single kabuki play: the January 1964 production of
658:
in June 1954, and thus decided to leave the world of kabuki for good. Fortuitously he received an offer from Daiei Films who intended to position him as a star in their
5466:
1175:
or in modern dramas, “whether the most miserable role or the most comedic, he acted with elegance and lent sophistication and grace to the final product.” Film critic
915:, “Cinema might not have that much time left. Let’s stage a play sometime, the three of us. Let’s give a new job a shot,” and more specifically “Let’s try to capture
3122:
2848:
2964:
2435:
1354:
series, the films made under different directors are said to have a different flavor to them. On the other hand he said when speaking of Katsu, “When it comes to
2735:
1350:
According to Akira Inoue, Raizō was quite capable of working together with the methodologies of various directors when acting. For example, even within the same
3211:
3198:
2834:
3436:
2678:
561:. In December 1950, Ichikawa Jukai III attended a meeting of the Tsukushikai in an observational capacity. He was highly impressed by Raizō's performance as
434:
According to the film critic Rikiya Tayama, the details of his adoption are as follows: While Raizō's mother was pregnant, Raizō's father was transferred to
2804:
2636:
3236:
3088:
2875:
2861:
631:. This name was chosen by Raizō himself, as he was weary of being judged by his current family name. According to Akinari Suzuki, the studio president of
3114:
2654:
348:
2886:
1887:
771:, Raizō performed in over 10 films released in the period of a single year. He worked tirelessly, giving up holidays and weekends to continue filming.
2816:
2218:
2937:
2023:
3452:
Raizō, who had been pining after a role in Kōyahijiri, said to Tetsuji Takechi, “thanks to this, I’ll be stuck as a supporting actor for all time.”(
3075:
1996:
1626:
2747:
5900:
3479:
While the stage names of all kabuki actors have retained traditional order (Surname-Givenname) on Knowledge, birth names of those born after the
2710:
2900:
5459:
3330:
3687:
was a child, there was a plan to have him adopted by Ichikawa Jukai III. Ei refused, saying he didn't want to become a kabuki actor." (「編集手帳」(
903:
According to Kazuo Ikehiro, as Raizō's experience as an actor accumulated he began to desire to take a larger role in film creation through
2765:
931:, Raizō visited a doctor because of bloody stool, and was soon admitted to the hospital. The results of his examinations clearly indicated
1226:
5420:) <Rekishi Dokuhon spechial printing, 1994>, Shinjin Butsuō Raisha. Commemorative publishing 25 years after Ichikawa Raizō's death.
3135:
1289:
was totally different,” referring to the document listing sumo wrestlers’ ranks before a tournament. “We already knew that Raizō was an
5920:
5170:) Ichikawa Raizō, Asuka Shinsha, 1995; Asahi Bunko 2003. Preface Yukio Mishima, foreword by Ōta Kōki (son), afterword by Hiroaki Fujii.
4556:
871:
in the west, are considered to be the representative work of Raizō's later years. According to Tokuzō Tanaka, playing the part of the
5452:
1339:
Raizō was known for constantly offering all manner of suggestions during the pre-production process, and thus acquired the nickname “
4970:
3296:
1396:
at about the same time, said of their personalities that Raizō was very diligent and serious, while describing Katsu as desperate.
3152:
1828:
991:
pro-yakuza films – produced by Toei Studios. Raizō was reluctant to participate, saying “Should I just reheat the scraps left by
1308:” meaning that Raizō could be considered to be among the very highest regarded stars, while Katsu was still a relative unknown.
1047:
was published in 2009, featuring a memoir by Masako Ōta titled “A love letter to my husband, Ichikawa Raizo, 40 years later.”
3323:
4473:
960:, and began talks with people related to the film. His recovery was not complete by the time filming began, and Daiei cast
5915:
1959:
5475:
1936:
1153:
actors, nobody else had his good manners – and I mean that in a good way – not a single other actor felt like a true
809:
1332:
solved,” and that they were both equipped with “a similar factor which served as a sort of energy source” for them.
937:
403:). He was so admired for his gracefulness that in his lifetime he was called "the genius who thinks with his body."
17:
5895:
2559:
1605:
2172:
5905:
3443:, would someday take the name “Ichikawa Danjurō X,” but he fell ill and died young, so this never came to pass.
2453:
2392:
1766:
1366:, would always be very flexible and receptive to direction, which was highly unusual for the stars of that era.
593:
1419:
883:, that Raizō succeeded in bringing the hollowness, dandyism and nihilism of the character to life. The actor
692:
475:
In November 1946, at the age of 15, Raizō made his kabuki debut at the Osaka Kabukiza theater under the name
1791:
826:, to cast Raizō instead. There was some resistance within the studio, as it was felt that a newcomer with a
4501:
2416:
1705:
736:
4768:
4740:
4658:
4388:
4256:
4056:
3655:
3560:
3532:
3453:
521:
Commemorative photo of Ichikawa Raizō VIII on the day of his adoption by Ichikawa Jukai III in April, 1951
1634:
893:
525:
In 1949, in the same period that Raizō was establishing the Tsukushikai, a kabuki theater director named
543:
After that, it is known that Tetsuji intended to apprentice Raizō under the childless Ichikawa Jukai III
296:
31:
2252:
1559:
1444:
3710:
2612:
1043:
5910:
818:
575:
1381:
said that Raizō was particularly bothered by people who took their jobs lightly and did sloppy work.
831:
Raizō's acting, saying "I give it a perfect score, 100 of 100. There's simply nothing else to say."
479:(Kudanji had previously used the name Ichikawa Enzō II). His first role was the part of Lady Ohana (
5732:
999:. Seiji Hoshikawa reflected on this, saying “Raizō’s death was a precursor to Daiei’s bankruptcy.”
579:
63:
5774:
1184:
3426:, representative of the Ichikawa line, as an alternative to his usual kamon as his acting symbol.
1123:
November 1968: Tokyo Citizens’ Film Festival – Best Performance by an Actor in a Leading Role (
858:
for best performer in a leading role, among others. Raizō's position as a star had been secured.
301:. In 1954 he began a career as a film actor. He received breakout acclaim for his performance in
4525:
1101:
November 1964: Tokyo Citizens’ Film Festival – Best Performance by an Actor in a Leading Role (
5890:
3389:
2358:
468:
In 1934, about two years after his adoption by Ichikawa Kudanji III, Raizō moved from Kyoto to
457:
3440:
922:
4448:
3396:
made officership unattainable, and he ended up abandoning hope of becoming a doctor as well.(
3244:
2988:
2038:
961:
727:
In 1955, two years after his film debut, Raizō received great attention for his portrayal of
395:
30:"Raizo Ichikawa" and "Ichikawa Raizō" redirect here. For other actors by the same name, see
5885:
5880:
3692:
3143:
1743:
1188:
330:
5630:
875:, Kyoshirō, was an extreme challenge for Raizō. Speaking of the first film in the series,
420:
8:
5792:
5606:
5594:
4583:
1659:
1513:
780:
706:
5546:
3736:
2955:
2589:
1490:
855:
676:
562:
308:
863:
517:
5852:
5840:
5816:
5786:
5780:
5738:
5434:
3480:
2298:
1691:
966:
932:
728:
5654:
5528:
3762:
3423:
2571:
2381:
1851:
1363:
5858:
5624:
5498:
5444:
3315:
3101:
2999:
2911:
2125:
1467:
1328:
1077:
February 1959: Blue Ribbon Award – Best Performance by an Actor in a Leading Role,
916:
380:
5309:) Masaru Muro'oka (interviewer, layout), Tokuma Shoten Publishing Co., Ltd., 1993.
2241:
652:
was cast as an idiot without a single line in the Osaka Kabukiza's performance of
5768:
5750:
5690:
5678:
5672:
5642:
5600:
5552:
5540:
5522:
4479:
3055:
2509:
2335:
2136:
1718:
1176:
1154:
823:
732:
526:
435:
992:
5804:
5708:
5666:
5612:
5576:
5570:
5558:
5534:
5492:
2479:
2088:
2009:
1862:
1582:
1536:
1317:
1235:
884:
759:
716:
701:
672:
427:. At six months of age he was adopted by Ichikawa Kudanji III, who renamed him
4549:
2195:
654:
5874:
5846:
5828:
5726:
5660:
5510:
1321:
908:
904:
814:
570:
375:
357:
316:
38:
5439:
5131:
970:
5834:
5756:
5714:
5702:
5696:
5636:
5582:
4440:
4240:
3612:
3350:
1912:
1370:
1090:
923:
The final years and premature death at age 37 (June 1968 – July 17th, 1969)
912:
851:
797:
785:
684:
610:
361:
312:
817:. The film was released on August 19 of that year. According to Ichikawa,
667:
627:
Upon his second adoption Raizō's legal name was changed again as well, to
5744:
5648:
5564:
5486:
3684:
3364:
3186:
1291:
1231:
1145:
986:
872:
512:
423:
ward of Kyoto on August 29, 1931. At the time of his birth, he was named
5720:
5798:
5684:
5504:
5430:
3287:
2287:
1168:
1162:
996:
827:
746:
645:
632:
370:
5822:
5810:
5618:
5588:
660:
324:
1264:
5762:
2063:
1369:
Tokuzō Tanaka, who directed films with both actors, compared their
1312:
1297:
1270:
1250:
1007:
319:, but it metastasized to his liver and he died the following year.
1130:
November 1969: Tokyo Citizens’ Film Festival – Makino Shōzō Prize
257:. He made his kabuki acting debut at the age of 15 under the name
1303:
1285:
1244:
750:
704:, and gave Raizō the starring role in his fifth and sixth films,
638:
42:
4052:
4050:
2536:
802:
606:
303:
3393:
3228:
754:
169:
129:
5184:) Tomomi Muramatsu, Kawade Shobo Shinsha Publishers inc, 2009.
749:
wrote that until now Raizō had "portrayed only handsome young
307:
and received several awards for the performance including the
5198:) Tomomi Muramatsu, Shueisha Inc, 2002; Shueisha Bunko, 2006.
4047:
1262:
It wasn't until the 1960s and the release and success of the
1221:
469:
411:
386:
236:
172:
109:
91:
5379:) Victor Books, JVCKENWOOD Victor Entertainment Corp., 1992
5323:) Sadao Yamane (ed), AsahiGraph, 1994; Wides Publishin 1999.
5212:) Yoshiko Ishikawa (ed), San-ichi Publishing Co., Ltd, 1995.
1320:, from childhood, as her father, Nakamura Kanjirō II, was a
5365:) Sunday Mainichi, The Mainichi Newspapers Co., Ltd., 1990.
1002:
776:
194:, and his name was legally changed several times, first to
165:
3413:
Takechi Kabuki’s first production opened in December 1949.
1041:
death until 40 years had passed, when a special issue of
948:
After leaving the hospital, Raizo performed in the films
1388:
Fujio Morita, who served as cinematographer on Raizō’s
5254:) Wides Publishing, 1999. Annotations: Tadanori Yokoo
4407:("'Bungeishunjū'" May 2009 special issue, p. 362-363.)
1405:
The filmography of Ichikawa Raizō includes 158 films:
1011:
Raizō and Jukai's names can be seen inscribed on this
867:
series of films, which began in 1963 and are known as
843:
reflected Raizō's childhood, Raizō did not refute it.
582:; and he had even been granted usage of the "Naritaya"
513:
Adoption by Ichikawa Jūkai III (June 1949 – June 1951)
3388:, pp. 16-18)but in fact he had attempted to join the
3147:
film series include 12 films starring Raizo Ichikawa
1279:.” According to Tokuzō Tanaka, audience reception to
1015:
which is located at the Yasaka Shrine in Gion, Kyoto.
509:
performer as long as he remained the son of Kudanji.
5474:
4930:
4928:
3340:
791:
5226:) Yoshiko Ishikawa (ed), Kokushokankokai Inc, 2008.
3855:
3853:
671:directed by Tetsuji Takechi at the newly completed
5377:Ichikawa Raizō RAIZO Hizō Kessaku Suchiiru Sunappu
4649:("'Bungeishunjū'" May 2009 special issue, p. 354.)
4625:("'Bungeishunjū'" May 2009 special issue, p. 358.)
4613:("'Bungeishunjū'" May 2009 special issue, p. 357.)
4367:("'Bungeishunjū'" May 2009 special issue, p. 362.)
3825:
3823:
1324:-based kabuki actor like Raizō's adopted fathers.
1116:– Best Performance by an Actor in a Leading Role (
1070:– Best Performance by an Actor in a Leading Role (
5238:Ichikawa Raizō Shutsuen Eaiga Sakuhin Posutaa-shū
4925:
690:Raizō made his film debut on August 25, 1954, in
463:
322:Ichikawa Raizō appeared mostly in period dramas (
239:he became the adopted son of Ichikawa Kudanji III
5872:
3850:
2564:, lit. "Nichiren and the Great Mongol Invasion")
1997:Tsukigata Hanpeita: Hana no maki; Arashi no maki
5240:) Munenaga Awata (ed), Wides Publishing, 1999.
3820:
2935:
2923:
2898:
2873:
2846:
2814:
2802:
2777:
2745:
2733:
2708:
2676:
2666:
2634:
2624:
2601:
2569:
2557:
2534:
2507:
2477:
2465:
2433:
2414:
2404:
2379:
2356:
2333:
2310:
2285:
2264:
2239:
2216:
2193:
2170:
2149:
2123:
2100:
2075:
2050:
2021:
1994:
1971:
1950:Zenigata Heiji Torimono no Hikae: Hitohada Gumo
1948:
1925:
1899:
1874:
1849:
1826:
1803:
1778:
1755:
1730:
1703:
1671:
1646:
1617:
1594:
1571:
1548:
1525:
1502:
1479:
1456:
1431:
854:for best male actor in a leading role, and the
552:
447:
285:
269:
248:
225:
206:
187:
157:
5407:
5403:) RoRaiKai (Raizō Fan Club), Hagashoten, 1983.
5393:
5381:
5369:
5355:
5341:
5327:
5313:
5299:
5282:
5268:
5256:
5244:
5230:
5216:
5202:
5188:
5174:
5160:
4200:
4198:
3977:
3975:
3973:
3840:
3838:
3810:
3808:
2962:
2944:
2917:
2892:
2867:
2840:
2823:
2796:
2771:
2754:
2727:
2702:
2685:
2660:
2643:
2618:
2595:
2578:
2551:
2528:
2501:
2486:
2459:
2442:
2423:
2398:
2373:
2350:
2327:
2304:
2279:
2258:
2233:
2210:
2187:
2164:
2143:
2117:
2094:
2069:
2044:
2015:
1988:
1965:
1942:
1919:
1893:
1868:
1843:
1820:
1797:
1772:
1749:
1724:
1697:
1665:
1640:
1611:
1588:
1565:
1542:
1519:
1496:
1473:
1450:
1425:
927:In June 1968, while in the process of filming
907:. Ikehiro advised Raizō to pursue the role of
896:, director of the seventh film in the series,
775:about the weakness of his legs and joined the
639:Transition into film acting (July 1951 – 1957)
617:
599:
585:
546:
533:
494:
441:
279:
276:. In 1951 he was adopted by Ichikawa Jūkai III
263:
242:
219:
200:
181:
151:
5460:
4736:
4734:
4673:
4671:
4360:
4358:
4356:
4300:
4298:
3651:
3649:
5401:Ichikawa Raizō Ginmaku no Kikōshi yo Eien ni
5290:Samurai... Ichikawa Raizō Sono Hito to Gei –
4843:
4841:
4494:
3528:
3526:
2497:The Swishing Sword a.k.a. Human Skin Peacock
834:It's often said that Raizō's performance in
4907:
4784:
4756:
4725:
4713:
4701:
4689:
4677:
4646:
4634:
4622:
4610:
4460:
4428:
4416:
4404:
4376:
4364:
4347:
4335:
4323:
4319:
4317:
4304:
4289:
4285:
4283:
4281:
4272:
4228:
4216:
4204:
4195:
4189:
4177:
4165:
4153:
4141:
4129:
4117:
4105:
4084:
4072:
4041:
4029:
4017:
4005:
3993:
3981:
3970:
3964:
3952:
3940:
3928:
3907:
3895:
3883:
3871:
3859:
3844:
3835:
3829:
3814:
3805:
3799:
3787:
3671:
3640:
3628:
3600:
3588:
3576:
3548:
3517:
3501:
3401:
3397:
3385:
1458:Zenigata Heiji Torimono-Hikae: Yūrei Daimyō
1056:
973:of Tokyo. His grave is at the same temple.
120:Yoshio Takeuchi, Yoshiya Ōta, Ichikawa Enzō
5467:
5453:
4731:
4668:
4585:八坂神社 市川寿海, 市川雷蔵, 市川九團次] 市川海老蔵オフィシャルブログ
4353:
4295:
3646:
3473:
1222:Parallels and Comparison to Shintarō Katsu
412:Birth and adoption by Ichikawa Kudanji III
62:
5349:Yomigaeru! Ichikawa Raizō Gentei Hizō-ban
4838:
3523:
3483:are in Western order (Givenname-Surname).
360:). Raizō worked many times with director
4314:
4278:
3422:The “Kotobuki Ebi” is currently used by
2140:(Ukifune) a.k.a. "Tale of Genji Ukifune"
1225:
1171:said of Raizō's acting, that whether in
1006:
1003:Raizō's legacy (July 17, 1969 – present)
800:cast Raizō in the lead role of the film
516:
3497:
3495:
3493:
3491:
3489:
14:
5901:Japanese racehorse owners and breeders
5873:
3275:Shinobi no Mono: Zoku Kirigakure Saizo
5448:
4478:(in Japanese). e京都ねっと. Archived from
1112:– Excellence in a Male Leading Role,
1081:– Excellence in a Male Leading Role (
887:described Raizō's performance in the
232:, separate from his performing name.
5118:
5094:
5070:
5058:
5022:
4998:
4958:
4883:
4859:
4820:
3486:
763:– samurai films with an action focus
5082:
5046:
5034:
5010:
4986:
4934:
4919:
4871:
4847:
4832:
4808:
984:was an example of the then-popular
714:), released December 22, 1954, and
24:
4311:" May 2009 special issue, p. 361.)
3309:Dai Satsujin Orochi - The Betrayal
3169:Nemuri Kyoshiro 3: Engetsu Sapporo
3153:Enter Kyōshirō Nemuri the Swordman
2791:The One-thousand Crane Secret File
1960:Travel Chronicles of Yaji and Kita
1829:Yagyū renyasai: hidentsuki kageshō
1210:Yoshio Shirasaki, screenwriter of
162:, August 29, 1931 – July 17, 1969)
25:
5932:
5921:20th-century Japanese male actors
5424:
3262:Shinobi no Mono: Kirigakure Saizo
2524:The Temple of the Golden Pavilion
2520:Conflagration or Flame of Torment
1937:Zenigata Heiji: Human-skin Spider
1157:-like swordsman the way he did.”
952:(released January 11, 1969), and
919:’s works through a modern lens.”
810:The Temple of the Golden Pavilion
792:Rise to stardom (1958 – May 1968)
5476:Blue Ribbon Award for Best Actor
5335:Koshū Ichikawa Raizō Shashin-shū
5124:
5112:
5106:
5100:
5088:
5076:
5064:
5052:
5040:
5028:
5016:
5004:
4992:
4980:
4964:
4952:
4946:
4940:
4913:
4901:
4895:
4889:
4877:
4865:
4853:
4796:
3764:『歌舞伎ファン』「右之助君, 5月22日のNHK教育TVに出演」
3708:
3357:
3343:
982:Bakuto Ichidai: Chimatsuri Fudō,
5363:Ichikawa Raizō no Eiga to Jidai
5351:) Kindaieigasha Co., Ltd, 1992.
4826:
4814:
4802:
4790:
4778:
4762:
4750:
4719:
4707:
4695:
4683:
4652:
4640:
4628:
4616:
4604:
4576:
4542:
4518:
4466:
4454:
4434:
4422:
4410:
4398:
4382:
4370:
4341:
4329:
4266:
4250:
4234:
4222:
4210:
4183:
4171:
4159:
4147:
4135:
4123:
4111:
4099:
4090:
4078:
4066:
4035:
4023:
4011:
3999:
3987:
3958:
3946:
3934:
3922:
3913:
3901:
3889:
3877:
3865:
3793:
3781:
3755:
3729:
3702:
3677:
3665:
3634:
3622:
3606:
3594:
3446:
3429:
3416:
3407:
3392:as an officer or a doctor. His
1183:Two of Raizō’s contemporaries,
954:Bakuto Ichidai: Chimatsuri Fudō
364:. Their collaborations include
5153:
3582:
3570:
3554:
3542:
3511:
3377:
2454:The 7th Secret Courier for Edo
1767:Migratory Birds of the Flowers
1400:
724:), released January 29, 1955.
464:Kabuki debut (1934 – May 1949)
235:Six months after his birth in
13:
1:
5337:) MAGAZINE HOUSE, Ltd., 1991.
3336:
2160:Fighting Letter for 29 People
1673:Tsuna Watari Misemono Zamurai
1420:The Great White Tiger Platoon
1301:. I still hadn’t entered the
1194:
1094:– Excellence in a Male Role (
693:The Great White Tiger Platoon
5307:Ichikawa Raizō to Sono Jidai
3466:
3371:
3027:Daibosatsu Tōge Kanketsu-Hen
2994:1960: Jirocho the Chivalrous
2417:Tabi wa Kimagure Kaze Makase
1606:A Girl Isn't Allowed to Love
406:
328:). He is best known for the
7:
4850:, pp. 94, 100-101, 134-135.
2936:
2924:
2899:
2874:
2847:
2815:
2803:
2778:
2746:
2734:
2709:
2697:Her Highness Princess Snake
2677:
2667:
2635:
2625:
2602:
2570:
2558:
2535:
2508:
2478:
2466:
2434:
2415:
2405:
2380:
2357:
2334:
2311:
2286:
2265:
2240:
2217:
2194:
2171:
2150:
2124:
2101:
2076:
2051:
2022:
1995:
1972:
1949:
1926:
1900:
1875:
1850:
1827:
1816:Renyasai Yagyū Hidden Story
1804:
1779:
1756:
1731:
1704:
1672:
1647:
1635:The Dancer and Two Warriors
1618:
1595:
1572:
1549:
1526:
1503:
1480:
1457:
1432:
950:Nemuri Kyōshirō: Akujo-gari
553:
448:
286:
270:
249:
226:
207:
188:
158:
10:
5937:
5440:JMDb profile (in Japanese)
5371:『市川雷蔵 RAIZO 秘蔵傑作スチール・スナップ』
5252:Shashin-shū Ichikawa Raizō
2780:Yamada Nagamasa Ōja no ken
2722:Lord Nobunaga's Early Days
2560:Nichiren to mōko daishūrai
2253:A Fantastic Tale of Naruto
1792:Matashirō Fighting Journey
1527:Shiode Kushima Binan Kenpō
1445:Zenigata Heiji: Ghost Lord
1134:
712:Shiode Kushima Binan Kenpō
491:this group the Tsukushikai
393:Other great works include
36:
29:
27:Japanese actor (1931-1969)
5916:Japanese male film actors
5482:
5408:
5394:
5382:
5370:
5356:
5342:
5328:
5314:
5300:
5283:
5269:
5257:
5245:
5231:
5217:
5203:
5189:
5175:
5161:
3221:Tenya wanya jirōchō dōchō
3177:Nemuri Kyōshirō Akujogari
2945:
2918:
2893:
2868:
2841:
2824:
2797:
2772:
2755:
2728:
2703:
2686:
2661:
2644:
2619:
2596:
2579:
2552:
2529:
2502:
2487:
2460:
2443:
2424:
2399:
2374:
2351:
2328:
2305:
2280:
2259:
2234:
2211:
2188:
2165:
2144:
2118:
2095:
2070:
2045:
2016:
1989:
1966:
1943:
1920:
1894:
1869:
1844:
1821:
1798:
1773:
1750:
1725:
1698:
1666:
1641:
1612:
1589:
1566:
1543:
1520:
1497:
1474:
1451:
1426:
1390:Nemuri Kyoshirō: Enjō-ken
1139:
1050:
1035:
618:
600:
586:
547:
534:
495:
442:
280:
264:
250:Sandaime Ichikawa Kudanji
243:
220:
201:
182:
159:Hachidaime Ichikawa Raizō
152:
136:
124:
116:
98:
73:
61:
54:
4584:
4550:
4526:
4502:
4474:
3763:
3737:
3711:
3161:Nemuri Kyoshiro 2: Shōbu
2974:
2151:Genji Monogatari Ukifune
1504:Utagoyomi Onatsu Seijūrō
1408:
1336:Acting Style and Ability
967:Ikegami Honmon-ji temple
32:Ichikawa Raizō (lineage)
5415:RAIZO "Nemuri Kyoshirō"
5276:Ichikawa Raizō no Toshi
5264:Ichikawa Raizō no Reiki
3919:Tayama 1988, pp. 28-30.
3094:Edo e hyakku-nana-jū ri
3016:Daibosatsu Tōge no Make
2173:Nijūkyū-nin no Kenka-jō
1216:First-generation Lecher
1125:Hanaoka Seishū no Tsuma
1118:Hanaoka Seishū no Tsuma
945:at the Nissay Theater.
846:For his performance in
554:Sandaime Ichikawa Jukai
438:as an executive trainee
356:) series (based on the
287:Sandaime Ichikawa Jūkai
5896:Male actors from Kyoto
5295:), Nōberu Shobo, 1991.
5284:『侍...市川雷蔵その人と芸』 ノーベル書房
5168:Raizō, Raizō ga Kataru
4551:オールタイム・ベスト10 日本映画男優・女優
3712:『上方歌舞伎・想い出の俳優』「三世市川壽海」
3683:"I've heard that when
3506:Raizō, Raizō ga Kataru
3390:Japanese Imperial Navy
2965:Hatsuharu tanuki goten
2963:
2547:A Man of Many Miracles
2436:Inochi wo Kakeru Otoko
1343:,” seemingly a pun on
1239:
1059:Raizō, Raizō ga Kataru
1016:
522:
458:Imperial Japanese Army
68:Jinan-bō Hangan (1955)
5906:Japanese male dancers
5775:Shōfukutei Tsurube II
5321:Kanpon Ichikawa Raizō
4096:Ichikawa 1995, p. 32.
3699:) September 6, 2014).
3439:, who was adopted by
2989:The Demon of Mount Oe
2736:Wakaki hi no Nobunaga
2039:Fighting Fire Fighter
1706:Shin Heike Monogatari
1229:
1212:Kōshoku Ichidai Otoko
1010:
962:Nakamura Kichiemon II
850:, Raizō received the
769:Shin Heike Monogatari
743:Shin Heike Monogatari
738:Shin Heike Monogatari
520:
175:. His birth name was
3769:si-com.at.webry.info
3212:Zoku shinobi no mono
3199:Shin Shinobi no Mono
3144:Sleepy Eyes of Death
2849:Jan Arima no shūgeki
2835:Attack of Jean Arima
1805:Matashirō Kenka-tabi
1744:Thief and Magistrate
1413:(1950s is complete)
1394:Zatoichi: Nitan-kiri
1189:Nakamura Jakuemon IV
980:Raizō's final film,
869:Sleepy Eyes of Death
576:Ichikawa Danjūrō VII
354:Rikugun Nakano Gakkō
331:Sleepy Eyes of Death
294:and was renamed as
5607:Toshiyuki Nagashima
5595:Tomisaburo Wakayama
5517:Ichikawa Raizō VIII
4989:, pp. 102-103, 137.
4728:, pp. 12-13, 48-50.
4530:(in Japanese). 角川映画
4506:(in Japanese). 角川映画
3441:Ichikawa Danjurō IX
2979:(1960s incomplete)
2467:Nanabanme no Misshi
2275:Demonfire Palanquin
2183:Yatarō’s Travel Hat
1660:The Magical Warrior
1514:The Young Swordsman
807:based on the novel
781:Doshisha University
707:The Young Swordsman
580:Ichikawa Danjūrō IX
567:Shuzenji Monogatari
147:Ichikawa Raizō VIII
56:Ichikawa Raizō VIII
5547:Nakamura Kinnosuke
3537:) (collected) 1991
3435:It was hoped that
3245:An Actor's Revenge
3237:Daisanno kagemusha
3089:170 Leagues to Edo
3038:Kutsukake Tokijiro
3034:The Gambler's Code
2956:Enchanted Princess
2876:Nuregami sandogasa
2862:Wet-Hair Sando Hat
2590:Ambush at Iga Pass
2393:The Loyal 47 Ronin
2113:Love of a Princess
1984:Hanpeita Tsukigata
1973:Yaji-Kita Dōchū-ki
1780:Hana no Wataridori
1491:Onatsu and Seijuro
1240:
1017:
938:Kutsukake Tokijirō
852:Kinema Junpo Award
677:Yorozuya Kinnosuke
633:Daiei Kyoto Studio
563:Minamoto no Yoriie
523:
396:An Actor's Revenge
374:) (from a book by
5868:
5867:
5853:Kazunari Ninomiya
5841:Tsuyoshi Kusanagi
5817:Kenichi Matsuyama
5787:Yutaka Takenouchi
5781:Satoshi Tsumabuki
5739:Toshiyuki Nishida
5395:『市川雷蔵 銀幕の貴公子よ永遠に』
5232:『市川雷蔵出演映画作品ポスター集』
4975:) (Complete) 1991
4773:) (Complete) 1991
4745:) (Complete) 1991
4663:) (Complete) 1991
4393:) (Complete) 1991
4261:) (Complete) 1991
4061:) (Complete) 1991
3567:1991 pp. 264-266.
3481:Meiji Restoration
3458:) (Complete) 1991
3437:Ichikawa Shinzō V
3324:The Doctor's Wife
3115:Nakayama shichiri
3023:Satan's Sword III
2655:Smooth Tree Peony
2359:Yūkyō Gonin Otoko
2299:Freelance Samurai
1692:Tale of the Heike
1433:Hana no Byakkotai
1358:, it’s Katchan’s
1144:The screenwriter
1083:Enjō, Benten Kozō
856:Blue Ribbon Award
819:Hiroshi Kawaguchi
729:Taira no Kiyomori
698:Hana no Byakkotai
477:Ichikawa Enzō III
349:Nakano Spy School
309:Blue Ribbon Award
144:
143:
137:Years active
16:(Redirected from
5928:
5911:Japanese dancers
5859:Ryunosuke Kamiki
5625:Tsutomu Yamazaki
5499:Hisaya Morishige
5469:
5462:
5455:
5446:
5445:
5412:
5411:
5410:
5409:『RAIZO「眠狂四郎」の世界』
5398:
5397:
5396:
5388:
5387:
5386:
5374:
5373:
5372:
5360:
5359:
5358:
5346:
5345:
5344:
5332:
5331:
5330:
5318:
5317:
5316:
5304:
5303:
5302:
5287:
5286:
5285:
5273:
5272:
5271:
5261:
5260:
5259:
5249:
5248:
5247:
5235:
5234:
5233:
5224:Watashi no Raizō
5221:
5220:
5219:
5207:
5206:
5205:
5193:
5192:
5191:
5179:
5178:
5177:
5165:
5164:
5163:
5147:
5146:
5144:
5142:
5128:
5122:
5116:
5110:
5104:
5098:
5092:
5086:
5080:
5074:
5068:
5062:
5056:
5050:
5044:
5038:
5032:
5026:
5020:
5014:
5008:
5002:
4996:
4990:
4984:
4978:
4968:
4962:
4956:
4950:
4944:
4938:
4932:
4923:
4917:
4911:
4905:
4899:
4893:
4887:
4881:
4875:
4869:
4863:
4857:
4851:
4845:
4836:
4830:
4824:
4818:
4812:
4806:
4800:
4794:
4788:
4782:
4776:
4766:
4760:
4754:
4748:
4738:
4729:
4723:
4717:
4711:
4705:
4699:
4693:
4687:
4681:
4675:
4666:
4656:
4650:
4644:
4638:
4632:
4626:
4620:
4614:
4608:
4602:
4601:
4599:
4597:
4580:
4574:
4573:
4571:
4569:
4546:
4540:
4539:
4537:
4535:
4522:
4516:
4515:
4513:
4511:
4498:
4492:
4491:
4489:
4487:
4470:
4464:
4458:
4452:
4447:, Foreword and
4443:Watashi no Raizō
4438:
4432:
4426:
4420:
4414:
4408:
4402:
4396:
4386:
4380:
4374:
4368:
4362:
4351:
4345:
4339:
4333:
4327:
4321:
4312:
4302:
4293:
4287:
4276:
4270:
4264:
4254:
4248:
4243:Watashi no Raizō
4238:
4232:
4226:
4220:
4214:
4208:
4202:
4193:
4187:
4181:
4175:
4169:
4163:
4157:
4151:
4145:
4139:
4133:
4127:
4121:
4115:
4109:
4103:
4097:
4094:
4088:
4082:
4076:
4070:
4064:
4054:
4045:
4039:
4033:
4027:
4021:
4015:
4009:
4003:
3997:
3991:
3985:
3979:
3968:
3962:
3956:
3950:
3944:
3938:
3932:
3926:
3920:
3917:
3911:
3905:
3899:
3893:
3887:
3881:
3875:
3869:
3863:
3857:
3848:
3842:
3833:
3827:
3818:
3812:
3803:
3797:
3791:
3785:
3779:
3778:
3776:
3775:
3759:
3753:
3752:
3750:
3749:
3733:
3727:
3726:
3724:
3723:
3706:
3700:
3681:
3675:
3669:
3663:
3653:
3644:
3638:
3632:
3626:
3620:
3615:Watashi no Raizō
3610:
3604:
3598:
3592:
3586:
3580:
3574:
3568:
3558:
3552:
3546:
3540:
3530:
3521:
3515:
3509:
3499:
3484:
3477:
3461:
3450:
3444:
3433:
3427:
3420:
3414:
3411:
3405:
3381:
3367:
3362:
3361:
3360:
3353:
3348:
3347:
3346:
3316:A Certain Killer
3012:Satan's Sword II
2970:
2968:
2950:
2948:
2947:
2941:
2931:
2930:
2927:
2921:
2920:
2912:Samurai Vendetta
2906:
2904:
2896:
2895:
2887:Stop the Old Fox
2881:
2879:
2871:
2870:
2856:
2855:
2852:
2844:
2843:
2829:
2827:
2826:
2820:
2810:
2808:
2805:Dewa tsuru hichō
2800:
2799:
2785:
2783:
2775:
2774:
2760:
2758:
2757:
2751:
2741:
2739:
2731:
2730:
2716:
2714:
2706:
2705:
2691:
2689:
2688:
2682:
2672:
2670:
2664:
2663:
2649:
2647:
2646:
2640:
2637:Bakeneko goyō da
2630:
2628:
2622:
2621:
2607:
2605:
2599:
2598:
2584:
2582:
2581:
2575:
2565:
2563:
2555:
2554:
2542:
2540:
2532:
2531:
2515:
2513:
2505:
2504:
2492:
2490:
2489:
2483:
2473:
2472:
2469:
2463:
2462:
2448:
2446:
2445:
2439:
2429:
2427:
2426:
2420:
2410:
2408:
2402:
2401:
2387:
2385:
2377:
2376:
2364:
2362:
2354:
2353:
2346:Magnificent Five
2341:
2339:
2331:
2330:
2318:
2317:
2314:
2312:Momotarō zamurai
2308:
2307:
2293:
2291:
2283:
2282:
2270:
2268:
2262:
2261:
2247:
2245:
2237:
2236:
2224:
2222:
2214:
2213:
2201:
2199:
2191:
2190:
2178:
2176:
2168:
2167:
2155:
2153:
2147:
2146:
2131:
2129:
2121:
2120:
2108:
2107:
2104:
2102:Ōsaka monogatari
2098:
2097:
2083:
2082:
2079:
2077:Amigasa Gonpachi
2073:
2072:
2058:
2057:
2054:
2048:
2047:
2033:
2027:
2019:
2018:
2004:
2003:
2000:
1992:
1991:
1979:
1978:
1975:
1969:
1968:
1954:
1952:
1946:
1945:
1931:
1929:
1923:
1922:
1907:
1906:
1903:
1897:
1896:
1888:Flowery Brothers
1882:
1881:
1878:
1872:
1871:
1857:
1855:
1847:
1846:
1834:
1832:
1824:
1823:
1811:
1810:
1807:
1801:
1800:
1786:
1785:
1782:
1776:
1775:
1761:
1759:
1753:
1752:
1738:
1737:
1734:
1728:
1727:
1713:
1712:
1709:
1701:
1700:
1679:
1678:
1675:
1669:
1668:
1654:
1653:
1650:
1644:
1643:
1623:
1621:
1615:
1614:
1600:
1598:
1596:Onikiri Wakasama
1592:
1591:
1577:
1575:
1569:
1568:
1554:
1552:
1546:
1545:
1531:
1529:
1523:
1522:
1508:
1506:
1500:
1499:
1485:
1483:
1477:
1476:
1468:The Princess Sen
1462:
1460:
1454:
1453:
1439:
1438:
1435:
1429:
1428:
1329:Tomomi Muramatsu
1185:Sakata Tōjūrō IV
1088:September 1959:
1055:Data taken from
917:Kawatake Mokuami
623:
621:
620:
605:
603:
602:
591:
589:
588:
560:
559:
556:
550:
549:
539:
537:
536:
500:
498:
497:
485:Nakayamashichiri
455:
454:
451:
445:
444:
419:was born in the
293:
292:
289:
283:
282:
275:
273:
267:
266:
256:
255:
252:
246:
245:
231:
229:
223:
222:
212:
210:
204:
203:
193:
191:
185:
184:
163:
161:
155:
154:
117:Other names
105:
87:
85:
66:
52:
51:
21:
5936:
5935:
5931:
5930:
5929:
5927:
5926:
5925:
5871:
5870:
5869:
5864:
5769:Masahiro Motoki
5751:Hiroyuki Sanada
5691:Hiroyuki Sanada
5679:Hiroyuki Sanada
5673:Masahiro Motoki
5643:Takanori Jinnai
5601:Tatsuya Nakadai
5553:Keiju Kobayashi
5541:Tatsuya Nakadai
5523:Hiroyuki Nagato
5478:
5473:
5427:
5406:
5392:
5380:
5368:
5354:
5343:『甦る!市川雷蔵 限定秘蔵版』
5340:
5326:
5312:
5298:
5281:
5267:
5266:), Mieko Kanai
5255:
5243:
5229:
5215:
5201:
5187:
5173:
5159:
5156:
5151:
5150:
5140:
5138:
5130:
5129:
5125:
5117:
5113:
5105:
5101:
5093:
5089:
5081:
5077:
5069:
5065:
5057:
5053:
5045:
5041:
5033:
5029:
5021:
5017:
5009:
5005:
4997:
4993:
4985:
4981:
4969:
4965:
4957:
4953:
4945:
4941:
4933:
4926:
4918:
4914:
4906:
4902:
4894:
4890:
4882:
4878:
4870:
4866:
4858:
4854:
4846:
4839:
4831:
4827:
4819:
4815:
4807:
4803:
4795:
4791:
4783:
4779:
4767:
4763:
4755:
4751:
4739:
4732:
4724:
4720:
4712:
4708:
4700:
4696:
4688:
4684:
4676:
4669:
4657:
4653:
4645:
4641:
4633:
4629:
4621:
4617:
4609:
4605:
4595:
4593:
4586:
4582:
4581:
4577:
4567:
4565:
4564:. December 2014
4552:
4548:
4547:
4543:
4533:
4531:
4528:
4524:
4523:
4519:
4509:
4507:
4504:
4500:
4499:
4495:
4485:
4483:
4476:
4472:
4471:
4467:
4459:
4455:
4439:
4435:
4427:
4423:
4415:
4411:
4403:
4399:
4387:
4383:
4375:
4371:
4363:
4354:
4346:
4342:
4334:
4330:
4322:
4315:
4303:
4296:
4288:
4279:
4271:
4267:
4255:
4251:
4239:
4235:
4227:
4223:
4215:
4211:
4203:
4196:
4188:
4184:
4176:
4172:
4164:
4160:
4152:
4148:
4140:
4136:
4128:
4124:
4116:
4112:
4104:
4100:
4095:
4091:
4083:
4079:
4071:
4067:
4055:
4048:
4040:
4036:
4032:, pp. 254, 270.
4028:
4024:
4016:
4012:
4004:
4000:
3992:
3988:
3980:
3971:
3963:
3959:
3951:
3947:
3939:
3935:
3927:
3923:
3918:
3914:
3906:
3902:
3894:
3890:
3882:
3878:
3870:
3866:
3858:
3851:
3843:
3836:
3828:
3821:
3813:
3806:
3798:
3794:
3786:
3782:
3773:
3771:
3765:
3761:
3760:
3756:
3747:
3745:
3739:
3735:
3734:
3730:
3721:
3719:
3713:
3707:
3703:
3697:Dokubai Shimbun
3682:
3678:
3670:
3666:
3654:
3647:
3639:
3635:
3627:
3623:
3611:
3607:
3599:
3595:
3587:
3583:
3575:
3571:
3559:
3555:
3547:
3543:
3531:
3524:
3516:
3512:
3500:
3487:
3478:
3474:
3469:
3464:
3451:
3447:
3434:
3430:
3421:
3417:
3412:
3408:
3382:
3378:
3374:
3363:
3358:
3356:
3349:
3344:
3342:
3339:
3056:Shinobi no mono
3005:Daibosatsu Tōge
2977:
2960:
2942:
2938:Ukare sandogasa
2928:
2915:
2890:
2865:
2853:
2838:
2821:
2794:
2769:
2752:
2725:
2700:
2683:
2658:
2641:
2616:
2603:Iga no suigetsu
2593:
2576:
2549:
2526:
2510:Hitohada Kujaku
2499:
2484:
2470:
2457:
2440:
2421:
2396:
2371:
2348:
2336:Tsukihime keizu
2325:
2315:
2302:
2277:
2256:
2231:
2208:
2185:
2162:
2141:
2137:Floating Vessel
2115:
2105:
2092:
2080:
2067:
2055:
2042:
2024:Zoku Hana Zukin
2013:
2001:
1986:
1976:
1963:
1940:
1917:
1904:
1891:
1879:
1866:
1841:
1818:
1808:
1795:
1783:
1770:
1757:Kaitō to Hangan
1747:
1735:
1722:
1719:The Iroha Elegy
1710:
1695:
1684:Taira Clan Saga
1676:
1663:
1651:
1648:Odoriko Gyōjōki
1638:
1609:
1586:
1563:
1540:
1517:
1494:
1471:
1448:
1436:
1423:
1411:
1403:
1371:fighting scenes
1281:Shiranui Kengyō
1224:
1197:
1177:Saburō Kawamoto
1142:
1137:
1108:February 1967:
1053:
1038:
1005:
929:Seki no Yatappe
925:
889:Nemuri Kyoshirō
864:Nemuri Kyoshirō
824:Masaichi Nagata
794:
767:In the wake of
733:Kenji Mizoguchi
641:
615:
597:
583:
557:
544:
531:
527:Tetsuji Takechi
515:
492:
466:
452:
439:
429:Yoshio Takeuchi
414:
409:
344:Shinobi no Mono
336:Nemuri Kyoshirō
290:
277:
261:
253:
240:
217:
213:, and later to
208:Takeuchi Yoshio
198:
196:Yoshio Takeuchi
179:
164:was a Japanese
149:
140:1954–1969
112:
107:
103:
94:
89:
88:August 29, 1931
83:
81:
80:
79:
69:
57:
50:
35:
28:
23:
22:
15:
12:
11:
5:
5934:
5924:
5923:
5918:
5913:
5908:
5903:
5898:
5893:
5888:
5883:
5866:
5865:
5863:
5862:
5856:
5850:
5844:
5838:
5832:
5826:
5820:
5814:
5808:
5805:Tadanobu Asano
5802:
5796:
5790:
5784:
5778:
5772:
5766:
5760:
5754:
5748:
5742:
5736:
5730:
5724:
5718:
5712:
5709:Takeshi Kitano
5706:
5700:
5694:
5688:
5682:
5676:
5670:
5667:Naoto Takenaka
5664:
5658:
5655:Rentarō Mikuni
5652:
5646:
5640:
5634:
5631:Kin'ya Kitaōji
5628:
5622:
5616:
5613:Kiyoshi Atsumi
5610:
5604:
5598:
5592:
5586:
5580:
5577:Tetsuya Watari
5574:
5571:Bunta Sugawara
5568:
5562:
5559:Toshiro Mifune
5556:
5550:
5544:
5538:
5535:Toshiro Mifune
5532:
5529:Rentarō Mikuni
5526:
5520:
5514:
5508:
5502:
5496:
5493:Toshiro Mifune
5490:
5483:
5480:
5479:
5472:
5471:
5464:
5457:
5449:
5443:
5442:
5437:
5431:Raizo Ichikawa
5426:
5425:External links
5423:
5422:
5421:
5404:
5390:
5366:
5352:
5338:
5324:
5310:
5296:
5279:
5241:
5227:
5213:
5210:Ichikawa Raizō
5199:
5185:
5171:
5155:
5152:
5149:
5148:
5136:www.jmdb.ne.jp
5123:
5111:
5099:
5087:
5083:Muramatsu 2006
5075:
5063:
5051:
5047:Muramatsu 2005
5039:
5037:, pp. 135-136.
5035:Muramatsu 2006
5027:
5025:, pp. 265-266.
5015:
5011:Muramatsu 2006
5003:
5001:, pp. 104-106.
4991:
4987:Muramatsu 2006
4979:
4977:, pp. 243-244.
4963:
4951:
4939:
4935:Muramatsu 2005
4924:
4920:Muramatsu 2005
4912:
4900:
4888:
4876:
4872:Muramatsu 2006
4864:
4852:
4848:Muramatsu 2006
4837:
4833:Muramatsu 2006
4825:
4823:, pp. 103-104.
4813:
4809:Muramatsu 2005
4801:
4789:
4777:
4761:
4759:, pp. 327-328.
4749:
4730:
4718:
4706:
4694:
4682:
4667:
4651:
4639:
4627:
4615:
4603:
4575:
4541:
4517:
4493:
4465:
4453:
4433:
4421:
4409:
4397:
4381:
4377:Muramatsu 2006
4369:
4352:
4348:Muramatsu 2006
4340:
4328:
4313:
4294:
4277:
4265:
4263:, pp. 325-333.
4249:
4233:
4231:, pp. 328-329.
4221:
4209:
4194:
4182:
4180:, pp. 218-220.
4170:
4158:
4146:
4144:, pp. 206-208.
4134:
4122:
4110:
4098:
4089:
4087:, pp. 12, 271.
4077:
4065:
4063:, pp. 282-283.
4046:
4034:
4022:
4010:
3998:
3986:
3969:
3957:
3945:
3933:
3921:
3912:
3900:
3888:
3876:
3864:
3862:, pp. 234-236.
3860:Muramatsu 2006
3849:
3834:
3832:, pp. 297-298.
3819:
3804:
3792:
3780:
3754:
3728:
3717:kabuki-bito.jp
3701:
3676:
3664:
3645:
3633:
3621:
3605:
3593:
3581:
3569:
3553:
3541:
3522:
3510:
3508:), Chronology.
3485:
3471:
3470:
3468:
3465:
3463:
3462:
3445:
3428:
3424:Ichikawa Ebizō
3415:
3406:
3375:
3373:
3370:
3369:
3368:
3354:
3338:
3335:
3334:
3333:
3327:
3319:
3311:
3305:
3292:
3279:
3266:
3253:
3250:Yukinojo henge
3240:
3232:
3224:
3216:
3203:
3190:
3182:
3181:
3180:
3172:
3164:
3156:
3139:
3131:
3118:
3110:
3097:
3084:
3081:Tateshi Danpei
3076:Fencing Master
3071:
3064:The Great Wall
3060:
3047:
3041:
3030:
3019:
3008:
2995:
2992:
2984:
2976:
2973:
2972:
2971:
2951:
2932:
2907:
2882:
2857:
2830:
2811:
2786:
2761:
2742:
2717:
2692:
2673:
2668:Hitohada botan
2650:
2631:
2608:
2585:
2572:Nuregami kenpō
2566:
2543:
2516:
2493:
2480:Megitsune Buro
2474:
2449:
2430:
2411:
2388:
2382:Hanatarō Jumon
2365:
2342:
2323:Princess Tsuki
2319:
2294:
2271:
2248:
2225:
2202:
2179:
2156:
2132:
2109:
2089:An Osaka Story
2084:
2059:
2034:
2010:Flowery Hood 2
2005:
1980:
1955:
1932:
1908:
1901:Hana no Kyōdai
1883:
1876:Kenka Oshidori
1863:Fighting Birds
1858:
1852:Asatarō garasu
1835:
1812:
1787:
1762:
1739:
1714:
1688:The Taira Clan
1680:
1655:
1630:
1627:The Rose Again
1619:Bara Ikutabika
1601:
1583:The Young Lord
1578:
1573:Jinanbō Hangan
1560:The Magistrate
1555:
1550:Jinanbō Garasu
1537:The Second Son
1532:
1509:
1486:
1463:
1440:
1410:
1407:
1402:
1399:
1398:
1397:
1386:
1382:
1378:
1375:
1367:
1364:Chiezō Kataoka
1352:Nemuri Kyōjiro
1348:
1337:
1318:Tamao Nakamura
1248:performer and
1236:Shintaro Katsu
1223:
1220:
1196:
1193:
1141:
1138:
1136:
1133:
1132:
1131:
1128:
1121:
1106:
1099:
1086:
1075:
1066:January 1959:
1052:
1049:
1037:
1034:
1004:
1001:
924:
921:
885:Shintarō Katsu
793:
790:
722:Jinanbō Garasu
717:The Second Son
702:Kazuo Hasegawa
673:Nissay Theater
640:
637:
514:
511:
483:) in the play
465:
462:
417:Ichikawa Raizō
413:
410:
408:
405:
401:Yukinojo henge
297:Ichikawa Raizō
142:
141:
138:
134:
133:
126:
122:
121:
118:
114:
113:
108:
106:(aged 37)
100:
96:
95:
90:
77:
75:
71:
70:
67:
59:
58:
55:
26:
18:Raizō Ichikawa
9:
6:
4:
3:
2:
5933:
5922:
5919:
5917:
5914:
5912:
5909:
5907:
5904:
5902:
5899:
5897:
5894:
5892:
5891:Kabuki actors
5889:
5887:
5884:
5882:
5879:
5878:
5876:
5860:
5857:
5854:
5851:
5848:
5847:Junichi Okada
5845:
5842:
5839:
5836:
5833:
5830:
5829:Hiroshi Tachi
5827:
5824:
5821:
5818:
5815:
5812:
5809:
5806:
5803:
5800:
5797:
5794:
5791:
5788:
5785:
5782:
5779:
5776:
5773:
5770:
5767:
5764:
5761:
5758:
5755:
5752:
5749:
5746:
5743:
5740:
5737:
5734:
5731:
5728:
5727:Mansai Nomura
5725:
5722:
5719:
5716:
5713:
5710:
5707:
5704:
5701:
5698:
5695:
5692:
5689:
5686:
5683:
5680:
5677:
5674:
5671:
5668:
5665:
5662:
5661:Yoshio Harada
5659:
5656:
5653:
5650:
5647:
5644:
5641:
5638:
5635:
5632:
5629:
5626:
5623:
5620:
5617:
5614:
5611:
5608:
5605:
5602:
5599:
5596:
5593:
5590:
5587:
5584:
5581:
5578:
5575:
5572:
5569:
5566:
5563:
5560:
5557:
5554:
5551:
5548:
5545:
5542:
5539:
5536:
5533:
5530:
5527:
5524:
5521:
5518:
5515:
5512:
5511:Frankie Sakai
5509:
5506:
5503:
5500:
5497:
5494:
5491:
5488:
5485:
5484:
5481:
5477:
5470:
5465:
5463:
5458:
5456:
5451:
5450:
5447:
5441:
5438:
5436:
5432:
5429:
5428:
5419:
5416:
5405:
5402:
5391:
5385:
5378:
5367:
5364:
5353:
5350:
5339:
5336:
5325:
5322:
5311:
5308:
5297:
5294:
5291:
5280:
5277:
5265:
5253:
5242:
5239:
5228:
5225:
5214:
5211:
5200:
5197:
5186:
5183:
5172:
5169:
5158:
5157:
5137:
5133:
5127:
5120:
5119:Muro'oka 1993
5115:
5108:
5103:
5096:
5095:Muro'oka 1993
5091:
5084:
5079:
5072:
5071:Muro'oka 1993
5067:
5060:
5059:Muro'oka 1993
5055:
5048:
5043:
5036:
5031:
5024:
5023:Muro'oka 1993
5019:
5012:
5007:
5000:
4999:Muro'oka 1993
4995:
4988:
4983:
4976:
4974:
4967:
4960:
4959:Muro'oka 1993
4955:
4948:
4943:
4936:
4931:
4929:
4921:
4916:
4909:
4904:
4897:
4892:
4885:
4884:Muro'oka 1993
4880:
4873:
4868:
4861:
4860:Muro'oka 1993
4856:
4849:
4844:
4842:
4835:, pp. 99-100.
4834:
4829:
4822:
4821:Muro'oka 1993
4817:
4810:
4805:
4798:
4793:
4786:
4781:
4774:
4772:
4765:
4758:
4753:
4746:
4744:
4737:
4735:
4727:
4726:Muro'oka 1993
4722:
4715:
4714:Muro'oka 1993
4710:
4703:
4702:Kawamoto 2005
4698:
4691:
4686:
4679:
4674:
4672:
4664:
4662:
4655:
4648:
4643:
4636:
4631:
4624:
4619:
4612:
4607:
4592:(in Japanese)
4591:
4587:
4579:
4568:September 23,
4563:
4559:
4558:
4553:
4545:
4529:
4521:
4505:
4497:
4482:on 2009-05-17
4481:
4477:
4469:
4462:
4457:
4450:
4446:
4444:
4437:
4430:
4429:Muro'oka 1993
4425:
4418:
4413:
4406:
4401:
4394:
4392:
4385:
4378:
4373:
4366:
4361:
4359:
4357:
4349:
4344:
4337:
4332:
4325:
4320:
4318:
4310:
4306:
4301:
4299:
4291:
4286:
4284:
4282:
4274:
4269:
4262:
4260:
4253:
4246:
4244:
4237:
4230:
4225:
4218:
4213:
4206:
4205:Muro'oka 1993
4201:
4199:
4192:, p. 113-116.
4191:
4190:Muro'oka 1993
4186:
4179:
4178:Ichikawa 1995
4174:
4167:
4162:
4155:
4150:
4143:
4142:Muro'oka 1993
4138:
4131:
4130:Muro'oka 1993
4126:
4119:
4118:Muro'oka 1993
4114:
4107:
4106:Muro'oka 1993
4102:
4093:
4086:
4085:Muro'oka 1993
4081:
4074:
4073:Muro'oka 1993
4069:
4062:
4060:
4053:
4051:
4043:
4042:Muro'oka 1993
4038:
4031:
4030:Muro'oka 1993
4026:
4019:
4014:
4007:
4002:
3995:
3990:
3983:
3982:Muro'oka 1993
3978:
3976:
3974:
3966:
3965:Muro'oka 1993
3961:
3954:
3949:
3942:
3937:
3930:
3925:
3916:
3909:
3904:
3897:
3892:
3885:
3880:
3873:
3868:
3861:
3856:
3854:
3846:
3845:Muro'oka 1993
3841:
3839:
3831:
3826:
3824:
3816:
3811:
3809:
3801:
3796:
3789:
3784:
3770:
3766:
3758:
3744:
3740:
3732:
3718:
3714:
3705:
3698:
3694:
3690:
3686:
3680:
3673:
3668:
3662:1991, p. 195.
3661:
3660:) (collected)
3659:
3652:
3650:
3642:
3637:
3630:
3625:
3618:
3616:
3609:
3602:
3597:
3590:
3585:
3578:
3577:Ichikawa 1995
3573:
3566:
3565:) (collected)
3564:
3557:
3550:
3545:
3538:
3536:
3529:
3527:
3519:
3514:
3507:
3503:
3498:
3496:
3494:
3492:
3490:
3482:
3476:
3472:
3459:
3457:
3449:
3442:
3438:
3432:
3425:
3419:
3410:
3403:
3399:
3395:
3391:
3387:
3386:Ichikawa 1995
3380:
3376:
3366:
3355:
3352:
3341:
3332:
3328:
3326:
3325:
3320:
3318:
3317:
3312:
3310:
3306:
3303:
3299:
3298:
3293:
3290:
3289:
3284:
3280:
3277:
3276:
3271:
3267:
3264:
3263:
3258:
3254:
3251:
3247:
3246:
3241:
3239:
3238:
3233:
3231:
3230:
3225:
3223:
3222:
3217:
3214:
3213:
3208:
3204:
3201:
3200:
3195:
3191:
3189:
3188:
3183:
3179:
3178:
3173:
3171:
3170:
3165:
3163:
3162:
3157:
3155:
3154:
3149:
3148:
3146:
3145:
3140:
3138:
3137:
3132:
3129:
3125:
3124:
3119:
3117:
3116:
3111:
3108:
3104:
3103:
3102:Destiny's Son
3098:
3095:
3091:
3090:
3085:
3082:
3078:
3077:
3072:
3069:
3068:Shin shikōtei
3065:
3061:
3058:
3057:
3052:
3048:
3046:
3045:A Lustful Man
3042:
3039:
3035:
3031:
3028:
3024:
3020:
3017:
3013:
3009:
3006:
3002:
3001:
3000:Satan's Sword
2996:
2993:
2991:
2990:
2985:
2982:
2981:
2980:
2967:
2966:
2958:
2957:
2952:
2940:
2939:
2933:
2926:
2914:
2913:
2908:
2903:
2902:
2889:
2888:
2883:
2878:
2877:
2864:
2863:
2858:
2851:
2850:
2837:
2836:
2831:
2819:
2818:
2817:Jirō Nagafuji
2812:
2807:
2806:
2793:
2792:
2787:
2782:
2781:
2768:
2767:
2762:
2750:
2749:
2743:
2738:
2737:
2724:
2723:
2718:
2713:
2712:
2711:Hebi-himesama
2699:
2698:
2693:
2681:
2680:
2674:
2669:
2657:
2656:
2651:
2639:
2638:
2632:
2627:
2615:
2614:
2609:
2604:
2592:
2591:
2586:
2574:
2573:
2567:
2562:
2561:
2548:
2544:
2539:
2538:
2525:
2521:
2517:
2512:
2511:
2498:
2494:
2482:
2481:
2475:
2468:
2456:
2455:
2450:
2438:
2437:
2431:
2419:
2418:
2412:
2407:
2395:
2394:
2389:
2384:
2383:
2370:
2366:
2361:
2360:
2347:
2343:
2338:
2337:
2324:
2320:
2313:
2301:
2300:
2295:
2290:
2289:
2276:
2272:
2267:
2255:
2254:
2249:
2244:
2243:
2242:Inazuma Kaidō
2230:
2229:Inazuma Kaidō
2226:
2221:
2220:
2219:Mangorō Tengu
2207:
2206:Tengu Mangorō
2203:
2198:
2197:
2184:
2180:
2175:
2174:
2161:
2157:
2152:
2139:
2138:
2133:
2128:
2127:
2114:
2110:
2103:
2091:
2090:
2085:
2078:
2066:
2065:
2060:
2053:
2041:
2040:
2035:
2031:
2030:Hana Zukin II
2026:
2025:
2012:
2011:
2006:
1999:
1998:
1990:月形半平太 花の巻 嵐の巻
1985:
1981:
1974:
1962:
1961:
1956:
1951:
1939:
1938:
1933:
1928:
1916:
1914:
1909:
1902:
1890:
1889:
1884:
1877:
1865:
1864:
1859:
1854:
1853:
1840:
1836:
1831:
1830:
1817:
1813:
1806:
1794:
1793:
1788:
1781:
1769:
1768:
1763:
1758:
1746:
1745:
1740:
1733:
1732:Iroha Bayashi
1721:
1720:
1715:
1708:
1707:
1693:
1689:
1685:
1681:
1674:
1662:
1661:
1656:
1649:
1637:
1636:
1631:
1629:
1628:
1620:
1608:
1607:
1602:
1597:
1585:
1584:
1579:
1574:
1562:
1561:
1556:
1551:
1539:
1538:
1533:
1528:
1516:
1515:
1510:
1505:
1493:
1492:
1487:
1482:
1470:
1469:
1464:
1459:
1447:
1446:
1441:
1434:
1422:
1421:
1416:
1415:
1414:
1406:
1395:
1391:
1387:
1383:
1379:
1376:
1372:
1368:
1365:
1361:
1357:
1353:
1349:
1346:
1342:
1338:
1335:
1334:
1333:
1330:
1325:
1323:
1319:
1314:
1309:
1307:
1305:
1300:
1299:
1294:
1293:
1288:
1287:
1282:
1278:
1273:
1272:
1267:
1266:
1260:
1256:
1253:
1252:
1247:
1246:
1237:
1233:
1228:
1219:
1217:
1213:
1208:
1204:
1200:
1192:
1190:
1186:
1181:
1178:
1174:
1170:
1166:
1164:
1158:
1156:
1152:
1147:
1129:
1126:
1122:
1119:
1115:
1111:
1107:
1104:
1100:
1097:
1093:
1092:
1087:
1084:
1080:
1076:
1073:
1069:
1065:
1064:
1063:
1062:
1060:
1057:“雷蔵, 雷蔵を語る” (
1048:
1046:
1045:
1033:
1029:
1026:
1021:
1014:
1009:
1000:
998:
994:
990:
988:
983:
978:
974:
972:
968:
963:
959:
955:
951:
946:
944:
940:
939:
934:
933:rectal cancer
930:
920:
918:
914:
910:
906:
901:
899:
895:
890:
886:
882:
878:
874:
870:
866:
865:
859:
857:
853:
849:
844:
842:
837:
832:
829:
825:
820:
816:
815:Yukio Mishima
812:
811:
806:
804:
799:
789:
787:
782:
778:
772:
770:
766:
762:
761:
756:
752:
748:
744:
740:
739:
734:
730:
725:
723:
719:
718:
713:
709:
708:
703:
699:
695:
694:
688:
686:
682:
678:
674:
670:
669:
664:
662:
657:
656:
649:
647:
636:
634:
630:
625:
612:
608:
595:
581:
577:
572:
568:
564:
555:
541:
528:
519:
510:
508:
504:
488:
486:
482:
478:
473:
471:
461:
459:
450:
437:
432:
430:
426:
425:Akio Kamezaki
422:
418:
404:
402:
398:
397:
391:
389:
388:
383:
382:
381:Destiny's Son
377:
376:Yukio Mishima
373:
372:
367:
363:
359:
358:Nakano School
355:
351:
350:
346:) series and
345:
341:
337:
333:
332:
327:
326:
320:
318:
317:rectal cancer
314:
310:
306:
305:
300:
298:
288:
272:
271:Ichikawa Enzō
260:
259:Ichikawa Enzō
251:
238:
233:
228:
216:
209:
197:
190:
189:Kamezaki Akio
178:
177:Akio Kamezaki
174:
171:
167:
160:
148:
139:
135:
131:
127:
125:Occupation(s)
123:
119:
115:
111:
102:July 17, 1969
101:
97:
93:
78:Akio Kamezaki
76:
72:
65:
60:
53:
48:
44:
40:
39:Japanese name
33:
19:
5835:Kiichi Nakai
5757:Ken Watanabe
5715:Ken Takakura
5703:Koji Yakusho
5697:Koji Yakusho
5637:Kunie Tanaka
5583:Ken Takakura
5516:
5417:
5414:
5400:
5376:
5362:
5357:『市川雷蔵の映画と時代』
5348:
5334:
5329:『孤愁 市川雷蔵写真集』
5320:
5306:
5293:Nōberu Shobo
5292:
5289:
5275:
5263:
5251:
5237:
5223:
5209:
5196:Raizō Konomi
5195:
5182:Raizō no Iro
5181:
5167:
5139:. Retrieved
5135:
5126:
5114:
5102:
5090:
5078:
5066:
5054:
5049:, pp. 84-85.
5042:
5030:
5018:
5006:
4994:
4982:
4973:Nōberu Shobo
4972:
4966:
4954:
4942:
4915:
4903:
4891:
4879:
4867:
4855:
4828:
4816:
4804:
4799:, pp. 34-35.
4792:
4780:
4771:Nōberu Shobo
4770:
4764:
4752:
4743:Nōberu Shobo
4742:
4721:
4709:
4697:
4685:
4661:Nōberu Shobo
4660:
4654:
4642:
4630:
4618:
4606:
4596:September 8,
4594:. Retrieved
4589:
4578:
4566:. Retrieved
4555:
4544:
4532:. Retrieved
4520:
4510:February 16,
4508:. Retrieved
4496:
4486:February 16,
4484:. Retrieved
4480:the original
4468:
4456:
4442:
4436:
4424:
4412:
4400:
4391:Nōberu Shobo
4390:
4384:
4372:
4343:
4331:
4309:Bungeishunjū
4308:
4268:
4259:Nōberu Shobo
4258:
4252:
4247:, pp. 38-39.
4242:
4236:
4224:
4219:, pp. 72-73.
4212:
4185:
4173:
4168:, pp. 54-57.
4161:
4149:
4137:
4125:
4120:, pp. 17-18.
4113:
4101:
4092:
4080:
4075:, pp. 11-12.
4068:
4059:Nōberu Shobo
4058:
4037:
4025:
4013:
4001:
3989:
3960:
3955:, pp. 34-35.
3948:
3936:
3931:, pp. 76-77.
3924:
3915:
3910:, pp. 20-21.
3903:
3898:, pp. 28-30.
3891:
3879:
3867:
3817:, pp. 27-28.
3795:
3790:, pp. 22-23.
3783:
3772:. Retrieved
3768:
3757:
3746:. Retrieved
3742:
3731:
3720:. Retrieved
3716:
3704:
3696:
3689:Henshū Techō
3688:
3679:
3667:
3658:Nōberu Shobo
3657:
3636:
3631:, pp. 18-19.
3624:
3614:
3608:
3596:
3584:
3572:
3563:Nōberu Shobo
3562:
3556:
3551:, pp. 15-17.
3544:
3535:Nōberu Shobo
3534:
3520:, pp. 14-15.
3513:
3505:
3475:
3456:Nōberu Shobo
3455:
3448:
3431:
3418:
3409:
3379:
3351:Japan portal
3331:Hitori okami
3322:
3314:
3308:
3301:
3295:
3286:
3282:
3273:
3269:
3260:
3256:
3249:
3243:
3235:
3227:
3219:
3210:
3206:
3197:
3193:
3185:
3175:
3167:
3159:
3151:
3142:
3134:
3127:
3121:
3113:
3106:
3100:
3093:
3087:
3080:
3074:
3067:
3063:
3054:
3050:
3044:
3037:
3033:
3026:
3022:
3015:
3011:
3004:
2998:
2987:
2983:1960: Bonchi
2978:
2954:
2910:
2885:
2860:
2833:
2789:
2764:
2720:
2695:
2679:Yūtarō kōdan
2653:
2611:
2588:
2546:
2523:
2519:
2496:
2452:
2391:
2368:
2345:
2322:
2297:
2274:
2266:Naruto Hichō
2251:
2228:
2205:
2182:
2159:
2135:
2112:
2087:
2062:
2037:
2029:
2008:
1983:
1958:
1944:銭形平次捕物控 人肌蜘蛛
1935:
1913:Flowery Hood
1911:
1886:
1861:
1838:
1815:
1790:
1765:
1742:
1717:
1690:, lit. "New
1687:
1683:
1658:
1633:
1625:
1604:
1581:
1558:
1535:
1512:
1489:
1466:
1452:銭形平次捕物控 幽霊大名
1443:
1418:
1412:
1404:
1393:
1392:and Katsu’s
1389:
1359:
1355:
1351:
1344:
1340:
1326:
1310:
1302:
1296:
1290:
1284:
1280:
1276:
1269:
1263:
1261:
1257:
1249:
1243:
1241:
1215:
1211:
1209:
1205:
1201:
1198:
1182:
1172:
1167:
1159:
1150:
1143:
1124:
1117:
1114:Kinema Junpō
1113:
1109:
1102:
1095:
1091:Cinema Nuovo
1089:
1082:
1078:
1071:
1068:Kinema Junpō
1067:
1058:
1054:
1044:Bungeishunjū
1042:
1039:
1030:
1025:Kinema Junpō
1024:
1022:
1018:
1012:
993:Kōji Tsuruta
985:
981:
979:
975:
957:
953:
949:
947:
942:
936:
928:
926:
913:Kenji Misumi
902:
897:
888:
880:
876:
868:
862:
860:
847:
845:
840:
835:
833:
808:
801:
798:Kon Ichikawa
795:
786:Kenji Misumi
773:
768:
764:
758:
742:
737:
731:in director
726:
721:
715:
711:
705:
697:
691:
689:
683:produced by
680:
666:
659:
653:
650:
642:
628:
626:
594:Kotobuki Ebi
566:
565:in the play
542:
524:
506:
503:montei agari
502:
489:
484:
481:Musume Ohana
480:
476:
474:
467:
449:Kanbukōhosei
433:
428:
424:
416:
415:
400:
394:
392:
385:
379:
369:
365:
362:Kenji Misumi
353:
347:
343:
339:
335:
329:
323:
321:
313:Kinema Junpo
302:
295:
258:
234:
214:
195:
176:
146:
145:
128:film actor,
104:(1969-07-17)
46:
5886:1969 deaths
5881:1931 births
5793:Hiroshi Abe
5745:Akira Terao
5733:Kōichi Satō
5649:Hajime Hana
5565:Hajime Hana
5487:So Yamamura
5301:『市川雷蔵とその時代』
5154:Works cited
5107:Hosaka 2001
4947:Tayama 1988
4896:Hosaka 2001
4797:Tayama 1988
4785:Hosaka 2001
4757:Hosaka 2001
4678:Hosaka 2001
4635:Hosaka 2001
4461:Hosaka 2001
4417:Tayama 1988
4336:Tayama 1988
4324:Tayama 1988
4290:Tayama 1988
4273:Hosaka 2001
4229:Hosaka 2001
4217:Tayama 1988
4166:Tayama 1988
4154:Tayama 1988
4018:Tayama 1988
4006:Tayama 1988
3953:Tayama 1988
3941:Hosaka 2001
3929:Tayama 1988
3896:Tayama 1988
3884:Tayama 1988
3872:Tayama 1988
3815:Tayama 1988
3800:Tayama 1988
3788:Tayama 1988
3743:naritaya.jp
3738:『團十郎辞典』「壽海」
3685:Rokusuke Ei
3674:, p. 21-22.
3672:Tayama 1988
3641:Tayama 1988
3629:Tayama 1988
3601:Hosaka 2001
3589:Tayama 1988
3549:Tayama 1988
3518:Tayama 1988
3402:Hosaka 2001
3398:Tayama 1988
3365:Film portal
3302:Sword Devil
3141:1963–1969:
3123:The Outcast
2748:Ojō kichisa
2626:Benten Kozō
2613:Benten Kozō
2406:Chūshingura
2196:Yatarō gasa
1822:柳生連也斎 秘伝月影抄
1401:Filmography
1377:Personality
1327:The author
1232:Ayako Wakao
1146:Fuji Yahiro
987:ninkyō eiga
894:Akira Inoue
873:protagonist
655:Kōya Hijiri
629:Yoshiya Ōta
227:Ōta Yoshiya
215:Yoshiya Ōta
5875:Categories
5799:Kengo Kora
5685:Eiji Okuda
5505:Keiji Sada
5246:『写真集 市川雷蔵』
5162:『雷蔵、雷蔵を語る』
5141:22 January
4527:大雷蔵祭 FINAL
4419:, pp. 6-7.
4275:, pp. 319.
3774:2010-02-16
3748:2010-02-16
3722:2010-02-16
3337:References
2901:Kagerō ezu
2766:The Gaijin
2425:旅は気まぐれ風まかせ
2288:Onibi Kago
2052:Abare Tobi
1927:Hana Zukin
1498:歌ごよみ お夏清十郎
1195:Appearance
1169:Tadao Satō
1163:Kazuo Mori
997:bankruptcy
958:Aa, Kaigun
747:Tadao Sato
646:Daiei film
338:) series,
244:三代目 市川 九團次
84:1931-08-29
5823:Sadao Abe
5811:Yo Oizumi
5619:Ken Ogata
5589:Ken Ogata
5258:「市川雷蔵の霊気」
5121:, p. 300.
5109:, p. 320.
5097:, p. 106.
5073:, p. 208.
5061:, p. 118.
5013:, p. 103.
4961:, p. 104.
4910:, p. 264.
4898:, p. 309.
4886:, p. 228.
4862:, p. 393.
4787:, p. 328.
4775:, p. 258.
4747:, p. 287.
4716:, p. 390.
4704:, p. 164.
4692:, p. 368.
4690:Satō 2006
4680:, p. 325.
4665:, p. 245.
4637:, p. 332.
4590:ameblo.jp
4534:August 1,
4463:, p. 311.
4431:, p. 122.
4395:, p. 257.
4379:, p. 260.
4350:, p. 243.
4207:, p. 256.
4132:, p. 107.
4044:, p. 254.
3996:, p. 298.
3994:Satō 2006
3984:, p. 210.
3967:, p. 102.
3943:, p. 324.
3847:, p. 208.
3802:, p. 27.
3619:, p. 260.
3603:, p. 321.
3539:, p. 265.
3502:雷蔵, 雷蔵を語る
3467:Citations
3404:, p. 321)
3400:, p. 18,
3372:Footnotes
3283:The Sword
3136:Onnakeizu
2773:山田長政 王者の剣
2126:Suzakumon
2028:, a.k.a.
1521:潮来出島 美男剣法
1173:jidaigeki
1151:jidaigeki
1023:In 2000,
943:Kanjinchō
905:directing
681:jidaigeki
668:Kanjinchō
661:jidaigeki
548:三代目 市川 壽海
407:Biography
366:The Sword
325:jidaigeki
281:三代目 市川 壽海
153:八代目 市川 雷蔵
5763:Ryo Kase
5721:Yūji Oda
5418:no Sekai
5384:ビクターブックス
5315:『完本市川雷蔵』
5270:「市川雷蔵の年」
5218:『わたしの雷蔵』
5085:, p. 90.
4971:ノーベル書房 (
4949:, p. 36.
4937:, p. 86.
4922:, p. 82.
4874:, p. 99.
4811:, p. 78.
4769:ノーベル書房 (
4741:ノーベル書房 (
4659:ノーベル書房 (
4557:KINENOTE
4475:京都映画スポット
4449:colophon
4441:わたしの雷蔵 (
4389:ノーベル書房 (
4338:, p. 79.
4326:, p. 58.
4305:Ōta 2009
4292:, p. 86.
4257:ノーベル書房 (
4241:わたしの雷蔵 (
4156:, p. 57.
4108:, p. 23.
4057:ノーベル書房 (
4020:, p. 34.
4008:, p. 47.
3886:, p. 28.
3874:, p. 74.
3656:ノーベル書房 (
3643:, p. 17.
3613:わたしの雷蔵 (
3591:, p. 18.
3561:ノーベル書房 (
3533:ノーベル書房 (
3460:, 196.)
3454:ノーベル書房 (
2842:ジャン有馬の襲撃
2553:日蓮と蒙古大襲来
2369:Hanatarō
2166:二十九人の喧嘩状
2064:Gonpachi
1613:薔薇はいくたびか
1481:Sen Hime
1360:Zatoichi
1356:Zatoichi
1304:san’yaku
1298:yokozuna
1271:Zatoichi
1255:actors.
1251:shamisen
1110:NHK Film
1079:NHK Film
971:Ōta ward
909:producer
877:Sappōchō
796:In 1958
779:club at
760:chanbara
648:studio.
311:and the
47:Ichikawa
37:In this
3384:actor,(
3270:Ninja 5
3257:Ninja 4
3207:Ninja 2
3194:Ninja 3
3051:Ninja 1
2925:Hakuōki
2145:源氏物語 浮舟
1967:弥次喜多道中記
1839:Asatarō
1686:a.k.a.
1667:綱渡り見世物侍
1624:a.k.a.
1374:agile.”
1341:Goterai
1286:banzuke
1245:nagauta
1230:Raizō,
1135:Acclaim
969:in the
898:Tajōken
881:Joyōken
828:stammer
751:samurai
535:中村 雀右衛門
456:in the
421:Nakagyō
43:surname
5861:(2023)
5855:(2022)
5849:(2021)
5843:(2020)
5837:(2019)
5831:(2018)
5825:(2017)
5819:(2016)
5813:(2015)
5807:(2014)
5801:(2013)
5795:(2012)
5789:(2011)
5783:(2010)
5777:(2009)
5771:(2008)
5765:(2007)
5759:(2006)
5753:(2005)
5747:(2004)
5741:(2003)
5735:(2002)
5729:(2001)
5723:(2000)
5717:(1999)
5711:(1998)
5705:(1997)
5699:(1996)
5693:(1995)
5687:(1994)
5681:(1993)
5675:(1992)
5669:(1991)
5663:(1990)
5657:(1989)
5651:(1988)
5645:(1987)
5639:(1986)
5633:(1985)
5627:(1984)
5621:(1983)
5615:(1982)
5609:(1981)
5603:(1980)
5597:(1979)
5591:(1978)
5585:(1977)
5579:(1976)
5573:(1975)
5567:(1966)
5561:(1965)
5555:(1964)
5549:(1963)
5543:(1962)
5537:(1961)
5531:(1960)
5525:(1959)
5519:(1958)
5513:(1957)
5507:(1956)
5501:(1955)
5495:(1951)
5489:(1950)
5389:, 1992
5204:『市川雷蔵』
5190:『雷蔵好み』
5176:『雷蔵の色』
5132:"市川雷蔵"
4908:市川1995
4647:太田2009
4623:太田2009
4611:太田2009
4562:キネマ旬報社
4405:太田2009
4365:太田2009
3908:市川1995
3830:市川1995
3709:奈河彰輔.
3579:p. 16.
3394:myopia
3329:1968:
3321:1967:
3313:1967:
3307:1966:
3297:Ken Ki
3294:1965:
3281:1964:
3268:1964:
3255:1964:
3242:1963:
3234:1963:
3229:Teuchi
3226:1963:
3218:1963:
3205:1963:
3192:1963:
3184:1963:
3174:1969:
3166:1964:
3158:1964:
3150:1963
3133:1962:
3120:1962:
3112:1962:
3099:1962:
3086:1962:
3073:1962:
3062:1962:
3049:1962:
3043:1961:
3032:1961:
3021:1961:
3010:1960:
2997:1960:
2986:1960:
2953:1959:
2946:浮かれ三度笠
2934:1959:
2909:1959:
2894:かげろう絵図
2884:1959:
2869:濡れ髪三度笠
2859:1959:
2832:1959:
2813:1959:
2788:1959:
2763:1959:
2744:1959:
2729:若き日の信長
2719:1959:
2694:1959:
2675:1959:
2652:1959:
2645:化け猫御用だ
2633:1958:
2610:1958:
2587:1958:
2568:1958:
2545:1958:
2518:1958:
2495:1958:
2476:1958:
2461:七番目の密使
2451:1958:
2444:命を賭ける男
2432:1958:
2413:1958:
2390:1958:
2367:1958:
2344:1958:
2321:1958:
2296:1957:
2273:1957:
2250:1957:
2227:1957:
2204:1957:
2181:1957:
2158:1957:
2134:1957:
2111:1957:
2086:1957:
2061:1956:
2036:1956:
2007:1956:
1982:1956:
1957:1956:
1934:1956:
1910:1956:
1885:1956:
1860:1956:
1837:1956:
1814:1956:
1799:又四郎喧嘩旅
1789:1956:
1764:1956:
1741:1955:
1716:1955:
1699:新・平家物語
1682:1955:
1657:1955:
1642:踊り子行状記
1632:1955:
1603:1955:
1580:1955:
1557:1955:
1534:1955:
1511:1954:
1488:1954:
1465:1954:
1442:1954:
1417:1954:
1345:goteru
1322:Kansai
1277:Akumyō
1265:Akumyō
1238:(1959)
1234:, and
1140:Acting
1051:Awards
1036:Family
755:yakuza
614:Shinzō
571:Kansai
507:kenmon
378:) and
170:kabuki
130:kabuki
41:, the
3128:Hakai
2975:1960s
2959:初春狸御殿
2825:次郎長富士
2798:千羽鶴秘帖
2687:遊太郎巷談
2597:伊賀の水月
2580:濡れ髪剣法
2375:花太郎呪文
2352:遊侠五人男
2212:万五郎天狗
1774:花の渡り鳥
1751:怪盗と判官
1726:いろは囃子
1590:鬼斬り若様
1567:次男坊判官
1427:花の白虎隊
1409:1950s
1313:katsu
1295:or a
1292:ōzeki
1155:bushi
1013:tōrō,
619:市川 新蔵
611:kamon
592:and "
470:Osaka
443:幹部候補生
387:Kill!
340:Ninja
237:Kyoto
221:太田 吉哉
202:武内 嘉男
183:亀崎 章雄
173:actor
132:actor
110:Tokyo
92:Kyoto
5435:IMDb
5143:2009
4598:2014
4570:2016
4536:2011
4512:2010
4503:大雷蔵祭
4488:2010
3693:読売新聞
3187:Yoso
3107:Kiru
2756:お嬢吉三
2662:人肌牡丹
2620:弁天小僧
2537:Enjō
2503:人肌孔雀
2488:女狐風呂
2329:月姫系図
2306:桃太郎侍
2281:鬼火駕籠
2260:鳴門秘帖
2235:稲妻街道
2189:弥太郎笠
2096:大阪物語
2071:編笠権八
2046:あばれ鳶
2017:続花頭巾
1895:花の兄弟
1870:喧嘩鴛鴦
1845:浅太郎鴉
1544:次男坊鴉
1268:and
1187:and
1096:Enjō
1072:Enjō
861:The
848:Enjō
841:Enjō
836:Enjō
803:Enjō
777:sumo
753:and
685:Toei
609:and
607:yagō
601:壽 海老
578:and
496:つくし会
436:Nara
304:Enjō
299:VIII
265:市川延蔵
168:and
166:film
99:Died
74:Born
5433:at
3288:Ken
2919:薄桜記
2704:蛇姫様
2522:or
2400:忠臣蔵
2119:朱雀門
1921:花頭巾
1103:Ken
813:by
735:'s
679:in
587:成田屋
390:).
371:Ken
45:is
5877::
5278:).
5134:.
4927:^
4840:^
4733:^
4670:^
4588:.
4560:.
4554:.
4355:^
4316:^
4307:("
4297:^
4280:^
4197:^
4049:^
3972:^
3852:^
3837:^
3822:^
3807:^
3767:.
3741:.
3715:.
3691:)
3648:^
3525:^
3488:^
2922:,
2897:,
2872:,
2845:,
2801:,
2776:,
2732:,
2707:,
2665:,
2623:,
2600:,
2556:,
2533:,
2530:炎上
2506:,
2464:,
2403:,
2378:,
2355:,
2332:,
2309:,
2284:,
2263:,
2238:,
2215:,
2192:,
2169:,
2148:,
2122:,
2099:,
2074:,
2049:,
2020:,
1993:,
1970:,
1947:,
1924:,
1898:,
1873:,
1848:,
1825:,
1802:,
1777:,
1754:,
1729:,
1702:,
1670:,
1645:,
1616:,
1593:,
1570:,
1547:,
1524:,
1501:,
1478:,
1475:千姫
1455:,
1430:,
687:.
551:,
487:.
446:,
431:.
284:,
268:,
247:,
224:,
205:,
186:,
156:,
5468:e
5461:t
5454:v
5413:(
5399:(
5375:(
5361:(
5347:(
5333:(
5319:(
5305:(
5288:(
5274:(
5262:(
5250:(
5236:(
5222:(
5208:(
5194:(
5180:(
5166:(
5145:.
4600:.
4572:.
4538:.
4514:.
4490:.
4451:.
4445:)
4245:)
3777:.
3751:.
3725:.
3695:(
3617:)
3504:(
3304:)
3300:(
3291:)
3285:(
3278:)
3272:(
3265:)
3259:(
3252:)
3248:(
3215:)
3209:(
3202:)
3196:(
3130:)
3126:(
3109:)
3105:(
3096:)
3092:(
3083:)
3079:(
3070:)
3066:(
3059:)
3053:(
3040:)
3036:(
3029:)
3025:(
3018:)
3014:(
3007:)
3003:(
2969:)
2961:(
2949:)
2943:(
2929:)
2916:(
2905:)
2891:(
2880:)
2866:(
2854:)
2839:(
2828:)
2822:(
2809:)
2795:(
2784:)
2770:(
2759:)
2753:(
2740:)
2726:(
2715:)
2701:(
2690:)
2684:(
2671:)
2659:(
2648:)
2642:(
2629:)
2617:(
2606:)
2594:(
2583:)
2577:(
2550:(
2541:)
2527:(
2514:)
2500:(
2491:)
2485:(
2471:)
2458:(
2447:)
2441:(
2428:)
2422:(
2409:)
2397:(
2386:)
2372:(
2363:)
2349:(
2340:)
2326:(
2316:)
2303:(
2292:)
2278:(
2269:)
2257:(
2246:)
2232:(
2223:)
2209:(
2200:)
2186:(
2177:)
2163:(
2154:)
2142:(
2130:)
2116:(
2106:)
2093:(
2081:)
2068:(
2056:)
2043:(
2032:)
2014:(
2002:)
1987:(
1977:)
1964:(
1953:)
1941:(
1930:)
1918:(
1915:1
1905:)
1892:(
1880:)
1867:(
1856:)
1842:(
1833:)
1819:(
1809:)
1796:(
1784:)
1771:(
1760:)
1748:(
1736:)
1723:(
1711:)
1696:(
1694:"
1677:)
1664:(
1652:)
1639:(
1622:)
1610:(
1599:)
1587:(
1576:)
1564:(
1553:)
1541:(
1530:)
1518:(
1507:)
1495:(
1484:)
1472:(
1461:)
1449:(
1437:)
1424:(
1306:,
1214:(
1127:)
1120:)
1105:)
1098:)
1085:)
1074:)
1061:)
989:–
805:,
765:.
720:(
710:(
696:(
663:–
622:)
616:(
604:)
598:(
596:"
590:)
584:(
558:)
545:(
538:)
532:(
499:)
493:(
453:)
440:(
399:(
384:(
368:(
352:(
342:(
334:(
291:)
278:(
274:)
262:(
254:)
241:(
230:)
218:(
211:)
199:(
192:)
180:(
150:(
86:)
82:(
49:.
34:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.