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in
Florence (1563-5). Florian Härb observes the similarities between several of Vasari's drawings and Fontana's larger paintings, which indicate that the drawings were the basis for much of Fontana's commissions. There are multiple explanations offered by Härb and Charles Davis, including Fontana's
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art. He is perhaps best known for his frescoes and architectural detailing. The speed in which he completed paintings earned him commissions where he worked with other prominent artists of the period. He was a prominent figure in the city of
Bologna, serving as official arbitrator in the business
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192:'s portrait and was pensioned at the pontifical court. He also decorated the Palazzo di Firenze for the Pope's brother, Balduino del Monte. During his time in Rome, he collaborated with
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258:. In Bologna, Fontana served as an arbitrator and resolved professional disputes. Robert W. Gaston explains that this was a prestigious position at the time.
381:. Emilia died in 1568, just five years after her wedding to Floriano Bertelli. Prospero taught his surviving daughter Lavinia how to paint in his workshop.
754:
116:
558:
Härb, Florian (1998). Monbeig-Goguel, Catherine (ed.). "Prospero
Fontana Alias Giorgio Vasari: Collaboration and the Limits of Authorship".
759:
401:
177:, but there is a degree of uncertainty surrounding the relationship between the two men. As a teenager, Fontana was an assistant on
267:, in the church of Santa Maria delle Grazie, is considered to be his masterpiece. A large quantity of his work remains in Bologna.
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in Rome (1553). J. A. Gere suggests that
Fontana supervised the project and was responsible for the paintings in the North Room.
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Towards the end of his career, Fontana opened a school of art in
Bologna. Some of his most notable students were
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disputes of local artists. In his later career
Fontana trained younger painters, including his own daughter
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into his style after working with prominent artists of the movement. He is an early representative of the
520:. Italian Painting between the Renaissance and the Baroque in Connection with the Manchester Exhibition.
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185:. However, art historians cannot definitively identity Fontana's contributions to the decorations.
658:
Fortunati, Vera (1998). "Lavinia
Fontana: A Woman Artist in the Age of the Counter-Reformation".
608:
Fortunati, Vera (1998). "Lavinia
Fontana: A Woman Artist in the Age of the Counter-Reformation".
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The majority of the artists who trained and collaborated with
Fontana were heavily influenced by
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in
Florence. In 1576, Fontana was one of several artists and intellectuals consulted by Cardinal
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Vol 1. Jane Turner, ed. Grove Encyclopedias of European Art. Suffolk: 2000. p. 561.
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His early style is considered conservative. He gradually incorporated elements of
583:. Vol. I: Abacco to Lysippus. New York: Grove's Dictionaries, Inc. pp.
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Prospero married Antonia de Bonardis in 1539. They had two daughters, Emilia and
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217:(1560) in France due to a health issue. Finished collaborative work includes the
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19. https://www.ngv.vic.gov.au/essay/prospero-fontanas-holy-family-with-saints/.
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Gaston, Robert W. (July 2, 2014). “Prospero Fontana’s Holy Family with saints.”
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Masters & Pupils: The Artistic Succession from Perugino to Manet, 1440-1880
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Masters & Pupils: The Artistic Succession from Perugino to Manet, 1480-1880
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Masters & Pupils: The Artistic Succession from Perugino to Manet, 1440-1880
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Masters & Pupils: The Artistic Succession from Perugino to Manet, 1480-1880
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763:. Vol. 10 (11th ed.). Cambridge University Press. pp. 607–608.
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and Fontana worked on the Cappella Poggi in S Giacomo Maggiore in Bologna.
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Fontana was well known for the speed in which he completed commissions.
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Lavinia Fontana: A Painter and Her Patrons in Sixteenth-Century Bologna
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Lavinia Fontana: A Painter and Her Patrons in Sixteenth-Century Bologna
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The Lives of the Most Excellent Painters, Sculptors, and Architects
213:. Vasari notes that Fontana was unable to complete his work on the
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This article incorporates text from a publication now in the
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admiration of Vasari's style and prominence in Renaissance Italy.
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Gere, J. A. (April 1965). "The Decoration of the Villa Giulia".
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Lives of the Most Excellent Painters, Sculptors and Architects
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on a few commissions, which are briefly described in the
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Encyclopedia of Italian Renaissance & Mannerist Art.
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Encyclopedia of Italian Renaissance & Mannerist Art
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Fontana died in Bologna in 1597. The altarpiece of the
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criticized him for being careless and unprofessional.
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Prospero's father, Silvio Fontana, was a stonemason.
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in the debate over the reformation of religious art.
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of painting. His style has been compared to that of
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Holy Family with the Infant Saint John the Baptist,
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136:Holy Family with the Infant St. John the Baptist,
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712:. Singapore: Yale University Press. p. 19.
687:. Singapore: Yale University Press. p. 16.
342:Beata Diana Andalò professing with Saint Dominic
767:Flick, Gert-Rudolf (2008). "Prospero Fontana."
633:Flick, Gert-Rudolf (2008). "Prospero Fontana".
491:Flick, Gert-Rudolf (2008). "Prospero Fontana".
461:Flick, Gert-Rudolf (2008). "Prospero Fontana".
440:"Prospero Fontana's Holy Family with saints"
337:Church of Santa Maria del Baraccano, Bologna
543:Vasari, Giorgio. "Francesco Primaticcio".
353:, 1551, oil on panel, 361 x 178 cm —
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771:. London: Hagarth Arts. pp. 76–95.
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173:Prospero Fontana was likely taught by
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610:Lavinia Fontana of Bologna 1552-1614
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438:Gaston, Robert W. (July 2, 2014).
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284:. He also looked to the work of
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612:. Milan: Electa. p. 14.
124:, 1563, oil on poplar panel,
708:Murphy, Caroline P. (2003).
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306:Carlo Cesare Malvasia
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276:Artistic influences
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175:Innocenzo da Imola
145:(1512–1597) was a
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562:: 577–608.
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360:Julius III
313:Mannerism
158:Mannerist
147:Bolognese
100:Patron(s)
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