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to one, Mario Schulz, "The start was that I liked the music. I did not quite understand the
English texts, but this ostentatious experience as an outsider, this capacity to shock, that pleased me. I was already- someone else would probably express it differently- an awkward sod." By the authorities, punk was seen as representing a way of life which was contrary in nature to existing social conventions and values. Punks were, however, not the only youth sub-culture to be considered 'negative decadent' and a threat to the stability of communist society: heavy metallers, skinheads, and goths were also targeted. Whilst it is hard to ascertain an exact figure, the punk scene in East Germany in the early 1980s was still relatively small. For example, 'In 1981, the
3998:, a Lima group that played the unique blend of garage and break dance music that would later be labeled punk as early as the 1960s. The early activity of Los Saicos has led many to claim that punk originated in Lima instead of the UK, as is typically assumed. Though their claim to be the first punk band in the world can be disputed, Los Saicos were undoubtedly the first in Latin America and released their first single in 1965. The group played to full houses and made frequent television appearances throughout the 1960s. Throughout the 1970s, the band was completely forgotten. Years later, a plaque that declares "here the global punk-rock movement was born" was placed at the corner of Miguel Iglesias and Julio C. Tello Streets in Lima.
3844:. As the methods of the Stasi were difficult to detect and even harder to prove, it allowed them to circumvent international condemnation in regard to the persecution of their own citizens. Aside from being designed to harm people, the methods were also designed to discredit and isolate individuals and break up the various bands and groupings. They relied heavily on the hiring of collaborators who were of a similar disposition to those who were being targeted. According to Stasi officers, this was a task which was harder to achieve with punks due to their 'feeling of belonging together.' Nonetheless, the Stasi did have notable success in the repression and decomposition of the punk scene. Former member of the band
2908:. The pogo is a dance in which the dancers jump up and down, while either remaining on the spot or moving around; the dance takes its name from its resemblance to the use of a pogo stick, especially in a common version of the dance, where an individual keeps their torso stiff, their arms rigid, and their legs close together. Pogo dancing is closely associated with punk rock and is a precursor to moshing. Moshing or slamdancing is a style of dance where participants push or slam into each other, typically during a live music show. It is usually associated with "aggressive" music genres, such as hardcore punk and
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3033:), zines also played an important role in the hardcore scene. In the pre-Internet era, zines enabled readers to learn about bands, shows, clubs, and record labels. Zines typically included reviews of shows and records, interviews with bands, letters to the editor, and advertisements for records and labels. Zines were DIY products, "proudly amateur, usually handmade, and always independent", and during the "'90s, zines were the primary way to stay up on punk and hardcore." They were the "blogs, comment sections, and social networks of their day."
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33:
4009:(literally, subterranean). In the 1980s and 1990s subtes made almost exclusive use of cassette recording as a means of circulating music without participating in formal intellectual property and musical production industries. The current scene relies on digital distribution and assumes similar anti-establishment practices. Like many punk subcultures, subtes explicitly oppose the Peruvian state and advocate instead an anarchic resistance that challenges the political and mainstream cultural establishment.
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were vegetarian or vegan. While the commonly expressed aspects of the straight edge subculture have been abstinence from alcohol, nicotine, and illegal drugs, there have been considerable variations on how far to take the interpretations of "abstaining from intoxicants" or "living drug-free". Disagreements often arise as to the primary reasons for living straight edge. Straight edge politics are primarily left-wing and revolutionary but there have been conservative offshoots.
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played with. In some ways, punk helped to tear apart the normalised view of gender as a dichotomy. There was a notable amount of cross-dressing in the punk scene; it was not unusual to see men wearing ripped-up skirts, fishnet tights, and excessive makeup, or to see women with shaved heads wearing oversized plaid shirts and jean jackets and heavy combat boots. Punk created a new cultural space for androgyny and all kinds of gender expression.
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popular conceptions of beauty. Everything that was normally supposed to be hidden was brought to the front, both literally and figuratively. This could mean anything from wearing bras and underwear on top of clothing to wearing nothing but a bra and underwear. Although that act can seem sexualised, to punks it was just a way of self-expression. Punk seemed to allow people to sexualize themselves and still be taken seriously.
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2772:" and "hardcore." As in the larger punk scene, DIY is an integral component of the queercore subculture. Many zines that came out of the riot grrrl movement explored issues of queer identity, contributing to the queercore subculture. The queercore and riot grrrl subcultures are often considered to be connected. These two punk scenes are intertwined, with many bands being both queercore and riot grrrl.
3526:) and people of colour (the Specials member) who contributed to the original punk sound and aesthetic. Because the original subculture meant to challenge to the mainstream, and punk movement became major it was brought to the mainstream. If punk is commercialized, it is far from street culture. This is the paradox of punk; as a subculture, it must always be evolving to stay out of the mainstream.
3816:(secret police) identified 1,000 punks and a broader group of 10,000 sympathisers.' Punks, whether considered as individuals or as groups, were persecuted by both the regular police and the Stasi. More overt methods of persecution by the regular police- such as enforced haircutting, arrest, and physical beatings- were combined unofficially with the more insidious and far-reaching
3480:"meaningless fad" because people had stopped caring about what they saw as the core values of punk ("Change and caring are what's real"). In particular, metal bands, which were seen as an offshoot, they saw as not only as a sell-out, but as morally repugnant to the core values of punk saying labels were making money by signing "the most racist queerbashing bands they can find."
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numerous solvents and inhalants used by punks to achieve euphoria and intoxication. Glue was typically inhaled by placing a quantity in a plastic bag and "huffing" (inhaling) the vapour. Liquid solvents were typically inhaled by soaking a rag with the solvent and inhaling the vapour. While users inhale solvents for the intoxicating effects, the practice can be harmful or fatal.
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and patches. Yet another punk scholar describes the look that was common in the San
Francisco hardcore scene as consisting of biker-style leather jackets, chains, studded wristbands, pierced noses and multiple piercings, painted or tattooed statements (e.g. an anarchy symbol), and hairstyles ranging from military-style haircuts dyed black or blonde to mohawks and shaved heads.
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socio-political implications, rather than the fashion. Music historian
Caroline Coon contends that before punk, women in rock music were virtually invisible; in contrast, in punk, she argues "t would be possible to write the whole history of punk music without mentioning any male bands at all – and I think a lot of would find that very surprising."
3424:, Latinos, and Asians) have contributed to the development of the subculture. Substance abuse has sometimes been a part of the punk scene, with the notable exception of the straight edge movement. Violence has also sometimes appeared in the punk subculture, but has been opposed by some subsets of the subculture, such as the pacifist strain
2580:) to adopting a hardcore style (i.e. boots and a shaved head) as being based on a need for more functional clothing. A punk scholar states that "hardcore kids do not look like punks", since hardcore scene members wore basic clothing and short haircuts, in contrast to the "embellished leather jackets and pants" worn in the punk scene.
3774:) emerged in mostly the same time frame and geographical area as punk rock, and they shared a great deal musically in terms of playing short songs loud and fast while trying to emphasize catchy feelings. More melodic and pop-influenced punk music has also often been wrapped alongside power pop bands under the general "
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PM Press. Oakland, CA 2015, 1984. pg. 22–23. "Ellen Willis stated ... that 'the word punk was not used generically until the early seventies when citics began applying it to unregenerate reock-and-rollers with an aggressively lower-class style' ... Greg Shaw wrote that: 'Punk rock in those days was a
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in the late 1970s. It shared many similarities with that of the West and was considered by the ruling authorities to be a spread of an international youth sub-culture which had its roots in the U.S. and
Western Europe. Indeed, this was an assessment many East German punks shared themselves. According
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Punks often form a local scene, which can have as few as half a dozen members in a small town, or as many as thousands of in a major city. A local scene usually has a small group of dedicated punks surrounded by a more casual periphery. A typical punk scene is made up of punk and hardcore bands, fans
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Straight edge emerged amid the early-1980s hardcore punk scene. Since then, a wide variety of beliefs and ideas have been associated with the movement, including vegetarianism and animal rights. Ross
Haenfler writes that as of the late 1990s, approximately three out of four straight edge participants
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label appeared in New York City between 1974 and 1976. Around the same time or soon afterward, a punk scene developed in London. Los
Angeles subsequently became home to the third major punk scene. These three cities formed the backbone of the burgeoning movement, but there were also other punk scenes
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had made recordings (i.e. their hit version of Shakin' All Over," 1965) as a garage rock outfit in the mid 60s; pg. 8 makes a general statement about "punk rock" (garage) as a genre: "...then punk bands started cropping up who were writing their own songs but taking the
Yardbirds' sound and reducing
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university students. It is estimated approximately 5,000 young people are active punks in Mexico City, hosting two or three underground shows a week. These young people often form chavos banda—youth gangs—that organized subculture activity by creating formal meeting spaces and rituals and practices.
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era, which started in the mid-1980s, the influence of music on the straight edge scene was at an all-time high. By the early 1990s, militant straight edge was a well-known part of the wider punk scene. In the early to mid-1990s, straight edge spread from the United States to
Northern Europe, Eastern
2673:, who stated that "the A&R men, the bouncers, the sound mixers, no one took us seriously. So, no, we got no respect anywhere we went. People just didn't want us around." The anti-establishment stance of punk opened the space for women who were treated like outsiders in a male-dominated industry.
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In trying to reject societal norms, punk embraced one societal norm by deciding that strength and anger was best expressed through masculinity, defining masculine as the "default", where gender did not exist or had no meaning. However, the main reasoning behind this argument equates femininity with
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In contrast to Morris' and
Rollins' views, another punk scholar claims that the standard hardcore punk clothing and styles included torn jeans, leather jackets, spiked armbands and dog collars, mohawk hairstyles, and DIY ornamentation of clothes with studs, painted band names, political statements,
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Some groups and individuals that try to self-identify as being a part of the punk subculture hold pro-Nazi or
Fascist views, however, these Nazi/Fascist groups are rejected by almost all of the punk subculture. The belief that such views are opposed to the original ethos of the punk subculture, and
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The punk subculture is centered on a loud, aggressive genre of rock music called punk rock, usually played by bands consisting of a vocalist, one or two electric guitarists, an electric bassist, and a drummer. In some bands, the musicians contribute backup vocals, which typically consist of shouted
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was routinely censored and even banned for songs like "International News", which challenged the South African government's refusal to acknowledge the racial and political conflict in the country. National Wake guitarist Ivan Kadey attributes the punk scene's ability to persevere despite the legal
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Political participation is foundational to punk subculture in South Africa. During the apartheid regime, punk was second only to Rock music in its importance to multi-racial interactions in South Africa. Because of this, any involvement in the punk scene was in itself a political statement. Police
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Performance and ideology practices often reflect the socioeconomic circumstances of Mexican punks. Live shows, called "Tocadas" are generally held in public spaces like basketball courts or community centers instead of places of business like venues, bars, and restaurants, as is more common in the
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Anchor Books, a division of Random House. 2003. pg. 8, 56, 57, 61, 64, 101: reprints of articles which appeared in 1971 and 1972, that refer to garage bands such as the Count Five and the Troggs as "punk"; pg. 101 associates "Iggy" and "Jonathan of Modern Lovers" with the Troggs and their ilk (as
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In Mexico, punk culture is primarily a phenomenon among the upper-middle class, many of whom were first exposed to punk music through travel to England, but rapidly shifted to the lower-class youth. Because of low fees at public universities in Mexico, a significant majority of Mexican punks are
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Oral nicknames are a distinguishing feature of Mexican punk, where the tradition of oral culture has influenced the development of nicknames for almost all Mexican punks. Patches are widely used as an inexpensive way to alter clothing and express identity. Though English-language bands like the
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Never one to shy away from criticizing the music industry and even punk culture, in Chickenshit Conformist Dead Kennedys opined that "Punk's not dead It just deserves to die When it becomes another stale cartoon...Ideas don't matter, it's who you know.", saying punk was in danger of becoming a
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was adopted by punks because public perceptions of sniffing fitted in with their self-image. Originally used experimentally and as a cheap high, adult disgust and hostility encouraged punks to use glue sniffing as a way of shocking society." Model airplane glue and contact cement were among the
2742:, which is sometimes seen as its starting point. It has also been described as a musical genre that came out of indie rock, with the punk scene serving as an inspiration for a musical movement in which women could express themselves in the same way men had been doing for the past several years.
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For some punks, the body was a symbol of opposition, a political statement expressing disgust of all that was "normal" and socially accepted. The idea was to make others outside of the subculture question their own views, which made gender presentation and gender identity a popular factor to be
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The punk subculture advocates a do-it-yourself (DIY) ethic. During the subculture's infancy members were almost all from a lower economic class, and had become tired of the affluence that was associated with popular rock music at the time. Punks would publish their own music or sign with small
3476:(or "poser") is used to describe "a person who habitually pretends to be something not." The term is used to refer to a person who adopts the dress, speech, and/or mannerisms of a particular subculture, yet who is deemed to not share or understand the values or philosophy of the subculture.
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are well known in Mexico, punks there prefer Spanish-language music or covers translated into Spanish. The slam dance style common in the California punk scene of the early 1980s is thoroughly adopted as part of the movement and continues to be the most popular dancing style among punks.
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Rock historian Helen Reddington states that the popular image of young punk women musicians as focused on the fashion aspects of the scene (fishnet stockings, spiky blond hair, etc.) was stereotypical. She states that many, if not most women punks were more interested in the ideology and
4025:. As Cuban radio stations rarely played rock music, Frikis often listened to music by picking up radio frequencies from stations in nearby Florida. While many Frikas in the early-1990s entered AIDS clinics by knowingly injecting HIV-positive blood into them, others began congregating at
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scene, where members of the subculture often dressed in plain T-shirts and jeans, rather than the more elaborate outfits and spiked, dyed hair of their British counterparts. Many groups adopt a look based on street clothes and working-class outfits. Hardcore punk fans adopted a
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United States and Europe. They usually take place in the afternoon and end early to accommodate the two or three hours it takes many punks to return home by public transit. Mexican punk groups rarely release vinyl or CD recordings, usually cassettes are the preferred format.
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is a philosophy of hardcore punk culture, adherents of which refrain from using alcohol, tobacco, and other recreational drugs, in reaction to the excesses of punk subculture. For some, this extends to refraining from engaging in promiscuous sex, following a vegetarian or
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The nature of punk allowed many to create a non-gender-conforming style. Punks could be free to use femininity or masculinity to make what they were doing even more shocking to their audience. It became popular for some punks to accentuate societal norms. At one concert,
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shirt featured an upside-down crucified Jesus and a swastika, notably worn by members of the Sex Pistols. Most contemporary punks are staunchly anti-racist and are more likely to wear a crossed-out swastika symbol than a pro-Nazi symbol. Some punks cut their hair into
2424:". In the United States, punks had a different approach to nihilism which was less anarchistic than the British punks. Punk nihilism was expressed in the use of "harder, more self-destructive, consciousness-obliterating substances like heroin, or methamphetamine".
4441:
it to this kind of goony fuzztone clatter...oh, it was beautiful, it was pure folklore, Old America, and sometimes I think those were the best days ever."; pg. 225 is a reprint from article which appeared in late-70s, that refers back to garage bands as "punk"
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some Frikis were "rejected by family and often jailed or fined by the government", the 1980s Friki woman Yoandra Cardoso, however, has that argued that much of the response was verbal harassment from law enforcement. Dionisio Arce, lead vocalist of Cuban
3733:. Rimbaud also said that Crass were heavily involved with the hippie movement throughout the 1960s and 1970s, with Dial House being established in 1967. Many punks were often critical of Crass for their involvement in the hippie movement. Like Crass,
2238:. Most punk rock songs are short, have simple and somewhat basic arrangements using relatively few chords, and typically have lyrics that express punk ideologies and values, although some punk lyrics are about lighter topics such as partying or
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later said. " discrimination didn't exist in that scene." This participation played a role in the historical development of punk music, especially in the U.S. and U.K. at that time, and continues to influence and enable future generations.
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and economic disparity. The use of images of suffering to shock and create feelings of empathy in the viewer is common. Alternatively, punk artwork may contain images of selfishness, stupidity, or apathy to provoke contempt in the viewer.
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Early punk fashion adapted everyday objects for aesthetic effect: ripped clothing was held together by safety pins or wrapped with tape; ordinary clothing was customised by embellishing it with marker or adorning it with paint; a black
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Many punks wear tight "drainpipe" jeans, plaid/tartan trousers, kilts or skirts, T-shirts, leather jackets (often decorated with painted band logos, pins and buttons, and metal studs, chains or spikes), and footwear such as high-cut
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2397:, when bassist and singer Ken Casey tackled an individual for giving a Nazi-style salute and later stated that Nazis are not welcome at a Dropkick Murphys show. Band member Tim Brennan later reaffirmed this sentiment. The song "
3786:. However, stylistically and lyrically, power pop bands have tended to have a very "not-punk" top 40 commercial pop music influence and a flashier, heavily teen-pop sense of fashion, especially modern power pop groups such as
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who attend concerts, protests, and other events, zine publishers, reviewers, and other writers, visual artists illustrating zines, and creating posters and album covers, show promoters, and people who work at music venues or
2531:, arguing that punk should be defined by music or ideology. Punk clothing choices challenge the way in which individuals in a nation dress, and the ideals of a traditionalist nation. This is most common in the post-1980s US
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LP. (Elektra, 1972): uses the term "punk rock" to describe whole genre of 60s garage bands: "..the name that has been unofficially coined for them – "punk rock" – seems particularly fitting in this case..." >Shaw, Greg.
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its history, has led to internal conflicts and an active push against such views being considered part of punk subculture at all. Two examples of this are an incident during the 2016 American Music Awards, where the band
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shop." Henry Rollins echoes Morris' point, stating that for him getting dressed up meant putting on a black shirt and some dark pants; Rollins viewed an interest in fashion as being a distraction. Jimmy Gestapo from
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featuring 100 portraits of Australian women in the punk subculture, and it was published in 2017 by Manuscript Daily. Discrimination against punk subculture is explored with her photographs in the book; these
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scenes of the 1970s, which were dominated by men, the anarchic, counter-cultural mindset of the punk scene in mid- and late 1970s encouraged women to participate. "That was the beauty of the punk thing,"
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LP: speaks of whole phenomenon of 60s garage bands as an actual genre called "punk rock": "Punk rock at its best is the closest we came in the 60's to the original rockabilly spirit of Rock 'n Roll..."
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3986:. Rather than the sense of despondency and fatalism that characterised 1970s British punk subculture, the politically engaged South African scene is more positive about the future of South Africa.
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movement has complicated the position of white South Africans in contemporary society. Punk provides young white men the opportunity to explore and express their minority identity. Cape Town band
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subculture of the United Kingdom in the late 1960s – which had almost disappeared in the early 1970s – was revived in the late 1970s, partly because of the influence of punk rock, especially the
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3624:, has influenced several punk musicians. Punks and skinheads have had both antagonistic and friendly relationships, depending on the social circumstances, time period, and geographic location.
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While this perceived inauthenticity is viewed with scorn and contempt by members of the subculture, the definition of the term and to whom it should be applied is subjective. An article in
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wrote that 'During the Pistols era, women were out there playing with the men, taking us on in equal terms ... It wasn't combative, but compatible.' Women were involved in bands such as
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In punk's heyday, punks faced harassment and attacks from the general public and from members of other subcultures. In the 1980s in the UK, punks were sometimes involved in brawls with
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The punk subculture has spread to many countries around the world. The fluidity of musical expression in particular makes it an ideal medium for this cross-cultural interpretation.
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2145:. Hardcore punk, street punk, and Oi! sought to do away with the frivolities introduced in the later years of the original punk movement. The punk subculture influenced other
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ideals and metal-influenced guitar sounds. However, hardcore punk and grunge developed in part as reactions against the heavy metal music that was popular during the 1980s.
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Skinheads: A Guide to an American Subculture. By Tiffini A. Travis, Perry Hardy. ABC-CLIO, 2012. p. 123 (section entitled "From San Francisco Hardcore Punks to Skinheads")
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Europe, the Middle East, and South America. By the beginning of the 2000s, militant straight edge punks had largely left the broader straight edge culture and movement.
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Different punk subcultures often distinguish themselves by having a unique style of punk rock, although not every style of punk rock has its own associated subculture.
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Huq, Rupa (2006). "Euoprean youth cultures in a post-colonial world: British Asian underground and French hip-hop music scenes". In Pam Nilan and Carles Feixa (ed.).
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4468:. May, 1971—from a review of live show by ? & the Mysterions – Marsh refers to their style as "a landmark exposition of punk rock."; >Christgau, Robert.
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In post-apartheid South Africa, punk attracted a greater number of white middle-class males than the more diverse makeup of the subculture during the apartheid era.
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The New York City punk rock scene arose from a subcultural underground promoted by artists, reporters, musicians, and a wide variety of non-mainstream enthusiasts.
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of their commitment to the values or philosophies of the scene, which may range from political beliefs to lifestyle practices. In the punk subculture, the epithet
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Post-apartheid punk subculture continues to be active in South African politics, organising a 2000 festival called Punks Against Racism at Thrashers Statepark in
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4913:"Hardcore punk of the '80s preferred simple, utilitarian style because it was better for moshing. — 29 Things You Didn't Know About Punk Style | Complex"
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band Zeus spent six years in prison due to his part in the Frikis. Some schools would forcibly shave the heads of young Frikis as a form of punishment.
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came out of garage-rock during the late 1960s. Usually, white working-class boys are credited for pioneering the genre, however, there were many women (
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subcultures have shared some similarities since punk's inception. The early 1970s protopunk scene had an influence on the development of heavy metal.
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5579:"Girl Zine Networks, Underground Itineraries, and Riot Grrrl History: Making Sense of the Struggle for New Social Forms in the 1990s and Beyond"
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plays a role in many punk communities, providing shelter and other forms of support. Squats in abandoned or condemned housing, and communal "
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prefer to "wreck", a form of slam dancing that involves people punching each other in the chest and arms as they move around the circle pit.
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and streets as the multi-racial composition of bands and fan bases challenged the legal and social conventions of the apartheid regime.
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Stratton, Jon (January 2005). "Jews, Punk and the Holocaust: From the Velvet Underground to the Ramones: The Jewish-American Story".
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in the late 1970s with its "anyone can do it" ethos led to women making significant contributions. In contrast to the rock music and
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is the true spirit of punk", because "after all the poseurs and fashionistas fucked off to the next trend of skinny pink ties with
3115:. Jim Carroll's autobiographical works are among the first known examples of punk literature. The punk subculture has inspired the
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in the larger punk scene. Queercore is an offshoot of the hardcore punk scene and draws its name from a combination of the words "
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described early hardcore fashion as "the...punk scene was basically based on English fashion. But we had nothing to do with that.
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independent labels, in hopes to combat what they saw as a money-hungry music industry. The DIY ethic is still popular with punks.
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became a dress, shirt or skirt; safety pins and razor blades were used as jewellery. Also popular have been leather, rubber, and
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3639:, since their first album release in 1977, have enjoyed continued popularity in the punk scene, and their now-deceased frontman
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The style of the 1980s hardcore scene contrasted with the more provocative fashion styles of late 1970s punk rockers (elaborate
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The punk subculture emerged in the mid-1970s; in New York in 1974 and in the United Kingdom in 1976. Some suggest the name "
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Just as zines played an important role in spreading information in the punk era (e.g. British fanzines like Mark Perry's
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6318:"Pull My Strings (lost footage from Dead Kennedys live performance; existence unconfirmed; 1980) - The Lost Media Wiki"
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3201:" (1981) focuses on the early Los Angeles punk scene through interviews and early concert footage from bands including
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2114:" of almost every previous youth culture in the Western world since World War II, "stuck together with safety pins".
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In 1999, William Tsitsos wrote that straight edge had gone through three eras since its founding in the early 1980s.
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movements owe much to punk aesthetics. Several famous punk bands have participated in movies, such as the Ramones in
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described the LA scene from 1981 to 1984, and included show reviews of and interviews with such bands as Vancouver's
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3848:, Jana Schlosser, stated in 1984 when she came out of jail, that "The Stasi had pretty well managed to smash punk."
3262:(1980), which portrayed the rebellion and anarchy associated with punk, and went on to become highly influential in
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originated as a garage rock revival in the northeastern United States. The first distinct music scene to claim the
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Marion Leonard. "Riot grrrl." Grove Music Online. Oxford Music Online. Oxford University Press. Web. 20 July 2014.
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Tsitsos, William (October 1999). "Rules of rebellion: slamdancing, moshing, and the American alternative scene".
7143:
O'Connor, Alan (2003). "Punk Subculture in Mexico and the Anti-globalization Movement: A Report from the Front".
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played roles in introducing both punk and hip hop to the United Kingdom. Hip hop later influenced some punk and
3412:
Punks come from all culture and economic classes. Compared to some subcultures, punk ideology is much closer to
7885:
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Greene, Shane (December 2012). "The Problem of Peru's Punk Underground: An Approach to Under-Fuck the System".
4041:
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1719:
5374:
4856:
3706:, and members of other subcultures. There was also considerable enmity between Positive punks (known today as
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harassment was common and the government often censored explicitly political lyrics. Johannesburg-based band
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Though Mexican punk itself does not have an explicit political agenda, Mexican punks have been active in the
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that was one of the few venues in the city that allowed rock bands to play. Some Frikis also participate in
1992:, and film. Largely characterised by anti-establishment views, the promotion of individual freedom, and the
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7302:
6390:"Dead Kennedys : Plastic Surgery Disasters/In God We Trust Inc/Frankenchrist/Bedtime For Democracy/Gi"
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Traber, Daniel S. (2001). "L. A.'s "White Minority": Punk and the Contradictions of Self-Marginalization".
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Punk arrived slowly in South Africa during the 1970s when waves of British tradesmen welcomed by the then-
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as a key influence on his political activism and thinking, though he did write songs critical of hippies.
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4656:"Dropkick Murphys Will Never Stop Fighting Evil: Tim Brennan on Opposing Fascism, Addiction & Haters"
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2814:. Usually straightforward with clear messages, punk art is often concerned with political issues such as
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In the late 1970s, the subculture began to diversify, which led to the proliferation of factions such as
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boots, hairstyles such as brightly coloured hair and spiked mohawks, cosmetics, tattoos, jewellery, and
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and appropriate the subversive implications of the English term "underground" through the Spanish term
3597:. Other rappers and hip-hop acts were influenced by the subcultures of crust punk and hardcore such as
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haircuts, singing wimpy lyrics", the punk scene consisted only of people "completely dedicated to the
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states, "I think women are natural anarchists, because you're always operating in a male framework."
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Feixa, Carles (2006). "Being a punk in Catalonia and Mexico". In Pam Nilan and Carles Feixa (ed.).
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or other dramatic shapes, style it to stand in spikes, and colour it with vibrant, unnatural hues.
2312:'s harsh and experimental yet often melodic sound in the mid to late-1960s, much of it relating to
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7485:"Los Frikis, ces punks cubains qui s'inoculaient le virus du sida pour vivre dans des sanatoriums"
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wrote about "...what I have chosen to call 'punk rock' bands—white teenage hard rock of '64–66 (
3454:. The Internet has been playing an increasingly large role in punk, specifically in the form of
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In the punk and hardcore subcultures, members of the scene are often evaluated in terms of the
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2544:. Women in the hardcore scene typically wore army trousers, band T-shirts, and hooded jumpers.
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3014:. Several novels, biographies, autobiographies, and comic books have been written about punk.
2974:, which feature news, gossip, cultural criticism, and interviews. Some zines take the form of
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7518:""Spotlight on Cuba" – "Death is a door": HIV/AIDS, Freedom, & the Cuban Punk Rock Scene"
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Grossman, Perry (1996–1997). "Identity Crisis: The Dialectics of Rock, Punk, and Grunge".
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A band plays on the tiny stage at the Berkeley, California punk venue at 924 Gilman Street
8:
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5183:"The Lost Women of Rock Music' Is an Important Work, But a Replay of the Same Old Themes"
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and reproduced by photocopying at work, school, or at copy shops. Punk art also uses the
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While most punk rock uses distorted guitars and noisy drumming sounds derived from 1960s
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5512:"Boston wins 'Most Feminist City' with Riot Grrrl Day – we made a playlist to celebrate"
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literature genres, and has even contributed (through Iggy Pop) to classical scholarship.
2595:, that examined the techniques of hardware, distress, and re-purposing in punk fashion.
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Mike Dennis, Norman LaPorte (2011). "Sub-cultures: Punks, Goths, and Heavy Metallers".
7021:
Mike Dennis, Norman LaPorte (2011). "Sub-cultures: Punks, Goths, and Heavy Metallers".
6968:
Mike Dennis, Norman LaPorte (2011). "Sub-cultures: Punks, Goths, and Heavy Metallers".
6943:
Mike Dennis, Norman LaPorte (2011). "Sub-cultures: Punks, Goths, and Heavy Metallers".
6918:
Mike Dennis, Norman LaPorte (2011). "Sub-cultures: Punks, Goths, and Heavy Metallers".
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By the 1980s the punk scene in Peru was highly active. Peruvian punks call themselves
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subcultures have had several ties to punk, in terms of music, fashion, and attitude.
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and the Circle Jerks were so far from that. We looked like the kid who worked at the
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due to the contrasting ideologies and backlash of the hippie culture. Nevertheless,
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7727:
Sober Living for the Revolution: Hardcore Punk, Straight Edge, and Radical Politics
7686:
7401:
7279:
7275:
7152:
6128:
5212:
Conference proceedings (September 2001). "No Future?". University of Wolverhampton.
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3779:
3778:" label. A good example of a genre-straddling "power pop punk" band is the popular
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scene who were frustrated by the rigidity and intolerance in the scene. During the
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2008:
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was a forerunner of the fashion and music of both the punk and metal subcultures.
3446:" often provide bands a place to stay while they are touring. There are some punk
2760:
issues. Queercore is an anti-establishment subculture based around a rejection of
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32:
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192:
185:
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7156:
7101:"La mĂşsica punk como un espacio identitario y de formaciĂłn en jĂłvenes de MĂ©xico"
2924:
bands such as The Stooges, and have appeared at punk, metal, and rock concerts.
2393:
chanted anti-racist and anti-fascist messages, and an incident at a show by the
2042:. Women in the hardcore scene typically wore clothing categorized as masculine.
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569:
9694:
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8497:
8361:
8314:
8263:
7969:
7421:"Why a Community of Punks Chose to Infect Themselves with HIV in Castro's Cuba"
6265:
5692:"80s punk zine We Got Power! still packs a punch | Bleader | Chicago"
4771:"The Situationist International Text Library/Consumer Society and Authenticity"
4534:
3905:
government brought cultural influences like the popular British music magazine
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3156:
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2822:
Much of the earlier artwork was black and white, because it was distributed in
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649:
564:
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428:
383:
363:
358:
7773:
Wood, Robert T. (1999). "Nailed to the X: A Lyrical History of Straightedge".
7757:
6840:
6365:
6342:
5635:"With zines, the '90s punk scene had a living history · Fear of a Punk Decade"
4739:
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4307:
2576:
describes his own transition from dressing in a punk style (spiked hair and a
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9650:
9620:
9439:
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9404:
9399:
9318:
9257:
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9032:
8628:
8604:
8547:
8324:
8248:
8175:
8075:
8035:
7871:
7690:
7551:""Los Frikis" Documentary Tells Story of Cuban Punks Who Got AIDS on Purpose"
6804:
6295:
5871:"PCP, Quaaludes, Mescaline. What Became of Yesterday's "It" Drugs? – The Fix"
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709:
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619:
438:
433:
413:
7212:"Punk in Africa: 3 Chords, 3 Countries, 1 Revolution... and a Facebook Page"
3068:
was a photo zine that included photos of hardcore shows from across the US.
2034:
There is a wide range of punk fashion, including T-shirts, leather jackets,
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9630:
9429:
9384:
9293:
9162:
9152:
8934:
8843:
8833:
8699:
8673:
8542:
8517:
8288:
8085:
7940:
6725:
Skinheads shaved for battle : a cultural history of American skinheads
5813:
5721:
4097:
4044:
of Cuban society, leading to Frikis becoming victims of discrimination and
3915:
3886:
3841:
3808:
3791:
3734:
3711:
3684:
3668:
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3076:
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3025:
2913:
2909:
2901:
2643:
2577:
2556:
2552:
2433:
2357:
Punk political ideologies are mostly concerned with individual freedom and
2166:
2045:
Punk aesthetics determine the type of art punks enjoy, which typically has
1981:
1826:
1816:
1287:
1252:
1104:
814:
739:
679:
654:
599:
408:
343:
6416:"Oldies But Goldies: Dead Kennedy's satirize enemies with punk-rock sound"
6132:
3636:
2669:
Others take issue with the notion of equal recognition, such as guitarist
44:
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9645:
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8180:
8151:
8136:
8131:
8055:
8018:
7908:
7598:"Cuban Metal Heroes Zeus Confront an Uncertain Future in New Doc Trailer"
7266:
Basson, Lauren (2007). "Punk identities in post-apartheid South Africa".
6662:
Intersections: Photography, History and the National Library of Australia
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movement that originated in the early 1990s in Washington, D.C., and the
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4883:"CITIZINE Interview – Circle Jerks' Keith Morris (Black Flag, Diabetes)"
4512:
Kaye, Lenny. "Headed, Decked, and Stroked..."--original liner notes for
3404:
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is a later development influenced by all of the above-mentioned styles.
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6140:
5841:"The True Story of How Afropunk Turned A Message Board into A Movement"
4748:
4618:"Green Day protest at AMAs: 'No Trump, no KKK, no fascist USA' – video"
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The punk ethos is primarily made up of beliefs such as non-conformity,
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804:
508:
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5001:"Punk: Chaos to Couture fashion design, indie clothing, style, beauty"
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diet, and not drinking coffee or taking prescribed medicine. The term
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sensibilities. Punk has generated a considerable amount of poetry and
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Punk Rock is My Religion: Straight Edge Punk and 'Religious' Identity
4496:
4492:
4122:
4112:
4107:
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2548:
2448:
2390:
2370:
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2227:
2226:, some punk bands incorporate elements from other subgenres, such as
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2012:
1997:
1993:
1973:
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1114:
699:
523:
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64:
3717:
In the late 1970s, punks were known to have had confrontations with
2786:
Punk aesthetics determine the type of art punks enjoy, usually with
9701:
9635:
9273:
9002:
8212:
8200:
8158:
8092:
7991:
7957:
7808:
7708:
Straight Edge: Hardcore Punk, Clean Living Youth, and Social Change
7671:
Haenfler, Ross (August 2004). "Rethinking subcultural resistance".
6727:. Bowling Green, OH: Bowling Green State University Popular Press.
5909:
5309:"The Slits' Viv Albertine on punk, violence and doomed domesticity"
5211:
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3820:(trans. Zersetzung) of the Stasi: these involved various forms of
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Anyone Can Do It: Empowerment, Tradition and the Punk Underground
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7246:
Public Radio International (30 January 2013). "Punk in Africa".
5809:"Post-Human Nightmares – The World of Japanese Cyberpunk Cinema"
9496:
8507:
8253:
7950:
7852:
4826:"How Vivienne Westwood dressed the Sex Pistols and shaped punk"
4030:
3972:
I didn't choose to be here I was born I might seem out of place
3919:
3783:
3738:
3729:
said that Crass was formed in memory of his friend, the hippie
3680:
3676:
3617:
3574:
3472:
3387:
began as a counter-movement to straight edge by members of the
3231:
is another example of the punk subculture represented in film.
2846:
also influenced the look of punk art, particularly that of the
2799:
2764:. This rejection extends beyond mainstream society and resists
2286:
2270:
2235:
2178:
2106:
Early punk had an abundance of antecedents and influences, and
2058:
1035:
574:
5447:
Pretty in Punk: Girls' Gender Resistance in a Boys' Subculture
5145:
The Lost Women of Rock Music: Female Musicians of the Punk Era
4979:
Pretty in Punk: Girls' Gender Resistance in a Boys' Subculture
2248:
The earliest form of music to be called "punk rock" was 1960s
9379:
6468:"Dead Kennedys frontman goes after the modern music industry"
4487:
4189:
4040:
In its beginning, the subculture was seen as a threat to the
3813:
3726:
3660:
3640:
3361:
3301:
3287:
3283:
3020:
is a comic with a plot involving the Los Angeles punk scene.
2963:
2839:
2823:
2769:
2438:
2062:
799:
7863:
2551:, torn clothes, patches, safety pins, studs, spikes, etc.).
6893:"Sham Rock: Protex's earnest Northern Irish power pop punk"
4455:
quaint fanzine term for a transient form of mid-60s music'"
4436:
being punk); pg. 112–113 speak of the Guess Who as "punk"--
4018:
2757:
7635:
Dance of Days: Two Decades of Punk in the Nation's Capital
7245:
6466:
Wallace, Jacqueline; Sentinel, Santa Cruz (2 March 2016).
3655:
were greatly influenced by punk rock and heavy metal. The
3072:, which began in 1988, described the New York City scene.
2892:
2858:, exemplified by the art of Jamie Reid, Crass, The Clash,
8146:
7996:
7602:
5373:. The Rock & Roll Hall of Fame Museum. Archived from
4472:
October, 1971 – refers to "mid-60's garage rock as "punk"
3907:
3613:
3609:
3496:
3040:
described the regional hardcore scene from 1979 to 1983.
2142:
7450:
7448:
7332:
6863:"Power Pop | Significant Albums, Artists and Songs"
3561:
have found their way into hip hop dress and vice versa.
2834:'s Factory studio. Punk played a hand in the revival of
2706:, pulled out her tampon and threw it into the audience.
2540:
style of T-shirts, jeans, combat boots or trainers, and
5661:"Touch and Go: The Complete Hardcore Punk Zine '79–'83"
3939:
challenges of multi-racial mixing to punk subculture's
3838:
incarceration on the basis of mental health legislation
3554:
2962:
Punk has generated a considerable amount of poetry and
2467:. A designer associated with early UK punk fashion was
6169:
Punk rock, so what? : the cultural legacy of punk
5905:"The Complicated Contradictions of Straight Edge Punk"
4279:
Australian Broadcasting Corporation (2 October 2003).
4142:
4140:
4138:
3836:
methods designed to cause mental health problems, and
3548:
3545:
who are not mainstream, but "beautiful and talented".
3144:
concert footage from the movie, TV, and radio service
2320:, is credited for influencing 1970s bands such as the
7445:
4812:
Glossary of Art, Architecture & Design since 1945
3967:
It's my home it's where I'll stay and where I belong,
2511:. Early punks occasionally wore clothes displaying a
2455:
clothing that is often associated with transgressive
6621:
6599:"Punk Girls: taking fetishism out of the subculture"
5962:
5628:
5626:
5417:
Break All Rules! Punk Rock and the Making of a Style
3977:
but everything I hold dear is under the African sun.
3911:, sold in South Africa six weeks after publication.
3737:
was influenced by the hippie movement and cited the
3319:
6442:"Episode 152 with The Dead Kenneys' Klaus Flouride"
4592:
Please Kill Me: The Uncensored Oral History of Punk
4135:
3458:and file sharing programs for trading music files.
3316:covers the black experience in the punk DIY scene.
7016:
7014:
6749:
6166:
5974:
5444:
5397:
4589:
4452:One Chord Wonders: Power and Meaning in Punk Rock.
3242:subculture that arose in the 1970s. The filmmaker
7827:England's Dreaming: The Sex Pistols and Punk Rock
5623:
4561:Sonic Cool: The Life & Death of Rock 'N' Roll
4548:Sonic Cool: The Life & Death of Rock 'N' Roll
3300:(1981), an unofficial short film adaptation of a
3296:(1982 debut). Ishii's next film was the frenetic
9772:
7138:
7136:
7134:
7132:
7130:
6494:"Features – Soul Brothers: DiS meets Bad Brains"
6160:
6158:
7632:
7180:Global Youth?: Hybrid identities, plural worlds
7073:Global Youth?: Hybrid identities, plural worlds
7011:
6810:The Last of the Hippies – An Hysterical Romance
6465:
6196:
6097:
6043:
6037:
5902:
5438:
5436:
4412:
4410:
4216:
3962:sings of the strange status of white Africans:
3197:' first instalment of the documentary trilogy "
2896:A crowd of fans at a punk show in Italy in 2006
2598:
2350:A punk faces a line of riot police at the 1984
7303:"The Big Punk Rock Lie and the Peruvian Truth"
7048:State and Minorities in Communist East Germany
7023:State and Minorities in Communist East Germany
6995:State and Minorities in Communist East Germany
6970:State and Minorities in Communist East Germany
6945:State and Minorities in Communist East Germany
6920:State and Minorities in Communist East Germany
6591:
4686:"Jello Biafra on 'Nazi Punks' and hate speech"
9194:
8589:
7879:
7294:
7127:
7098:
6776:
6665:. National Library Australia. pp. 246–.
6230:The philosophy of punk : more than noise
6155:
6114:
6112:
5338:Andrews, Charlotte Richardson (3 July 2014).
1972:includes a diverse and widely known array of
1949:
7142:
7105:Revista Latinoamericana de Ciencias Sociales
5433:
4407:
3807:The punk scene began to emerge in communist
7325:
7205:
7203:
7201:
7199:
7045:
7020:
6992:
6967:
6942:
6917:
6192:
6190:
5222:: CS1 maint: numeric names: authors list (
4553:
4540:
4182:
3914:South African punk developed separately in
2756:Queercore is punk movement that focuses on
9201:
9187:
8596:
8582:
7886:
7872:
7802:
7387:
7385:
7261:
7259:
7257:
6203:St. James Encyclopaedia of Popular Culture
6109:
5898:
5896:
5593:
5240:Introduction: The Lost Women of Rock Music
5236:
5141:
4335:
4333:
4078:History of subcultures in the 20th century
3994:In Peru punk traces its roots to the band
3667:, and hardcore was a primary influence on
3399:
2900:Two dance styles associated with punk are
1956:
1942:
1852:Definition of anarchism and libertarianism
6997:. Berghahn Books. pp. 8–9, 164–167.
6652:
5371:"Women Who Rock: 10 Essential Punk Songs"
4738:
4725:(1). Cambridge University Press: 79–105.
3557:called themselves punk rockers, and some
3416:. Although the punk subculture is mostly
3107:performance group included punk musician
7705:
7670:
7595:
7351:
7196:
7182:. New York: Routledge. pp. 159–60.
6748:Waksman, Steve Waksman (February 2009).
6187:
6103:
6004:
5986:
5800:
5689:
4716:
4528:
4433:Psychotic Reactions and Carburetor Dung.
4342:"Where did punk begin? A cinema in Peru"
4340:Watts, Johnanathan (14 September 2012).
4305:
3403:
3347:
3136:
2953:
2891:
2608:
2591:in 2013 hosted a comprehensive exhibit,
2437:
2345:
2194:
2090:
43:
31:
7743:
7515:
7382:
7357:
7254:
7241:
7239:
7237:
7209:
6803:
6747:
6552:
6491:
6031:
5893:
5471:
5442:
5337:
4981:. Rutgers University Press, 1999. p. 52
4330:
3643:was a fan of punk rock. Genres such as
3219:The Decline of Western Civilization III
40:at Morecambe, Lancashire, England, 2003
14:
9773:
7633:Andersen, Mark; Jenkins, Mark (2003).
7585:(Audio) (in Spanish). Radio Ambulante.
7391:
7265:
7171:
7099:LĂłpez-Cabello, Arcelia Salome (2013).
7094:
7092:
6700:Encyclopedia of punk music and culture
6518:
6118:
5806:
5632:
5576:
5050:
5028:1988: The New Wave Punk Rock Explosion
4823:
4521:, 4 January 1973 – review of original
4402:Teenage: The Creation of Youth Culture
3851:
2684:
2616:, advocate of crowdfunding, performing
2361:views. Common punk viewpoints include
904:Spanish Regional Federation of the IWA
9182:
8577:
7867:
7651:
7418:
7358:Serrano, Ignacio (21 November 2010).
7177:
6722:
6697:
6658:
6640:from the original on 17 December 2018
6252:
6164:
5968:
5935:
5788:from the original on 9 September 2011
5540:
5414:
5340:"Punk has a problem with women. Why?"
5281:
5180:
4854:
4636:from the original on 21 November 2016
4563:. pp. 344–50. 2002. Hal-Leonard. USA.
4550:. pp. 324–30. 2002. Hal-Leonard. USA.
4394:
4339:
4318:from the original on 21 November 2021
3324:
2620:In the United Kingdom, the advent of
2515:for shock value; Vivienne Westwood's
7772:
7724:
7509:
7234:
7222:from the original on 6 December 2013
7064:
7050:. Berghahn Books. pp. 153–170.
6993:Mike Dennis, Norman LaPorte (2011).
6634:Vault Australasian Art & Culture
6521:"15 Essential Women Punk Rock Icons"
6439:
6344:Pull My Strings by The Dead Kennedys
6227:
6091:
6079:
6067:
6055:
6016:
5992:
5980:
5917:from the original on 3 February 2011
5881:from the original on 27 October 2017
5395:
5350:from the original on 8 December 2015
5319:from the original on 8 December 2015
5306:
5284:Rotten: No Irish, No Blacks, No Dogs
5193:from the original on 8 December 2015
5053:"15 Essential Women Punk Rock Icons"
5025:
4959:from the original on 2 November 2013
4923:from the original on 3 November 2013
4836:from the original on 14 January 2023
4824:Andrew, Scottie (30 December 2022).
4698:from the original on 21 October 2020
4666:from the original on 28 October 2020
4382:from the original on 14 January 2021
4247:
4229:from the original on 25 October 2006
4164:from the original on 2 November 2013
3758:music (as defined by groups such as
2442:Two British punks in the early 1980s
2412:and anarchist views with the slogan
9841:Youth culture in the United Kingdom
9476:Singapore Dark Alternative Movement
9208:
7674:Journal of Contemporary Ethnography
7089:
7075:. New York: Routledge. p. 14.
7070:
6899:from the original on 29 August 2014
6817:from the original on 3 January 2011
6702:. Westport, Conn: Greenwood Press.
6609:from the original on 18 August 2020
6558:
6413:
6387:
5083:"Women of Punk and Post-Punk Music"
5030:. London: Omnibus/Hawthorne Books.
4352:from the original on 14 August 2015
3926:and relied on live performances in
3549:Interactions with other subcultures
3199:The Decline of Western Civilization
2802:sensibilities. Punk artwork graces
24:
7795:
7610:from the original on 23 March 2020
7563:from the original on 23 March 2020
7530:from the original on 23 March 2020
7497:from the original on 23 March 2020
7465:from the original on 23 March 2020
7433:from the original on 23 March 2020
7300:
7210:Hopkins, Curt (20 February 2012).
6873:from the original on 20 April 2014
6627:
6531:from the original on 1 August 2016
6496:. Drowned in Sound. Archived from
5851:from the original on 6 August 2020
5570:
5123:from the original on 12 March 2019
5063:from the original on 1 August 2016
4889:. 17 February 2003. Archived from
4855:Sklar, Monica (21 November 2013).
4781:from the original on 16 March 2010
4272:
3036:In the American Midwest, the zine
2103:" was borrowed from prison slang.
25:
9852:
8603:
8483:Animal rights and punk subculture
7845:
7596:BLISTEIN, JON (5 November 2019).
7548:
7419:Saeed, Abdullah (February 2017).
7370:from the original on 19 July 2013
7313:from the original on 27 June 2013
7268:South African Review of Sociology
6679:from the original on 6 April 2023
6579:from the original on 6 April 2023
6440:Iahn, Buddy (30 September 2022).
5690:Margasak, Peter (19 March 2013).
5633:Heller, Jason (15 October 2013).
5611:from the original on 12 June 2010
5549:from the original on 3 April 2019
5522:from the original on 30 June 2016
5492:from the original on 6 April 2023
5007:from the original on 27 June 2014
4210:
4037:as an act of political defiance.
3725:of the English anarcho-punk band
3320:Perspectives on drugs and alcohol
3278:aesthetic that paved the way for
3270:in particular was an influential
1984:, and other forms of expression,
9092:Concentration of media ownership
7851:
7589:
7575:
7542:
7516:BRIDGES, MEGAN (15 April 2015).
7477:
7412:
7394:Journal of Popular Music Studies
7339:from the original on 6 June 2013
7039:
6986:
6961:
6936:
6911:
6895:. Dangerous Minds. 3 July 2013.
6885:
6855:
6829:
6797:
6770:
6741:
6716:
6492:Symonds, Rene (16 August 2007).
6294:. 15 August 1978. Archived from
5821:from the original on 12 May 2021
5732:from the original on 23 May 2014
5472:Stewart, Francis (25 May 2017).
5368:
5286:. London: Coronet. p. 378.
4404:. P. xvi. 2007. Viking. England.
4287:from the original on 24 May 2006
4017:A punk subculture originated in
3683:subculture was a fusion of punk
3368:was adopted from the 1981 song "
3337:
2920:were originally associated with
1924:
1914:
939:International Conference of Rome
929:International Conference of Rome
71:
8468:List of punk compilation albums
7625:
7025:. Berghahn Books. p. 167.
6972:. Berghahn Books. p. 159.
6947:. Berghahn Books. p. 157.
6922:. Berghahn Books. p. 161.
6691:
6603:Australian Broadcasting Company
6543:
6512:
6485:
6459:
6433:
6407:
6381:
6358:
6335:
6310:
6280:
6246:
6221:
6085:
6073:
6061:
6049:
6025:
6019:Sober Living for the Revolution
6010:
5998:
5929:
5863:
5833:
5770:
5744:
5714:
5683:
5653:
5637:. The A.V. Club. Archived from
5601:"A Metaphysics of the Mosh Pit"
5561:
5534:
5504:
5465:
5408:
5389:
5362:
5331:
5300:
5275:
5230:
5205:
5174:
5135:
5105:
5075:
5044:
5019:
4993:
4984:
4971:
4935:
4905:
4875:
4848:
4817:
4793:
4763:
4710:
4678:
4648:
4610:
4582:
4566:
4506:
4475:
4458:
4444:
4425:
4185:"Will Success Spoil The Fruit?"
4083:List of hardcore punk subgenres
3896:
3802:
3657:new wave of British heavy metal
3461:
3172:The Great Rock 'n' Roll Swindle
2978:. Important punk zines include
2928:promoted an updated version of
2161:, and the extreme subgenres of
2110:describes the subculture as a "
7787:10.1080/13676261.1999.10593032
7280:10.1080/21528586.2007.10419167
6519:Berman, Judy (8 August 2011).
6173:. London New York: Routledge.
5936:Krist, Josh (22 August 1996).
5148:. Ashgate/Equinox Publishing.
5051:Berman, Judy (8 August 2011).
4364:
4299:
4248:Robb, John (5 November 2005).
4241:
4176:
3797:
3710:) and the glamorously dressed
3246:introduced this subculture to
2738:. It is often associated with
2408:Early British punks expressed
2087:History of the punk subculture
1996:, the culture originated from
1051:Australian Anarchist Centenary
976:German Revolution of 1918–1919
13:
1:
9745:Suicide of Nicola Ann Raphael
9502:Le Phonographique (1979–2005)
7893:
6779:Berkeley Journal of Sociology
6752:This Ain't the Summer of Love
5903:Sutherland, Sam (July 2006).
5404:. Ashgate Publishing Limited.
4485:. 1971. – In 1971 article in
4129:
4021:in the 1980s, referred to as
3193:are notable punk filmmakers.
2943:
2775:
2709:
2335:
1238:Decentralized planned economy
27:Anti-establishment subculture
7710:. Rutgers University Press.
7556:New Times Broward-Palm Beach
6377:– via www.youtube.com.
6354:– via www.youtube.com.
5807:Player, Mark (13 May 2011).
5589:(1): 1–31 – via JSTOR.
5451:. Rutgers University Press.
5415:Young, Tricia Henry (1998).
5003:. Ms. Fabulous. 7 May 2013.
4050:New Times Broward-Palm Beach
3891:anti-globalisation movements
3372:" by the hardcore punk band
2745:
2599:Gender and gender expression
464:Proletarian internationalism
7:
9831:Counterculture of the 1990s
9826:Counterculture of the 1980s
9821:Counterculture of the 1970s
9786:1970s in the United Kingdom
9563:Convergence (goth festival)
9329:List of gothic rock artists
8473:List of punk rock festivals
7333:"Los Saicos- Official Page"
7157:10.1080/0739314032000071226
6044:Andersen & Jenkins 2003
6021:. PM Press. pp. 13–14.
5583:Journal of American Studies
5545:. New York Public Library.
4060:
3842:crimes ostensibly committed
3612:punk subgenre. Conversely,
986:1919 United States bombings
10:
9857:
9750:Murder of Sophie Lancaster
8427:Second wave punk musicians
7523:University of Pennsylvania
7455:Tim Howard, Luis Trelles.
6559:Ham, Liz (November 2017).
5443:LeBlanc, Lauraine (1999).
5237:Reddington, Helen (1977).
5142:Reddington, Helen (2012).
4579:. Retrieved 18 April 2009.
4422:. Retrieved 18 April 2009.
3553:Some of the first hip hop
3510:, the Velvet Underground,
3341:
3238:movement has roots in the
3130:
2958:UK and US zines, 1994–2004
2947:
2779:
2749:
2713:
2702:, lead singer of the band
2602:
2589:Metropolitan Museum of Art
2479:, which became famous as "
2431:
2427:
2339:
2188:
2084:
2080:
1892:Situationist International
1196:Self-managed social center
1011:Spanish Revolution of 1936
9732:
9659:
9586:
9530:
9489:
9453:
9375:Cassandra Peterson/Elvira
9337:
9289:Siouxsie and the Banshees
9266:
9218:
9135:
9079:
9041:
8963:
8912:
8877:
8821:
8778:
8771:
8735:
8687:
8611:
8460:
8422:First wave punk musicians
8414:
8302:
8231:
7931:
7901:
7758:10.1017/S0261143000008941
6565:. Manuscript Publishing.
6388:NME (12 September 2005).
6253:Marsh, Dave (June 1995).
5752:"Caesar Lives – Iggy Pop"
5543:"The Riot Grrrl Movement"
4731:10.1017/S0261143004000315
4281:"Misfits and Malcontents"
3859:
3502:Proto-punk bands such as
3434:independent record labels
3389:Washington, D.C. hardcore
3166:Rock 'n' Roll High School
2874:who created work for the
1066:Really Really Free Market
1061:1999 Seattle WTO protests
529:Temporary autonomous zone
454:Permanent autonomous zone
389:Consensus decision-making
9578:List of gothic festivals
9568:Bats Day in the Fun Park
9168:Society of the Spectacle
7775:Journal of Youth Studies
7691:10.1177/0891241603259809
7654:The Encyclopedia of Punk
7111:(1): 186. Archived from
6197:Grossman, Perry (2002).
5478:. Taylor & Francis.
4256:. London. Archived from
4217:Moore, Thurston (1996).
4183:Marsh, Dave (May 1971).
4029:, a community centre in
3834:psychological harassment
3622:traditionalist skinheads
3225:lifestyle in the 1990s.
3111:and had an influence on
2887:
2401:" by hardcore punk band
2184:
1293:Workers' self-management
1191:Radical environmentalism
1140:Independent Media Center
1056:Carnival Against Capital
981:Bavarian Soviet Republic
970:Manifesto of the Sixteen
369:Autonomous social center
9796:Motorcycling subculture
9049:Influence of mass media
8854:Narcotizing dysfunction
7706:Haenfler, Ross (2006).
7301:kj (11 February 2013).
6258:Rock & Rap Archives
5577:Radway, Janice (2016).
5026:Coon, Caroline (1977).
4806:2 February 2012 at the
4775:Library.nothingness.org
4308:"The Saints: Biography"
4012:
3989:
3487:argues that 1980s-era "
3400:Lifestyle and community
3126:
2471:, who made clothes for
2405:is a standout example.
2373:, non-conformity, anti-
1233:Cost the limit of price
9553:Lumous Gothic Festival
9324:Fields of the Nephilim
8710:Freedom of information
7805:The Philosophy of Punk
7803:O'Hara, Craig (1999).
7725:Kuhn, Gabriel (2010).
7656:. New York: Sterling.
6367:Chickenshit Conformist
6255:"LIVE THROUGH THIS..."
6017:Kuhn, Gabriel (2009).
5419:. UMI Research Press.
5181:Woronzoff, Elizabeth.
3409:
3353:
3352:A straight edge tattoo
3148:
3101:Attila the Stockbroker
2959:
2897:
2854:. Punk art often uses
2617:
2593:PUNK: Chaos to Couture
2443:
2416:, which came from the
2354:
2316:work by visual artist
2310:The Velvet Underground
2301:in the United States.
2240:romantic relationships
2211:slogans, choruses, or
2207:
2096:
1380:Bosnia and Herzegovina
469:Propaganda of the deed
459:Prefigurative politics
449:Participatory politics
394:Conscientious objector
49:
41:
9097:Exploitation of women
8563:Timeline of punk rock
8493:Death of Brian Deneke
8103:Progressive metalcore
7652:Cogan, Brian (2008).
7360:"PerĂş, cuna del punk"
7145:New Political Science
6698:Cogan, Brian (2006).
6659:Ennis, Helen (2004).
6165:Sabin, Roger (1999).
6133:10.1353/cul.2001.0040
5938:"White Punks on Hope"
4943:"Not Just Boys' Fun?"
4799:Walker, John. (1992)
4596:. Grove Press. 2006.
4148:"Not Just Boys' Fun?"
4118:Timeline of punk rock
3818:decomposition methods
3663:-style of bands like
3407:
3351:
3310:The documentary film
3182:Another State of Mind
3169:, the Sex Pistols in
3140:
3029:and Shane MacGowan's
2957:
2895:
2612:
2441:
2367:anti-authoritarianism
2349:
2213:football-style chants
2198:
2094:
2005:anti-authoritarianism
1882:Libertarian socialism
1046:Kate Sharpley Library
1021:Red inverted triangle
964:High Treason Incident
954:Congress of Amsterdam
539:Voluntary association
349:Anti-authoritarianism
339:Anarchist criminology
334:Anarchist Black Cross
47:
35:
9791:Culture of Australia
9299:The Sisters of Mercy
8389:Scottish Gaelic punk
7860:at Wikimedia Commons
6837:"Hippie Information"
6723:Moore, Jack (1993).
6630:"Liz Ham Punk Girls"
6420:Lancer Spirit Online
6228:Hara, Craig (1999).
5877:. 30 December 2011.
5726:InEffectHardcore.com
5282:Lydon, John (1995).
5113:"Why Women in Punk?"
4624:. 21 November 2016.
3516:Edgar Broughton Band
3514:, the Deviants, and
3250:with his punk films
3155:have been made. The
3075:Punk poets include:
3011:Search & Destroy
2838:art, spearheaded by
2013:do-it-yourself ethic
1765:Fictional characters
1186:Radical cheerleading
9811:Musical subcultures
9781:Underground culture
9660:Film and literature
9558:Whitby Goth Weekend
9543:M'era Luna Festival
9517:Death Guild (1993–)
9507:Batcave (1982–1985)
9490:Notable club nights
9143:Advanced capitalism
8829:Cult of personality
8743:Advanced capitalism
8431:List of punk bands
7493:. 7 November 2016.
6472:Santa Cruz Sentinel
6288:"The Orphans Story"
5696:M.chicagoreader.com
5665:Skyscraper Magazine
5396:Dale, Pete (2012).
5246:. London: Ashgate.
5162:on 27 November 2015
5093:on 26 November 2015
4559:Harrington, Joe S.
4546:Harrington, Joe S.
4250:"The birth of punk"
4198:on 12 February 2007
4103:Punk rock subgenres
4093:List of subcultures
4048:. According to the
3956:African Renaissance
3852:Global perspectives
3840:or on the basis of
3569:bands, such as the
3456:virtual communities
3058:Suicidal Tendencies
2966:. Punk has its own
2740:third-wave feminism
2736:Olympia, Washington
2685:Body and appearance
2475:'s boutique in the
2399:Nazi Punks Fuck Off
2377:, anti-government,
2314:transgressive media
1872:Left-libertarianism
1168:No gods, no masters
996:Kronstadt rebellion
934:Trial of the Thirty
899:Revolutions of 1848
18:Punk counterculture
9806:Music and politics
9709:The Goodbye Family
9548:Drop Dead Festival
9538:Wave-Gotik-Treffen
9512:Slimelight (1987–)
9497:F Club (1977–1982)
9445:Wednesday Mourning
9064:Semiotic democracy
8988:Civil disobedience
8900:Media manipulation
8890:Crowd manipulation
8813:Tabloid journalism
8727:Media transparency
8705:Media independence
8619:24-hour news cycle
8557:List of punk films
8452:Women in punk rock
7975:Christian hardcore
7406:10.1111/jpms.12008
7057:978-0-857-45-195-8
7032:978-0-857-45-195-8
7004:978-0-857-45-195-8
6979:978-0-857-45-195-8
6954:978-0-857-45-195-8
6929:978-0-857-45-195-8
6500:on 11 October 2008
6446:The Music Universe
6268:on 14 January 2012
6034:, pp. 397–414
5758:on 22 October 2015
5671:on 3 November 2013
5641:on 1 November 2013
5541:Feliciano, Steve.
5377:on 8 December 2015
5307:Petridis, Alexis.
5263:on 7 December 2015
4977:Lauraine Leblanc.
4777:. 3 October 1995.
4740:20.500.11937/17488
4283:. Australia: ABC.
4088:List of punk bands
3945:anti-establishment
3679:. The early 1990s
3450:, such as Essex's
3410:
3354:
3325:Inhalable solvents
3268:Crazy Thunder Road
3259:Crazy Thunder Road
3236:Japanese cyberpunk
3149:
3133:List of punk films
3089:John Cooper Clarke
2960:
2898:
2810:for concerts, and
2618:
2444:
2422:God Save the Queen
2363:individual liberty
2359:anti-establishment
2355:
2261:in cities such as
2208:
2097:
2065:, and has its own
1822:Anti-globalization
1755:Anarcho-punk bands
1440:Dominican Republic
1180:Property is theft!
1146:The Internationale
1100:Anarchist bookfair
1026:Labadie Collection
1016:Barcelona May Days
919:Cantonal rebellion
246:Without adjectives
105:Schools of thought
50:
42:
9801:Anarchist culture
9768:
9767:
9760:Vampirefreaks.com
9688:The Addams Family
9410:Patricia Morrison
9176:
9175:
9102:Freedom of speech
8920:Theodor W. Adorno
8908:
8907:
8895:Managing the news
8715:Freedom of speech
8695:Media development
8659:News broadcasting
8639:Independent media
8624:Alternative media
8571:
8570:
8488:Conservative Punk
8415:People and groups
8098:Melodic metalcore
8041:Beatdown hardcore
7856:Media related to
7818:978-1-873176-16-0
7807:. San Francisco:
7736:978-1-60486-051-1
7663:978-1-4027-5960-4
7637:. Akashic Books.
7248:Afropop Worldwide
7082:978-0-415-37070-7
6763:978-0-520-25717-7
6734:978-0-87972-583-9
6709:978-0-313-33340-8
6672:978-0-642-10792-3
6572:978-0-648-05981-3
6322:lostmediawiki.com
6298:on 2 October 2009
6239:978-1-873176-16-0
6232:. Edinburgh: AK.
6180:978-0-415-17030-7
6127:(Spring): 30–64.
6121:Cultural Critique
5995:, pp. 141–43
5983:, pp. 130–40
5950:on 10 August 2011
5943:Phoenix New Times
5458:978-0-8135-2651-5
5426:978-0-8357-1980-3
4893:on 6 October 2011
4868:978-1-4725-5733-9
4861:. A&C Black.
4694:. 9 August 2012.
4691:Los Angeles Times
4603:978-0-8021-4264-1
4537:from Allmusic.com
4501:Shadows of Knight
4219:"Grabbing Ankles"
4027:El patio de MarĂa
3253:Panic High School
3195:Penelope Spheeris
3177:Social Distortion
3153:punk-themed films
2981:Maximum RocknRoll
2968:underground press
2762:heteronormativity
2732:Pacific Northwest
2720:Riot grrrl is an
2469:Vivienne Westwood
2204:Cropredy Festival
2147:underground music
2075:punk-themed films
2067:underground press
2040:body modification
1966:
1965:
1902:Spontaneous order
1832:Anti-war movement
1775:Jewish anarchists
1174:Popular education
894:French Revolution
519:Spontaneous order
379:Classless society
304:
303:
262:Counter-economics
48:Two punks in 1986
16:(Redirected from
9848:
9740:Gother Than Thou
9420:Elizabeth Fraser
9219:Associated music
9212:
9203:
9196:
9189:
9180:
9179:
9148:Culture industry
9117:Social influence
9070:The Lonely Crowd
9013:Political satire
8978:Call-out culture
8955:Jacques Rancière
8950:Marshall McLuhan
8925:Jean Baudrillard
8869:Viral phenomenon
8803:Public relations
8776:
8775:
8649:Mainstream media
8634:Electronic media
8598:
8591:
8584:
8575:
8574:
8461:Related articles
8239:Alternative rock
8061:Melodic hardcore
8051:Digital hardcore
8046:Crossover thrash
7888:
7881:
7874:
7865:
7864:
7855:
7822:
7790:
7769:
7740:
7721:
7702:
7667:
7648:
7620:
7619:
7617:
7615:
7593:
7587:
7586:
7579:
7573:
7572:
7570:
7568:
7546:
7540:
7539:
7537:
7535:
7513:
7507:
7506:
7504:
7502:
7481:
7475:
7474:
7472:
7470:
7452:
7443:
7442:
7440:
7438:
7416:
7410:
7409:
7389:
7380:
7379:
7377:
7375:
7355:
7349:
7348:
7346:
7344:
7329:
7323:
7322:
7320:
7318:
7298:
7292:
7291:
7263:
7252:
7251:
7243:
7232:
7231:
7229:
7227:
7207:
7194:
7193:
7175:
7169:
7168:
7140:
7125:
7124:
7122:
7120:
7096:
7087:
7086:
7068:
7062:
7061:
7043:
7037:
7036:
7018:
7009:
7008:
6990:
6984:
6983:
6965:
6959:
6958:
6940:
6934:
6933:
6915:
6909:
6908:
6906:
6904:
6889:
6883:
6882:
6880:
6878:
6859:
6853:
6852:
6850:
6848:
6843:on 26 April 2012
6839:. Archived from
6833:
6827:
6826:
6824:
6822:
6801:
6795:
6794:
6774:
6768:
6767:
6755:
6745:
6739:
6738:
6720:
6714:
6713:
6695:
6689:
6688:
6686:
6684:
6656:
6650:
6649:
6647:
6645:
6628:Kubler, Alison.
6625:
6619:
6618:
6616:
6614:
6605:. 10 June 2016.
6595:
6589:
6588:
6586:
6584:
6556:
6550:
6547:
6541:
6540:
6538:
6536:
6516:
6510:
6509:
6507:
6505:
6489:
6483:
6482:
6480:
6478:
6463:
6457:
6456:
6454:
6452:
6437:
6431:
6430:
6428:
6426:
6411:
6405:
6404:
6402:
6400:
6385:
6379:
6378:
6376:
6374:
6362:
6356:
6355:
6353:
6351:
6339:
6333:
6332:
6330:
6328:
6314:
6308:
6307:
6305:
6303:
6284:
6278:
6277:
6275:
6273:
6264:. Archived from
6250:
6244:
6243:
6225:
6219:
6218:
6216:
6214:
6205:. Archived from
6194:
6185:
6184:
6172:
6162:
6153:
6152:
6116:
6107:
6106:, pp. 16–17
6101:
6095:
6089:
6083:
6077:
6071:
6065:
6059:
6053:
6047:
6041:
6035:
6029:
6023:
6022:
6014:
6008:
6002:
5996:
5990:
5984:
5978:
5972:
5966:
5960:
5959:
5957:
5955:
5946:. Archived from
5933:
5927:
5926:
5924:
5922:
5900:
5891:
5890:
5888:
5886:
5867:
5861:
5860:
5858:
5856:
5837:
5831:
5830:
5828:
5826:
5804:
5798:
5797:
5795:
5793:
5774:
5768:
5767:
5765:
5763:
5754:. Archived from
5748:
5742:
5741:
5739:
5737:
5718:
5712:
5711:
5709:
5707:
5698:. Archived from
5687:
5681:
5680:
5678:
5676:
5667:. Archived from
5657:
5651:
5650:
5648:
5646:
5630:
5621:
5620:
5618:
5616:
5597:
5591:
5590:
5574:
5568:
5565:
5559:
5558:
5556:
5554:
5538:
5532:
5531:
5529:
5527:
5518:. 9 April 2015.
5508:
5502:
5501:
5499:
5497:
5469:
5463:
5462:
5450:
5440:
5431:
5430:
5412:
5406:
5405:
5403:
5393:
5387:
5386:
5384:
5382:
5366:
5360:
5359:
5357:
5355:
5335:
5329:
5328:
5326:
5324:
5304:
5298:
5297:
5279:
5273:
5272:
5270:
5268:
5262:
5256:. Archived from
5245:
5234:
5228:
5227:
5221:
5213:
5209:
5203:
5202:
5200:
5198:
5178:
5172:
5171:
5169:
5167:
5158:. Archived from
5139:
5133:
5132:
5130:
5128:
5109:
5103:
5102:
5100:
5098:
5089:. Archived from
5079:
5073:
5072:
5070:
5068:
5048:
5042:
5041:
5023:
5017:
5016:
5014:
5012:
4997:
4991:
4988:
4982:
4975:
4969:
4968:
4966:
4964:
4958:
4947:
4939:
4933:
4932:
4930:
4928:
4909:
4903:
4902:
4900:
4898:
4879:
4873:
4872:
4852:
4846:
4845:
4843:
4841:
4821:
4815:
4797:
4791:
4790:
4788:
4786:
4767:
4761:
4760:
4742:
4714:
4708:
4707:
4705:
4703:
4682:
4676:
4675:
4673:
4671:
4652:
4646:
4645:
4643:
4641:
4614:
4608:
4607:
4595:
4586:
4580:
4570:
4564:
4557:
4551:
4544:
4538:
4532:
4526:
4510:
4504:
4488:Who Put the Bomp
4483:Who Put the Bomp
4479:
4473:
4462:
4456:
4448:
4442:
4429:
4423:
4414:
4405:
4398:
4392:
4391:
4389:
4387:
4368:
4362:
4361:
4359:
4357:
4337:
4328:
4327:
4325:
4323:
4303:
4297:
4296:
4294:
4292:
4276:
4270:
4269:
4267:
4265:
4260:on 27 April 2006
4245:
4239:
4238:
4236:
4234:
4214:
4208:
4207:
4205:
4203:
4194:. Archived from
4180:
4174:
4173:
4171:
4169:
4163:
4152:
4144:
4046:police brutality
3780:Northern Ireland
3653:crossover thrash
3620:, popular among
3485:Drowned in Sound
3264:underground film
3161:Remodernist film
3105:The Medway Poets
3017:Love and Rockets
2934:Hardcore dancing
2816:social injustice
2501:brothel creepers
2395:Dropkick Murphys
2159:crossover thrash
2151:alternative rock
2077:have been made.
2017:anti-consumerist
2009:anti-corporatism
1958:
1951:
1944:
1928:
1920:Anarchism portal
1918:
1812:Anti-consumerism
1807:Anti-corporatism
1283:Social ownership
1268:Market socialism
1243:Free association
1152:Jewish anarchism
1094:A las Barricadas
1006:Amakasu Incident
949:Strandza Commune
924:Haymarket affair
544:Workers' council
534:Union of egoists
494:Security culture
404:Decentralization
399:Critique of work
137:Total liberation
111:
110:
75:
52:
51:
36:Punk with a red
21:
9856:
9855:
9851:
9850:
9849:
9847:
9846:
9845:
9771:
9770:
9769:
9764:
9728:
9682:Edgar Allan Poe
9655:
9587:Art and fashion
9582:
9526:
9522:Xmortis (2004–)
9485:
9454:Regional scenes
9449:
9390:Monica Richards
9365:Andrew Eldritch
9338:Notable figures
9333:
9309:Alien Sex Fiend
9279:Christian Death
9262:
9214:
9211:Goth subculture
9210:
9207:
9177:
9172:
9158:Media franchise
9131:
9075:
9037:
8993:Culture jamming
8959:
8945:Walter Lippmann
8904:
8873:
8817:
8767:
8731:
8722:Media pluralism
8683:
8607:
8602:
8572:
8567:
8533:Punk literature
8528:Punk visual art
8523:Punk ideologies
8513:Punk subculture
8456:
8447:Punk filmmakers
8410:
8298:
8227:
8196:Punk pathetique
7933:
7927:
7897:
7892:
7848:
7843:
7831:Faber and Faber
7819:
7798:
7796:Further reading
7793:
7737:
7718:
7664:
7645:
7628:
7623:
7613:
7611:
7594:
7590:
7581:
7580:
7576:
7566:
7564:
7547:
7543:
7533:
7531:
7514:
7510:
7500:
7498:
7483:
7482:
7478:
7468:
7466:
7454:
7453:
7446:
7436:
7434:
7417:
7413:
7390:
7383:
7373:
7371:
7356:
7352:
7342:
7340:
7331:
7330:
7326:
7316:
7314:
7299:
7295:
7264:
7255:
7244:
7235:
7225:
7223:
7208:
7197:
7190:
7176:
7172:
7141:
7128:
7118:
7116:
7097:
7090:
7083:
7069:
7065:
7058:
7044:
7040:
7033:
7019:
7012:
7005:
6991:
6987:
6980:
6966:
6962:
6955:
6941:
6937:
6930:
6916:
6912:
6902:
6900:
6891:
6890:
6886:
6876:
6874:
6861:
6860:
6856:
6846:
6844:
6835:
6834:
6830:
6820:
6818:
6802:
6798:
6775:
6771:
6764:
6746:
6742:
6735:
6721:
6717:
6710:
6696:
6692:
6682:
6680:
6673:
6657:
6653:
6643:
6641:
6626:
6622:
6612:
6610:
6597:
6596:
6592:
6582:
6580:
6573:
6557:
6553:
6548:
6544:
6534:
6532:
6517:
6513:
6503:
6501:
6490:
6486:
6476:
6474:
6464:
6460:
6450:
6448:
6438:
6434:
6424:
6422:
6414:Ruzicka, T. J.
6412:
6408:
6398:
6396:
6386:
6382:
6372:
6370:
6364:
6363:
6359:
6349:
6347:
6341:
6340:
6336:
6326:
6324:
6316:
6315:
6311:
6301:
6299:
6286:
6285:
6281:
6271:
6269:
6251:
6247:
6240:
6226:
6222:
6212:
6210:
6195:
6188:
6181:
6163:
6156:
6117:
6110:
6102:
6098:
6090:
6086:
6078:
6074:
6066:
6062:
6054:
6050:
6042:
6038:
6030:
6026:
6015:
6011:
6003:
5999:
5991:
5987:
5979:
5975:
5967:
5963:
5953:
5951:
5934:
5930:
5920:
5918:
5901:
5894:
5884:
5882:
5869:
5868:
5864:
5854:
5852:
5839:
5838:
5834:
5824:
5822:
5805:
5801:
5791:
5789:
5776:
5775:
5771:
5761:
5759:
5750:
5749:
5745:
5735:
5733:
5728:. 16 May 2014.
5720:
5719:
5715:
5705:
5703:
5702:on 4 March 2016
5688:
5684:
5674:
5672:
5659:
5658:
5654:
5644:
5642:
5631:
5624:
5614:
5612:
5599:
5598:
5594:
5575:
5571:
5566:
5562:
5552:
5550:
5539:
5535:
5525:
5523:
5510:
5509:
5505:
5495:
5493:
5486:
5470:
5466:
5459:
5441:
5434:
5427:
5413:
5409:
5394:
5390:
5380:
5378:
5367:
5363:
5353:
5351:
5336:
5332:
5322:
5320:
5305:
5301:
5294:
5280:
5276:
5266:
5264:
5260:
5254:
5243:
5235:
5231:
5215:
5214:
5210:
5206:
5196:
5194:
5179:
5175:
5165:
5163:
5156:
5140:
5136:
5126:
5124:
5111:
5110:
5106:
5096:
5094:
5081:
5080:
5076:
5066:
5064:
5049:
5045:
5038:
5024:
5020:
5010:
5008:
4999:
4998:
4994:
4989:
4985:
4976:
4972:
4962:
4960:
4956:
4945:
4941:
4940:
4936:
4926:
4924:
4911:
4910:
4906:
4896:
4894:
4887:Citizinemag.com
4881:
4880:
4876:
4869:
4853:
4849:
4839:
4837:
4822:
4818:
4808:Wayback Machine
4798:
4794:
4784:
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4545:
4541:
4533:
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4511:
4507:
4480:
4476:
4463:
4459:
4449:
4445:
4431:Bangs, Lester.
4430:
4426:
4415:
4408:
4399:
4395:
4385:
4383:
4370:
4369:
4365:
4355:
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4290:
4288:
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4263:
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4254:The Independent
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4199:
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4177:
4167:
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4161:
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4132:
4127:
4063:
4015:
3992:
3960:Hog Hoggidy Hog
3899:
3862:
3854:
3805:
3800:
3659:influenced the
3591:The Transplants
3587:E.Town Concrete
3579:Blaggers I.T.A.
3563:Malcolm McLaren
3551:
3464:
3414:gender equality
3402:
3346:
3340:
3327:
3322:
3280:Katsuhiro Otomo
3248:Japanese cinema
3221:" explores the
3135:
3129:
2970:in the form of
2952:
2950:Punk literature
2946:
2890:
2828:mass production
2784:
2782:Punk visual art
2778:
2754:
2748:
2718:
2712:
2687:
2607:
2601:
2527:Some punks are
2473:Malcolm McLaren
2436:
2430:
2344:
2342:Punk ideologies
2338:
2285:in Canada, and
2193:
2187:
2149:scenes such as
2089:
2083:
2069:in the form of
2021:corporate greed
1970:punk subculture
1962:
1930:Politics portal
1907:
1906:
1862:Labour movement
1802:
1801:
1790:
1789:
1750:
1749:
1740:
1739:
1310:
1309:
1298:
1297:
1218:
1217:
1206:
1205:
1120:Escuela Moderna
1088:
1087:
1076:
1075:
1071:Occupy movement
944:Ferrer movement
889:
888:
877:
876:
837:
836:
825:
824:
560:
559:
548:
547:
474:Refusal of work
359:Anti-militarism
354:Anti-capitalism
325:
324:
306:
305:
272:Insurrectionary
108:
107:
28:
23:
22:
15:
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11:
5:
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9695:Triana Orpheus
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9573:World Goth Day
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9531:Notable events
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9387:
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9357:
9355:Siouxsie Sioux
9352:
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9341:
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9334:
9332:
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9316:
9314:Dead Can Dance
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9236:Gothic country
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8985:
8983:Cancel culture
8980:
8975:
8969:
8967:
8965:Counterculture
8961:
8960:
8958:
8957:
8952:
8947:
8942:
8937:
8932:
8930:Edward Bernays
8927:
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8916:
8914:
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8909:
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8903:
8902:
8897:
8892:
8887:
8885:Catch and kill
8881:
8879:
8875:
8874:
8872:
8871:
8866:
8864:Sensationalism
8861:
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8755:
8753:Bipartisanship
8750:
8748:American Dream
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8379:United Kingdom
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8232:Related genres
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7977:
7970:Christian punk
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7954:
7953:
7948:
7937:
7935:
7932:Subgenres and
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7861:
7847:
7846:External links
7844:
7842:
7841:
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7791:
7781:(2): 133–151.
7770:
7752:(3): 397–414.
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7400:(4): 578–589.
7381:
7350:
7324:
7293:
7253:
7233:
7195:
7188:
7170:
7126:
7115:on 13 May 2014
7088:
7081:
7063:
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7038:
7031:
7010:
7003:
6985:
6978:
6960:
6953:
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6884:
6854:
6828:
6805:Rimbaud, Penny
6796:
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6708:
6690:
6671:
6651:
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6590:
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6484:
6458:
6432:
6406:
6380:
6357:
6334:
6309:
6279:
6245:
6238:
6220:
6209:on 17 May 2007
6186:
6179:
6154:
6108:
6096:
6084:
6072:
6060:
6048:
6036:
6024:
6009:
6007:, pp. 427
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5407:
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5361:
5330:
5299:
5293:978-0312428136
5292:
5274:
5252:
5229:
5204:
5173:
5155:978-1845539573
5154:
5134:
5104:
5074:
5043:
5037:978-0801561290
5036:
5018:
4992:
4983:
4970:
4952:. p. 12.
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4474:
4470:Village Voice.
4457:
4443:
4424:
4406:
4393:
4363:
4329:
4306:Dougan, John.
4298:
4271:
4240:
4209:
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4157:. p. 11.
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3804:
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3799:
3796:
3788:Stereo Skyline
3776:new wave music
3671:bands such as
3550:
3547:
3524:Siouxsie Sioux
3463:
3460:
3401:
3398:
3342:Main article:
3339:
3336:
3326:
3323:
3321:
3318:
3274:, with a punk
3157:No Wave Cinema
3128:
3125:
3109:Billy Childish
3097:Raegan Butcher
3093:Seething Wells
2948:Main article:
2945:
2942:
2889:
2886:
2868:John Holmstrom
2780:Main article:
2777:
2774:
2750:Main article:
2747:
2744:
2714:Main article:
2711:
2708:
2686:
2683:
2631:Chrissie Hynde
2614:Louise Distras
2603:Main article:
2600:
2597:
2432:Main article:
2429:
2426:
2340:Main article:
2337:
2334:
2322:New York Dolls
2273:in Australia,
2189:Main article:
2186:
2183:
2085:Main article:
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1963:
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1877:Libertarianism
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1867:Left communism
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1799:Related topics
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1248:General strike
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429:Horizontalidad
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9651:Winklepickers
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9621:Gothic Beauty
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9443:
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9440:Bethany Black
9438:
9436:
9435:Brendan Perry
9433:
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9428:
9426:
9423:
9421:
9418:
9416:
9413:
9411:
9408:
9406:
9405:Gitane DeMone
9403:
9401:
9400:Rozz Williams
9398:
9396:
9393:
9391:
9388:
9386:
9383:
9381:
9378:
9376:
9373:
9371:
9368:
9366:
9363:
9361:
9358:
9356:
9353:
9351:
9348:
9346:
9343:
9342:
9340:
9336:
9330:
9327:
9325:
9322:
9320:
9319:Cocteau Twins
9317:
9315:
9312:
9310:
9307:
9305:
9302:
9300:
9297:
9295:
9292:
9290:
9287:
9285:
9282:
9280:
9277:
9275:
9272:
9271:
9269:
9267:Notable bands
9265:
9259:
9258:Ethereal wave
9256:
9254:
9251:
9249:
9246:
9244:
9241:
9237:
9234:
9232:
9229:
9228:
9227:
9224:
9223:
9221:
9217:
9213:
9204:
9199:
9197:
9192:
9190:
9185:
9184:
9181:
9169:
9166:
9164:
9161:
9159:
9156:
9154:
9151:
9149:
9146:
9144:
9141:
9140:
9138:
9134:
9128:
9125:
9123:
9120:
9118:
9115:
9113:
9110:
9108:
9105:
9103:
9100:
9098:
9095:
9093:
9090:
9088:
9085:
9084:
9082:
9078:
9072:
9071:
9067:
9065:
9062:
9060:
9059:Mediatization
9057:
9055:
9054:Media studies
9052:
9050:
9047:
9046:
9044:
9040:
9034:
9033:Strike action
9031:
9029:
9026:
9024:
9021:
9019:
9016:
9014:
9011:
9009:
9006:
9004:
9001:
8999:
8998:Demonstration
8996:
8994:
8991:
8989:
8986:
8984:
8981:
8979:
8976:
8974:
8971:
8970:
8968:
8966:
8962:
8956:
8953:
8951:
8948:
8946:
8943:
8941:
8938:
8936:
8933:
8931:
8928:
8926:
8923:
8921:
8918:
8917:
8915:
8911:
8901:
8898:
8896:
8893:
8891:
8888:
8886:
8883:
8882:
8880:
8876:
8870:
8867:
8865:
8862:
8860:
8857:
8855:
8852:
8850:
8847:
8845:
8842:
8840:
8837:
8835:
8832:
8830:
8827:
8826:
8824:
8820:
8814:
8811:
8809:
8806:
8804:
8801:
8797:
8794:
8793:
8792:
8789:
8787:
8784:
8783:
8781:
8777:
8774:
8770:
8764:
8763:Pensée unique
8761:
8759:
8756:
8754:
8751:
8749:
8746:
8744:
8741:
8740:
8738:
8734:
8728:
8725:
8723:
8720:
8716:
8713:
8711:
8708:
8707:
8706:
8703:
8701:
8698:
8696:
8693:
8692:
8690:
8686:
8680:
8677:
8675:
8672:
8670:
8667:
8665:
8662:
8660:
8657:
8655:
8652:
8650:
8647:
8645:
8642:
8640:
8637:
8635:
8632:
8630:
8629:Digital media
8627:
8625:
8622:
8620:
8617:
8616:
8614:
8610:
8606:
8605:Media culture
8599:
8594:
8592:
8587:
8585:
8580:
8579:
8576:
8564:
8561:
8558:
8554:
8551:
8549:
8548:Straight edge
8546:
8544:
8541:
8539:
8536:
8534:
8531:
8529:
8526:
8524:
8521:
8519:
8516:
8514:
8511:
8509:
8506:
8504:
8501:
8499:
8496:
8494:
8491:
8489:
8486:
8484:
8481:
8479:
8476:
8474:
8471:
8469:
8466:
8465:
8463:
8459:
8453:
8450:
8448:
8445:
8441:
8438:
8436:
8433:
8432:
8430:
8428:
8425:
8423:
8420:
8419:
8417:
8413:
8407:
8404:
8401:
8397:
8396:United States
8394:
8390:
8387:
8385:
8382:
8381:
8380:
8377:
8373:
8370:
8368:
8365:
8364:
8363:
8360:
8358:
8355:
8353:
8350:
8348:
8345:
8343:
8340:
8338:
8335:
8331:
8330:List of bands
8328:
8327:
8326:
8323:
8321:
8318:
8316:
8313:
8311:
8308:
8307:
8305:
8301:
8295:
8292:
8290:
8287:
8285:
8282:
8280:
8277:
8275:
8272:
8270:
8267:
8265:
8262:
8260:
8257:
8255:
8252:
8250:
8247:
8245:
8242:
8240:
8237:
8236:
8234:
8230:
8224:
8221:
8219:
8216:
8214:
8211:
8207:
8204:
8203:
8202:
8199:
8197:
8194:
8192:
8189:
8187:
8184:
8182:
8179:
8177:
8176:Post-hardcore
8174:
8170:
8167:
8165:
8162:
8161:
8160:
8157:
8153:
8150:
8149:
8148:
8145:
8143:
8140:
8138:
8135:
8133:
8130:
8126:
8123:
8121:
8118:
8116:
8113:
8111:
8108:
8104:
8101:
8099:
8096:
8094:
8091:
8087:
8084:
8082:
8079:
8078:
8077:
8076:Electronicore
8074:
8072:
8069:
8068:
8067:
8064:
8062:
8059:
8057:
8054:
8052:
8049:
8047:
8044:
8042:
8039:
8038:
8037:
8036:Hardcore punk
8034:
8032:
8029:
8025:
8022:
8020:
8017:
8015:
8012:
8011:
8010:
8007:
8003:
8000:
7999:
7998:
7995:
7993:
7990:
7988:
7985:
7983:
7980:
7976:
7973:
7972:
7971:
7968:
7964:
7961:
7960:
7959:
7956:
7952:
7949:
7947:
7944:
7943:
7942:
7939:
7938:
7936:
7934:fusion genres
7930:
7920:
7917:
7916:
7915:
7912:
7911:
7910:
7907:
7906:
7904:
7900:
7896:
7889:
7884:
7882:
7877:
7875:
7870:
7869:
7866:
7859:
7854:
7850:
7849:
7840:
7839:0-312-28822-0
7836:
7832:
7828:
7825:Savage, Jon.
7824:
7820:
7814:
7810:
7806:
7801:
7800:
7788:
7784:
7780:
7776:
7771:
7767:
7763:
7759:
7755:
7751:
7747:
7746:Popular Music
7742:
7738:
7732:
7728:
7723:
7719:
7717:0-8135-3851-3
7713:
7709:
7704:
7700:
7696:
7692:
7688:
7684:
7680:
7676:
7675:
7669:
7665:
7659:
7655:
7650:
7646:
7644:1-888451-44-0
7640:
7636:
7631:
7630:
7609:
7605:
7604:
7599:
7592:
7584:
7583:The Survivors
7578:
7562:
7558:
7557:
7552:
7545:
7529:
7525:
7524:
7519:
7512:
7496:
7492:
7491:
7486:
7480:
7464:
7460:
7459:
7451:
7449:
7432:
7428:
7427:
7422:
7415:
7407:
7403:
7399:
7395:
7388:
7386:
7369:
7365:
7361:
7354:
7338:
7334:
7328:
7312:
7308:
7304:
7297:
7289:
7285:
7281:
7277:
7273:
7269:
7262:
7260:
7258:
7249:
7242:
7240:
7238:
7221:
7217:
7213:
7206:
7204:
7202:
7200:
7191:
7189:9780415370707
7185:
7181:
7174:
7166:
7162:
7158:
7154:
7150:
7146:
7139:
7137:
7135:
7133:
7131:
7114:
7110:
7106:
7102:
7095:
7093:
7084:
7078:
7074:
7067:
7059:
7053:
7049:
7042:
7034:
7028:
7024:
7017:
7015:
7006:
7000:
6996:
6989:
6981:
6975:
6971:
6964:
6956:
6950:
6946:
6939:
6931:
6925:
6921:
6914:
6898:
6894:
6888:
6872:
6868:
6864:
6858:
6842:
6838:
6832:
6816:
6812:
6811:
6806:
6800:
6792:
6788:
6784:
6780:
6773:
6765:
6759:
6754:
6753:
6744:
6736:
6730:
6726:
6719:
6711:
6705:
6701:
6694:
6678:
6674:
6668:
6664:
6663:
6655:
6639:
6635:
6631:
6624:
6608:
6604:
6600:
6594:
6578:
6574:
6568:
6564:
6563:
6555:
6546:
6530:
6526:
6522:
6515:
6499:
6495:
6488:
6473:
6469:
6462:
6447:
6443:
6436:
6421:
6417:
6410:
6395:
6391:
6384:
6369:
6368:
6361:
6346:
6345:
6338:
6323:
6319:
6313:
6297:
6293:
6292:Perthpunk.com
6289:
6283:
6267:
6263:
6259:
6256:
6249:
6241:
6235:
6231:
6224:
6208:
6204:
6200:
6193:
6191:
6182:
6176:
6171:
6170:
6161:
6159:
6150:
6146:
6142:
6138:
6134:
6130:
6126:
6122:
6115:
6113:
6105:
6104:Haenfler 2006
6100:
6093:
6088:
6082:, p. 112
6081:
6076:
6070:, p. 132
6069:
6064:
6058:, p. 121
6057:
6052:
6046:, p. 125
6045:
6040:
6033:
6028:
6020:
6013:
6006:
6005:Haenfler 2004
6001:
5994:
5989:
5982:
5977:
5971:, p. 317
5970:
5965:
5949:
5945:
5944:
5939:
5932:
5916:
5912:
5911:
5906:
5899:
5897:
5880:
5876:
5872:
5866:
5850:
5846:
5842:
5836:
5820:
5816:
5815:
5810:
5803:
5787:
5783:
5779:
5773:
5757:
5753:
5747:
5731:
5727:
5723:
5717:
5701:
5697:
5693:
5686:
5670:
5666:
5662:
5656:
5640:
5636:
5629:
5627:
5610:
5606:
5602:
5596:
5588:
5584:
5580:
5573:
5564:
5548:
5544:
5537:
5521:
5517:
5513:
5507:
5491:
5487:
5485:9781351725569
5481:
5477:
5476:
5468:
5460:
5454:
5449:
5448:
5439:
5437:
5428:
5422:
5418:
5411:
5402:
5401:
5392:
5376:
5372:
5365:
5349:
5345:
5341:
5334:
5318:
5314:
5310:
5303:
5295:
5289:
5285:
5278:
5259:
5255:
5253:9780754657736
5249:
5242:
5241:
5233:
5225:
5219:
5208:
5192:
5188:
5184:
5177:
5161:
5157:
5151:
5147:
5146:
5138:
5122:
5118:
5114:
5108:
5092:
5088:
5087:Biography.com
5084:
5078:
5062:
5058:
5054:
5047:
5039:
5033:
5029:
5022:
5006:
5002:
4996:
4987:
4980:
4974:
4955:
4951:
4944:
4938:
4922:
4918:
4917:M.complex.com
4914:
4908:
4892:
4888:
4884:
4878:
4870:
4864:
4860:
4859:
4851:
4835:
4831:
4827:
4820:
4813:
4809:
4805:
4802:
4796:
4780:
4776:
4772:
4766:
4758:
4754:
4750:
4746:
4741:
4736:
4732:
4728:
4724:
4720:
4719:Popular Music
4713:
4697:
4693:
4692:
4687:
4681:
4665:
4661:
4660:Billboard.com
4657:
4651:
4635:
4631:
4627:
4623:
4619:
4613:
4605:
4599:
4594:
4593:
4585:
4578:
4574:
4569:
4562:
4556:
4549:
4543:
4536:
4531:
4524:
4520:
4519:Rolling Stone
4515:
4509:
4502:
4498:
4494:
4490:
4489:
4484:
4478:
4471:
4467:
4461:
4453:
4450:Laing, Dave.
4447:
4439:
4438:The Guess Who
4434:
4428:
4421:
4418:
4413:
4411:
4403:
4400:Savage, Jon.
4397:
4381:
4377:
4373:
4367:
4351:
4347:
4343:
4336:
4334:
4317:
4313:
4309:
4302:
4286:
4282:
4275:
4259:
4255:
4251:
4244:
4228:
4224:
4223:Bomb Magazine
4220:
4213:
4197:
4193:
4191:
4186:
4179:
4160:
4156:
4149:
4143:
4141:
4139:
4134:
4124:
4121:
4119:
4116:
4114:
4111:
4109:
4106:
4104:
4101:
4099:
4096:
4094:
4091:
4089:
4086:
4084:
4081:
4079:
4076:
4074:
4073:Hardcore punk
4071:
4069:
4066:
4065:
4058:
4056:
4051:
4047:
4043:
4038:
4036:
4032:
4028:
4024:
4020:
4010:
4008:
4004:
3999:
3997:
3987:
3985:
3978:
3975:
3973:
3970:
3968:
3965:
3964:
3963:
3961:
3957:
3953:
3948:
3946:
3942:
3937:
3936:National Wake
3931:
3929:
3925:
3921:
3917:
3912:
3910:
3909:
3904:
3894:
3892:
3888:
3884:
3879:
3875:
3872:
3871:Dead Kennedys
3866:
3857:
3849:
3847:
3843:
3839:
3835:
3831:
3827:
3823:
3819:
3815:
3810:
3795:
3793:
3789:
3785:
3781:
3777:
3773:
3772:The Romantics
3769:
3765:
3761:
3757:
3753:
3751:
3747:
3742:
3740:
3736:
3732:
3728:
3724:
3723:Penny Rimbaud
3720:
3715:
3713:
3712:New Romantics
3709:
3705:
3701:
3697:
3693:
3688:
3686:
3682:
3678:
3674:
3670:
3666:
3662:
3658:
3654:
3650:
3646:
3642:
3638:
3634:
3630:
3627:The punk and
3625:
3623:
3619:
3615:
3611:
3607:
3602:
3600:
3596:
3592:
3588:
3584:
3580:
3576:
3572:
3568:
3564:
3560:
3559:punk fashions
3556:
3546:
3544:
3539:
3535:
3531:
3527:
3525:
3521:
3517:
3513:
3509:
3505:
3500:
3498:
3494:
3490:
3486:
3481:
3477:
3475:
3474:
3469:
3459:
3457:
3453:
3449:
3445:
3441:
3437:
3435:
3429:
3427:
3423:
3419:
3415:
3406:
3397:
3394:
3390:
3386:
3381:
3377:
3375:
3371:
3370:Straight Edge
3367:
3366:straight edge
3363:
3358:
3357:Straight edge
3350:
3345:
3344:Straight edge
3338:Straight edge
3335:
3332:
3317:
3315:
3314:
3308:
3306:
3303:
3299:
3295:
3294:
3289:
3285:
3281:
3277:
3273:
3269:
3265:
3261:
3260:
3255:
3254:
3249:
3245:
3241:
3237:
3232:
3230:
3229:
3224:
3220:
3216:
3212:
3208:
3204:
3200:
3196:
3192:
3188:
3184:
3183:
3178:
3174:
3173:
3168:
3167:
3162:
3158:
3154:
3147:
3143:
3139:
3134:
3124:
3122:
3118:
3114:
3110:
3106:
3102:
3098:
3094:
3090:
3086:
3082:
3078:
3073:
3071:
3067:
3063:
3059:
3055:
3051:
3047:
3043:
3039:
3034:
3032:
3028:
3027:
3021:
3019:
3018:
3013:
3012:
3007:
3006:
3001:
3000:
2995:
2994:
2989:
2988:
2983:
2982:
2977:
2973:
2969:
2965:
2956:
2951:
2941:
2939:
2938:Psychobillies
2935:
2931:
2927:
2923:
2919:
2918:crowd surfing
2915:
2911:
2907:
2903:
2894:
2885:
2883:
2882:
2877:
2873:
2869:
2865:
2864:Winston Smith
2861:
2860:Dead Kennedys
2857:
2853:
2849:
2845:
2844:Situationists
2841:
2837:
2833:
2830:aesthetic of
2829:
2825:
2820:
2817:
2813:
2809:
2805:
2801:
2797:
2793:
2789:
2783:
2773:
2771:
2767:
2763:
2759:
2753:
2743:
2741:
2737:
2734:, especially
2733:
2729:
2728:hardcore punk
2726:
2723:
2717:
2707:
2705:
2701:
2700:Donita Sparks
2695:
2691:
2682:
2680:
2676:
2672:
2671:Viv Albertine
2667:
2665:
2664:The Innocents
2661:
2660:Dolly Mixture
2657:
2653:
2652:The Raincoats
2649:
2645:
2641:
2640:Johnny Rotten
2635:
2632:
2627:
2623:
2615:
2611:
2606:
2605:Women in punk
2596:
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2533:hardcore punk
2530:
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2498:
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2489:Chuck Taylors
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2403:Dead Kennedys
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2379:direct action
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2136:
2132:
2131:hardcore punk
2128:
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2115:
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2109:
2104:
2102:
2095:Punks in 1984
2093:
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2025:direct action
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2018:
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1720:United States
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1480:French Guiana
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1278:Mutual credit
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1223:Communization
1221:
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1202:
1199:
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991:Biennio Rosso
989:
987:
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974:
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971:
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927:
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922:
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917:
915:
912:
910:
909:Paris Commune
907:
905:
902:
900:
897:
895:
892:
891:
887:
881:
880:
873:
870:
868:
865:
863:
860:
858:
855:
853:
850:
848:
845:
843:
842:Animal rights
840:
839:
835:
829:
828:
821:
818:
816:
813:
811:
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452:
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445:
442:
440:
437:
435:
434:Individualism
432:
430:
427:
425:
422:
420:
417:
415:
414:Direct action
412:
410:
407:
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402:
400:
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172:
169:
165:
164:Philosophical
162:
160:
157:
155:
152:
150:
147:
146:
145:
144:Individualist
142:
138:
135:
133:
130:
128:
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112:
106:
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70:
69:
66:
63:
62:
58:
54:
53:
46:
39:
34:
30:
19:
9721:
9716:The Munsters
9714:
9707:
9700:
9693:
9686:
9631:Edward Gorey
9430:Lisa Gerrard
9385:Dinah Cancer
9350:Peter Murphy
9345:Robert Smith
9294:Joy Division
9163:Post-Fordism
9153:Mass society
9122:Transparency
9068:
9022:
8935:Noam Chomsky
8913:Philosophers
8859:Recuperation
8844:Media circus
8834:Dumbing down
8700:Media policy
8674:Social media
8543:Puntala-rock
8518:Punk fashion
8512:
8289:Thrash metal
8086:Nintendocore
7941:Anarcho-punk
7826:
7804:
7778:
7774:
7749:
7745:
7729:. PM Press.
7726:
7707:
7678:
7672:
7653:
7634:
7626:Bibliography
7612:. Retrieved
7601:
7591:
7582:
7577:
7565:. Retrieved
7554:
7549:DOWNS, RAY.
7544:
7532:. Retrieved
7521:
7511:
7499:. Retrieved
7488:
7479:
7467:. Retrieved
7457:
7435:. Retrieved
7424:
7414:
7397:
7393:
7372:. Retrieved
7363:
7353:
7341:. Retrieved
7327:
7315:. Retrieved
7307:Latininsight
7306:
7296:
7274:(1): 70–84.
7271:
7267:
7247:
7224:. Retrieved
7215:
7179:
7173:
7148:
7144:
7117:. Retrieved
7113:the original
7108:
7104:
7072:
7066:
7047:
7041:
7022:
6994:
6988:
6969:
6963:
6944:
6938:
6919:
6913:
6901:. Retrieved
6887:
6875:. Retrieved
6866:
6857:
6845:. Retrieved
6841:the original
6831:
6819:. Retrieved
6809:
6799:
6782:
6778:
6772:
6751:
6743:
6724:
6718:
6699:
6693:
6681:. Retrieved
6661:
6654:
6642:. Retrieved
6633:
6623:
6611:. Retrieved
6602:
6593:
6581:. Retrieved
6561:
6554:
6545:
6533:. Retrieved
6524:
6514:
6502:. Retrieved
6498:the original
6487:
6475:. Retrieved
6471:
6461:
6449:. Retrieved
6445:
6435:
6423:. Retrieved
6419:
6409:
6397:. Retrieved
6393:
6383:
6371:. Retrieved
6366:
6360:
6348:. Retrieved
6343:
6337:
6325:. Retrieved
6321:
6312:
6300:. Retrieved
6296:the original
6291:
6282:
6270:. Retrieved
6266:the original
6261:
6257:
6248:
6229:
6223:
6211:. Retrieved
6207:the original
6202:
6168:
6124:
6120:
6099:
6094:, p. 66
6087:
6075:
6063:
6051:
6039:
6032:Tsitsos 1999
6027:
6018:
6012:
6000:
5988:
5976:
5964:
5952:. Retrieved
5948:the original
5941:
5931:
5919:. Retrieved
5908:
5883:. Retrieved
5874:
5865:
5853:. Retrieved
5845:Thefader.com
5844:
5835:
5823:. Retrieved
5814:Midnight Eye
5812:
5802:
5790:. Retrieved
5781:
5778:"Loren Cass"
5772:
5760:. Retrieved
5756:the original
5746:
5734:. Retrieved
5725:
5716:
5704:. Retrieved
5700:the original
5695:
5685:
5673:. Retrieved
5669:the original
5664:
5655:
5643:. Retrieved
5639:the original
5613:. Retrieved
5604:
5595:
5586:
5582:
5572:
5563:
5551:. Retrieved
5536:
5524:. Retrieved
5516:sheknows.com
5515:
5506:
5494:. Retrieved
5474:
5467:
5446:
5416:
5410:
5399:
5391:
5379:. Retrieved
5375:the original
5369:Hall, Rock.
5364:
5352:. Retrieved
5344:The Guardian
5343:
5333:
5321:. Retrieved
5313:The Guardian
5312:
5302:
5283:
5277:
5265:. Retrieved
5258:the original
5239:
5232:
5207:
5195:. Retrieved
5186:
5176:
5164:. Retrieved
5160:the original
5144:
5137:
5125:. Retrieved
5117:Punk77.co.uk
5116:
5107:
5095:. Retrieved
5091:the original
5086:
5077:
5065:. Retrieved
5056:
5046:
5027:
5021:
5009:. Retrieved
4995:
4986:
4978:
4973:
4961:. Retrieved
4949:
4937:
4925:. Retrieved
4916:
4907:
4895:. Retrieved
4891:the original
4886:
4877:
4857:
4850:
4838:. Retrieved
4829:
4819:
4811:
4795:
4783:. Retrieved
4774:
4765:
4722:
4718:
4712:
4700:. Retrieved
4689:
4680:
4668:. Retrieved
4659:
4650:
4638:. Retrieved
4622:The Guardian
4621:
4612:
4591:
4584:
4568:
4560:
4555:
4547:
4542:
4530:
4522:
4518:
4513:
4508:
4499:, Kingsmen,
4486:
4482:
4481:Shaw, Greg.
4477:
4469:
4465:
4460:
4451:
4446:
4432:
4427:
4401:
4396:
4384:. Retrieved
4375:
4366:
4354:. Retrieved
4346:The Guardian
4345:
4320:. Retrieved
4311:
4301:
4289:. Retrieved
4274:
4262:. Retrieved
4258:the original
4253:
4243:
4231:. Retrieved
4222:
4212:
4200:. Retrieved
4196:the original
4188:
4178:
4166:. Retrieved
4154:
4098:Punk fashion
4042:collectivism
4039:
4026:
4016:
4006:
4002:
4000:
3993:
3981:
3976:
3971:
3966:
3949:
3932:
3916:Johannesburg
3913:
3906:
3900:
3897:South Africa
3887:Anarcho-punk
3880:
3876:
3867:
3863:
3855:
3845:
3822:infiltration
3809:East Germany
3806:
3803:East Germany
3792:All Time Low
3754:
3743:
3735:Jello Biafra
3716:
3689:
3685:anti-fashion
3669:thrash metal
3633:Alice Cooper
3626:
3603:
3571:Beastie Boys
3552:
3542:
3529:
3528:
3512:Pink Fairies
3501:
3493:New Romantic
3484:
3482:
3478:
3471:
3468:authenticity
3465:
3462:Authenticity
3438:
3430:
3426:anarcho-punk
3422:black people
3411:
3382:
3378:
3374:Minor Threat
3365:
3355:
3328:
3311:
3309:
3297:
3291:
3267:
3257:
3251:
3233:
3226:
3207:Circle Jerks
3187:Derek Jarman
3180:
3170:
3164:
3150:
3142:Joe Strummer
3077:Richard Hell
3074:
3069:
3065:
3062:Circle Jerks
3042:We Got Power
3041:
3038:Touch and Go
3037:
3035:
3030:
3026:Sniffin Glue
3024:
3022:
3015:
3009:
3003:
2997:
2991:
2985:
2979:
2961:
2914:Stage diving
2910:thrash metal
2902:pogo dancing
2899:
2879:
2821:
2804:album covers
2796:iconoclastic
2792:minimalistic
2785:
2755:
2719:
2696:
2692:
2688:
2668:
2644:The Runaways
2636:
2619:
2592:
2586:
2582:
2578:bondage belt
2574:Murphy's Law
2557:Keith Morris
2553:Circle Jerks
2546:
2538:dressed-down
2537:
2529:anti-fashion
2528:
2526:
2516:
2485:
2445:
2434:Punk fashion
2413:
2407:
2387:
2356:
2307:
2303:
2257:
2247:
2244:
2217:
2209:
2167:thrash metal
2116:
2105:
2098:
2055:iconoclastic
2044:
2033:
2002:
1969:
1967:
1827:Anti-statism
1817:Anti-fascism
1670:South Africa
1288:Wage slavery
1253:Gift economy
1144:
1105:Anarcho-punk
1092:
968:
857:Love and sex
745:Pi i Margall
409:Deep ecology
344:Anationalism
287:Relationship
220:Collectivist
176:Postcolonial
29:
9836:Subcultures
9723:The Sandman
9646:Backcombing
9626:Rose Mortem
9616:Lip Service
9609:Health Goth
9461:Camden Town
9395:Lisa Hammer
9226:Gothic rock
9042:In academia
9028:Review bomb
8849:Media event
8786:Advertising
8758:Consumerism
8679:State media
8384:Celtic punk
8352:Netherlands
8284:Speed metal
8244:Gothic rock
8218:Street punk
8181:Psychobilly
8152:Street punk
8137:Latino punk
8132:Horror punk
8056:Krishnacore
8031:Garage punk
8019:Celtic punk
7909:Garage rock
7685:: 406–436.
6683:16 December
6644:16 December
6613:16 December
6583:16 December
6549:Sabin, 1999
6504:12 February
6302:12 February
6272:12 November
6213:27 December
5954:22 February
5921:22 February
5615:12 February
5381:27 November
5354:27 November
5323:27 November
5197:26 November
5187:Pop Matters
5166:26 November
5127:26 November
5097:26 November
5067:25 November
4785:12 February
4640:21 November
4535:"Protopunk"
4264:17 December
4233:19 November
4202:19 November
4055:heavy metal
4007:subterraneo
3952:Thabo Mbeki
3828:type acts,
3798:Persecution
3764:Cheap Trick
3629:heavy metal
3599:City Morgue
3532:written by
3520:Patti Smith
3508:the Stooges
3444:punk houses
3418:anti-racist
3305:comic strip
3256:(1978) and
3223:gutter punk
3113:Tracey Emin
3085:Patti Smith
3081:Jim Carroll
2987:Punk Planet
2870:was a punk
2850:created by
2848:Sex Pistols
2832:Andy Warhol
2788:underground
2722:underground
2675:Sonic Youth
2626:heavy metal
2565:gas station
2507:boots, and
2505:Dr. Martens
2497:skate shoes
2477:King's Road
2418:Sex Pistols
2383:selling out
2381:, and not "
2375:corporatism
2326:the Stooges
2318:Andy Warhol
2250:garage rock
2220:garage rock
2175:speed metal
2171:death metal
2163:heavy metal
2155:indie music
2139:street punk
2047:underground
2036:Dr. Martens
2029:selling out
2027:, and not "
1785:Periodicals
1685:Switzerland
1645:Puerto Rico
1630:Philippines
1595:New Zealand
1590:Netherlands
1460:El Salvador
1273:Mutual bank
1228:Cooperative
1157:Lifestylism
959:Tragic Week
862:Nationalism
514:Somatherapy
424:Freethought
292:Syndicalist
282:Platformism
254:Methodology
127:Primitivist
9775:Categories
9677:Tim Burton
9672:Literature
9425:Doc Hammer
9415:Carl McCoy
9360:Ian Curtis
9304:The Damned
9231:Gothabilly
9107:Media bias
9008:Occupation
8940:Guy Debord
8822:Techniques
8791:Propaganda
8688:Principles
8664:News media
8644:Mass media
8553:Punk films
8406:Yugoslavia
8400:California
8303:By country
8294:Visual kei
8269:Noise rock
8259:Industrial
8186:Punk blues
8169:Skate punk
8125:Thrashcore
8115:Riot grrrl
8024:Gypsy punk
7987:Dance-punk
7963:Avant-punk
7946:Crust punk
7914:Proto-punk
7902:Precursors
7490:Vice Media
7458:Los Frikis
7426:Vice Media
6847:8 December
6562:Punk Girls
6525:Flavorwire
5969:Cogan 2008
5875:thefix.com
5762:15 October
5605:PopMatters
5496:7 November
5057:Flavorwire
4950:Duo.uio.no
4897:4 December
4858:Punk Style
4814:, 3rd. ed.
4702:20 October
4670:20 October
4464:Marsh, D.
4386:13 October
4376:Britannica
4322:1 November
4291:1 November
4155:Duo.uio.no
4130:References
4023:Los Frikis
3996:Los Saicos
3947:attitude.
3826:false flag
3746:industrial
3731:Wally Hope
3692:Teddy Boys
3538:photo-book
3530:Punk Girls
3452:Dial House
3393:youth crew
3307:by Otomo.
3290:franchise
3276:biker gang
3272:biker film
3244:Sogo Ishii
3228:Loren Cass
3203:Black Flag
3131:See also:
3060:, and the
3054:Black Flag
2972:punk zines
2944:Literature
2872:cartoonist
2852:Jamie Reid
2812:punk zines
2776:Visual art
2766:homophobia
2716:Riot grrrl
2710:Riot grrrl
2679:Kim Gordon
2561:Black Flag
2509:army boots
2410:nihilistic
2352:Chaos Days
2336:Ideologies
2328:, and the
2232:rockabilly
2222:and 1970s
2177:, and the
2108:Jon Savage
2051:minimalist
1994:DIY ethics
1990:literature
1986:visual art
1978:ideologies
1857:Dual Power
1842:Autonomism
1837:Autarchism
1445:East Timor
1415:Costa Rica
1360:Bangladesh
1355:Azerbaijan
1130:Freeganism
847:Capitalism
640:Feyerabend
509:Sociocracy
479:Revolution
444:Mutual aid
374:Black bloc
267:Illegalism
9755:Post-punk
9641:Deathhawk
9604:Cybergoth
9471:Cleveland
9370:Nick Cave
9253:Dark wave
9248:Cold wave
9243:Deathrock
9087:Anonymity
8796:Fake news
8772:Deception
8669:Old media
8654:New media
8538:Punk zine
8498:DIY ethic
8478:Afro-punk
8372:Trallpunk
8310:Australia
8274:Post-punk
8223:Surf punk
8191:Punk jazz
8142:Nazi punk
8120:Taqwacore
8110:Queercore
8081:Crunkcore
8071:Deathcore
8066:Metalcore
8014:Anti-folk
8009:Folk punk
7919:Glam punk
7895:Punk rock
7766:159966036
7699:145602862
7461:(Audio).
7288:144403743
7216:ReadWrite
7165:146508100
6813:. Crass.
6785:: 19–40.
6149:144067070
6092:Kuhn 2010
6080:Kuhn 2010
6068:Kuhn 2010
6056:Kuhn 2010
5993:Wood 1999
5981:Wood 1999
5218:cite news
4757:162396086
4630:0261-3077
4497:Standells
4493:Greg Shaw
4312:Billboard
4123:Queercore
4113:Solarpunk
4108:Punk rock
4035:squatting
3941:DIY ethic
3928:townships
3924:Cape Town
3903:apartheid
3883:Zapatista
3768:The Knack
3760:Badfinger
3756:Power pop
3750:rivethead
3673:Metallica
3665:Discharge
3649:grindcore
3645:metalcore
3637:Motörhead
3583:Biohazard
3499:ethics".
3440:Squatting
3385:Bent edge
3313:Afro-Punk
3266:circles.
3191:Don Letts
3121:steampunk
3117:cyberpunk
3070:In Effect
2922:protopunk
2800:satirical
2752:Queercore
2746:Queercore
2656:Mo-dettes
2648:The Slits
2569:submarine
2555:frontman
2457:sexuality
2449:bin liner
2414:No Future
2391:Green Day
2371:DIY ethic
2295:Cleveland
2279:Vancouver
2267:Melbourne
2254:protopunk
2228:surf rock
2200:Buzzcocks
2191:Punk rock
2123:post-punk
2112:bricolage
2059:satirical
1998:punk rock
1988:, dance,
1897:Socialism
1847:Communism
1780:Musicians
1730:Venezuela
1665:Singapore
1600:Nicaragua
1525:Indonesia
1505:Hong Kong
1500:Guatemala
1345:Australia
1335:Argentina
1307:By region
1215:Economics
1201:Symbolism
1115:DIY ethic
852:Education
770:Santillán
720:Malatesta
690:Kropotkin
670:Guillaume
524:Squatting
484:Rewilding
419:Free love
297:Synthesis
232:Communist
203:Christian
198:Religious
171:Mutualism
65:Anarchism
9733:See also
9702:The Crow
9636:Big hair
9274:The Cure
9136:Synonyms
9127:Violence
9003:Graffiti
8736:Ideology
8367:Könsrock
8264:New wave
8213:Ska punk
8201:Punk rap
8159:Pop-punk
8093:Mathcore
7992:Egg punk
7958:Art punk
7833:, 1991.
7809:AK Press
7614:23 March
7608:Archived
7567:23 March
7561:Archived
7534:23 March
7528:Archived
7501:23 March
7495:Archived
7469:23 March
7463:Archived
7437:23 March
7431:Archived
7368:Archived
7337:Archived
7311:Archived
7226:20 April
7220:Archived
7151:(1): 7.
6897:Archived
6871:Archived
6867:AllMusic
6821:4 August
6815:Archived
6807:(1982).
6791:41035517
6677:Archived
6638:Archived
6607:Archived
6577:Archived
6535:28 March
6529:Archived
5915:Archived
5910:Exclaim!
5879:Archived
5849:Archived
5825:23 April
5819:Archived
5786:Archived
5782:IMDb.com
5730:Archived
5609:Archived
5553:16 March
5547:Archived
5526:16 March
5520:Archived
5490:Archived
5348:Archived
5317:Archived
5267:16 March
5191:Archived
5121:Archived
5061:Archived
5005:Archived
4954:Archived
4921:Archived
4834:Archived
4804:Archived
4779:Archived
4696:Archived
4664:Archived
4634:Archived
4573:AllMusic
4503:, etc.)"
4417:AllMusic
4380:Archived
4350:Archived
4316:Archived
4285:Archived
4227:Archived
4192:magazine
4159:Archived
4068:Art punk
4061:See also
3984:Pretoria
3846:Namenlos
3696:greasers
3606:skinhead
3567:hardcore
3489:hardcore
3448:communes
3331:sniffing
3146:Punkcast
3066:My Rules
3005:Flipside
2999:Cometbus
2976:perzines
2930:skanking
2926:Ska punk
2725:feminist
2542:crewcuts
2513:swastika
2493:trainers
2283:Montreal
2263:Brisbane
2224:pub rock
2165:(mainly
2119:new wave
1640:Portugal
1620:Paraguay
1580:Mongolia
1565:Malaysia
1410:Colombia
1390:Bulgaria
1135:Infoshop
1036:May 1968
872:Violence
867:Religion
755:Proudhon
715:Maksimov
695:Landauer
645:Giovanni
595:Bookchin
489:Sabotage
321:Practice
277:Pacifist
237:Magonism
159:Naturist
117:Feminist
83:Glossary
57:a series
55:Part of
9599:Fashion
9481:Toronto
9466:Chicago
9284:Bauhaus
9112:Privacy
9018:Protest
8973:Boycott
8839:Framing
8503:Moshing
8342:Germany
8325:Estonia
8206:Emo rap
8002:Emo rap
7982:Cowpunk
6477:6 April
6451:6 April
6425:6 April
6399:6 April
6373:1 April
6350:1 April
6327:1 April
6141:1354396
5885:7 March
5855:10 July
5792:10 July
5722:"About"
4840:1 April
4749:3877595
4523:Nuggets
4514:Nuggets
3830:framing
3739:yippies
3719:hippies
3595:Refused
3534:Liz Ham
3504:the Who
3298:Shuffle
3050:Misfits
3031:Bondage
2993:No Cure
2906:moshing
2876:Ramones
2856:collage
2836:stencil
2549:hairdos
2522:mohawks
2517:DESTROY
2465:S&M
2459:, like
2428:Fashion
2330:Ramones
2291:Detroit
2275:Toronto
2206:in 2009
2202:at the
2135:no wave
2081:History
2073:. Many
2019:, anti-
1982:fashion
1887:Marxism
1735:Vietnam
1725:Uruguay
1710:Ukraine
1700:Tunisia
1650:Romania
1605:Nigeria
1585:Morocco
1535:Ireland
1515:Iceland
1510:Hungary
1490:Germany
1485:Georgia
1470:Finland
1465:Estonia
1450:Ecuador
1435:Denmark
1420:Croatia
1375:Bolivia
1370:Belgium
1365:Belarus
1350:Austria
1340:Armenia
1330:Andorra
1325:Algeria
1320:Albania
1162:May Day
1085:Culture
886:History
815:Yarchuk
790:Tolstoy
785:Thoreau
780:Stirner
775:Spooner
740:Parsons
665:Graeber
655:Goldman
615:Durruti
600:Chomsky
590:Bonanno
585:Berkman
580:Bakunin
329:Anarchy
225:Parecon
181:African
93:Outline
88:History
9080:Issues
8878:Others
8508:Poseur
8362:Sweden
8347:Greece
8337:France
8320:Canada
8315:Brazil
8254:Grunge
8164:2 Tone
7951:D-beat
7837:
7815:
7764:
7733:
7714:
7697:
7660:
7641:
7374:10 May
7364:ABC.es
7286:
7186:
7163:
7079:
7054:
7029:
7001:
6976:
6951:
6926:
6903:20 May
6877:20 May
6789:
6760:
6731:
6706:
6669:
6569:
6236:
6199:"Punk"
6177:
6147:
6139:
5736:20 May
5706:20 May
5675:20 May
5645:20 May
5482:
5455:
5423:
5290:
5250:
5152:
5034:
5011:20 May
4963:20 May
4927:20 May
4865:
4801:"Punk"
4755:
4747:
4628:
4600:
4372:"Punk"
4168:20 May
4031:Havana
4003:subtes
3922:, and
3920:Durban
3889:, and
3860:Mexico
3784:Protex
3782:group
3770:, and
3700:bikers
3681:grunge
3677:Slayer
3651:, and
3618:reggae
3593:, and
3575:Hed PE
3473:poseur
3240:J-rock
3213:, and
3175:, and
3099:, and
3048:, the
3046:D.O.A.
3008:, and
2862:, and
2842:. The
2808:flyers
2798:, and
2662:, and
2420:song "
2297:, and
2287:Boston
2281:, and
2271:Sydney
2269:, and
2236:reggae
2179:NWOBHM
2141:, and
2127:2 Tone
2057:, and
1705:Turkey
1695:Taiwan
1680:Sweden
1660:Serbia
1655:Russia
1635:Poland
1615:Panama
1610:Norway
1575:Monaco
1570:Mexico
1560:Latvia
1540:Israel
1495:Greece
1475:France
1395:Canada
1385:Brazil
1315:Africa
834:Issues
820:Zerzan
810:Warren
795:Tucker
765:Rocker
760:Reclus
750:Pouget
730:Michel
710:Makhno
685:KĹŤtoku
675:He-Yin
650:Godwin
635:Ferrer
605:Cleyre
570:Armand
565:Alston
557:People
317:Theory
215:Social
208:Jewish
154:Market
149:Egoist
38:mohawk
9380:Eva O
8779:Forms
8612:Media
8357:Spain
8279:Scene
8249:Grebo
7762:S2CID
7695:S2CID
7681:(4).
7343:9 May
7317:9 May
7284:S2CID
7161:S2CID
7119:9 May
6787:JSTOR
6145:S2CID
6137:JSTOR
5261:(PDF)
5244:(PDF)
4957:(PDF)
4946:(PDF)
4753:S2CID
4745:JSTOR
4466:Creem
4356:9 May
4190:Creem
4162:(PDF)
4151:(PDF)
3814:Stasi
3727:Crass
3708:goths
3661:UK 82
3641:Lemmy
3543:girls
3536:is a
3362:vegan
3302:manga
3293:Akira
3288:anime
3284:manga
3211:Germs
3151:Many
2964:prose
2888:Dance
2840:Crass
2824:zines
2770:queer
2234:, or
2185:Music
2071:zines
2063:prose
1974:music
1770:Films
1760:Books
1748:Lists
1690:Syria
1675:Spain
1555:Korea
1550:Japan
1545:Italy
1520:India
1455:Egypt
1405:China
1400:Chile
1125:Films
1031:Provo
800:Volin
705:MagĂłn
680:Kanno
630:Faure
625:Ervin
620:Ellul
193:Queer
186:Black
122:Green
9816:Punk
9667:Film
9023:Punk
8808:Spin
7858:Punk
7835:ISBN
7813:ISBN
7731:ISBN
7712:ISBN
7683:SAGE
7658:ISBN
7639:ISBN
7616:2020
7569:2020
7536:2020
7503:2020
7471:2020
7439:2020
7376:2013
7345:2013
7319:2013
7228:2013
7184:ISBN
7121:2014
7077:ISBN
7052:ISBN
7027:ISBN
6999:ISBN
6974:ISBN
6949:ISBN
6924:ISBN
6905:2014
6879:2014
6849:2011
6823:2009
6758:ISBN
6729:ISBN
6704:ISBN
6685:2018
6667:ISBN
6646:2018
6615:2018
6585:2018
6567:ISBN
6537:2022
6506:2010
6479:2024
6453:2024
6427:2024
6401:2024
6375:2024
6352:2024
6329:2024
6304:2010
6274:2011
6234:ISBN
6215:2006
6175:ISBN
5956:2010
5923:2010
5887:2016
5857:2020
5827:2020
5794:2020
5764:2015
5738:2014
5708:2014
5677:2014
5647:2014
5617:2010
5555:2016
5528:2016
5498:2020
5480:ISBN
5453:ISBN
5421:ISBN
5383:2015
5356:2015
5325:2015
5288:ISBN
5269:2016
5248:ISBN
5224:link
5199:2015
5168:2015
5150:ISBN
5129:2015
5099:2015
5069:2015
5032:ISBN
5013:2014
4965:2014
4929:2014
4899:2011
4863:ISBN
4842:2023
4787:2010
4704:2020
4672:2020
4642:2016
4626:ISSN
4598:ISBN
4577:Punk
4388:2021
4358:2013
4324:2006
4293:2006
4266:2006
4235:2006
4204:2006
4170:2014
4019:Cuba
4013:Cuba
3990:Peru
3943:and
3790:and
3748:and
3744:The
3704:mods
3675:and
3616:and
3604:The
3286:and
3234:The
3215:Fear
3189:and
3159:and
3127:Film
3119:and
2916:and
2904:and
2881:Punk
2878:and
2758:LGBT
2622:punk
2587:The
2463:and
2461:BDSM
2369:, a
2258:punk
2101:punk
2011:, a
1968:The
1625:Peru
1530:Iran
1425:Cuba
1110:Arts
805:Ward
735:Most
725:Mett
9594:Art
8440:L–Z
8435:#–K
8147:Oi!
7997:Emo
7783:doi
7754:doi
7687:doi
7603:NME
7402:doi
7276:doi
7153:doi
6394:NME
6262:124
6129:doi
4830:CNN
4735:hdl
4727:doi
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3908:NME
3614:ska
3610:Oi!
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