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Lourdes Grobet

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267:, where she grew up with her parents. Grobet took a formal painting class at the Academy of San Carlos. Her parents did not like the views of the school and sent her to work under a Catholic professor named JosĂ© SuĂĄrez Olvera, who painted murals for the Church of San Francisco. She did not care for his work much because she felt it lacked originality. Grobet asked herself what art is: “Looking around, and after asking myself the inevitable questions about what art is, it became clear that for me it was a language, a way of saying things, and so I had to find the best way of saying them.” 472:, "she has used this photographic experience as an inductive process in order to understand or 'live' reality (or realities) rather than illustrate certain preconceived ideas. She is not scared to employ different (sometimes contradictory) languages available to her to speak of her particular experience and standpoint, thus sacrificing formal purism. In her own way, Grobet manages to use photography to relate to herself, to relate to us and to take action in the problematic reality that is Mexico." 1188: 44: 154: 341:; because of this, she liked working with multimedia. She spent some time working at a jazz concert, controlling lighting and kinetic projections. When Grobet returned to Mexico, she decided that she wanted to focus on photography; after she got back home, she decided to burn all of her old work and start over. 409:, one of the most important Mexican wrestlers, and a hero of lucha libre who starred in more than 50 films. Since 1975, she has published more than 11,000 photographs of the sport, including those on the sport in the United States since the 1930s, and as an important part of Mexican popular culture, adopting a 417:
separation between both Islands. After the American-Soviet conflict of the 21st century, the Beringia region was divided in two, which caused the separation of complete Nanook families and also, paradoxically, separated the place where the first human beings that populated the American continent crossed.
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culture. Wanting to learn more about the Mayans she went to the suburbs; while this was not a common thing to do, she wanted to steer clear of any tourists. She wanted to get accurate information about the people she documented and explore an area less traveled. She discovered temples that were made
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She also ventured into cinema. In her 2013 movie Bering. Balance and Resistance, Grobet questions the political separation between the Big Diomede Island (Russia) and the Little Diomede Island (USA) in the Bering Strait, a border between the United States and Russia. Showing the consequences of the
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Grobet spent some time with indigenous people during a time of great struggle for them. She took the time to learn more about them and photograph them in a theatrical way. She wanted to relate to indigenous people using her artistic initiative, so they made costumes and scenery of their own and she
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Some of Grobet's work was collaborative, while others she liked to do on her own time. When photographing the luchadores she wanted to show their tough side, but she also wanted to show their fragile side as well. Grobet wanted to uncover the roots of the lucha libre. She wanted to show that the
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After her education and her travels, Grobet came back to MĂ©xico City. She once again started to explore her childhood interest of luchadores. She found that there was very little information pertaining to the luchadores, and so she decided that she wanted to make them more known to the world.
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lucha libre is important to the culture of Mexico, with links back to the time of the Aztecs. Grobet found that there was not much information about these fascinating luchadores. She wanted the luchadores to get the recognition they deserve as some of Mexico's important cultural figures.
425:, she transformed a gallery into a photographic laboratory. She developed the photographs, but without fixing them, and displayed them on three walls. While the public looked at the photographs, the lights from the gallery made it look like they disappeared. 420:
Grobet has had over one hundred exhibitions of her photographs, both group and solo exhibitions. She had her work exhibited at the London Mexfest festival in 2012. She won an award at the Second Biennal in Fine Art Photography. In 1975, for the exhibition
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wrestlers inside and outside of the ring, both in their masks, but also in their own homes. Grobet wanted to show that they lived normal lives, just like everyone else. She got very close with well known Lucha Libre wrestlers such as: El Santo,
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In 1981 Grobet released her first set of photographs. At the beginning of her career in photography, she was part of a group called Consejo Mexicano de FotografĂ­a (Mexican Council of Photography), formed by
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in 1977. With her participation in this group, she was able to revitalize photography in Mexico, which led to a movement called the Grupos. Grobet was focused on establishing a community-based perspective.
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Derbez, ErĂ©ndira. ‘We Are Divided by Imaginaries Lines. La FotografĂ­a y Los Mapas En Bering. Equilibrio y Resistencia, de Lourdes Grobet’. El Ojo Que Piensa. Revista de Cine Iberoamericano 20 (June 2020).
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in 1977 and did a few landscape paintings. She ended up failing, however, because the photography faculty did not like that she altered the landscape and strayed away from keeping it purely documentary.
255:(wrestlers). Grobet did some theatre and video, and published several books. Grobet's work has been the subject of numerous exhibitions, and she received many grants and awards for her work. 295:, from whom she learned that mass media showed a new way of expression. When Goeritz gave up teaching, he asked Grobet to be his assistant while he worked on stained glassed windows for the 288: 251:
Grobet spent some time as a painter before focussing on photography. Her photography led her to explore lucha libre, and she spent a lot of time getting to know the
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Grobet spent thirty years devoted to taking pictures of the luchadores and studying their way of life. She spent time photographing
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As Grobet was taking her photographs, she desired to understand reality better. According to Grobet, and as noted in her 2005 book
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attitude. The sport involves many costumes and masks, leading it to a sport-carnival air which is much appreciated by Mexicans.
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Abelleyra, Angélica (2005). "A Life Without Masks. An Interview with Lourdes Grobet". In Grobet, Lourdes (ed.).
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Grobet married Xavier Perez Barba in 1962 and they had four children together. They divorced in 1974.
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introduced Grobet to the world of photography, though the main influences in her early career were
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1992: International Award, Latin American Emancipation and Identity 1492–1992, contest,
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by an unknown civilization and she decided they were to be called the Olmayazetec.
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http://elojoquepiensa.cucsh.udg.mx/index.php/elojoquepiensa/article/view/320
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Grobet studied as a painter in Mexico for some time and then took a trip to
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While she was in Paris, Grobet visited many art galleries and discovered
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Documental, 3 March 2020 |; Experimental; MĂ©xico; Mujer (3 March 2020).
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in 1968; it changed her life and the way that she viewed the art world.
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Santo y Seña de los Recintos Históricos de la Universidad de México
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1988: Best Monument Award for commemoration of 20th Anniversary of
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in Mexico and graphic design and photography in Britain at the
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then took their photos. Later on, Grobet took interest in the
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Mediateca – Instituto Nacional de Antropología e Historia
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1999-2001: SNCA Grant, Secretariat of Culture, Mexico
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1988: Best Book Award, Juan Pablos Editions, Mexico
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Lucha Libre. Masked Superstars of Mexican Wrestling
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Lucha Libre: Masked Superstars of Mexican Wrestling
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Madrid: Turner. p. 54. 1945:: CS1 maint: numeric names: authors list ( 1177: 2861:Alumni of Cardiff School of Art and Design 2809:Lourdes Grobet: The Woman Behind the Masks 2156:. Madrid: Turner. 2005. pp. 502–505. 499:, with the group Proceso Pentagono, Mexico 152: 2185: 2093: 1228:Learn how and when to remove this message 128:Learn how and when to remove this message 1987: 1738:Centro de la Imagen, MĂ©xico City, Mexico 556:2007: MacDowell Residency, United States 485:1982: Photographic Biennal award, Mexico 387:, and Los Brazos. Influenced greatly by 2372: 2346: 2818: 2445: 2398: 2212:"Lourdes Grobet :: Guest Artists" 1679:NegPos Centre d’Art et de Photographie 1119:NegPos Centre d’Art et de Photographie 291:. She was very moved by her professor 2502: 2500: 2441: 2439: 2342: 2340: 2338: 2312: 2310: 2040: 2038: 513:Sistema Nacional de Creadores de Arte 2777:", presentation on the editor's site 2216:Lourdes Grobet :: Guest Artists 2181: 2179: 2177: 2175: 2173: 2070: 2068: 2066: 2036: 2034: 2032: 2030: 2028: 2026: 2024: 2022: 2020: 2018: 1958: 1956: 1910: 1908: 1906: 1210:adding citations to reliable sources 1181: 524:Banff Centre for Arts and Creativity 66:adding citations to reliable sources 37: 1735:FundaciĂłn Cultural Televisa, Mexico 563: 463: 13: 2881:21st-century Mexican photographers 2876:21st-century Mexican women artists 2841:20th-century Mexican photographers 2836:20th-century Mexican women artists 2679:"Tinieblas, Alushe y Tinieblas Jr" 2497: 2436: 2335: 2307: 1855:. RevertĂ© Editores, Mexico/Spain. 1764:San Francisco Museum of Modern Art 1625:Interactiv, Images of BeringStrait 289:Derby College for Higher Education 14: 2897: 2736: 2401:"Lourdes Grobet: Behind the Mask" 2170: 2063: 2015: 1953: 1903: 1046:Mexican Social Security Institute 806:La MĂĄscara en la Cultura Mexicana 2886:21st-century women photographers 2866:20th-century women photographers 2851:Mexican people of French descent 2658:The Museum of Fine Arts, Houston 2373:Jacques, Adam (12 August 2012). 2347:Jacques, Adam (12 August 2012). 2046:"Lourdes Grobet | Hammer Museum" 1988:Gonzalez, David (9 April 2018). 1870:. Trilce Editions, MĂ©xico City. 1186: 866:Centro FotogrĂĄfico Álvarez Bravo 447: 42: 16:Mexican photographer (1940–2022) 2696: 2671: 2646: 2621: 2596: 2571: 2546: 2525: 2472: 2418: 2366: 2281: 2255: 1825:. Turner Publicaciones, Spain. 1779: 1650:Work of sculptor Helen Escobedo 1197:needs additional citations for 546:2003: Bellagio Residency, Italy 53:needs additional citations for 2399:Vroons, Erik (21 March 2012). 2237:"Lourdes Grobet – Exhibitions" 2204: 1981: 1720: 1619:Museo Archivo de la FotografĂ­a 1583:Museo Archivo de la FotografĂ­a 1435:Museo Archivo de la FotografĂ­a 1065:Museo Archivo de la FotografĂ­a 559:2010-2011: FONCA grant, Mexico 1: 1896: 1746:University of Texas at Austin 971:Lourdes Grobet: Retrospective 724:Museo Universitario del Chopo 258: 1923:(in Spanish). Archived from 1803:. Tabasco County Government. 1789:. Los Talleres, MĂ©xico City. 1773:Museum of Latin American Art 1709:Equilibrium & Resistance 1070:Equilibrium & Resistance 270: 23:, the first or paternal 7: 2856:Mexican women photographers 2775:Espectacular de Lucha Libre 2375:"Portfolio: Lourdes Grobet" 2349:"Portfolio: Lourdes Grobet" 1868:Espectacular de Lucha Libre 1101:Espectacular de Lucha Libre 781:ÂżDe quĂ© conquista hablamos? 391:, the Polish sculptor from 213:Documenting the lucha libre 10: 2902: 746:Los Manteles de Septiembre 428:In 1977, Grobet presented 281:Universidad Iberoamericana 18: 1885:(with Gabriel RodrĂ­guez) 1649: 1637: 1587: 1579: 1561: 1428: 1390: 1338: 1123:El nuevo hombre de Bering 1079: 1068: 1041: 1017: 989: 966:Bruce Silverstein Gallery 946: 922: 880: 830:Pop, Mass and Sub-culture 825:Banff Centre for the Arts 815: 719: 646: 615: 593: 479: 307: 225: 217: 209: 201: 185: 163: 151: 144: 2871:Artists from Mexico City 2755:(in Spanish and English) 2583:www.brucesilverstein.com 2480:"Visual Artists – Yaddo" 1178:Theatre, film, and video 1032:Upside Down Les Artiques 543:Residency, United States 536:Residency, United States 455: 242:Lourdes Grobet ArgĂŒelles 2446:Grobet, Loudes (2005). 1758:The Museum of Fine Arts 908:Tijuana Cultural Center 397:Gilberto Aceves Navarro 381:Misioneros de la Muerte 321:Gilberto Aceves Navarro 2782:28 August 2009 at the 2540:Rockefeller Foundation 1543:University of Alicante 1097:National Museum of Art 1093:Kuala Lumpur, Malaysia 685:1980, 1982, 1985, 1991 517:Secretariat of Culture 399:, a Mexican master of 285:Cardiff College of Art 1921:Cada dĂ­a un fotĂłgrafo 1685:The New Man of Bering 1520:Museo de Arte Moderno 1083:GalerĂ­a Metropolitana 987:Three subway stations 655:Travelling Exhibition 297:MĂ©xico City Cathedral 2846:Sports photographers 2190:. pp. 492–501. 1883:Lucha Libre Mexicana 1752:MusĂ©e du Quai Branly 1602:MusĂ©e du Quai Branly 1549:Grobet Witch Project 1454:MusĂ©e du Quai Branly 1413:ExTeresa Arte Actual 1206:improve this article 1027:MusĂ©e du Quai Branly 379:, Sagrada, Octagon, 62:improve this article 2608:www.webarcelona.net 2076:"CV Lourdes Grobet" 1853:Retratos de Familia 1787:Se Escoge el Tiempo 1742:Harry Ransom Center 1616:MĂ©xico City, Mexico 1562:MĂ©xico City, Mexico 1516:MĂ©xico City, Mexico 1432:MĂ©xico City, Mexico 1394:Centro de la Imagen 1391:MĂ©xico City, Mexico 1288:MĂ©xico City, Mexico 1042:MĂ©xico City, Mexico 984:MĂ©xico City, Mexico 932:Alicante University 884:MĂ©xico City, Mexico 861:Oaxaca City, Mexico 843:Centro de la Imagen 840:MĂ©xico City, Mexico 720:MĂ©xico City, Mexico 595:MĂ©xico City, Mexico 497:Tlatelolco massacre 263:Grobet was born in 196:MĂ©xico City, Mexico 2811:", by Joe Hilliard 1994:The New York Times 1768:San Francisco, USA 1499:36th New York Expo 1496:New York City, USA 948:New York City, USA 895:Video installation 385:Los Perros del Mal 2629:"Brooklyn Museum" 2558:www.chopo.unam.mx 2542:. 1 January 2003. 2293:A Photo Teacher | 2241:Bruce Silverstein 1775:, Long Beach, USA 1718: 1717: 1460:Prometheus Unisex 1419:Prometheus Unisex 1238: 1237: 1230: 1175: 1174: 1141:Mexican Consulate 937:Paisajes Pintados 675:Paisajes Pintados 526:Residency, Canada 490:Libro Propositivo 434:Paisajes pintados 299:. She studied in 239: 238: 138: 137: 130: 112: 2893: 2805: 2790: 2771: 2756: 2751: 2750: 2748:Official website 2744: 2719: 2718: 2716: 2714: 2700: 2694: 2693: 2691: 2689: 2675: 2669: 2668: 2666: 2664: 2654:"Lourdes Grobet" 2650: 2644: 2643: 2641: 2639: 2625: 2619: 2618: 2616: 2614: 2600: 2594: 2593: 2591: 2589: 2575: 2569: 2568: 2566: 2564: 2550: 2544: 2543: 2537: 2529: 2523: 2522: 2520: 2518: 2512:MacDowell Colony 2508:"Lourdes Grobet" 2504: 2495: 2494: 2492: 2490: 2476: 2470: 2469: 2443: 2434: 2433: 2422: 2416: 2415: 2413: 2411: 2396: 2390: 2389: 2387: 2385: 2370: 2364: 2363: 2361: 2359: 2344: 2333: 2332: 2330: 2328: 2314: 2305: 2304: 2302: 2300: 2285: 2279: 2278: 2276: 2274: 2259: 2253: 2252: 2250: 2248: 2243:. 8 October 2005 2233: 2227: 2226: 2224: 2222: 2208: 2202: 2201: 2183: 2168: 2167: 2150: 2091: 2090: 2088: 2086: 2072: 2061: 2060: 2058: 2056: 2042: 2013: 2012: 2010: 2008: 1985: 1979: 1978: 1976: 1974: 1960: 1951: 1950: 1944: 1936: 1934: 1932: 1917:"Lourdes Grobet" 1912: 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MĂ©xico City
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plastic arts
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