Lizabeth Scott - Knowledge

525: 4040:, pp. 9–10. "(Cynthia) Baron characterizes studio acting as an eclectic mix of pragmatic acting strategies and guidelines that centered around three major concerns: the actor's adjustment from stage to screen, the development of 'silent thinking' as a way to help formulate appropriate reactions during shooting, and the building of a character through careful script analysis, extensive preparation, and dispassionate execution. She proposes that (s)tudio actors developed their craft, not by using a single method, but rather by drawing on a complex integration of techniques taken from silent films, theater, dance, modeling, vaudeville, and the theories of Constantin Stanislavski." Baron's list reads like a resume of Scott's. 830: 129: 451: 874: 340:

place. Scott has acknowledged that Myerberg used her to keep Bankhead under control and that Bankhead was furious about the situation. Describing her own experience with Bankhead, Scott recalled, "She never spoke to me, except to bark out commands. Finally, one day, I'd had enough. I told her to say 'please,' and after that she did." During her eight months as the understudy, Scott never had an opportunity to substitute for Bankhead, as Scott's presence guaranteed Bankhead's. During her time with the production, Scott played the role of "Girl/Drum Majorette." The play ran from November 18, 1942, to September 25, 1943.

620: 963: 1563:, Scott was reported to have been infatuated with Presley. During a kissing scene, she playfully bit him on the cheek, leaving a red mark, which she called "just a little love nibble." The scene had to be reshot with the other side of his face to the camera. Scott's musical debut came to naught, however. Though Hal Wallis tried to get Scott's singing voice undubbed for the production, he was overruled by the studio heads, despite all of Scott's previous voice training. Production ran from late January 1957 to mid-March 1957. 1599: 984:(1951), she played Joan Willburn, a probation officer who sacrifices her fiancé to a scheming convict, Diane Stuart (Jane Greer). While Greer's beauty was toned down for the film, Scott's was not. As a result, critics were generally unconvinced that the leading man would choose the dowdy Diane over Joan. Most critics thought that Scott and Greer were miscast, and should have switched roles. Columnist Erskine Johnson wrote "Lizabeth Scott is on her second reach-for-the-handkerchief-Mabel picture for RKO." 31: 903:, who at the time was jailed at the local honor farm for a marijuana conviction—Mitchum was convicted January 10, 1949. It later was alleged that Hal Wallis was responsible for Scott's bowing out. Yet, Scott starred with Mitchum in a RKO film two years later. During this same period, the press reported rumors of Scott's stage fright. Scott later admitted to stage fright, explaining her absence during premieres of her films. 702:, Lizabeth Scott—each possessed a certain hardness, an invisible shield of attitude and defense, that suggested that times were getting serious and that comedy would not be able to handle all the issues... Just a few years earlier, Hollywood had been presenting the wisecracking platinum blonde, frank, sexy, self-actualizing. Now with the war, that insouciance had become hard-boiled. 1237:(1945), Scott's film debut, she recalled: "Being very young and naïve at the time, I didn't know you weren't supposed to do such things, so I called him up and complained. I told him how hard everyone worked to make such a beautiful movie, and I couldn't understand how he could be so cruel. I must say he took it awfully well, and was very kind to me." Nonetheless, in his review of 1798:, spent a long time coaxing Scott out of retirement to fly to Malta for the shooting. Scott said that while she enjoyed Malta, she was not pleased that most of her footage was cut out—eight scenes in all. Hodges for his part reported that Scott was challenging to work with while shooting and struggled with nerves. Despite disagreements among the cast, crew, and past critics, 194:, the oldest of six children born to Mary Penyak and John Matzo (Ján Maco in Slovak). Several conflicting accounts have been given as to her parents' ethnic origins, with most mentioning English, Rusyn, Russian, and Ukrainian. The family lived in the Pine Brook section of Scranton, where her father owned Matzo Market. Scott characterized her father as a "lifelong 1650:. According to Mondo, Scott "introduced me to her fiance, Texas oil baron William Lafayette Dugger, Jr. He was in his late forties, of medium build, good-looking, with dark hair, a warm personality, and a strong handshake." Dugger described Scott as "A misunderstood soul searching for love. Her outward appearance is just a shell." 4568:, p. 223. Maureen O'Hara settled out-of-court on July 2, 1958. Errol Flynn settled July 8, 1958. Liberace settled on July 16, 1958. O'Hara, Flynn, and Liberace were only witnesses for the prosecution and not plaintiffs in the California trial. None of the other lawsuits—from Lizabeth Scott's to Maureen O'Hara's—ever went to trial. 777:

middle-level insurance investigator. He's tired of his job, spending time in his little office with a drab secretary. So I could have made a different picture, with a prettier girl than Lizabeth Scott, and told the story of that girl, her problems, but that wasn't this movie. That would make it phony, if you cast it with

1126:. Scott played an heiress who inherits a haunted castle on Lost Island off the coast of Cuba. Though Scott had fond memories of working on the set in the years ahead, at the time of filming, she found it trying. Scott found Lewis' impersonations of her offensive, while a jealous Hal Wallis instructed director 1767:

gossip article, Scott remained active on the Hollywood dating circuit, but the allegations continued to haunt her. A friend, David Patrick Columbia, commented: "One night driving her home from a party we'd been to, she remarked apropos of nothing we'd been talking about, 'and you know David, I am not

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further curtailed film production. Film historians generally agree that Scott's career essentially peaked between 1947 and 1949. By February 1953, her stage fright was such that she even hid from friends. Scott did not renew her Paramount contract in February 1954, 18 months before "Lizabeth Scott in

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On August 30, 1943, Scott once again played Sabina when George was ill. Joe Russell was in the Plymouth Theatre audience that night. Afterward, when a friend from California came to New York on one of his biannual visits to Broadway, Russell told him about Scott's performance. Russell's friend was an

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appeared, her career was already dormant. Scott had begun her career at a time when many established actors were away at war, giving then unknowns like Scott a chance at stardom. When the older stars returned, many of the newer stars faded away. In addition, the rise of television and the breakup of

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After shooting was completed, Scott walked away from film acting to try her hand at singing. The 14-year-relationship that began at the Stork Club in 1943 came to an end. With regard to Wallis, Scott knew the relationship was over—only Wallis remained in denial. After the death of his wife in 1962,

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began. It eventually involved over 200 actors, most of whom fled California to avoid defense subpoenas. Rushmore, now the state's star witness, testified that the magazine knowingly published unverified allegations, despite its reputation for double-checking facts: "Some of the stories are true and

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Though relations between Lancaster and Scott had previously been romantic, a falling out happened. Lancaster's behavior toward Scott was chilly, especially during one kissing scene, leaving Scott looking exasperated. By April 9, 1947, Lancaster tried to break his seven-year contract with Paramount.

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went nowhere. Since the magazine was domiciled in New York state, and Scott was a California resident who had initiated the suit in her own state, Los Angeles Superior Court judge Leon T. David quashed Scott's suit on March 7, 1956, on the grounds that the magazine was not published in California.

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According to Rushmore, Harrison told the attorneys, "I'd go out of business if I printed the kind of stuff you guys want." Ronnie Quillan herself testified at the same trial that she had never verified the Scott story, thus not making the story "suit proof", but that Rushmore agreed to publish it

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bungalow at 8142 Laurel View Drive the previous autumn. Two female adults, one male adult, and a 17-year-old female were arrested on prostitution charges. The police found an address book with the names and telephone numbers of people active in the film industry, including two numbers allegedly

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for Bankhead, despite Bankhead's protests. Bankhead had signed a contract forbidding an understudy for the Sabina role, which Myerberg breached by hiring Scott. Previously, Bankhead had controlled the production by not showing up for rehearsal. Now, Myerberg could simply put Scott in Bankhead's

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tribute to Wallis in 1987 and fondly recalled her time with him. In 2003, film historian Bernard F. Dick interviewed Scott for his biography of Wallis. The result was an entire chapter titled "Morning Star", in which the author observed Scott was still able to recite her opening monologue from

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I wanted Lizabeth Scott. I didn't want some blonde with big tits. You had to believe that this girl was real. Even if I took one of these over-sexed types who could not act, it would change how the Powell character is drawn into the affair. Remember the point of the script was that he's just a

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not to let the romantic scenes between Scott and Martin get too steamy. Despite Scott's best efforts, including making excuses for Lewis' behavior to the press, most of her scenes were cut. The film premiered the week of 28 May 1953 in Los Angeles. Despite the negative experience and reviews,

2124:, p. 71. "Among other performers to achieve national success are two actresses from Hollywood. Lizabeth Scott (born Emma Matzo), the daughter of Carpatho-Rusyn immigrants from Subcarpathian Rus', played the role of a sultry leading lady in several films during the late 1940s and early 1950s." 436:. Miriam Hopkins was ill. Scott sent Wallis her apologies, cancelling the interview. Scott recalled "On the train up to Boston, to replace Miss Hopkins, I decided I needed to make the name more of an attention-grabber. And that's when I decided to drop the 'E' from Elizabeth." In 1945, 374:

in March, catching Scott off-guard. Bankhead's final zinger to Scott was "You be as good as she (Hopkins) is." For a brief period, Scott understudied for Hopkins. While Scott liked Hopkins much more than Bankhead, she was still disappointed about being passed over for the Sabina role.

741:. He tested me with Burt; it was a wonderful test, but then Lizabeth Scott decided she wanted the role, and Lizabeth got whatever she wanted—from Hal Wallis! (Laughs) So, I got the second part instead." Douglas, while working with Lancaster on the film, commented: 432:—Scott had turned 21. By happenstance or design, Wallis was also at the club that night. Hoffman introduced Scott to Wallis, who arranged for an interview the following day. When Scott returned home, she found a telegram offering her the lead for the Boston run of 378:

Scott eventually quit in disappointment. Before quitting, Scott replaced Hopkins for one night. When Scott finally went on stage as Sabina, she was surprised by both the approval and fascination of the audience. Her replacement as understudy was another future

1756:. According to Bacharach: "She personified what I love about a woman, which is not too feminine but a little bit masculine. Just the strength and the coolness and the separation from the frilly woman who is always touching you and wanting something... I think 745:

Lizabeth Scott played the girl we were involved with in the movie. In real life, she was involved with Hal Wallis. This was a problem. Very often, she'd be in his office for a long time, emerge teary-eyed, and be difficult to work with for the rest of the

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depicts two separate story lines running in parallel—one dominated by Martha Ivers (Stanwyck) and the other by Antonia "Toni" Marachek (Scott). The Heflin character, Sam, is the connection between the story lines, which overlap only in the one scene where

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on 8 December 1946 as having said that he would never make another picture with producer Hal Wallis because Wallis wanted to reshoot scenes in this film for more close-ups of Lizabeth Scott; Milestone reportedly told Wallis to shoot them himself—which he

3805:, pp. 40–41. Film historians familiar with the novel usually surmised that the screenwriter, Irving Wallace, deliberately tailored the script to take advantage of Scott's noir typecasting. Scott's original character in the novel was a maternal type. 3554:

Bosley Crowther (January 29, 1951; accessed May 23, 2014), "The Dancing Years (1949) THE SCREEN IN REVIEW; 'The Company She Keeps,' With Lizabeth Scott Playing a Parole Officer, Arrives at Loew's Criterion At the Little Carnegie At the Stanley,"

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Scott tended toward secrecy about her personal relationships and publicly disparaged former dates who told all to the press. Once their date appears in the press, "the man goes off date list... I think," said Scott, "that gentlemen don't tell."

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Scott's style of acting, characteristic of other film actors of the 1940s—a cool, naturalistic underplay derived from multiple sources—was often deprecated by critics who preferred the more emphatic stage styles of the pre-film era or the later

205:, a local Catholic girls' school. She transferred to Scranton's Central High School, where she performed in several plays. After graduating, she spent the summer working with the Mae Desmond Players at a stock theater in the nearby community of 1241:(1948), he stated: "As the torch singer ... Lizabeth Scott has no more personality than a model in the window of a department store." He also wrote of "a frighteningly grotesque Lizabeth Scott, who is supposed to represent a cabaret singer" in 1538:—the final result was that Scott "has a vocal range of two octaves, A below C to High C," making Scott a mezzo-soprano. In July 1956, Johnson reported that Scott was under the management of Earl Mills, who also managed the singing career of 1258:

and a couple of pictures before that." Current film historians critical of Scott either repeat Bob Thomas' image of an ersatz Bacall, Bosley Crowther in describing Scott's acting as wooden, or a pastiche of actresses of the period, as did

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is a relatively 'unknown and unseen' noir and deserves this recognition, especially for its storyline, acting, and the incredible performance of Lizabeth Scott in the femme fatale role." At the end of 1948, Scott shifted dramatic gears in

1331:, whose face had a frozen quality and always looked half-asleep ... The dreamwalker seemed to mirror all our own fears. His (and her) numbness was the crazed underside of that cinematic energy in the wake of the (Second World) war." 1266:

Others, though, see Scott's acting in a different light. With the revival of interest in film noir and its corresponding acting style, beginning in the 1980s, Scott's reputation has risen among critics and film historians. In

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starring Scott, but he suddenly died on August 8, 1969. A handwritten codicil to his will leaving half his estate to his fiancée was contested by Dugger's sister, Sarah Dugger Schwartz. The will was judged invalid in 1971.

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poll voted her the seventh-most promising "star of tomorrow." Production ran 10 June–4 September 1946. It premiered in New York the week of 23 January 1947. Despite the initial positive publicity, the long-term effect of

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was the film of which Wallis was most proud, the films he watched repeatedly were those starring Lizabeth Scott. Even during his second marriage, Wallis continued to screen Scott's films at home, night after night.

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published the Scott story in the next issue. Under the byline of "Matt Williams", it was titled "Lizabeth Scott in the Call Girls' Call Book". In November 1955, at the age of 33, Scott again went to Britain to film

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in his film debut) is a bookie who is the apparent target of a vengeful brother of a dead man whom Haley swindled. Originally, Burt Lancaster was cast as the leading man, but he refused to work with Scott again.

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replaced Mitchum. Scott was slated to play the club secretary. Then, she replaced Ball as leading lady. The reason for the role switch is unknown, though Ball never forgave Mature for his rudeness when they made

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Instead of paying the magazine not to publish the article, Scott sued. On July 25, 1955, two months before the issue's printed publication date, and while the Marlene Dietrich issue was still on the newsstands,

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and Tallulah Bankhead, beginning with Bob Thomas' March 1945 comment about her screen test: "Her throaty voice may well make Lauren Bacall sound like a mezzo soprano." When the most prominent critic of the era,

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belonging to Scott. "HO 2-0064" had a Hollywood prefix and was the residential number of an elderly couple, Henry A. and Mamie R. Finke, of 4465 West 2nd Street, Los Angeles, while "BR 2-6111" belonged to the

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Trulia (accessed May 23, 2014), "8142 Laurel View Dr Los Angeles, CA 90069 (Hollywood Hills)." Rushmore described the four-bedroom, two-story stucco residence, built in 1926, as a "swanky, four-story house."

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styles. Typical of the 1940s was Dick McCrone: "Miss Scott, who is an excellent clothes horse, rounds out the principals as Lancaster's moll. Otherwise, she's still the same frozen-face actress she was in

1074:(1951), another conventional noir. Irene Hayes (Scott) is caught up in a struggle between a big-city police captain (Robert Mitchum) and a local crime boss (Robert Ryan), who resembles the real-life 933:

By June 22, 1949, Scott reportedly recovered from her January episode and was to be lent by Hal Wallis to the Princeton Drama Festival. In July 1949, Scott returned to the stage in the title role of

855:, and Kristine Miller. This Hitchcock-like, black-and-white noir is widely considered Scott's best film and performance. But, the film was a box-office failure when it was released, and the producer 1189:, but she never appeared in it. As Scott put it: "out of the clear blue sky one morning, I woke and decided that I never wanted to make another film again. It was just a spark, I can't explain it." 954:

Finally, Scott decided to legalize her stage name. Having been known professionally as "Lizabeth Scott" for almost seven years, she legally changed her name from Emma Matzo on September 14, 1949.

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Rumors of an affair between the married Myerberg and the new understudy were rife. Scott has said that her fondest memory was of Myerberg telling her, "I love you," but the two eventually parted.

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After that, Scott kept away from public view and declined most interview requests. From the 1970s on, she was engaged in real estate development and volunteer work for various charities, such as

546:(1946): "I will not be co-starred with any other person other than a recognized male or female star." Lawyers for Wallis and Stanwyck got to work, and eventually, the final billing ran Stanwyck, 4023:

Bosley Crowther (October 19, 1950; accessed May 23, 2014), "Dark City (1950) THE SCREEN IN REVIEW; Charlton Heston Makes His Film Debut in 'Dark City,' Feature at the Paramount Theatre,"

144:; September 29, 1922 – January 31, 2015) was an American actress, singer and model for the Walter Thornton Model Agency, known for her "smoky voice" and being "the most beautiful face of 1620:. Scott played the titular character, derived from a boyfriend's dialog: "She is a sleek, well-groomed tigress, a man-eating shark—an Amazon! She chews men up and spits them out." In a 1626:

episode, "Who Killed Cable Roberts?" (1963), she camped it up as the ungrieving widow of a celebrity big-game hunter. Much of her private time, though, was dedicated to classes at the

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The continuing feud between Myerberg and Bankhead worsened Bankhead's ulcer, leading her to not renew her contract. Anticipating Bankhead's move, Myerberg suddenly signed 39-year-old

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A. W. (August 15, 1949; accessed May 23, 2014), "Too Late for Tears (1949) THE SCREEN IN REVIEW; 'Too Late for Tears', Adult and Suspenseful Adventure Film, Is New Bill at Mayfair",

1168:, feuding was reported between the two on the set. The film was a box-office failure. Eight months later in February 1954, Wallis and Scott parted ways. Scott was now a freelancer. 1490:. Since New York refused to let Brown extradite Harrison to California, Brown instead put Harrison's niece, Marjorie Meade, director of the Hollywood Research investigative arm of 4330: 1708:

In 1948, Burt Lancaster said of Scott: "Becoming her close friend... is a long stretch at hard labor." In the period between 1945 and the 1970s, the press reported Scott dating

509:. Wallis told Thomas, "Notice how her eyes are alive and sparkling... Once in a while she reads a line too fast, but direction will cure that. That voice makes her intriguing." 1696:

In later life, Wallis was reticent to talk on the subject of Scott, despite an unjealous Hyer urging him to include Scott and his other mistresses in his autobiography. Though

2042:(San Bernardino, California), p. 25. AP article gives Scott's birthplace as Dunmore, Pennsylvania, while Scott gives her birthplace as Scranton in the Langer video interview. 4358: 485:'s International Pictures. She was rejected by both studios. Then she tested at Warner Bros., but this time around, Wallis' sister Minna Wallis arranged for film director 5413: 224:

In 1939, with her father's help, the 17-year-old Scott moved to New York City, where she stayed at the Ferguson Residence for Women. In New York she was a model for the

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Despite this setback, Giesler said that he would refile in New York. Lawsuits from other actors against the magazine were piling up. Meanwhile, Rushmore tried to get

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He claimed it violated a previous freelance deal, but added that he did not want to work with Scott anymore. Despite all the issues among the cast and past critics,

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the Call Girls' Call Book" was published. Between the end of her contract and Rushmore's article, she had turned down numerous scripts, including a part in Wallis'

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Though the public response to Scott was generally favorable during the Paramount years, the film critics were less so, repeatedly making unfavorable comparisons to

1038:(1948). Instead, she quit the production and audited two morning courses—philosophy and political science—for six weeks at the University of Southern California. 4471:, (New York City, New York), p. 4. In the table of contents, the article had the longer title of "Why Was Lizabeth Scott's Name in the Call Girls' Call Book?" 1675:, with recriminations on Wallis' part. After a few years, Wallis made an effort to revive the relationship with Scott by making her the leading lady opposite 1164:

was originally cast as Helen, but when Scott replaced Neal, Lancaster had to be replaced by Heston. Though Heston and Scott had previously worked together in

737:'s breakout role, but Scott, ever competitive with all other actresses, grabbed the role for herself. Miller later recalled, "(Wallis) planned to star me in 4008:

Bosley Crowther (January 22, 1948; accessed May 23, 2014), "ON THE SCREEN; ' I Walk Alone,' a Gangster Film, Starring Burt Lancaster, Opens at Paramount,"

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chauffeur. When Harrison refused, Rushmore quit and flew to Los Angeles to meet with Scott's attorney, Jerry Giesler. Rushmore offered to testify against

2869:, pp. 103, 130. Lauren Bacall talked Hallis Wallis into hiring Douglas for his debut role. Bacall and Douglas used to date as teenagers in New York City. 1413:

managed "Carroll's", an upper-class, cabaret-type nightclub at 36 Rue de Ponthieu, Paris, France. It featured mainstream entertainers of the day such as

910:, in his "On Broadway" column for June 9, 1949, repeated a rumor of Scott's impending marriage to Mortimer Hall, CEO and president of radio station 603:

and do a promotional tour through the country. While Scott was still in Britain, shooting began on a new noir that Scott joined after she returned:

1741: 2316:(Scranton, Pennsylvania), p. 18. Store address is 1001 Capouse (Avenue). The grocery store was on the ground floor of the Matzos' two-story house. 1820:, Scott's seclusion was not total. She continued to date within a close circle of old Hollywood insiders. "One of her best friends was the singer 1580:, the 12 tracks are a mixture of torch songs and playful romantic ballads. Finally on April 23, 1958, Scott made her public singing debut on CBS' 1405:). He also wrote, of Scott's trip to Cannes: "In one jaunt to Europe, (Scott) headed straight for Paris and the left bank where she took up with 1005:. In another interview, she admitted almost joining a "cult" endorsed by Huxley, but did not due to the vow of poverty required. Huxley explored 2879: 1506:

In the wake of the sensational 1957 trial, Scott was forgotten by the media. Despite later claims that Scott's film career was ruined by the

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The Rushmore article further stated that Scott spent her off-work hours with "Hollywood's weird society of baritone babes" (a euphemism for

428:, had befriended Scott and tried to introduce her to people who could help her. On September 29, 1943, Hoffman held a birthday party at the 5486: 5224:

Juile Miller (June 12, 2012; accessed May 23, 2014), "Chloë Grace Moretz on Her Carrie Remake and Being an Official 'Face of the Future,'"

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switchboard at 10201 West Pico Boulevard, Los Angeles. Scott did not work for 20th Century until 1956, when she took part in an episode of

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Scott acted in four films in 1950. In a continuing effort to escape her femme fatale typecasting, Scott played another self-sacrificing

816:(1942). The 37-year-old Ball was in career slump at the time and had to take the secondary role meant for Scott. The final film, titled 5222: 2273:(Milwaukee, Wisconsin), p. 3. Interview repeats Paramount publicity about Scott's alleged "English father" and "White Russian" mother." 1409:, the city's most notorious Lesbian queen and the operator of a night club devoted exclusively to entertaining deviates like herself." 1300: 1646:, was announced after a two-year engagement. Months later, musician Rexino Mondo was helping Scott decorate her fiance's mansion on 5451: 5366: 364:

Broadway legend had it that Bankhead was being victimized by Scott, who supposedly was the basis for the fictional Eve Harrington.

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Louella O. Parsons (Thursday, April 15, 1954), "Richard Burton Due To Sign New Contract With 20th Century After Play In England,"

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Undaunted by Paramount's refusal to let her singing be heard, Scott signed a recording contract with Vik Records (a subsidiary of

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and Eddie Garr. Landing her first professional job, she was billed as "Elizabeth Scott". The tour opened November 3, 1940, at the

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in exchange for a job in Hollywood. Giesler rejected the offer. Then, Rushmore became a witness for California Attorney General

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Bob Houser, (Saturday, August 10, 1957), "Actress 'Offered to Have Affair' to Get Hot Story: Tells Role of Cabot's Ex-Wife,"

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during the 1940s and 1950s". After understudying the role of Sabina in the original Broadway and Boston stage productions of

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Howard C. Heyn (Sunday, November 28, 1948), "Lush, Sultry and Single," "The Salt Lake Tribune" (Salt Lake City, Utah), p. 75

3064:(Harrisburg, Pennsylvania), p. 4. Designed with little front and no back, Jean Louis called it his 1948 "umbilicalar model." 2297: 1987: 1840:

at the age of 93 on January 31, 2015. Until her death she had managed to make herself a year younger than she actually was.

583:, Scott recalled how strange it was to be in a film with Stanwyck and have only one brief scene together. The screenplay by 5511: 5506: 5466: 2241: 1824:, and on very rare occasions, she could be spotted on his arm." Nor did she forget Hal Wallis. She appeared on stage at an 1534:

Erskine Johnson reported in January 1954 that Scott was being trained by Hollywood voice teacher Harriet Lee, and later by

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some have nothing to back them up at all. Harrison many times overruled his libel attorneys and went ahead on something."

947:, on the campus of Princeton University, New Jersey. The press reported: "Folks who expected fireworks when Liz Scott and 4869: 2189: 1856: 1612: 4236: 1661:

Several books have claimed that prior to her relationship with Dugger, Scott was a mistress of renowned film producer

5501: 5476: 5471: 2288:(New York City, New York). Obituary repeats 1940s Paramount publicity: "She was born ... to English–Russian parents." 2282: 2209: 1627: 4021: 3335:

Louella O. Parsons (Friday, January 28, 1949), "Robert Donat Agrees To Come To US, Gets Top Role In Broadway Show",

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Hal Wallis saw Scott's test and recognized her potential. At the age of 22, Scott's film debut was the comedy-drama

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University of the Arts lauds Mae Desmond: A new musical will address the life of a Queen Village theatrical legend

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at a private reception at the Los Angeles County Museum of Art. Yet, conversely, Scott was a friend and reader of

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AP (February 7, 2015; accessed February 8, 2015), "Lizabeth Scot, Sultry '40s, '50s Film Noir Star, Dies at 92,"

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Robert D. McFadden (February 6, 2015; accessed February 7, 2015), "Lizabeth Scott, Film Noir Siren, Dies at 92,"

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in all but three. In addition to stage and radio, she appeared on television from the late 1940s to early 1970s.

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Eileen Creelman (June 26, 1945), "Lizabeth Scott, of the Tawny Hair and Deep Voice, Talks of 'You Came Along,'"

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Later that spring, Scott returned to her beginnings as a comedian when she began work on her first comedy noir,

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Victor Gunson (November 7, 1946), "Treason? Film Actress Lizabeth Scott Thinks N.Y. Glamorous, Not Hollywood,"

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In June 1946, Scott gained the distinction of being the first Hollywood star to visit Britain since the end of

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Westerns Women: Interviews With 50 Leading Ladies Of Movie And Television Westerns From The 1930s To The 1960s

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Wallis ended up adding extra footage of Scott at the expense of Stanwyck's screen time, which later led to a

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anyway. However, a mistrial was declared on October 1, 1957, when the jury could not agree on a verdict.

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crossed paths at the Princeton Drama Festival were vastly disappointed. It was all sweetness and light."

389:. When Michael Myerberg pulled Grahame from the play for another experimental production in Philadelphia— 273: 4791:

Paul Derrick (CreateSpace Independent Publishing Platform, August 7, 2013), "Who Killed Cable Roberts?"

3831: 3758: 3086: 1425:, who happened to be the subject of "The Untold Story of Marlene Dietrich" in the then current issue of 2887: 1526:(1955). Instead of reinventing herself as Bacall did, returning to Broadway, Scott chose another path. 1181: 1127: 651:'s on the film's lobby posters and in advertisements. Most often portrayed in publicity stills was the 605: 296: 206: 162: 4743: 829: 1394: 1043: 332: 4270:

Shocking True Story: The Rise and Fall of Confidential, "America's Most Scandalous Scandal Magazine"

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Film Noir FAQ: All That's Left to Know About Hollywood's Golden Age of Dames, Detectives, and Danger

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Film Noir FAQ: All That's Left to Know About Hollywood's Golden Age of Dames, Detectives, and Danger

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Walter Dushnyck, Nicholas L. Chirovsky (Ukrainian Congress Committee of America, November 1, 1991),

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Erskine Johnson (Monday, November 27, 1950), "Liz Gets Lots Of Color Doing Her First Horse Opera,"

3517:(New Castle, Pennsylvania), p. 19. Date of name change is given here as Thursday, October 20, 1949. 2247:(New York City, New York). Obituary describes her as "one of six children of Ukrainian immigrants". 2056:

Janice H. McElroy (Pennsylvania Division, American Association of University Women, June 1, 1983),

1837: 1813:

and the Ancient Arts Council of the Los Angeles County Museum of Art, where she was a major donor.

1535: 1114: 866: 225: 3948:

Betty Gose (Wednesday, February 12, 1947), "Blonde Makes Trouble For Bogart in 'Dead Reckoning',"

1057:(1952) is set in the 1860s, starring Scott as Chris, the only member of her family to survive the 1047:(1951), Scott portrayed Brandy Kirby, a socialite who seduces a gambler, Michael "Lefty" Farrell ( 859:

was forced into bankruptcy. Decades later, one film historian reported the film's staying power: "

5417: 4680:

Erskine Johnson (Monday, January 11, 1954), "Lizabeth Scott Develops La Dietrich Singing Style,"

2883: 1825: 1410: 1406: 1375: 873: 818: 450: 234: 77: 4663:

Erskine Johnson (Thursday, November 17, 1955), "Lanza Sings Two Hours In Next Film, "Serenade,"

3644:

David Patrick Columbia (February 10. 2015; accessed February 11, 2015), "Remembering Lizabeth,"

3470:

Louella O. Parsons (Wednesday, June 22, 1949), "Sweet Judy Garland May Be Ready Soon For Work,"

1090:. While Irene Hayes was thought to be modeled on the smoky-voiced Hill, Scott denied the rumor. 5256:

Mystery, Suspense, Film Noir and Detective Movies on DVD: A Guide to the Best in Cinema Thrills

5115:

Ed Sullivan (Monday, November 19, 1951), "Men and Maids, and Stuff. RCA engineering geniuses,"

1844: 1685:(1957). Wallis thought it might be his last chance to offer Scott a starring role in anything. 1681: 1547: 1522: 1451: 1200: 1194: 1176: 1144:(1953), Scott played a decadent heiress who tries to dominate a poor but idealistic physician ( 1070: 895:(1949). She immediately quit after three days of production. According to Scott's replacement, 852: 640: 442:

claimed that Scott had dropped the "E" as a patriotic wartime gesture "to conserve newsprint."

424: 310:. It was her first starring role, but no drama critic reviewed the play. But the producer of a 256: 191: 58: 4620:

Erskine Johnson (Thursday, January 10, 1946), "Ingrid Bergman And Milland In Top Film Spots,"

1914: 1887: 1740:, Anson Bond of the clothing store chain family, Seymour Bayer of the pharmaceutical family, 989: 980: 657: 506: 323: 150: 3143:

Boyd Magers, Michael G. Fitzgerald (McFarland & Company, June 2004), "Kristine Miller,"

2497:

Anonymous (Sunday, August 26, 1945), "Nickname Sticks: Lizabeth Succumbs To Hollywood Fad,"

1760:

had that kind of quality." In 1953, Scott was briefly engaged to architect John C. Lindsey.

1343:, Scott reprised her film roles in abridged radio versions. Typical were her appearances on 619: 5446: 5441: 3993:

Bosley Crowther (July 5, 1945; accessed March 23, 2015), "The Screen; A Story Initiative,"

2827: 2815: 2454:

Ray Peacock (Friday, May 22, 1942), "Vaudeville's Back But Sh-h-h! It's Only Been Hiding,"

1745: 1296: 1172: 261: 239: 8: 5293:

Michael Bowlin (Sunday, July 2, 1989), "Actress Lizabeth Scott doesn't give interviews,"

4871:

Anonymous (accessed May 23, 2014), "Lizabeth Scott v. Sarah Dugger Schwartz (05/05/71),"

2953:

Anonymous (Sunday, November 18, 1951), "Lizabeth Scott Goes To England For Triple Role,"

2721:

Anonymous (August 15, 1943), "Myerberg 'Snatches' Gladys George Under Hollywood's Nose,"

2299:

Anonymous (March 16, 2015; accessed March 23, 2015), "Lizabeth Scott, actress—obituary,"

1940: 1340: 1304: 1053: 939: 760: 678:

wrote of a new type of Hollywood actress who began to appear on screen during the 1940s:

343:

The rivalry between the two actresses is cited as an alternative to the Martina Lawrence-

218: 4391:

Contemporary Black Biography: Profiles from the International Black Community, Volume 16

2426: 1458:

The next spring, despite Giesler's reassurances to the press, the legal efforts against

1383:

sent a copy of the story to Scott. What Scott read was that a police raid occurred on a

1138:

In April 1953, the 30-year-old Scott made her last film under contract to Paramount. In

554:

in second place, but Wallis' interest in promoting Scott was obsessive. The AFI page on

198:", which influenced her capitalistic views. The love of music influenced Scott's voice. 5102:

Hedda Hopper (Monday, October 1, 1951), "Lizabeth Scott To Wear 3 'Faces' In Picture,"

1810: 1671: 1229: 1140: 1058: 1029: 962: 843: 467: 214: 174: 4307:

Anonymous (accessed May 23, 2014), "Old Telephone Exchange Names Los Angeles County,"

2781:, p. 392. According to Sobol, Hoffman arranged for Hal Wallis to be at the Stork Club. 706:

This "hard-boiled" quality appeared in Scott's two previous films and was repeated in

246:, from which she derived the stage name "Elizabeth Scott." She later dropped the "E". 5426: 4763:

Anonymous (accessed May 23, 2014), "Lizabeth Scott With Henri René And His Orchestra—

2205: 2185: 1920: 1893: 1539: 1475: 1345: 1175:. Though she left for London immediately after the festival, her visit to France had 1048: 948: 631: 478: 353: 344: 328: 5183:(Bristol, Pennsylvania), p. 8. Herzfeld was an owner of Yonkers Raceway in New York. 4402:

Robert L. Griere (Saturday, August 3, 1963), "Eat in Paris And Swoon With Delight,"

4321:

FamilySearch (accessed May 23, 2014), "Henry A. Finke, 'United States Census, 1940'"

4305: 2303:(London, England). "Her father's family originated from Sussex (county, England)..." 2160: 1065:

was the second of Scott's three Westerns, though the only traditional non-noir one.

3374:

AP (Monday, January 10, 1949), "Mitchum, Movie Star, Convicted on Narcotic Count,"

2804: 2725:(Brooklyn, New York), p. 31. George took over as Sabina on Monday, August 16, 1943. 2221: 1778: 1647: 1610:

In the 1960s, Scott continued to guest-star on television, including an episode of

1576: 1479: 1422: 1389: 1206: 1100: 1034: 944: 899:, Scott quit because she was concerned about being associated with the leading man 758:

Scott played her third and last ingénue in the second favorite among her own films—

537: 438: 311: 229: 3978:

Bob Thomas (Friday, March 16, 1945), "Hollywood—It Takes A Spark To Make A Star,"

3229:

Robert Porfirio, Alain Silver, James Ursini (Limelight Editions, August 1, 2004),

1598: 769: 4319: 3862:

Erskine Johnson (Thursday, February 18, 1954), "Robert Donat Refuses To Retire,"

3350:

Ramon Novarro: A Biography of the Silent Film Idol, 1899–1968; With a Filmography

2617:

Bruce Kirle (Southern Illinois University Press; 1st edition, October 24, 2005),

1821: 1753: 1384: 1224: 1145: 1087: 1022: 994: 907: 734: 717: 648: 563: 318: 4223:

Anonymous (accessed May 26, 2014), "Radio Broadcast Log Of: Lux Radio Theatre,"

3776:

Carole Langer (Soapbox & Praeses Productions, 1996; accessed May 23, 2014),

3623:

Carole Langer (Soapbox & Praeses Productions, 1996; accessed May 23, 2014),

3417:

Carole Langer (Soapbox & Praeses Productions, 1996; accessed May 23, 2014),

3216:

Burt Prelutsky (CreateSpace Independent Publishing Platform, November 3, 2012),

2928:

Carole Langer (Soapbox & Praeses Productions, 1996; accessed May 23, 2014),

2853:

Burt Prelutsky (CreateSpace Independent Publishing Platform, November 3, 2012),

2630:

Burt Prelutsky (CreateSpace Independent Publishing Platform, November 3, 2012),

2412:

Burt Prelutsky (CreateSpace Independent Publishing Platform, November 3, 2012),

2328:

Burt Prelutsky (CreateSpace Independent Publishing Platform, November 3, 2012),

2256:

Carole Langer (Soapbox & Praeses Productions, 1996; accessed May 23, 2014),

2026:

Carole Langer (Soapbox & Praeses Productions, 1996; accessed May 23, 2014),

1418: 295:

Scott then returned to New York in 1942, where she starred as Sadie Thompson in

4948:

Charles Higham (University of Wisconsin Press, 1st edition, October 27, 2009),

4376:

Matt Williams (September 1955), "Lizabeth Scott in the Call Girls' Call Book,"

4345:

Matt Williams (September 1955), "Lizabeth Scott in the Call Girls' Call Book,"

4221: 3594:

Frank Neill (Tuesday, May 16, 1950), "No. 1 Bachelor Girl Talks on Smooching,"

1749: 1729: 1725: 1717: 1666: 1359: 1292: 1288: 1105: 978:-like character before reverting to her usual torch singer/socialite roles. In 919: 900: 856: 790: 778: 713: 494: 386: 371: 210: 5407: 3699:

AP (Thursday, June 29, 1950) "Actress Lizabeth Scott Takes University Study,"

1574:

and his orchestra in Hollywood on October 28, 29, and 30, 1957. Simply titled

470:

of Famous Artists Corporation. In a telegram to Scott, he asked her to take a

5435: 4360:

Pacific Telephone & Telegraph Company (May 1956, accessed May 23, 2014),

4332:

Pacific Telephone & Telegraph Company (May 1956, accessed May 23, 2014),

3539:

Paul Donnelley (Omnibus Press, 3rd edition, November 1, 2005), "Jane Greer,"

3526:

AP (Thursday, September 15, 1949), "Emma Matzo—She's Really Lizabeth Scott,"

2819: 2341:

Anonymous (Saturday, June 3, 1933), "Marywood Seminary Pupils Give Recital,"

1787: 1783: 1737: 1721: 1676: 1662: 1617: 1552: 1516: 1433: 1324: 1276: 1272: 1250: 1219: 1161: 1083: 1006: 1002: 934: 891: 885:

On Tuesday, January 25, 1949, Scott collapsed and went into hysterics on the

806: 720:

as well. Scott again starred with Lancaster, Corey, and Douglas, in Wallis's

695: 635: 584: 482: 474:. He invited her to come to Los Angeles and stay at the Beverly Hills Hotel. 406: 394: 359: 289: 5068:

Dorothy Kilgallen (Thursday, November 30, 1950), "Broadway Bulletin Board,"

4609:

Gay L.A.: A History of Sexual Outlaws, Power Politics, and Lipstick Lesbians

4240: 2578:

George Jean Nathan (Ulan Press, reprint of 1943 edition, October 28, 2012),

2368:

Anonymous (Thursday, May 18, 1939), "News and Comment Of Stage and Screen,"

2137:, p. 519. The father is described as English-born and the mother as Russian. 1571: 691: 655:

gown-and-glove outfit she wore in the nightclub scene. In September 1946, a

5309:

Pat Barham (Thursday, December 5, 1974), "What's A Celebrity? Here's One,"

2810: 1757: 1744:, Marquess of Milford Haven, race-track owner Gerald "Jerry" Herzfeld, and 1556: 1379:, developed an exposé on Scott in late 1954. Despite the lack of evidence, 1328: 1316: 1260: 1149: 1075: 975: 802: 722: 683: 596: 551: 402: 381: 307: 285: 265: 179: 30: 5132:

INS (Wednesday, May 6, 1953), "Bachelor-Girl Lizabeth Scott Finds A Man,"

4696:

Steven H. Scheuer (April 29, 1958), "Jane Powell Tells Of First Picture,"

4538:

Larry Harnisch (May 15, 2007; accessed March 1, 2015), "Hollywood madam,"

4510:

Sam Kashner, Jennifer MacNair (W. W. Norton & Company, May 17, 2003),

4292:

AP (Saturday, October 2, 1954), "Juvenile, 3 Others Nabbed in Vice Raid,"

4107:

Edith Head: The Fifty-year Career of Hollywood's Greatest Costume Designer

3431:

Anonymous (accessed May 23, 2014), "Mortimer W. Hall Obituary," Legacy.com

2734:

Anonymous (August 31, 1943), "The 'Skin of Our Teeth' Stars Out of Cast,"

1889:

Resting Places: The Burial Sites of More Than 14,000 Famous Persons, 3d ed

1542:. Scott was planning to debut as a torch singer on the nightclub circuit. 826:

review was uncommonly positive, though dismissive of Scott's performance.

5380: 5269:

Film Noir Reader 3: Interviews with Filmmakers of the Classic Noir Period

3920:

Film Noir Reader 3: Interviews with Filmmakers of the Classic Noir Period

3669:

Anonymous (Sunday, May 14, 1950), "Liz Scott To Play On Summer Circuit,"

3231:

Film Noir Reader 3: Interviews with Filmmakers of the Classic Noir Period

1817: 1795: 1713: 1709: 1690: 1639: 1414: 1312: 1284: 1280: 1160:

This film was Hal Wallis' last attempt to pair Burt Lancaster and Scott.

1123: 1119: 1095: 822:(1949), received a generally negative response when it was released. The 765: 708: 699: 675: 471: 281: 269: 243: 168: 5267:

Robert Porfirio (Limelight Editions, August 1, 2004), "Lizabeth Scott,"

4911:

Eighty Odd Years in Hollywood: Memoir of a Career in Film and Television

4523:

INS (Wednesday, August 7, 1957), "Lawyer Opens Trial Of Two Magazines,"

2565:

Thornton Wilder (Samuel French, first acting edition, January 1, 1944),

2150:, p. 96. John Matzo is described as Italian and Mary Matzo as Slovakian. 5422: 4730:

Hal Kanter (McFarland & Company, reprint edition, April 30, 2013),

4441:

Kenneth G. McLain (July 1955), "The Untold Story of Marlene Dietrich",

4415:

Serge Guilbaut (Museu Dart Contemporani de Barcelona, March 15, 2008),

1567: 1308: 1014: 923: 915: 896: 848: 794: 786: 687: 652: 547: 486: 429: 336: 300: 254:

In late 1940, an 18-year-old Scott auditioned for the national tour of

4170:

David J. Hogan (Applause Theatre & Cinema Books, April 15, 2013),

4144:

David J. Hogan (Applause Theatre & Cinema Books, April 15, 2013),

5326:

Carol Thornton (Sunday, June 10, 1973), "A Circus for Project Hope,"

5085:

Dorothy Kilgallen (Saturday, January 6, 1951), "Gossip a la Gotham,"

4417:

Be-Bomb: The Transatlantic War of Images and All That Jazz. 1946–1956

2312:

Alfred N. Hare (Thursday, June 28, 1934), "Mercantile Appraisement,"

2260:. Scott described herself in the interview as having "Russian blood." 1733: 1638:

In May 1969, the wedding of Scott to oil executive William Dugger of

1487: 1320: 729:

More drama occurred behind the scenes of the film, originally titled

580: 277: 145: 5038:

Dorothy Kilgallen (Wednesday, March 29, 1950), "Voice Of Broadway,"

4883:

Edward Bunker (St. Martin's Griffin, 1st edition, August 18, 2001),

3965:

Rebel Hope (Sunday, March 2, 1947), "Week's Screen Menu Is Varied,"

1001:

In a May interview, Scott said she was reading the entire oeuvre of

3159:

Kirk Douglas (Simon & Schuster, 1st edition, August 15, 1988),

2643:

Tallulah Bankhead (University Press of Mississippi, July 7, 2004),

2552:

Dorothy Kilgallen (Thursday, June 24, 1943), "The $ 64 Questions,"

2111:

p. 273. Spicer says "Born Emma Matzo to Slovakian parents ..."

1791: 1689:

Wallis went into a depression and became a recluse before marrying

1179:. Later that month, it was announced that she would be the host of 1018: 348: 5352:

Bernard F. Dick (The University Press of Kentucky, May 21, 2004),

4922:

Bernard F. Dick (The University Press of Kentucky, May 21, 2004),

4804:

Bernard F. Dick (The University Press of Kentucky, May 21, 2004),

4633:

Bernard F. Dick (The University Press of Kentucky, May 21, 2004),

4268:

Henry E. Scott (Pantheon, 1st reprint edition, January 19, 2010),

4118:

Dan Callahan (University Press of Mississippi, February 3, 2012),

4094:

100 Great Film Performances You Should Remember—But Probably Don't

3047:

Bernard F. Dick (The University Press of Kentucky, May 21, 2004),

2865:

Bernard F. Dick (The University Press of Kentucky, May 21, 2004),

2790:

Bernard F. Dick (The University Press of Kentucky, May 21, 2004),

2182:

Our People: Carpatho-Rusyns and Their Descendants in North America

2146:

Bernard F. Dick (The University Press of Kentucky, May 21, 2004),

2122:

Our people: Carpatho-Rusyns and their descendants in North America

1028:. Later in 1950, Scott was cast to do the summer-stock version of 914:. Scott and Hall later broke up. (Hall eventually married actress 5237:

Dorothy Kilgallen (Friday, July 17, 1953), "Jottings in Pencil,"

4564:

Darden Asbury Pyron (University Of Chicago Press, June 1, 2001),

3513:

INS (Friday, October 21, 1949), "Lizabeth Scott Her Legal Name,"

2071:"Movie Star's Father Dies: John Matzo, Scranton, Is Heart Victim" 1402: 1025: 1010: 3619: 3617: 2855:

Sixty Seven Conservatives You Should Meet Before You Die, p. 467

1776:

Scott made her final film appearance in her second comedy noir,

1496:

The People of the State of California v. Robert Harrison, et al.

922:, who looked similar to Scott; divorced Roman; and then married 4182:

Foster Hirsch (Da Capo Press, 2nd edition, November 25, 2008),

3803:

Hardboiled in Hollywood: Five Black Mask Writers and the Movies

3278:

Ball of Fire: The Tumultuous Life and Comic Art of Lucille Ball

2823: 2619:

Unfinished Show Business: Broadway Musicals as Works-in-process

2388: 768:

and Jane Wyatt as a middle-aged couple growing apart. Director

505:, Hal Wallis showed Scott's screen test to Hollywood columnist 466:

photographic spread, which was allegedly admired by film agent

5179:

Earl Wilson, "Not For Us To Say," (Thursday, April 24, 1958),

4935:

Hal B. Wallis, Charles Higham (Macmillan, September 1, 1980),

3387:

Lee Server (St. Martin's Press, 1st edition, March 20, 2001),

3348:

Allan R. Ellenberger (McFarland & Company, October 2000),

3318: 3316: 2840:

J. D. Spiro (September 11, 1949), "Lizabeth Is So Different,"

2269:

J. D. Spiro (September 11, 1949), "Lizabeth Is So Different,"

2120:

Paul R. Magocsi (The Multicultural Society of Ontario, 1984),

1961:"Lizabeth Scott dies at 92; sultry leading woman of film noir" 4480:

UP (Thursday, March 8, 1956), "Court Quashes Actress' Suit,"

4372: 4370: 4105:

Jay Jorgensen (Running Press, 1st edition, October 5, 2010),

3614: 3607:

David Ragan (Prentice Hall, July 1, 1985), "Lizabeth Scott,"

3322:

Ronald Schwartz (McFarland & Company, November 6, 2013),

3212: 3210: 3208: 3117:

Ronald Schwartz (McFarland & Company, November 6, 2013),

2669:

Eric Braun (Reynolds & Hearn, 2nd edition, May 1, 2007),

2591:

Sam Stagg (St. Martin's Press, 1st edition, March 18, 2000),

2535: 2533: 1643: 1275:

described this style as "dreamwalking": "And then, among the

993:(1950), a traditional film noir. Her boyfriend, Danny Haley ( 647:

At the age of 24, Scott's billing and portrait were equal to

4817:

Jack O'Brian (Thursday, May 15, 1969), "Voice of Broadway,"

3912: 3788:

William Schoell (Taylor Trade Publishing, October 1, 1999),

3104:

Kevin Starr (Oxford University Press, USA, August 7, 2003),

2682:

Karen Burroughs Hannsberry (McFarland & Company, 1998),

2441:

Karen Burroughs Hannsberry (McFarland & Company, 1998),

644:(1947). As a result, Scott was borrowed from Hal B. Wallis. 5280:

Steven Paul Davies (Batsford, 1st edition, March 1, 2003),

3313: 3060:

Erskine Johnson (Saturday, July 27, 1946), "In Hollywood,"

1654: 1086:, and mistress of Siegel's, denied having any knowledge of 911: 666:

was to typecast the former comedian for her entire career.

335:. Impressed by Scott's Sadie Thompson, he hired her as the 4972: 4614: 4367: 3742:

Paul Leggett (McFarland & Company, January 15, 2002),

3638: 3636: 3634: 3632: 3205: 2766:

Broadway: Its History, People, and Places: an Encyclopedia

2530: 2428:

Photoplay Combined with Movie Mirror 1945-12: Vol 28 Iss 1

1942:

Photoplay Combined with Movie Mirror 1945-12: Vol 28 Iss 1

4909:

John Meredyth Lucas (McFarland & Company, May 2004),

4896:

Shirley MacLaine (Bantam, 1st edition, October 1, 1991),

4210:

Movieland: Hollywood and the Great American Dream Culture

4197:

Movieland: Hollywood and the Great American Dream Culture

3440:

Walter Winchell (Thursday, June 9, 1949), "On Broadway,"

3000:

John Kobal (Berkley, reissue edition, December 1, 1983),

1669:. Wallis had a falling out with Scott around the time of 1186: 886: 422:

Irving Hoffman, a New York press agent and columnist for

4781:

Adventures in Paradise: Season 1, Episode 23, The Amazon

3925: 3218:

Sixty Seven Conservatives You Should Meet Before You Die

3106:

Embattled Dreams: California in War and Peace, 1940–1950

3030:

Dan Walker (Thursday, June 13, 1946), "Gotham Gazette,"

2695:

Laura Wagner (McFarland & Company, September 2004),

2632:

Sixty Seven Conservatives You Should Meet Before You Die

2414:

Sixty Seven Conservatives You Should Meet Before You Die

2356:

Joseph Myers (January 26, 2012; accessed May 23, 2014),

2330:

Sixty Seven Conservatives You Should Meet Before You Die

1806:, is considered an artistic success by film historians. 1436:, Scott's lawyer, initiated a $ 2.5 million libel suit. 4830:

Walter Winchell (Friday, May 20, 1966), "On Broadway,"

3629: 3363:

Early Film Noir: Greed, Lust and Murder Hollywood Style

3324:

Houses of Noir: Dark Visions from Thirteen Film Studios

3119:

Houses of Noir: Dark Visions from Thirteen Film Studios

2764:

Ken Bloom (Routledge, 2nd edition, November 11, 2003),

2708:

Anonymous (September 18, 1943), "Out-of-Town Opening,"

2467:

Anonymous (May 16, 1941), "'Hellzapoppin' In Chicago,"

2375: 2202:

The Carpatho-Rusyn Americans (Peoples of North America)

1373:

Howard Rushmore, editor of scandal and gossip magazine

682:

The stars emerging in 1940, by contrast—Rita Hayworth,

3972: 3959: 3942: 2940:

UP (Thursday, June 27, 1946), "It's Tough In London,"

1068:

Scott played her fourth and last torch-singer role in

317:

Myerberg had just moved an experimental production of

4594:

Bonnie Zimmerman, ed. (Routledge, December 1, 1999),

4512:

The Bad & the Beautiful: Hollywood in the Fifties

3361:

William Hare (McFarland & Company, August 2003),

3291:

H. H. T. (October 13, 1949; accessed May 23, 2014), "

3198:

John Reid (Lulu.com, June 28, 2004), "I Walk Alone,"

292:

during her 18-month tour of 63 cities across the US.

5339:

AP (Tuesday, July 20, 1976), "Pennsylvania People,"

3570:

Your Colossal Main Feature Plus Full Support Program

3200:

Hollywood Classic Movies 1: New Light on Movie Bests

2038:

AP (Friday, October 21, 1949), "Star Changes Name,"

1156:, was more nuanced than the linear morality play of 733:

The Kay Lawrence role was originally intended to be

5209:Burt Bacharach (Harper, 1st edition, May 7, 2013), 3875:Anonymous (Sunday, April 11, 1954), "Wading Star," 3155: 3153: 2408: 2406: 2404: 2324: 2322: 2098:, p. 331. Scott is described as Carpatho-Ukrainian. 1912: 726:(1948), a noirish story of betrayal and vengeance. 517: 385:, 19-year-old Gloria Hallward, soon to be known as 3801:David E. Wilt (Popular Press 1, January 1, 1991), 3656:George H. Smith (Prometheus Books, June 1, 1990), 2058:Our Hidden Heritage: Pennsylvania Women in History 1093:Scott returned to Britain in October 1951 to film 579:between Stanwyck and Wallis. Concerning her first 540:, in a letter, objected to Scott's top billing in 5254:John Howard Reid (lulu.com, September 27, 2009), 4264: 4262: 4133:In a Lonely Street: Film Noir, Genre, Masculinity 4092:John DiLeo (Limelight Editions, August 1, 2004), 4079:Brian W. Fairbanks (Lulu.com, October 28, 2005), 4038:The Actress: Hollywood Acting and the Female Star 3714:American Gangsters, Then and Now: An Encyclopedia 3611:, p. 192. Ragan describes the cult as "Danteism." 3400:Dorothy Kilgallen (Thursday, February 24, 1949), 2777:Louis Sobol (Crown Publishers, January 1, 1968), 2107:Andrew Spicer (Scarecrow Press, March 19, 2010), 1982: 1980: 1510:scandal, by the time the September 1955 issue of 1353:with Van Johnson in the Robert Cummings role and 755:is usually now judged to be a film noir classic. 599:. She was there to attend the London premiere of 5433: 5282:Get Carter and Beyond: The Cinema of Mike Hodges 5004:Erskine Johnson (Wednesday, November 20, 1946), 4981: 3453:Louella Parsons (Wednesday, December 28, 1955), 3150: 2676: 2435: 2401: 2319: 1794:of noir cliches. The director and screenwriter, 260:. From several hundred women, she was chosen by 5145:Dorothy Kilgallen (Tuesday, January 20, 1953), 5051:Dorothy Kilgallen (Tuesday, October 24, 1950), 4577:Dorothy Kilgallen (Thursday, August 22, 1957), 4430:Transport Salaried Staff Journal, Volumes 60-61 2671:Frightening the Horses: Gay Icons of the Cinema 2541:Tallulah!: The Life and times of a Leading Lady 2480:Erskine Johnson (Wednesday, January 10, 1945), 5162:Walter Winchell (Wednesday, January 4, 1956), 4950:In and Out of Hollywood: A Biographer's Memoir 4692: 4690: 4646:Erskine Johnson (Tuesday, February 24, 1953), 4596:Encyclopedia of Lesbian Histories and Cultures 4493:Neal Gabler (April 2003), "The Scandalmonger: 4259: 3754: 3752: 3080: 1977: 190:Emma Matzo (Ema Macová in Slovak) was born in 4937:Starmaker: the autobiography of Hal B. Wallis 4454:James Robert Parish (Arlington House, 1972), 4068:Bogart: A Definitive Study of His Film Career 3907:The Daily Journal-Gazette and Commercial-Star 3568:John Howard Reid (Lulu.com, March 23, 2005), 3483:James Robert Parish (Arlington House, 1972), 3134:, The Courier-Gazette (McKinney, Texas), p. 2 3041: 2539:Joel Lobenthal (It Books, October 26, 2004), 2394:James Robert Parish (Arlington House, 1972), 2133:James Robert Parish (Arlington House, 1972), 2052: 2050: 2048: 2022: 2020: 2018: 2016: 2014: 2012: 1833:, which she had learned six decades earlier. 1078:. The film was released two months after the 4987:Gene Hansaker (Tuesday, February 26, 1946), 4445:(New York City, New York), pp. 22–25, 56, 58 4131:Frank Krutnik (Routledge, August 24, 1991), 4036:Karen Hollinge (Routledge, April 21, 2006), 3901:Erskine Johnson (Thursday, April 29, 1954), 3712:Nate Hendley (ABC-CLIO, December 23, 2009), 3411: 1885: 1417:and was devoted exclusively to entertaining 987:Scott played her third torch-singer role in 5153:(Franklin and Oil City, Pennsylvania), p. 4 4779:20th Century Fox Studios (March 21, 1960), 4687: 4208:Jerome Charyn (NYU Press, August 1, 1996), 4195:Jerome Charyn (NYU Press, August 1, 1996), 3845:Erskine Johnson, (Saturday, June 6, 1953), 3749: 3581:Kate Buford (Da Capo Press, May 22, 2001), 3259:Erskine Johnson (Tuesday, August 3, 1948), 3185:Kate Buford (Da Capo Press, May 22, 2001), 2924: 2922: 2656:David Bret (Robson Books, September 1998), 2381:David Ragan (Prentice Hall, July 1, 1985), 2075:Wilkes-Barre Times Leader, the Evening News 1148:). The source material for the screenplay, 781:, a type like that. I needed somebody real. 4732:So Far, So Funny: My Life in Show Business 4713:Erskine Johnson (Thursday, July 5, 1946), 3931:Virginia Vale (Thursday, August 8, 1946), 3918:Robert Porfirio (2002), "Lizabeth Scott," 3496:Erskine Johnson (Saturday, July 9, 1949), 3402:Voice Of Broadway: Broadway Bulletin Board 3130:Todd Johnson (Friday, December 13, 1946), 2045: 2009: 1665:, who at that time was married to actress 1494:on trial. On August 7, 1957, the trial of 1357:. Scott was also a guest host/narrator on 841:Scott played the ultimate femme fatale in 314:play, Michael Myerberg, did see the show. 29: 5408:Lizabeth Scott 1996 Interview Part 1 of 8 5295:I Wonder What Happened To ... ? 5211:Anyone Who Had a Heart: My Life and Music 5192:Lee Mortimer (Friday, February 3, 1961), 4607:Lillian Faderman, Stuart Timmons (2006), 4049:Dick McCrone (Friday, January 23, 1948), 3814:Anonymous (Saturday, December 30, 1950), 3778:Lizabeth Scott 1996 Interview Part 4 of 8 3770: 3744:Terence Fisher: Horror, Myth and Religion 3625:Lizabeth Scott 1996 Interview Part 8 of 8 3541:Fade to Black: A Book of Movie Obituaries 3419:Lizabeth Scott 1996 Interview Part 7 of 8 3013:Erskine Johnson (Tuesday, July 2, 1946), 2930:Lizabeth Scott 1996 Interview Part 2 of 8 2697:Killer Tomatoes: Fifteen Tough Film Dames 2258:Lizabeth Scott 1996 Interview Part 5 of 8 2028:Lizabeth Scott 1996 Interview Part 1 of 8 1879: 793:would star in a football-themed story by 772:explained his reasons for casting Scott: 716:in the second noir filmed in color and a 2966:Hedda Hopper (Saturday, June 15, 1946), 2919: 1597: 961: 872: 828: 618: 523: 449: 4856:Rexino Mondo (iUniverse, May 4, 2010), 4843:Rexino Mondo (iUniverse, May 4, 2010), 4159:Film Noir: Reflections in a Dark Mirror 4157:Bruce Crowther (Columbus Books, 1988), 3725:Erskine Johnson (Monday, May 7, 1951), 2908:Jimmie Fidler (Sunday, July 14, 1946), 2872: 2809: 2580:The Theatre Book of the Year, 1942–1943 2556:, Times Herald (Olean, New York), p. 13 2222:"List of Famous Rusyn-Americans online" 2114: 1916:Obituaries in the Performing Arts, 2015 1192:Regardless, she made three more films: 16:American actress and singer (1922–2015) 5434: 5021:Jack Lait (Tuesday, August 19, 1947), 4389:Shirelle Phelps (Gale, Nov 21, 1997), 4184:The Dark Side of the Screen: Film Noir 3242:Hedda Hopper (Saturday, May 1, 1948), 1958: 1906: 550:, and Scott at the top, with newcomer 3658:Atheism, Ayn Rand, and Other Heresies 1913:Harris M. Lentz III (30 March 2016). 1213: 1185:, a travelogue television series for 1135:remains Scott's third favorite film. 178:(1949). Of her 22 films, she was the 4428:Anonymous (Gray's Inn Press, 1963), 4362:Los Angeles Street Address Directory 4334:Los Angeles Street Address Directory 3853:(Statesville, North Carolina), p. 16 3790:Martini Man: The Life of Dean Martin 3389:Robert Mitchum: "Baby I Don't Care," 3174:The Cinema History of Burt Lancaster 2658:Tallulah Bankhead: A Scandalous Life 2161:"Famous Rusyn-Americans. Emma Matzo" 1988:"Lizabeth Scott, actress - obituary" 1954: 1952: 1752:dated Scott during his breakup with 1545:Scott re-emerged from retirement in 1478:allegedly having an affair with her 638:for the role, but she was busy with 306:which ran on the then equivalent of 5487:Paramount Pictures contract players 5410:, Soapbox & Praeses Productions 4120:Barbara Stanwyck: The Miracle Woman 4066:Terence Pettigrew (Proteus, 1981), 3172:David Fury (Artist's Press, 1989), 2983:Anonymous (Sunday, June 23, 1946), 2968:Hedda Hopper's Looking at Hollywood 2109:Historical Dictionary of Film Noir, 1720:, plastic surgeon Gregory Pollock, 1271:his personal history of Hollywood, 785:In May 1948, it was announced that 393:— no understudy was available when 357:(1946), the basis of the 1950 film 13: 5492:Actors from Scranton, Pennsylvania 5330:(Van Nuys, California), pp. 41, 43 5029:(Burlington, North Carolina), p. 4 4296:(San Bernardino, California), p. 2 3444:(Burlington, North Carolina), p. 4 2880:"The Strange Love of Martha Ivers" 2512:Hal Wallis: Producer to the Stars, 1857:Lizabeth Scott on screen and stage 1847:at 1624 Vine Street in Hollywood. 1171:In April 1954, Scott attended the 512: 14: 5523: 5401: 5354:Hal Wallis: Producer to the Stars 5245:(Greenville, Pennsylvania), p. 11 4969:(Canonsburg, Pennsylvania), p. 19 4924:Hal Wallis: Producer to the Stars 4806:Hal Wallis: Producer to the Stars 4671:(Gastonia, North Carolina), p. 25 4635:Hal Wallis: Producer to the Stars 4555:(Long Beach, California), pp. 1–2 4501:(New York City, New York), p. 202 4406:(Pittsburgh, Pennsylvania), p. 13 4380:(New York City, New York), pp. 33 4057:(Harrisburg, Pennsylvania), p. 11 3851:Statesville Record & Landmark 3733:(Portsmouth, New Hampshire), p. 7 3267:(Portsmouth, New Hampshire), p. 8 3250:(Harrisburg, Pennsylvania), p. 11 3049:Hal Wallis: Producer to the Stars 2867:Hal Wallis: Producer to the Stars 2792:Hal Wallis: Producer to the Stars 2431:. MacFadden Publishing Inc. 1945. 2372:(Fitchburg, Massachusetts), p. 11 2148:Hal Wallis: Producer to the Stars 2096:The Ukrainian Heritage in America 1949: 1945:. MacFadden Publishing Inc. 1945. 1843:Lizabeth Scott has a star on the 1653:Dugger planned to make a film in 1628:University of Southern California 1570:). Scott recorded her album with 612: 5373: 5359: 5346: 5333: 5320: 5303: 5287: 5274: 5261: 5248: 5231: 5216: 5203: 5186: 5173: 5156: 5139: 5126: 5109: 5096: 5093:(Greenville, Pennsylvania), p. 4 5079: 5062: 5045: 5032: 5015: 4998: 4955: 4942: 4929: 4916: 4903: 4890: 4877: 4863: 4850: 4837: 4824: 4811: 4798: 4785: 4773: 4755: 4737: 4724: 4707: 4674: 4657: 4640: 4627: 4601: 4588: 4571: 4558: 4545: 4530: 4517: 4504: 4487: 4474: 4461: 4448: 4435: 4422: 4409: 4396: 4383: 4352: 4349:(New York City, New York), p. 32 4339: 4324: 4313: 4299: 4286: 4275: 4237:"Family Theater .. Episodic log" 4229: 4215: 4202: 4189: 4176: 4164: 4151: 4138: 4125: 4112: 4099: 4086: 4073: 4060: 4043: 4030: 4015: 4000: 3985: 3895: 3882: 3869: 3856: 3839: 3825: 3808: 3795: 3782: 3736: 3719: 3706: 3693: 3676: 3663: 3650: 3601: 3598:(Bakersfield, California), p. 16 3588: 3583:Burt Lancaster: An American Life 3575: 3562: 3546: 3533: 3520: 3507: 3490: 3477: 3474:(Bakersfield, California), p. 18 3464: 3447: 3434: 3423: 3408:(Greenville, Pennsylvania), p. 9 3187:Burt Lancaster: An American Life 2974:(Harrisburg, Pennsylvania) p. 21 2755:(New York City, New York), p. 13 2738:(New York City, New York), p. 20 2712:(New York City, New York), p. 25 1868:Pin-ups of Yank, the Army Weekly 1633: 1439: 906:During Scott's recovery period, 543:The Strange Love of Martha Ivers 530:The Strange Love of Martha Ivers 519:The Strange Love of Martha Ivers 417: 401:up-and-coming film producer for 157:The Strange Love of Martha Ivers 127: 5452:20th-century American actresses 5059:(Pottstown, Pennsylvania), p. 4 3933:Star Dust: Stage, Screen, Radio 3504:(Franklin, Pennsylvania), p. 18 3394: 3381: 3368: 3355: 3342: 3329: 3298: 3283: 3270: 3253: 3236: 3223: 3192: 3179: 3166: 3137: 3124: 3111: 3098: 3067: 3054: 3024: 3007: 2994: 2977: 2960: 2947: 2934: 2902: 2859: 2847: 2834: 2797: 2784: 2771: 2758: 2741: 2728: 2715: 2702: 2689: 2663: 2650: 2637: 2624: 2611: 2604:Mary Orr, "The Wisdom of Eve," 2598: 2585: 2572: 2559: 2546: 2517: 2504: 2491: 2474: 2471:(Benton Harbor, Michigan), p. 7 2461: 2448: 2419: 2362: 2348: 2335: 2306: 2291: 2276: 2263: 2250: 2235: 2214: 2194: 2184:. Bolchazy-Carducci Publisher. 2174: 2153: 2140: 2127: 2101: 2088: 1998:from the original on 2022-03-02 1886:Scott Wilson (19 August 2016). 1816:Unlike her favorite colleague, 1366: 623:Scott in a publicity still for 566:is quoted in an article in the 412: 154:, she emerged in such films as 5343:(Indiana, Pennsylvania), p. 31 4961:UP (Thursday, April 1, 1948), 4885:Education of a Felon: A Memoir 4081:The Late Show—Writings on Film 3866:(Rhinelander, Wisconsin), p. 6 3378:(Rhinelander, Wisconsin), p. 1 3021:(Rhinelander, Wisconsin), p. 4 2345:(Scranton, Pennsylvania), p. 6 2063: 2032: 1933: 1850: 1771: 1: 5482:American television actresses 5367:"Los Angeles Review of Books" 5106:(Salt Lake City, Utah), p. 29 4745:AFI (accessed May 23, 2014), 4682:The Fresno Bee The Republican 4467:Anonymous, (September 1955), 4294:The San Bernardino County Sun 3833:AFI (accessed May 23, 2014), 3822:(Hanover, Pennsylvania), p. 4 3760:AFI (accessed May 23, 2014), 3673:(Cumberland, Maryland), p. 24 3337:The Fresno Bee The Republican 3088:AFI (accessed May 23, 2014), 2808:, November 5, 1945, cited in 2684:Femme Noir: Bad Girls of Film 2608:, May 1946, pp. 72–75, 191–95 2501:(Salt Lake City, Utah), p. 41 2488:(Salt Lake City, Utah), p. 12 2458:(East Liverpool, Ohio), p. 19 2443:Femme Noir: Bad Girls of Film 2204:, .Chelsea House Pub , 1989. 2040:The San Bernardino County Sun 1873: 1587: 1099:(1952), a noir that presages 833:Arthur Kennedy with Scott in 669: 477:Her first screen test was at 445: 221:, but quit after six months. 185: 4654:(Panama City, Florida), p. 2 3690:(Harrisburg, Illinois), p. 4 2844:(Milwaukee, Wisconsin), p. 3 2779:The Longest Street: A Memoir 1959:Colker, David (2015-02-06). 1616:, "The Amazon" (1960), with 1471:to run a story about former 870:which was released in 1950. 217:. That autumn, she attended 7: 5512:21st-century American women 5507:Catholics from Pennsylvania 5467:Actresses from Pennsylvania 5200:(Logansport, Indiana), p. 4 5170:(Logansport, Indiana), p. 4 4684:(Fresno, California), p. 20 3596:The Bakersfield Californian 3472:The Bakersfield Californian 3295:(1949) At Loew's Criterion" 2944:(Waukesha, Wisconsin), p. 1 1861: 536:Later in 1946, 37-year-old 10: 5528: 4995:(Ironwood, Michigan), p. 7 4624:(Freeport, Illinois), p. 7 4252:OTR (accessed May, 2014), 3982:(Big Spring, Texas), p. 14 3864:The Rhinelander Daily News 3376:The Rhinelander Daily News 3339:(Fresno, California), p. 9 3019:The Rhinelander Daily News 2910:Jimmie Fidler In Hollywood 2645:Tallulah: My Autobiography 2593:All About "All About Eve," 1919:. McFarland. p. 316. 1892:. McFarland. p. 671. 1854: 1591: 5300:(Kerrville, Texas), p. 50 5228:(New York City, New York) 5198:Logansport Pharos-Tribune 5181:The Bristol Daily Courier 5168:Logansport Pharos-Tribune 5076:, (Mansfield, Ohio), p. 4 4821:(Anderson, Indiana), p. 5 4721:(Utah County, Utah), p. 4 4622:Freeport Journal-Standard 4566:Liberace: An American Boy 4542:(Los Angeles, California) 4527:(Anderson, Indiana), p. 3 4027:(New York City, New York) 4012:(New York City, New York) 3997:(New York City, New York) 3909:(Mattoon, Illinois), p. 3 3890:Lubbock Morning Avalanche 3559:(New York City, New York) 3461:(Corsicana, Texas), p. 10 3310:(New York City, New York) 3038:, (Massillon, Ohio), p. 4 2916:(Joplin, Missouri), p. 28 2749:Picture Plays and Players 1559:. During the shooting of 1395:The 20th Century Fox Hour 1109:(1958) by several years. 1051:), into joining a caper. 847:(1948), with Don DeFore, 209:. She then worked at the 126: 121: 113: 93: 85: 66: 40: 28: 21: 5502:Pennsylvania Republicans 5477:American stage actresses 5472:American radio actresses 5123:(Harlingen, Texas), p. 4 5042:(Olean, New York), p. 17 4858:The Immigrants' Daughter 4845:The Immigrants' Daughter 4834:(Mansfield, Ohio), p. 33 4751:Catalog of Feature Films 4484:(Pocatello, Idaho), p. 9 3980:Big Spring Weekly Herald 3956:(Amarillo, Texas), p. 19 3954:The Amarillo Globe-Times 3879:(Mansfield, Ohio), p. 11 3766:Catalog of Feature Films 3530:(Tucson, Arizona), p. 13 3094:Catalog of Feature Films 3075:Dunkirk Evening Observer 3073:UP (September 6, 1946), 2723:The Brooklyn Daily Eagle 2510:Bernard F. Dick (2004), 1838:congestive heart failure 1536:Lillian Rosedale Goodman 1529: 1421:. One of the owners was 1334: 957: 249: 5462:American film actresses 5418:American Film Institute 5136:(Lubbock, Texas), p. 27 5134:Lubbock Evening Journal 4819:Anderson Daily Bulletin 4704:(Troy, New York), p. 27 4652:Panama City News-Herald 4525:Anderson Daily Bulletin 3969:(Abilene, Texas), p. 81 3892:(Lubbock, Texas), p. 11 3703:(Tucson, Arizona), p. 9 3671:Cumberland Sunday Times 3036:The Evening Independent 2989:Denton Record-Chronicle 2884:American Film Institute 2383:Movie Stars of the '40s 2343:The Scranton Republican 2314:The Scranton Republican 2084:– via Newspapers. 2077:. 1968-11-11. p. 6 1826:American Film Institute 1233:, gave a bad review of 1177:unforeseen consequences 501:During the shooting of 397:took over for Hopkins. 138:Lizabeth Virginia Scott 78:Los Angeles, California 5497:California Republicans 5457:American female models 5385:Hollywood Walk of Fame 5164:Broadway and Elsewhere 5074:Mansfield News-Journal 5023:Broadway And Elsewhere 4456:The Paramount Pretties 4404:The Pittsburgh Courier 4225:Audio Classics Archive 3950:Scenes From The Cinema 3609:Movie Stars of the 40s 3485:The Paramount pretties 2991:(Denton, Texas), p. 11 2955:The Brownsville Herald 2942:Waukesha Daily Freeman 2396:The Paramount Pretties 2135:The Paramount Pretties 1845:Hollywood Walk of Fame 1613:Adventures in Paradise 1607: 1327:, Lizabeth Scott, and 971: 882: 838: 783: 748: 712:(1947), starring with 704: 641:The Lady from Shanghai 628: 592:Martha and Toni meet. 573: 568:Los Angeles Sun Mirror 533: 459: 425:The Hollywood Reporter 331:from New Haven to the 192:Scranton, Pennsylvania 59:Scranton, Pennsylvania 5194:New York Confidential 5104:The Salt Lake Tribune 4793:Burkes Law Case Files 4540:The Los Angeles Times 3967:Abilene Reporter-News 3731:The Portsmouth Herald 3646:New York Social Diary 3276:Stefan Kanfe (2007), 3265:The Portsmouth Herald 2842:The Milwaukee Journal 2828:Harper & Brothers 2567:The Skin of Our Teeth 2554:The Voice Of Broadway 2499:The Salt Lake Tribune 2486:The Salt Lake Tribune 2271:The Milwaukee Journal 1831:The Skin of Our Teeth 1601: 981:The Company She Keeps 965: 926:, Scott's co-star in 876: 832: 774: 743: 680: 658:Motion Picture Herald 622: 560: 527: 453: 434:The Skin of Our Teeth 324:The Skin of Our Teeth 266:Harold "Chic" Johnson 151:The Skin of Our Teeth 5369:. 29 September 2021. 5317:(Provo, Utah), p. 40 5311:Pat Barham's Showbiz 5027:The Daily Times-News 5012:(Pampa, Texas), p. 6 4993:Ironwood Daily Globe 4669:The Gastonia Gazette 4665:Erskine In Hollywood 3939:(Terril, Iowa), p. 7 3701:Tucson Daily Citizen 3528:Tucson Daily Citizen 3442:The Daily Times-News 2972:Harrisburg Telegraph 2957:(Brownsville, Texas) 2525:Beaver Valley Times, 1173:Cannes Film Festival 797:, originally titled 634:originally intended 462:Scott appeared in a 240:Mary, Queen of Scots 5341:The Indiana Gazette 5298:The Kerrville Times 5121:Valley Morning Star 5117:Little Old New York 4898:Dance While You Can 4585:(Dover, Ohio), p. 6 4482:Idaho State Journal 4309:Los Angeles Almanac 3903:Man-About Hollywood 3498:Johnson's Hollywood 3459:Corsicana Daily Sun 2985:Hollywood Spot News 2224:. September 5, 2018 1802:, as with the 1949 1341:Golden Age of Radio 1293:Brazilian Bombshell 1158:Bad For Each Other. 805:replaced Greer and 288:and other types of 228:agency. Scott read 4583:The Daily Reporter 4497:Reign of Terror," 4256:, "Old Time Radio" 4025:The New York Times 4010:The New York Times 3995:The New York Times 3835:Bad for Each Other 3688:The Daily Register 3557:The New York Times 2469:The News-Palladium 2456:The Evening Review 2370:Fitchburg Sentinel 1804:Too Late for Tears 1782:(1972), alongside 1672:Bad for Each Other 1608: 1488:Edmund "Pat" Brown 1230:The New York Times 1214:Critical reception 1141:Bad for Each Other 1059:American Civil War 1030:Tennessee Williams 972: 883: 861:Too Late for Tears 844:Too Late for Tears 839: 835:Too Late for Tears 629: 534: 460: 215:Abingdon, Virginia 175:Too Late for Tears 55:September 29, 1922 5239:Voice Of Broadway 5147:Voice of Broadway 5087:Voice Of Broadway 5070:Voice of Broadway 5057:Pottstown Mercury 5053:Voice of Broadway 4051:HomeTown Fan Fare 3937:The Terril Record 1965:Los Angeles Times 1926:978-0-7864-7667-1 1899:978-1-4766-2599-7 1742:David Mountbatten 1540:Dorothy Dandridge 1476:Eleanor Roosevelt 1346:Lux Radio Theatre 1080:Kefauver hearings 949:Tallulah Bankhead 813:Seven Days' Leave 354:The Wisdom of Eve 345:Elisabeth Bergner 329:Tallulah Bankhead 203:Marywood Seminary 135: 134: 114:Years active 5519: 5396: 5395: 5393: 5392: 5381:"Lizabeth Scott" 5377: 5371: 5370: 5363: 5357: 5350: 5344: 5337: 5331: 5324: 5318: 5315:The Daily Herald 5307: 5301: 5291: 5285: 5278: 5272: 5265: 5259: 5252: 5246: 5243:The Record-Argus 5235: 5229: 5220: 5214: 5207: 5201: 5190: 5184: 5177: 5171: 5160: 5154: 5143: 5137: 5130: 5124: 5113: 5107: 5100: 5094: 5091:The Record-Argus 5083: 5077: 5066: 5060: 5049: 5043: 5036: 5030: 5019: 5013: 5010:Pampa Daily News 5002: 4996: 4985: 4979: 4976: 4970: 4959: 4953: 4946: 4940: 4933: 4927: 4920: 4914: 4907: 4901: 4894: 4888: 4881: 4875: 4867: 4861: 4854: 4848: 4841: 4835: 4828: 4822: 4815: 4809: 4802: 4796: 4789: 4783: 4777: 4771: 4759: 4753: 4741: 4735: 4728: 4722: 4715:Hollywood Today! 4711: 4705: 4694: 4685: 4678: 4672: 4661: 4655: 4644: 4638: 4631: 4625: 4618: 4612: 4605: 4599: 4592: 4586: 4575: 4569: 4562: 4556: 4549: 4543: 4534: 4528: 4521: 4515: 4508: 4502: 4491: 4485: 4478: 4472: 4465: 4459: 4452: 4446: 4439: 4433: 4426: 4420: 4413: 4407: 4400: 4394: 4387: 4381: 4374: 4365: 4356: 4350: 4343: 4337: 4328: 4322: 4317: 4311: 4303: 4297: 4290: 4284: 4279: 4273: 4266: 4257: 4251: 4249: 4248: 4239:. 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5494: 5489: 5484: 5479: 5474: 5469: 5464: 5459: 5454: 5449: 5444: 5430: 5429: 5423:Lizabeth Scott 5420: 5414:Lizabeth Scott 5411: 5403: 5402:External links 5400: 5398: 5397: 5372: 5358: 5345: 5332: 5319: 5302: 5286: 5273: 5260: 5247: 5230: 5215: 5202: 5185: 5172: 5155: 5138: 5125: 5108: 5095: 5078: 5061: 5044: 5031: 5014: 4997: 4980: 4971: 4954: 4941: 4928: 4915: 4902: 4889: 4876: 4862: 4849: 4836: 4823: 4810: 4797: 4784: 4772: 4754: 4736: 4723: 4706: 4686: 4673: 4656: 4639: 4626: 4613: 4600: 4587: 4570: 4557: 4544: 4529: 4516: 4503: 4495:Confidential's 4486: 4473: 4460: 4447: 4434: 4421: 4408: 4395: 4382: 4366: 4351: 4338: 4323: 4312: 4298: 4285: 4274: 4258: 4254:Family Theater 4228: 4214: 4201: 4188: 4175: 4163: 4150: 4137: 4124: 4111: 4098: 4085: 4072: 4059: 4042: 4029: 4014: 3999: 3984: 3971: 3958: 3941: 3924: 3911: 3894: 3881: 3868: 3855: 3838: 3824: 3807: 3794: 3781: 3769: 3748: 3735: 3718: 3705: 3692: 3675: 3662: 3649: 3628: 3613: 3600: 3587: 3574: 3561: 3545: 3532: 3519: 3506: 3489: 3476: 3463: 3446: 3433: 3422: 3410: 3393: 3380: 3367: 3354: 3341: 3328: 3312: 3308:New York Times 3297: 3282: 3269: 3252: 3235: 3222: 3204: 3191: 3178: 3165: 3149: 3136: 3123: 3110: 3097: 3090:Dead Reckoning 3079: 3066: 3053: 3040: 3032:Along Broadway 3023: 3006: 2993: 2976: 2959: 2946: 2933: 2918: 2901: 2871: 2858: 2846: 2833: 2796: 2783: 2770: 2757: 2740: 2727: 2714: 2701: 2688: 2675: 2662: 2649: 2636: 2623: 2610: 2597: 2584: 2571: 2558: 2545: 2529: 2516: 2503: 2490: 2473: 2460: 2447: 2434: 2418: 2400: 2387: 2374: 2361: 2347: 2334: 2318: 2305: 2290: 2286:New York Times 2275: 2262: 2249: 2245:New York Times 2234: 2213: 2193: 2190:978-0865166110 2173: 2152: 2139: 2126: 2113: 2100: 2087: 2062: 2044: 2031: 2008: 1994:. 2015-03-16. 1976: 1948: 1932: 1925: 1905: 1898: 1877: 1875: 1872: 1871: 1870: 1863: 1860: 1855:Main article: 1852: 1849: 1836:Scott died of 1773: 1770: 1750:Burt Bacharach 1730:Philip Cochran 1726:William Dozier 1718:Helmut Dantine 1667:Louise Fazenda 1635: 1632: 1592:Main article: 1589: 1586: 1582:The Big Record 1531: 1528: 1441: 1438: 1370: 1365: 1360:Family Theater 1351:You Came Along 1336: 1333: 1235:You Came Along 1215: 1212: 1182:High Adventure 1049:Edmond O'Brien 959: 956: 920:Rosemarie Bowe 901:Robert Mitchum 857:Hunt Stromberg 853:Arthur Kennedy 824:New York Times 791:Robert Mitchum 779:Marilyn Monroe 714:Burt Lancaster 671: 668: 664:Dead Reckoning 625:Dead Reckoning 616: 614:Dead Reckoning 611: 606:Dead Reckoning 590:femmes fatales 521: 516: 514: 511: 503:You Came Along 495:You Came Along 456:You Came Along 447: 444: 419: 416: 414: 411: 387:Gloria Grahame 372:Miriam Hopkins 251: 248: 211:Barter Theatre 187: 184: 163:Dead Reckoning 133: 132: 124: 123: 119: 118: 115: 111: 110: 108: 107: 104: 101: 97: 95: 91: 90: 87: 83: 82: 76: 74:(aged 92) 68: 64: 63: 57: 44: 42: 38: 37: 34: 26: 25: 23:Lizabeth Scott 22: 15: 9: 6: 4: 3: 2: 5524: 5513: 5510: 5508: 5505: 5503: 5500: 5498: 5495: 5493: 5490: 5488: 5485: 5483: 5480: 5478: 5475: 5473: 5470: 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She did 196:Republican 186:Early life 142:Emma Matzo 51:1922-09-29 45:Emma Matzo 4963:Hollywood 4873:FindACase 4648:Hollywood 3455:Hollywood 3244:Hollywood 3015:Hollywood 2673:, p. 1927 2385:, p. 191" 1734:Herb Caen 1693:in 1966. 1602:Scott in 1321:Alan Ladd 1243:Dark City 1166:Dark City 1152:'s novel 990:Dark City 966:Scott in 877:Scott in 731:Deadlock. 581:film noir 562:Director 528:Scott in 479:Universal 454:Scott in 391:Star Dust 327:starring 286:blackouts 278:New Haven 146:film noir 122:Signature 117:1942–1972 5271:, p. 197 4952:, p. 214 4926:, p. 119 4913:, p. 163 4847:, p. 186 4808:, p. 112 4765:Lizabeth 4734:, p. 219 4598:, p. 374 4458:, p. 530 4419:, p. 116 4393:, p. 118 4364:, p. 598 4336:, p. 866 4212:, p. 135 4199:, p. 137 4161:, p. 123 4148:, p. 100 4135:, p. 257 4122:, p. 152 4109:, p. 126 4096:, p. 165 4083:, p. 136 3922:, p. 197 3716:, p. 233 3585:, p. 108 3543:, p. 296 3487:, p. 525 3352:, p. 157 3326:, p. 130 3220:, p. 468 3163:, p. 123 3147:, p. 161 3121:, p. 122 3051:, p. 105 3004:, p. 161 2820:New York 2813:(1947). 2686:, p. 446 2660:, p. 174 2634:, p. 471 2621:, p. 191 2582:, p. 132 2543:, p. 347 2445:, p. 445 2416:, p. 466 2398:, p. 519 2332:, p. 470 2060:, p. 380 1996:Archived 1862:See also 1792:pastiche 1577:Lizabeth 1551:(1957), 1455:(1956). 1403:lesbians 1301:Ali Baba 1245:(1950). 1210:(1972). 1198:(1957), 1019:Ayn Rand 937:'s play 632:Columbia 498:(1945). 464:Harper's 349:Mary Orr 312:Broadway 166:(1947), 160:(1946), 5416:at the 5284:, p. 64 5213:, p. 24 4900:, p. 31 4887:, p. 80 4769:Discogs 4611:, p. 69 4432:, p. 18 4272:, p. 98 4070:, p. 86 3660:, p. 30 3572:, p. 52 3280:, p. 85 3233:, p. 19 3176:, p. 20 3108:, p. 10 2699:, p. 66 1557:musical 1154:Scalpel 1118:, with 1106:Vertigo 1026:atheist 1011:destiny 943:at the 889:set of 761:Pitfall 718:Western 100:Actress 3816:Screen 3746:, p. 4 3077:, p. 1 2894:23 May 2824:London 2569:, p. 5 2208: 2188: 1923: 1896: 1606:(1963) 1291:, the 1251:method 970:(1952) 881:(1950) 837:(1948) 627:(1947) 532:(1946) 458:(1945) 140:(born 103:singer 2527:p. 12 2514:p. 97 1644:Texas 1530:Music 1407:Frede 1335:Radio 1021:, an 958:1950s 304:Rain, 250:Debut 106:model 5427:IMDb 2896:2014 2206:ISBN 2186:ISBN 1921:ISBN 1894:ISBN 1800:Pulp 1786:and 1779:Pulp 1655:Rome 1515:the 1287:and 1279:and 1207:Pulp 1122:and 1009:and 912:KLAC 789:and 746:day. 571:did. 301:play 264:and 242:and 67:Died 41:Born 5425:at 4767:," 1679:in 1227:of 1187:CBS 1103:'s 1041:In 930:.) 887:RKO 299:'s 276:in 232:'s 213:in 5438:: 5383:. 5313:, 5241:, 5196:, 5166:, 5149:, 5119:, 5089:, 5072:, 5055:, 5025:, 5008:, 4991:, 4965:, 4749:, 4717:, 4700:, 4689:^ 4667:, 4650:, 4581:, 4369:^ 4261:^ 4053:, 3952:, 3935:, 3905:, 3849:, 3818:, 3764:, 3751:^ 3729:, 3686:, 3631:^ 3616:^ 3500:, 3457:, 3404:, 3315:^ 3263:, 3246:, 3207:^ 3152:^ 3092:, 3034:, 3017:, 2987:, 2970:, 2921:^ 2912:, 2882:. 2826:: 2822:, 2751:, 2532:^ 2484:, 2403:^ 2321:^ 2073:. 2047:^ 2011:^ 1990:. 1979:^ 1963:. 1951:^ 1736:, 1732:, 1728:, 1724:, 1716:, 1712:, 1642:, 1630:. 1584:. 1398:. 1349:: 1323:, 1319:, 1315:, 1311:, 1299:, 1295:, 1283:, 1263:. 1061:. 1032:' 851:, 698:, 694:, 690:, 686:, 609:. 409:. 405:, 280:, 5394:. 4250:. 2898:. 2231:. 2170:. 2005:. 1973:. 1929:. 1902:. 1362:. 362:. 53:) 49:(

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