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him he should make sure he did not do it during any of her important lines, since she had a bit of business that would upstage him, if she had to. With that she raised her skirt high and adjusted her garter. Heflin is seen rolling a coin on his fingers several times in several scenes. Kirk
Douglas later wrote that Stanwyck was indifferent to him at first, until at one point she focused on him and told him, "Hey, you're pretty good." Douglas, smarting from having been ignored previously, replied, "Too late, Miss Stanwyck," but the two got on well after that.
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572:, who suggested that Wallis attend a play which featured Bacall's old drama school classmate, Issur Demsky, who later took the name Kirk Douglas. Douglas later wrote in his autobiography that Van Heflin was very helpful to him in his first time on a film set. In contrast to his later, tougher roles, Douglas plays an alcoholic weakling. According to Tony Thomas, "it assured Douglas his future in films". Future film director and producer
364:
stairs, accidentally killing her. When the power comes back on, Martha lies about the incident to Walter Sr. Even though Walter Jr. saw everything, he backs her up. The greedy Walter Sr. makes it clear to both Walter Jr. and Martha that he knows what happened but that as long as he and his son stand to benefit, he will play along. Sam leaves town.
407:
presses. As she is dying, she defiantly states her name is not Martha Ivers, but Martha Smith. Outside, Sam hears the shot. He runs toward the mansion and sees Walter holding Martha's body. Walter then shoots himself. In the final scene, Sam and Toni drive away from
Iverson. Sam says to Toni, "Don't look back."
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Stanwyck had considerable influence on how she was lit, and was not shy about putting her fellow actors on notice that she did not like to be upstaged. When she saw the coin trick Heflin had learned — at
Milestone's suggestion, to show that Heflin's character was a professional gambler — she informed
402:
Walter gets drunk and arranges to meet Sam to settle matters. Martha finds out about the meeting. When Walter drunkenly falls down the stairs, Martha urges Sam to kill her unconscious husband. Sam instead brings Walter around. Martha pulls out a gun and threatens to shoot Sam in "self-defense" as an
622:
Six months after the film's release, Milestone gave an interview in which he said he would never work for producer Hal B. Wallis again, because Wallis had wanted re-shoots in order to get more closeups of
Lizabeth Scott. Milestone refused, telling Wallis to shoot them himself, and, according to the
359:
factory town called
Iverstown, thirteen-year-old Martha Ivers tries to run away from the guardianship of her wealthy aunt, Mrs. Ivers, with her friend, the street-smart, poor Sam Masterson. She is caught and taken home, where Martha's tutor, Walter O'Neil Sr., presents his timid son, Walter Jr., as
406:
Martha drops the gun and Walter picks it up. Walter thinks she still loves Sam. Martha says she was afraid Walter would leave her. He embraces and kisses her. Just like nothing ever happened. Walter pulls out the gun and points at her midriff. She puts her thumb over his finger on the trigger and
398:
Sam is torn between his old love and his new one with Toni. Although he eventually forgives Toni for betraying him, he and Martha spend an idyllic day together, rekindling his feelings for her. Martha breaks down and laments that he left without her all those years ago, taking her only chance for
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in mind. When Martha reacts joyfully to seeing Sam, a jealous Walter forces Toni to set him up. Sam is beaten up and driven out of town, but he is too tough to be intimidated. When all else fails, Walter makes a half-hearted attempt to kill Sam himself but is easily disarmed. Walter inadvertently
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Sam, having been a soldier and itinerant gambler while he was away, drives into the small town by chance and, after an accident, leaves his car to be repaired. While waiting, he goes to his old home, now a boarding house. He meets
Antonia "Toni" Marachek, who has just been released from jail. She
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During a power failure, Sam comes for her, but Martha's aunt hears her calling to him from downstairs. While Sam slips out unnoticed, Mrs. Ivers starts beating Martha's kitten with her cane. Martha wrestles the cane away from her aunt and strikes her across the head, causing her to fall down the
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wrote in a glowing review that the film "is pervaded by guilty-liberal fascination with power and money." And continued by saying "Director Lewis
Milestone does little more than accent the hysteria of Rossen's script, though his portrait of the company town, bound in factory grime and feudal
274:
appears in his film debut. It follows a man who is reunited with his childhood friend and her husband; both the childhood friend and her husband believe that the man knows the truth about the mysterious death of the woman's wealthy aunt years prior. The screenplay was written by
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to the police: that an intruder murdered Martha's aunt. With that leverage, Walter Sr. had made Martha marry his son. When the police identified a former employee of the aunt as the murderer, the two
Walters and Martha helped convict him, and he was hanged.
684:
when it seems as though the director, Lewis
Milestone, and Robert Rossen, the author, will not be able to gather in all the pieces of the rambling plot. But they manage it expeditiously, if with less finesse and surprise than one could wish."
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gives us characterizations of uncommon depth... isn't a detective movie or a standard crime thriller, which helps support the notion that film noir is a style and not a genre. It's one of the best noirs around."
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The film's advertising campaign consisted only of teasers before its release: Newspapers ran advertisements reading, "Whisper her name!", while radio spots had a woman repeatedly whispering, "Martha Ivers".
340:
664:
wrote: "It is a complex story, but
Milestone used each detail to make his characters seem real, their actions not too far-fetched," and went on to praise the leading performances. John L. Scott of the
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and is married to Martha, who has used her inheritance to expand the Ivers milling empire. Their marriage is one-sided; he loves her, but Walter knows she does not love him.
403:
intruder. Sam tells her it would work if she could get Walter to corroborate her story. Saying he does not believe she will shoot him, Sam turns his back on her and leaves.
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on June 14, 1946. The audience at the London premiere was reportedly so taken by actress Lizabeth Scott's appearance that they began to mob her before the screening.
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praised the performances as raw and "geared toward the material," and added that the film "is not a pretty tale but it holds the attention down to the last scene."
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and premiered in London in June 1946, before opening in New York City on July 25, 1946. It received largely favorable reviews from critics, and received an
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in the 28th year after publication. Because of its public domain status, the film has received numerous home media releases in various formats since.
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left the film for several days in sympathy with a set decorators' strike which was going on at the time. In his absence, the film was directed by
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the one responsible for Martha's capture. Scolded by her aunt, Martha defiantly states her name is not Ivers, but Smith, her father's name.
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temporarily took over directorial duties while Lewis Milestone joined a Hollywood strike, though he is not credited. Producer
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610:, who did not receive screen credit. The film's shooting schedule was vigorous, with shoots often lasting 12 hours each day.
709:, complimented its psychological complexity, writing: "Many noirs create moods of corruption but Robert Rossen's script for
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temporarily took over directorial duties during production while Milestone participated in a Hollywood set decorators'
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misses her bus, and they spend the night in adjoining rooms in a hotel. She is later picked up for violating her
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combination set in 2012, though this edition was noted for having middling picture quality and featuring
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The film opened in New York City on July 24, 1946, and its release expanded wide on September 13, 1946.
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Through old newspapers Sam learns that Walter Sr. had presented Martha's version of the 1928
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by not returning to her hometown. Sam asks Walter to use his influence to get Toni released.
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Seventeen years later, in 1946, Walter Sr. is now dead, and Walter Jr. is now Iverstown's
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blurts out his fears of blackmail, only to learn that Sam had not witnessed the death.
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on October 25, 2002. The independent distributor HDClassics issued a restored DVD and
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The film has received acclaim from modern critics. It holds a 100% approval rating on
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The film marked the screen debut of Kirk Douglas, who was recommended to producer
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The film was adapted from the short story "Love Lies Bleeding" by playwright
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noted: "reminding one of a jigsaw puzzle, there are long stretches in
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1172:"'Strange Love of Martha Ivers,' 'Courage of Lassie' Have Premieres"
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had an uncredited bit part as a sailor who hitches a ride with Sam.
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283:), adapted from the short story "Love Lies Bleeding" by playwright
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Barbara Stanwyck was cast in the title role following her lead in
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930:. January 8, 1947. p. 8 – via Internet Archive.
1472:. Jackson, Mississippi: University Press of Mississippi.
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took place at Paramount Studios in Los Angeles. Director
1390:"The Strange Love of Martha Ivers: Formats and Editions"
1512:
Let's Face It: 90 Years of Living, Loving, and Learning
1415:"Strange Love of Martha Ivers Blu-Ray + DVD Combo Pack"
1006:
799:
List of films in the public domain in the United States
290:
Though Milestone is the film's sole credited director,
1144:. June 14, 1946. p. 6 – via Newspapers.com.
970:
942:"Festival de Cannes: The Strange Love of Martha Ivers"
1534:. Cambridge, England: Cambridge Scholars Publishing.
1491:. Lexington, Kentucky: University Press of Kentucky.
1370:
1104:. May 24, 1946. p. 5 – via Newspapers.com.
994:
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also reshot some sequences with Milestone's approval.
535:, the rights to which were acquired by screenwriter
302:, also directed reshoots with Milestone's approval.
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1643:is available for free viewing and download at the
1028:American Film Institute Catalog of Motion Pictures
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958:
934:
2351:
1043:"The Strange Love of Martha Ivers: Film Details"
1121:(December 8, 1946), reported in "Notes" in the
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864:
2099:
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1555:. New York City, New York: Carol Pub. Group.
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789:restoration from the original film elements.
1682:
1136:"The Strange Love of Martha Ivers (Carlton)"
1260:
1213:"The Screen In Review; At Loew's Criterion"
785:released a new Blu-ray edition featuring a
741:Best Writing, Original Motion Picture Story
318:Best Writing, Original Motion Picture Story
2113:
2106:
2092:
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1631:
1440:"Strange Love of Martha Ivers (Kino), The"
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27:
867:"The Strange Love of Martha Ivers (1946)"
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759:because the claimants did not renew its
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335:
324:because the claimants did not renew its
2440:Films with screenplays by Robert Rossen
1529:
1515:. New York City, New York: John Wiley.
1505:
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1201:. p. 9 – via Newspapers.com.
1180:. p. 5 – via Newspapers.com.
1165:
1163:
1000:
2352:
1548:
1532:Revisiting Language Learning Resources
1413:McQuain, Christopher (June 14, 2012).
1352:Baumgarten, Marjorie (June 15, 2012).
1318:
1012:
2087:
1656:
1530:Pascual, Carlos Periñán, ed. (2009).
1347:
1345:
1191:Scott, John L. (September 20, 1946).
1190:
1123:American Film Institute Catalog entry
851:
811:
1486:
1437:
1338:from the original on March 30, 2023.
1299:
1169:
1160:
1154:
988:
964:
688:
648:
328:in the 28th year after publication.
1469:Barbara Stanwyck: The Miracle Woman
1108:
865:Arnold, Jeremy (October 28, 2003).
13:
2390:Films about dysfunctional families
1452:from the original on June 3, 2023.
1427:from the original on June 3, 2023.
1402:from the original on June 3, 2023.
1366:from the original on June 3, 2023.
1354:"The Strange Love of Martha Ivers"
1342:
1314:from the original on June 2, 2023.
1302:"The Strange Love of Martha Ivers"
1289:from the original on June 3, 2023.
1277:"The Strange Love of Martha Ivers"
1225:from the original on June 3, 2023.
1055:from the original on June 3, 2023.
891:"The Strange Love of Martha Ivers"
883:
757:public domain in the United States
617:
322:public domain in the United States
14:
2466:
2410:Films directed by Lewis Milestone
1570:
1489:Hal Wallis: Producer to the Stars
838:served as an uncredited cowriter.
2310:The Strange Love of Martha Ivers
1908:The Strange Love of Martha Ivers
1640:The Strange Love of Martha Ivers
1624:The Strange Love of Martha Ivers
1613:The Strange Love of Martha Ivers
1602:The Strange Love of Martha Ivers
1591:The Strange Love of Martha Ivers
1578:The Strange Love of Martha Ivers
1438:Jane, Ian (September 26, 2022).
1239:The Strange Love of Martha Ivers
753:The Strange Love of Martha Ivers
711:The Strange Love of Martha Ivers
682:The Strange Love of Martha Ivers
632:The Strange Love of Martha Ivers
600:The Strange Love of Martha Ivers
349:The Strange Love of Martha Ivers
320:. In 1974, the film entered the
306:The Strange Love of Martha Ivers
244:The Strange Love of Martha Ivers
22:The Strange Love of Martha Ivers
2415:Films produced by Hal B. Wallis
1431:
1406:
1382:
1300:Kehr, David (January 1, 2000).
1293:
1229:
1205:
1193:"Drama of Murder At Paramounts"
1184:
1170:Cohn, Herbert (July 25, 1946).
1128:
1098:""Bedtime Hour" Begins At Noon"
1090:
1018:
653:
2375:American black-and-white films
1772:All Quiet on the Western Front
914:
828:
526:
355:On a rainy night in 1928 in a
1:
845:
746:
521:
2405:Films based on short fiction
2400:Films scored by Miklós Rózsa
2380:1940s English-language films
1584:AFI Catalog of Feature Films
896:AFI Catalog of Feature Films
767:Paramount Home Entertainment
727:
382:Walter is convinced Sam has
7:
792:
724:loyalty, is nicely done."
399:love and freedom with him.
298:, and the film's producer,
236:$ 3.25 million (US rentals)
10:
2471:
1459:
626:
579:
542:
448:as Antonia "Toni" Marachek
2435:Films shot in Los Angeles
2430:Films set in Pennsylvania
2328:
2213:
2122:
2014:
1804:The Captain Hates the Sea
1691:
1552:The Films of Kirk Douglas
1487:Dick, Bernard F. (2014).
1326:"The 19th Academy Awards"
922:"60 Top Grossers of 1946"
781:. On September 22, 2022,
703:, reviewing the film for
510:as Gallagher (uncredited)
310:1947 Cannes Film Festival
232:
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33:Theatrical release poster
26:
21:
2450:Paramount Pictures films
1828:The General Died at Dawn
804:
2445:Murder–suicide in films
901:American Film Institute
834:In addition to Rossen,
779:digital noise reduction
697:, based on 10 reviews.
539:for a sum of $ 35,000.
410:
331:
191:July 25, 1946
180:June 13, 1946
1466:Callahan, Dan (2012).
1119:Los Angeles Sun Mirror
761:copyright registration
674:A review published in
623:director, Wallis did.
595:
504:as Sailor (uncredited)
460:as young Walter O'Neil
440:as young Sam Masterson
352:
326:copyright registration
156:Hal Wallis Productions
1860:My Life with Caroline
1796:Hallelujah, I'm a Bum
1549:Thomas, Tony (1991).
1048:Turner Classic Movies
879:on December 10, 2017.
872:Turner Classic Movies
769:released the film on
587:
426:as young Martha Ivers
347:
308:was entered into the
2455:1940s American films
2370:American drama films
2254:The Roaring Twenties
2187:They Came to Cordura
2004:Mutiny on the Bounty
1359:The Austin Chronicle
1275:(November 5, 2002).
1177:Brooklyn Daily Eagle
1102:Toledo Union Journal
947:Cannes Film Festival
661:Brooklyn Daily Eagle
658:Herbert Cohn of the
516:as John (uncredited)
199: (New York City)
62:"Love Lies Bleeding"
2171:Alexander the Great
2055:Dangerous Innocence
1836:The Night of Nights
1724:Two Arabian Knights
1087:, pp. 151–153.
1068:, pp. 152–153.
954:on January 2, 2013.
279:(and an uncredited
247:is a 1946 American
2395:Films about murder
2337:The Undercover Man
2286:Blues in the Night
2246:Dust Be My Destiny
2147:All the King's Men
1940:Halls of Montezuma
1743:(uncredited, 1928)
1732:The Garden of Eden
1607:TCM Movie Database
1334:. 4 October 2014.
1218:The New York Times
677:The New York Times
596:
353:
166:Paramount Pictures
2425:Films set in 1946
2420:Films set in 1928
2347:
2346:
2302:A Walk in the Sun
2230:They Won't Forget
2179:Island in the Sun
2081:
2080:
2031:The Yankee Consul
1900:A Walk in the Sun
1868:Our Russian Front
1541:978-1-443-80867-5
1522:978-0-470-08469-4
1498:978-0-813-15951-5
1479:978-1-617-03184-7
1221:. July 25, 1946.
1198:Los Angeles Times
1015:, pp. 33–36.
689:Modern assessment
668:Los Angeles Times
649:Critical response
480:as Bobbi St. John
454:as Walter O'Neil
434:as Sam Masterson
392:accidental murder
369:district attorney
345:
254:film directed by
240:
239:
2462:
2365:1946 drama films
2294:Edge of Darkness
2108:
2101:
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2085:
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1892:The Purple Heart
1876:Edge of Darkness
1716:The New Klondike
1677:
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1645:Internet Archive
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1141:Evening Standard
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1115:Milestone, Lewis
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950:. Archived from
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875:. Archived from
862:
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554:Double Indemnity
496:Charles D. Brown
420:as Martha Ivers
418:Barbara Stanwyck
346:
260:Barbara Stanwyck
198:
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187:
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89:Barbara Stanwyck
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2262:A Child Is Born
2209:
2155:The Brave Bulls
2118:
2112:
2082:
2077:
2010:
1916:Arch of Triumph
1844:Of Mice and Men
1812:Paris in Spring
1764:New York Nights
1687:
1685:Lewis Milestone
1681:
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1629:Rotten Tomatoes
1573:
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795:
749:
739:nomination for
730:
717:Dave Kehr from
695:Rotten Tomatoes
691:
656:
651:
629:
620:
618:Post-production
604:Lewis Milestone
582:
566:Humphrey Bogart
545:
529:
524:
519:
492:as Detective #1
466:Judith Anderson
413:
336:
334:
316:nomination for
256:Lewis Milestone
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109:Judith Anderson
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2023:Up and at 'Em
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551:'s film noir
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537:Robert Rossen
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2222:Marked Woman
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1932:The Red Pony
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1377:Pascual 2009
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1252:November 14,
1250:. Retrieved
1244:
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1001:Douglas 2007
996:
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952:the original
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925:
916:
904:. Retrieved
894:
885:
877:the original
870:
830:
819:Byron Haskin
813:
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755:entered the
752:
750:
735:received an
733:John Patrick
731:
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654:Contemporary
643:
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621:
612:
608:Byron Haskin
599:
597:
559:
552:
549:Billy Wilder
546:
533:John Patrick
530:
490:James Flavin
472:Roman Bohnen
452:Kirk Douglas
424:Janis Wilson
405:
401:
397:
389:
381:
373:
366:
362:
357:Pennsylvania
354:
348:
305:
304:
292:Byron Haskin
289:
285:John Patrick
272:Kirk Douglas
243:
242:
241:
208:Running time
142:Miklós Rózsa
104:Kirk Douglas
66:John Patrick
2329:As producer
2318:Desert Fury
2214:Screenplays
2195:The Hustler
2123:As director
2071:Bobbed Hair
2015:Screenplays
1708:The Caveman
1013:Thomas 1991
783:Kino Lorber
598:Filming of
527:Development
498:as McCarthy
458:Mickey Kuhn
72:Produced by
39:Directed by
2360:1946 films
2354:Categories
2063:The Teaser
1996:Ocean's 11
1748:The Racket
1331:Oscars.org
1117:interview
846:References
747:Home media
593:Van Heflin
522:Production
484:Frank Orth
432:Van Heflin
264:Van Heflin
233:Box office
195:1946-07-25
184:1946-06-13
149:Production
94:Van Heflin
49:Written by
2385:Film noir
2114:Films by
1980:The Widow
1683:Films by
1155:Dick 2014
989:Dick 2014
965:Dick 2014
817:Director
751:In 1974,
728:Accolades
478:Ann Doran
384:blackmail
377:probation
212:1hr 56min
128:Edited by
16:1946 film
1948:Kangaroo
1756:Betrayal
1692:Directed
1618:AllMovie
1509:(2007).
1450:Archived
1445:DVD Talk
1425:Archived
1420:DVD Talk
1400:Archived
1395:WorldCat
1364:Archived
1336:Archived
1312:Archived
1287:Archived
1282:DVD Talk
1223:Archived
1053:Archived
793:See also
706:DVD Talk
557:(1944).
225:Language
138:Music by
82:Starring
59:Based on
1740:Tempest
1605:at the
1581:at the
1460:Sources
1241:(1946)"
927:Variety
906:June 2,
775:Blu-ray
627:Release
580:Filming
543:Casting
252:tragedy
228:English
217:Country
193: (
182: (
151:company
2340:(1949)
2321:(1947)
2313:(1946)
2305:(1945)
2297:(1943)
2289:(1941)
2281:(1941)
2273:(1941)
2265:(1939)
2257:(1939)
2249:(1939)
2241:(1938)
2233:(1937)
2225:(1937)
2206:(1964)
2203:Lilith
2198:(1961)
2190:(1959)
2182:(1957)
2174:(1956)
2166:(1954)
2158:(1951)
2150:(1949)
2142:(1947)
2134:(1947)
2074:(1925)
2066:(1925)
2058:(1925)
2050:(1925)
2042:(1924)
2034:(1924)
2026:(1922)
2007:(1962)
1999:(1960)
1991:(1959)
1983:(1955)
1975:(1954)
1967:(1953)
1959:(1952)
1951:(1952)
1943:(1951)
1935:(1949)
1927:(1948)
1919:(1948)
1911:(1946)
1903:(1945)
1895:(1944)
1887:(1943)
1879:(1943)
1871:(1942)
1863:(1941)
1855:(1940)
1847:(1939)
1839:(1939)
1831:(1936)
1823:(1936)
1815:(1935)
1807:(1934)
1799:(1933)
1791:(1932)
1783:(1931)
1775:(1930)
1767:(1929)
1759:(1929)
1751:(1928)
1735:(1928)
1727:(1927)
1719:(1926)
1711:(1926)
1703:(1925)
1559:
1538:
1519:
1495:
1476:
1025:"Cast"
636:London
351:(1946)
296:strike
2163:Mambo
1964:Melba
805:Notes
287:.
1788:Rain
1596:IMDb
1557:ISBN
1536:ISBN
1517:ISBN
1493:ISBN
1474:ISBN
1254:2020
908:2023
591:and
568:and
411:Cast
332:Plot
266:and
249:noir
1627:at
1616:at
1594:at
771:DVD
564:by
64:by
2356::
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1398:.
1392:.
1362:.
1356:.
1344:^
1328:.
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1285:.
1279:.
1262:^
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1215:.
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1174:.
1162:^
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853:^
787:4K
743:.
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262:,
2107:e
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1544:.
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1256:.
1237:"
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197:)
186:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
