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master, in fact, Mombello will significantly accentuate his tendency towards decorativism. The contrast is evident in the early days, marked by a more careful recovery of
Moretto, and maturity, aimed at decorative exuberance, which leads him to achieve a pictorial style that can be considered Mannerist. Mombello himself organized a school of painting. It is supposed that inside there could be specialized help in making lace, jewels, flowers.
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The
Tradition, he wants skilled woodcarver of frames and, as such, seems to have entered the workshop of Moretto. His first occupation can somehow explain the anomalous absence of youth paintings and the subsequent predilection for overloaded compositions, full of ornaments. After the death of the
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Few works by
Mombello were dated by himself, and just as rare are the autograph works. Surely among the first works, if not the first ever after the death of the master, is the completion of
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His figures, over the years, gradually tended to lose monumentality, to become thinner, until they appeared almost archaic. Painted by the still strong
Moretti influences is the
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Della Vita delle pitture di
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This article about an
Italian painter born in the 16th century is a
22:(active mid-late 16th century) was an Italian painter of the late-
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Madonna with Child, San Rocco, San
Sebastiano and San Giuseppe
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at
Brescia, dated 1580, about 8–10 years before his death.
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The Mystic
Marriage of Saint Catherine and two Saints
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