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prompted his indigenism; he took an interest in depicting the city and its inhabitants. In 1919 his Cuzco paintings attracted attention at an exhibition in Lima. As Jane Turner explains, "in 1919 was the first exhibition of the work of JOSÉ SABOGAL at the Casa
Brandes in Lima, an event that would
143:. These efforts were so successful that in "the field of the visual arts, the most striking phenomenon of the 1920s was the rise of José Sabogal (1888-1956), founder and long-time leader of the so-called '
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movement of his country. As Daniel
Balderston, Mike Gonzalez, and Ana M. López assert, Sabogal "became Peru's militant indigenist and aesthetic nationalist, and led this movement for the next thirty years.
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Although
Sabogal's own descent was Spanish rather than indigenous, he promoted pre-Columbian culture and esthetics. A six month stay in
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96:(National School of Fine Arts, Lima) from 1920 onward. He served as its director from 1932 to 1943. Afterward Sabogal and
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Sabogal decided to promote
Peruvian art to international audiences after a 1922 visit to Mexico where he met
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A Cultural
History of Latin America: Literature, Music and the Visual Arts in the 19th and 20th Centuries
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74:) and North Africa from 1908 to 1913 before enrolling in the National School of Fine Arts in
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Institute for the Study of
Ideologies and Literature, Instituto de Cine y Radio-Televisión,
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Garcilaso de la Vega and the "New
Peruvian Man": José Sabogal’s frescoes at the Hotel Cuzco.
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115:(born 1958), is a bilingual (Spanish-Polish) novelist, poet, translator and astrologer.
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v. 3, nos. 11-14 (Institute for the Study of
Ideologies and Literature., 1980), 76.
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On 19 March 2014, Google celebrated José Sabogal's 125th
Birthday with a doodle.
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who was "the most renowned early supporter" and thus a leader in the artistic
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Holliday T. Day, Hollister
Sturges, Edward Lucie-Smith, and Damián Bayón,
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Encyclopedia of contemporary Latin American and Caribbean cultures
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Artists from Latin American Cultures: A Biographical Dictionary
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El "kero", vaso de libaciones cusqueño de madera pintada
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El "kero", vaso de libaciones cusqueño de madera pintada
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José Sabogal's work in the peruvian digital art archive
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Kristin G. Congdon and Kara Kelley Hallmark (2002).
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Daniel Balderston, Mike Gonzalez, and Ana M. López,
265:Sara Benson, Paul Hellander, and Rafael Wlodarski,
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485:"19 March: Remembering José Sabogal on Birthday"
342:Encyclopedia of Latin American and Caribbean Art
177:(The bull in the Peruvian popular arts) (1949);
254:Art of the fantastic: Latin America, 1920-1987
223:Art History. (Jan/Feb 2010, Vol 33), 124–149.
195:(About Peruvian art and other essays) (1975).
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128:be immensely influential on the future..."
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219:Shreffler, Michael J. and Jessica Welton.
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256:(Indianapolis Museum of Art, 1987), 128.
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408:El toro en las artes populares del Perú
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108:(National Museum of Peruvian Culture).
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94:Escuela Nacional de Bellas Artes, Lima
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85:In 1922 he married a poet and writer
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316:. Greenwood Press. pp. 238–240.
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193:Del arte en el Perú y otros ensayos
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559:20th-century Peruvian male artists
549:Peruvian people of Spanish descent
434:El desván de la imaginería peruana
187:El desván de la imaginería peruana
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82:where he studied for five years.
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269:(Lonely Planet, 2007), 49.
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160:: Arte vernacular peruano
34:– December 15, 1956, in
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511:|last=
528:Categories
494:2023-03-18
469:2023-03-18
241:References
119:Indigenism
51:indigenist
80:Argentina
68:Cajamarca
64:Cajabamba
58:Biography
32:Cajabamba
503:cite web
47:muralist
40:Peruvian
38:) was a
203:Tribute
183:(1952);
171:(1945);
162:(1945);
43:painter
139:, and
125:Cuzco
72:Italy
515:help
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