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Joseph Duveen, 1st Baron Duveen

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77: 687: 564: 788: 714:. Duveen wrote their names and slipped it on a piece of paper to his father, when the lady was almost finished she innocently asked "We are buying so many tapestries, you must be wondering why?" Duveen's father immediately beamed and said "Of course not, Lady Guinness, you have so many beautiful homes, you will need more than one tapestry to decorate them!" The Guinnesses were subsequently ennobled in the 1890s; Duveen had successfully flattered Mrs Guinness by addressing her as "Lady Guinness". 632: 795: 384: 139: 703:
collections. He went to great lengths to purchase great works of art and his network went well beyond American millionaires, English royalty, and art critics. He also relied heavily on valets, maids and butlers of his own household and those of his clients. Because he was capable of making potentially generous payments to top-flight servants, he was often rewarded with information to which other art dealers never had access.
36: 272: 733:, and the Mellon and Kress collections now in the National Gallery of Art in Washington and elsewhere. Duveen exploited his American clients' wish for immortality through buying great works of art, an ambition in which they were successful: today only economic historians can name the rich partners of Frick, Mellon or Morgan. One of his later clients was 710:, illustrates this. When Duveen was still a young man in his father's employment, a well-to-do couple came into the store to buy tapestries. As the lady was choosing and picking up pieces generously, Duveen's father discreetly asked him to find out who these people were. Duveen went outside to the horseman and was told that the couple were 555:. The works that Duveen shipped across the Atlantic remain the core collections of many of the United States' most famous museums. Duveen played an important role in selling to self-made industrialists on the notion that buying art was also buying upper-class status. He greatly expanded the market, especially for 702:
Duveen greatly increased the trade in bringing great works of art from Europe to America. He eventually became "the art dealer", through shrewd planning and his insight into human behaviour. If a great painting came onto the market, he always outbid the opposition and eventually acquired the finest
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Maastricht in 2006 for $ 95,000. Müller-Ury also painted a full-length standing portrait of his daughter Dorothy as a girl in 1914, and in 1924, at the time of her engagement, a bust-length portrait, which was exhibited the following year at Müller-Ury's exhibition at Duveen Brothers as 'Miss X'.
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panel paintings by scraping off old varnish and giving the paintings a glossy finish. He was also personally responsible for the damaging restoration work done to the Elgin Marbles. Unhappy with the remnants of ancient pigment on the Marbles, he asked his agents to scrub them with sharp tools in
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paintings with the help of Bernard Berenson, who certified some questionable attributions, but whose ability to put an artistic personality behind paintings helped market them to purchasers whose dim perception of art history was as a series of biographies of "masters."
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His success is famously attributed to his observation that "Europe has a great deal of art, and America has a great deal of money." He made his fortune by buying works of art from declining European aristocrats and selling them to the millionaires of the United States.
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Duveen quickly became enormously wealthy and made many philanthropic donations. He donated paintings to British galleries and gave considerable sums to repair and expand several galleries and museums. He built the Duveen Gallery of the
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The Duveen brothers' firm became very successful and became involved in trading antiques. Duveen Senior died in 1908; Joseph took over the business, working in partnership with his late father's brother
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Duveen married Elsie (1881–1963), daughter of Gustav Salomon of New York, on 31 July 1899. They had a daughter, Dorothy Rose (1903–1985). She married, firstly,
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of Millbank in the City of Westminster in 1927 and raised to the peerage as Baron Duveen of Millbank in the City of Westminster on 3 February 1933.
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In 1921, Duveen was sued by Andrée Hahn for $ 500,000 after making comments questioning the authenticity of a version of the Leonardo painting
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that she owned and had planned to sell. The case took seven years to come to trial and after the first jury returned an
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Duveen played a large part in forming many of the collections that are now in North American museums, for example the
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Duveen's portrait was painted by many artists, but his best painter-friend was the Swiss-born American artist
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and quickly became one of the world's leading art dealers due to his good eye, sharpened by his reliance on
1673: 1510: 1011: 694:, Washington. Photographs prove Duveen significantly altered the hair and headdress to make it look like a 1586: 993:"The Man of La Belle Ferronière: A fake Leonardo? The scandalous court case of art dealer Joseph Duveen" 963: 819:
On either side a Lion guardant Gules charged on the shoulder with a Plate thereon a Chinese Dragon Azure
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Joseph Duveen was British by birth, the eldest of thirteen children of Rosetta (Barnett) and
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of the 1440s. It is now catalogued as by an unknown "Franco-Flemish Master" of about 1410.
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order to make them white. A number of the paintings he sold have turned out to be
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Finding Aid for the Duveen Brother Records at the Getty Research Institute
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In front of a Garb Or banded Azure two Trefoils in saltire slipped Vert
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was staged in 1962; the title character was clearly based on Duveen.
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in London. The baronetcy and barony became extinct upon his death.
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Duveen: The Story of the Most Spectacular Art Dealer of All Time
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In recent years, Duveen's reputation has suffered considerably.
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Duveen Brother's stock documentations from the dealer's library
645: 757: 678:; it is uncertain whether he knew this when they were sold. 1366: 500:. He had received a thorough and stimulating education at 813:
Argent on a Bend Azure three Bees volant Or a Chief Gules
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The oldest Western panel portrait of a woman, now in the
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immigrant who had set up a prosperous import business in
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Lord Duveen died in May 1939 aged 69 and is buried in
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Rachel Cohen: "Priceless – How Art Became Commerce".
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Duveen had always kept a number of grand 64:Learn how and when to remove these messages 18:Joseph Duveen, 1st Baron Duveen of Millbank 1358: 1344: 362:(14 October 1869 – 25 May 1939), known as 270: 1574:List of Turner Prize winners and nominees 958: 872: 468:Learn how and when to remove this message 241:Learn how and when to remove this message 223:Learn how and when to remove this message 121:Learn how and when to remove this message 1040: 938: 918: 685: 630: 562: 84:This article includes a list of general 1215: 1126: 1066: 706:One incident from Behrman's biography, 617:Sir William Francis Cuthbert Garthwaite 14: 1684:English people of Dutch-Jewish descent 1669:Businesspeople from Kingston upon Hull 1646: 1339: 1009: 990: 833: 756:'s 2004 biography, and later sold at 1704:Burials at Willesden Jewish Cemetery 1216:Behrman, S. B. (29 September 1951). 1086: 893: 889: 887: 587:and funded a major extension of the 406:adding citations to reliable sources 377: 329: 161:adding citations to reliable sources 132: 70: 29: 1100: 669:working under his guidance damaged 623:, of Upper Wimpole Street, London. 24: 1127:Chapman, John (20 November 1962). 1010:Kehoe, Elisabeth (November 2004). 793: 786: 373: 90:it lacks sufficient corresponding 25: 1720: 1198: 1175:, 8 October 2012. pp. 64–71. 928:. 18 February 1927. p. 1111. 884: 417:"Joseph Duveen, 1st Baron Duveen" 172:"Joseph Duveen, 1st Baron Duveen" 45:This article has multiple issues. 1304:Baronetage of the United Kingdom 1041:Stamberg, Susan (9 March 2015). 1028:10.1111/j.1468-2281.2004.00220.x 610: 382: 137: 75: 34: 1129:"'Lord Pengo' Gently Civilized" 1120: 991:Nanol, Emmabeth (23 May 2013). 948:. 7 February 1933. p. 825. 857:A popular Broadway play called 393:needs additional citations for 360:Joseph Duveen, 1st Baron Duveen 325: 148:needs additional citations for 53:or discuss these issues on the 1060: 1034: 1003: 984: 952: 932: 912: 898:. Springer. pp. 148–152. 626: 27:British art dealer (1869–1939) 13: 1: 1276:Peerage of the United Kingdom 1094:"The Illustrated London News" 599:For his philanthropy, he was 571:in the Duveen Gallery of the 1511:Outset Contemporary Art Fund 512:, and skilled salesmanship. 7: 1219:"Profile of Duveen: Part 1" 10: 1725: 1709:Barons created by George V 1689:Jewish British politicians 844:, the character played by 825:Honor Industriae Praemium 594: 364:Sir Joseph Duveen, Baronet 1610: 1519: 1480: 1416: 1373: 1314: 1309: 1302: 1286: 1281: 1274: 962:staff (5 November 1921). 770:Willesden Jewish Cemetery 745:and tapestries in stock. 681: 502:University College School 347: 339: 312: 296: 281: 269: 257: 1406:Palais de Danse, St Ives 1365: 894:Titi, Catharine (2023). 1401:Barbara Hepworth Museum 854:is inspired by Duveen. 775: 692:National Gallery of Art 545:John D. Rockefeller Sr. 525:William Randolph Hearst 105:more precise citations. 1500:Sir Joseph Duveen, Bt. 873:References and sources 798: 791: 765:also painted Dorothy. 727:Art Gallery of Ontario 699: 649: 575: 482:Sir Joseph Joel Duveen 1699:English Sephardi Jews 1180:Duveen: A Life in Art 797: 790: 763:Dorothy Elaine Vicaji 689: 634: 566: 712:Mr and Mrs. Guinness 655:La belle ferronnière 637:La belle ferronnière 621:St George's Hospital 549:Edward T. Stotesbury 402:improve this article 260:The Right Honourable 157:improve this article 1674:English art dealers 1618:Frankfurt Art Theft 1580:The Weather Project 1116:. 11 February 2020. 1016:Historical Research 851:The French Dispatch 782: 529:Henry E. Huntington 276:Duveen in the 1920s 1267:. 3 November 1951. 1258:. 27 October 1951. 1249:. 20 October 1951. 1240:. 13 October 1951. 971:The New York Times 945:The London Gazette 925:The London Gazette 848:in Wes Anderson's 834:In popular culture 799: 792: 780: 731:Huntington Library 725:collection at the 700: 650: 576: 551:, and a Canadian, 352:Joseph Joel Duveen 1641: 1640: 1334: 1333: 1231:. 6 October 1951. 905:978-3-031-26356-9 831: 830: 750:Adolfo Müller-Ury 721:in New York, the 642:Leonardo da Vinci 553:Frank Porter Wood 519:Clients included 478: 477: 470: 452: 357: 356: 251: 250: 243: 233: 232: 225: 207: 131: 130: 123: 68: 16:(Redirected from 1716: 1448:John Rothenstein 1360: 1353: 1346: 1337: 1336: 1272: 1271: 1268: 1266: 1259: 1257: 1250: 1248: 1241: 1239: 1232: 1230: 1223: 1221: 1178:Meryle Secrest: 1144: 1143: 1141: 1139: 1124: 1118: 1117: 1104: 1098: 1097: 1090: 1084: 1083: 1064: 1058: 1057: 1055: 1053: 1038: 1032: 1031: 1022:(198): 503–519. 1007: 1001: 1000: 988: 982: 981: 979: 977: 968: 956: 950: 949: 936: 930: 929: 916: 910: 909: 891: 783: 779: 743:French furniture 719:Frick Collection 603:in 1919, made a 521:Henry Clay Frick 510:Bernard Berenson 473: 466: 462: 459: 453: 451: 410: 386: 378: 333: 331: 327: 303: 274: 255: 254: 246: 239: 228: 221: 217: 214: 208: 206: 165: 141: 133: 126: 119: 115: 112: 106: 101:this article by 92:inline citations 79: 78: 71: 60: 38: 37: 30: 21: 1724: 1723: 1719: 1718: 1717: 1715: 1714: 1713: 1644: 1643: 1642: 1637: 1606: 1515: 1476: 1466:Nicholas Serota 1425:Charles Holroyd 1412: 1369: 1364: 1324: 1319: 1292: 1261: 1252: 1243: 1234: 1225: 1201: 1191:The Old Masters 1148: 1147: 1137: 1135: 1125: 1121: 1106: 1105: 1101: 1092: 1091: 1087: 1065: 1061: 1051: 1049: 1039: 1035: 1008: 1004: 997:blogs.getty.edu 989: 985: 975: 973: 966: 957: 953: 937: 933: 917: 913: 906: 892: 885: 875: 836: 778: 684: 629: 613: 597: 533:Samuel H. Kress 498:Henry J. Duveen 474: 463: 457: 454: 411: 409: 399: 387: 376: 374:Life and career 335: 323: 319: 308: 307:London, England 305: 301: 292: 286: 285:14 October 1869 277: 265: 264:The Lord Duveen 262: 247: 236: 235: 234: 229: 218: 212: 209: 166: 164: 154: 142: 127: 116: 110: 107: 97:Please help to 96: 80: 76: 39: 35: 28: 23: 22: 15: 12: 11: 5: 1722: 1712: 1711: 1706: 1701: 1696: 1691: 1686: 1681: 1676: 1671: 1666: 1661: 1656: 1639: 1638: 1636: 1635: 1632:The Upper Room 1627: 1620: 1614: 1612: 1608: 1607: 1605: 1604: 1597: 1590: 1583: 1576: 1571: 1570: 1569: 1564: 1559: 1554: 1549: 1544: 1539: 1534: 1523: 1521: 1517: 1516: 1514: 1513: 1508: 1502: 1497: 1491: 1484: 1482: 1478: 1477: 1475: 1474: 1473:(2017–present) 1468: 1462: 1456: 1450: 1444: 1439: 1437:Charles Aitken 1434: 1428: 1420: 1418: 1414: 1413: 1411: 1410: 1409: 1408: 1398: 1393: 1388: 1386:Tate Liverpool 1383: 1377: 1375: 1371: 1370: 1363: 1362: 1355: 1348: 1340: 1332: 1331: 1326: 1313: 1307: 1306: 1300: 1299: 1294: 1285: 1279: 1278: 1270: 1269: 1213: 1208: 1200: 1199:External links 1197: 1196: 1195: 1183: 1176: 1173:The New Yorker 1169: 1156:S.N. 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S. MacColl 1429: 1426: 1422: 1421: 1419: 1415: 1407: 1404: 1403: 1402: 1399: 1397: 1394: 1392: 1389: 1387: 1384: 1382: 1379: 1378: 1376: 1372: 1368: 1361: 1356: 1354: 1349: 1347: 1342: 1341: 1338: 1330: 1327: 1323: 1321:(of Millbank) 1320: 1318: 1312: 1308: 1305: 1301: 1298: 1295: 1291: 1290: 1284: 1280: 1277: 1273: 1265: 1256: 1247: 1238: 1229: 1220: 1214: 1212: 1209: 1206: 1203: 1202: 1193: 1192: 1187: 1184: 1181: 1177: 1174: 1170: 1167: 1166:0-241-02179-0 1163: 1159: 1155: 1154: 1153: 1152: 1134: 1130: 1123: 1115: 1114: 1109: 1103: 1095: 1089: 1081: 1077: 1073: 1069: 1068:Behrman, S.N. 1063: 1048: 1044: 1037: 1029: 1025: 1021: 1017: 1013: 1006: 998: 994: 987: 972: 965: 961: 955: 947: 946: 941: 935: 927: 926: 921: 915: 907: 901: 897: 890: 888: 883: 880: 879: 870: 868: 867:Charles Boyer 865:and starring 864: 863:S. N. 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B. Manson 1396:Tate St Ives 1381:Tate Britain 1328: 1322: 1315: 1311:New creation 1310: 1296: 1289:Baron Duveen 1287: 1283:New creation 1282: 1189: 1179: 1172: 1157: 1150: 1149: 1136:. Retrieved 1132: 1122: 1111: 1102: 1088: 1071: 1062: 1050:. Retrieved 1046: 1036: 1019: 1015: 1005: 996: 986: 974:. Retrieved 970: 959: 954: 943: 934: 923: 914: 895: 877: 876: 858: 856: 849: 846:Adrien Brody 839: 837: 767: 747: 716: 707: 705: 701: 664: 660:open verdict 653: 651: 635: 614: 598: 589:Tate Gallery 577: 541:J. P. 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Joseph Duveen, 1st Baron Duveen of Millbank
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